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“The campus, an academy of trees,
under which some hand, the wind's I guess,
had scattered the pale light
of thousands of spring beauties,
petals stained with pink veins;
secret, blooming for themselves.
We sat among them.
Your long fingers, thin body,
and long bones of improbable genius;
some scattered gene as Kafka must have had.
Your deep voice, this passing dust of miracles.
That simple that was myself, half conscious,
as though each moment was a page
where words appeared; the bent hammer of the type
struck against the moving ribbon.
The light air, the restless leaves;
the ripple of time warped by our longing.
There, as if we were painted
by some unknown impressionist.”
― Ruth Stone, In the Next Galaxy

“Stone: Yes, we are everything, every experience we've ever had, and in some of us, a lot of it translates and makes patterns, poems. But, my God, we don't even began to touch upon it. There's an enormous amount, but we can touch such a little.

Interviewer: That's true, just a very small portion.

Stone: Very small. I think that's one of the things that our minds do; they sort out, somehow, often, and make patterns of significant things to us. And I think our minds do that for us in the dark, and then they offer them back in poems. I think your mind makes up your poem before you get it. You know, you receive the poem from your mind, you know you do. It takes a multitude of experiences, and all this language, and all this sound, and puts it together in these patterns that are significant to you and gives it back to you.”
― Ruth Stone