Marcelo Hernández Castillo
Born
Zacatecas, Mexico
Website
Genre
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Children of the Land
10 editions
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published
2020
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Cenzontle
3 editions
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published
2018
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Here to Stay: Poetry and Prose from the Undocumented Diaspora
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What Saves Us: Poems of Empathy and Outrage in the Age of Trump
by
2 editions
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published
2019
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Dulce: Poems (Drinking Gourd Chapbook Poetry Prize)
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On Poetics, Identity & Latinidad: CantoMundo Poets Speak Out
by
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published
2015
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The Squaw Valley Review 2011
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Here to Stay: Poetry and Prose from the Undocumented Diaspora
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“When I came undocumented to the U.S., I crossed into a threshold of invisibility. Every act of living became an act of trying to remain visible. I was negotiating a simultaneous absence and presence that was begun by the act of my displacement: I am trying to dissect the moment of my erasure. I tried to remain seen for those whom I desired to be seen by, and I wanted to be invisible to everyone else. Or maybe I was trying to control who remembered me and who forgot me. But I couldn’t control what someone else saw in me, only persuade them that it was an illusion. There were things that I could not hide, things that would come out of me and expose me in my most vulnerable moments. It was my skin, my dark hair, my cheekbones, that I swore would give me away. I was afraid of the way I walked. It was easy to imagine being hit by a car, because even if they didn’t see me, I would for once be able to feel my body as more than smoke.”
― Children of the Land
― Children of the Land
“I ventured to believe that the function of the border wasn’t only to keep people out, at least that was not its long-term function. Its other purpose was to be visible, to be seen, to be carried in the imaginations of migrants deep into the interior of the country, in the interior of their minds. It was a spectacle meant to be witnessed by the world, and all of its death and violence was and continues to be a form of social control, the way that kings of the past needed to behead only one petty thief in the public square to quell thousands more.”
― Children of the Land
― Children of the Land
“On the plane, I wondered if there was an exact point when we were no longer in one country and inside another, or if there was ever a moment when I occupied no country. If ever that was possible, it was possible up in the air. There was no clear correlation between what was happening down below and up above. I had heard that at the official port of entry there were turnstiles, just like the subway, ushering the travelers forward. If such turnstiles existed, you could map the precise moment when half of your body was here and the other half was there. I could measure; all I wanted was that little gold stamp that said I clicked past onto the other side, I entered, I returned, I was measured, counted for, recorded.
Would a sudden coldness come over us when our bodies moved over the actual line of the border? Wasn’t that how loneliness began, with the coldness of our bodies?”
― Children of the Land
Would a sudden coldness come over us when our bodies moved over the actual line of the border? Wasn’t that how loneliness began, with the coldness of our bodies?”
― Children of the Land
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