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“Toward the middle of the fifteenth century a sizable group of German painters and printmakers reacted against the lingering influence of the so-called international or soft style--supple in form and idyllic in temperament--and adopted a new, sometimes brutal realism. In a few cases, as with Konrad Witz, the new style took the form of an unprecedented concern with presenting solid, blocky figures in simple, well-defined spaces. In the work of other artists such as the Master of the Karlsruhe Passion, the Master of the Erfurt Regler Altar, and Hans Multscher, the new style was characterized by expressionistic tendencies: intentional coarseness of form and ugly, uncouth and often dwarflike figure types.”
― Alan Shestack, Fifteenth Century Engravings of Northern Europe from the National Gallery of Art