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“As we duel, as we chat, there's an understanding that "your black is not my black" and "your weird is not my weird" and "your beautiful is not my beautiful," and that's okay. It' brings tears to my eyes if I think about it too long.”
― Brittney Morris, Slay

“I want you to imagine for a minute,â€� she begins. “I know it’s going to be hard for both of you, but just imagine—that literally nothing was made for you. Your parents were denied a house because of their skin color, your grandparents were sprayed with fire hoses and ripped apart by dogs in the streets, your great-grandparents were housemaids and mammies and barely paid entertainers, and your great-great-grandparents were slaves. Every movie in your life is majority Black, all the characters in your favorite books have been cast darker in the movie adaptation for no reason, and every mistake you make is because of your skin color and because of “your backgroundâ€� and because of the music you listen to. You are the only white kids at a school of five hundred Blacks, and every Black person at that school asks you to weigh in on what it’s like to be white, or what white people think about this or that. It’s not fun.”
― Brittney Morris, Slay

“As we duel, as we chat, there’s an understanding that “your Black is not my Blackâ€� and “your weird is not my weirdâ€� and “your beautiful is not my beautiful,â€� and that’s okay.”
― Brittney Morris, SLAY

“I think I love SLAY so much because we’re a mutually empathetic collective. As we duel, as we chat, there’s an understanding that “your Black is not my Blackâ€� and “your weird is not my weirdâ€� and “your beautiful is not my beautiful,â€� and that’s okay.”
― Brittney Morris, SLAY

“All I ever wanted to do was escape into this magical world where for once I don’t have to act a certain way because I’m Black, and where I don’t have to answer certain questions because I’m the Black authority in the room, and where if I do something that’s not stereotypically Black, I’m different.”
― Brittney Morris, Slay

“She looks extra comfy in her pink pajama bottoms and gray Hello Kitty tank top, and I’m glad I wore my sweats and a loose T-shirt, otherwise I’d be asking to borrow some of her pj’s. That’s how you know you have a best friend on your hands. Regular friends invite you over and ask if you’d like water or coffee or something. Best friends offer you their favorite raspberry soda and their comfiest clean pajamas. Best friends can meet up after not speaking for a while, as if nothing happened.”
― Brittney Morris, SLAY

“separate is not equal”
― Brittney Morris, Slay

“How do I juggle both? Can I keep existing like this, as Kiera, and as Emerald?”
― Brittney Morris, SLAY

“What does un-silence look like?”
― Brittney Morris, SLAY

“How am I supposed to tell her yes without giving the disclaimer that I can’t speak for all Black people, and that she could ask any of us this question and get a different answer every time?”
― Brittney Morris, SLAY

“quoted Elie Wiesel in my Boston University essay, and it’s coming back up with a vengeance, like a bad case of heartburn: “We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.”
― Brittney Morris, SLAY

“I take a deep breath and wonder if Malcolm will ever understand. He surrounds himself with Black rhetoric in the form of written words. I surround myself with the company of Black gamers worldwide. What’s the difference?”
― Brittney Morris, SLAY

“My name is John, and when it comes to playing video games, I have no idea what I’m doing.”
― Brittney Morris, SLAY

“At Belmont, where 50 percent of the students are Black, and 70 percent are people of color, Malcolm and I got to be normal. Nobody was asking to touch my twist-out, nobody was asking him about his locs, and nobody was asking us for permission to appropriate Black culture as if we’re the authority for our entire race.”
― Brittney Morris, Slay

“And there, in the middle of the Charles de Gaulle Airport, I sink into a flawless nay-nay and offer a silent thank you up to my ancestors, or karma, or whatever.”
― Brittney Morris, Slay

“I’ve always tried to choose concepts that edify all of us, but it’s getting harder and harder to think of things every single one of us can relate to.”
― Brittney Morris, SLAY

“In SLAY, all I have to explain to people is how the game works. I don’t have to explain the cards. If you play the game, you understand. All this time, I’ve imagined a similar world at Spelman.”
― Brittney Morris, SLAY

“The walls may have been defaced with vandalism, and the lockers may have been falling apart, but at least we got to be ourselves.”
― Brittney Morris, SLAY

“To him, video games may be a distraction from becoming great, but I meant for it to do the exact opposite: to showcase how awesome we are as Black people, how multifaceted, resilient, and colorful we are. [...] “They make things ‘just for usâ€� all the time—we’ve got Black movies and Black History Month. They give us our own shit to distract us from the fact that we don’t have control over their shit. Separate is not equal. That doesn’t even come close to leveling the field.”
― Brittney Morris, Slay