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Max Scheler

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Max Scheler


Born
in Munich, Germany
August 22, 1874

Died
April 19, 1928

Genre

Influences


Max Scheler (August 22, 1874, Munich � May 19, 1928, Frankfurt am Main) was a German philosopher known for his work in phenomenology, ethics, and philosophical anthropology. Scheler developed further the philosophical method of the founder of phenomenology, Edmund Husserl, and was called by José Ortega y Gasset "the first man of the philosophical paradise." After his demise in 1928, Heidegger affirmed, with Ortega y Gasset, that all philosophers of the century were indebted to Scheler and praised him as "the strongest philosophical force in modern Germany, nay, in contemporary Europe and in contemporary philosophy as such."[1] In 1954, Karol Wojtyła, later Pope John Paul II, defended his doctoral thesis on "An Evaluation of the Possibility ...more

Average rating: 3.87 · 1,055 ratings · 96 reviews · 137 distinct worksSimilar authors
Ressentiment

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4.07 avg rating — 294 ratings — published 1912 — 38 editions
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The Human Place in the Cosm...

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3.60 avg rating — 326 ratings — published 1928 — 60 editions
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The Nature of Sympathy

3.74 avg rating — 54 ratings — published 1923 — 37 editions
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Formalism in Ethics and Non...

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4.24 avg rating — 41 ratings — published 1973 — 32 editions
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Ordo Amoris

4.15 avg rating — 41 ratings3 editions
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La Idea del Hombre y La His...

3.49 avg rating — 35 ratings — published 1998 — 2 editions
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Pismanlik ve Yeniden Dogus

3.68 avg rating — 25 ratings
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On Feeling, Knowing, and Va...

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4.14 avg rating — 22 ratings — published 1992 — 6 editions
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On the Eternal in Man

really liked it 4.00 avg rating — 20 ratings — published 1921 — 45 editions
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Selected Philosophical Essa...

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4.29 avg rating — 17 ratings — published 1973 — 6 editions
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More books by Max Scheler…
Quotes by Max Scheler  (?)
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“Existential envy which is directed against the other person’s very nature, is the strongest source of ressentiment. It is as if it whispers continually: “I can forgive everything, but not that you are� that you are what you are—that I am not what you are—indeed that I am not you.� This form of envy strips the opponent of his very existence, for this existence as such is felt to be a “pressure,� a “reproach,� and an unbearable humiliation. In the lives of great men there are always critical periods of instability, in which they alternately envy and try to love those whose merits they cannot but esteem. Only gradually, one of these attitudes will predominate. Here lies the meaning of Goethe’s reflection that “against another’s great merits, there is no remedy but love.”
Max Scheler
tags: envy

“All ancient philosophers, poets, and moralists agree that love is a striving, an aspiration of the “lower� toward the “higher,� the “unformed� toward the “formed,� ... “appearance� towards “essence,� “ignorance� towards “knowledge,� a “mean between fullness and privation,� as Plato says in the Symposium. ... The universe is a great chain of dynamic spiritual entities, of forms of being ranging from the “prima materia� up to man—a chain in which the lower always strives for and is attracted by the higher, which never turns back but aspires upward in its turn. This process continues up to the deity, which itself does not love, but represents the eternally unmoving and unifying goal of all these aspirations of love. Too little attention has been given to the peculiar relation between this idea of love and the principle of the “agon,� the ambitious contest for the goal, which dominated Greek life in all its aspects—from the Gymnasium and the games to dialectics and the political life of the Greek city states. Even the objects try to surpass each other in a race for victory, in a cosmic “agon� for the deity. Here the prize that will crown the victor is extreme: it is a participation in the essence, knowledge, and abundance of “being.� Love is only the dynamic principle, immanent in the universe, which sets in motion this great “agon� of all things for the deity.
Let us compare this with the Christian conception. In that conception there takes place what might be called a reversal in the movement of love. The Christian view boldly denies the Greek axiom that love is an aspiration of the lower towards the higher. On the contrary, now the criterion of love is that the nobler stoops to the vulgar, the healthy to the sick, the rich to the poor, the handsome to the ugly, the good and saintly to the bad and common, the Messiah to the sinners and publicans. The Christian is not afraid, like the ancient, that he might lose something by doing so, that he might impair his own nobility. He acts in the peculiarly pious conviction that through this “condescension,� through this self-abasement and “self-renunciation� he gains the highest good and becomes equal to God. ...
There is no longer any “highest good� independent of and beyond the act and movement of love! Love itself is the highest of all goods! The summum bonum is no longer the value of a thing, but of an act, the value of love itself as love—not for its results and achievements. ...
Thus the picture has shifted immensely. This is no longer a band of men and things that surpass each other in striving up to the deity. It is a band in which every member looks back toward those who are further removed from God and comes to resemble the deity by helping and serving them.”
Max Scheler
tags: love

“The precepts “Love your enemies, do good to them which hate you, bless them that curse you� ... are born from the Gospel’s profound spirit of individualism, which refuses to let one’s own actions and conduct depend in any way on somebody else’s acts. The Christian refuses to let his acts be mere reactions—such conduct would lower him to the level of his enemy. The act is to grow organically from the person, “as the fruit from the tree.� ... What the Gospel demands is not a reaction which is the reverse of the natural reaction, as if it said: “Because he strikes you on the cheek, tend the other”—but a rejection of all reactive activity, of any participation in common and average ways of acting and standards of judgment.”
Max Scheler, Ressentiment