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Stuart Connelly

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Stuart Connelly

Å·±¦ÓéÀÖ Author


Born
in Syracuse, New York, The United States
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Member Since
January 2011


Author and screenwriter Stuart Connelly learned to write before he could crawl but to this day vacillates over which is the more impressive skill.

His book with Clarence B. Jones about Mr. Jones' intimate role in the 1963 March On Washington, Behind The Dream, was published in January 2011 by Palgrave Macmillan, and his digital short story collection, Confessions of a Velour-Shirted Man, is currently available.

A native of Syracuse, New York, Stuart currently divides his time between Manhattan and rural Pennsylvania. He is a recent National Education Press Award winner and a featured writer for The Huffington Post.
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Dialogue Isn't Just for Screenplays

But conversation, like therapy, is its own sort of "talking cure." I, for one, want to talk it out. The Suspect is a natural extension of that drive.
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Published on April 22, 2014 07:16
Average rating: 3.67 · 536 ratings · 103 reviews · 20 distinct works â€� Similar authors
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Stuart’s Recent Updates

Quotes by Stuart Connelly  (?)
Quotes are added by the Å·±¦ÓéÀÖ community and are not verified by Å·±¦ÓéÀÖ.

“Don't say you're sorry, ask me how much it cost.”
Stuart Connelly

“Do you prefer fermented or distilled?
This is a trick question. It doesn’t matter how much you like wine, because wine is social and writing is anti-social. This is a writer’s interview, writing is a lonely job, and spirits are the lubricant of the lonely. You might say all drinking is supposed to be social but there’s a difference, at one in the morning while you’re hunched over your computer, between opening up a bottle of Chardonnay and pouring two-fingers of bourbon into a tumbler. A gin martini, of course, splits the difference nicely, keeping you from feeling like a deadline reporter with a smoldering cigarette while still reminding you that your job is to be interesting for a living. Anyone who suggests you can make a martini with vodka, by the way, is probably in need of electroconvulsive therapy.”
Stuart Connelly

“I took a breath. Pictured the bed waiting for me upstairs. Then retreated to the lobby
bar alone and ordered an ice-cold gin martini, a small signal to myself that my work was
done. I held the glass, its inverted construction an insult to gravity and the order of things.
Just like our Movement, from the outside the balance of power seems all wrong. But hold a
martini glass in your hand and you know instinctively that it is just right.”
Stuart Connelly, Confessions of a Velour-Shirted Man

“Do you prefer fermented or distilled?
This is a trick question. It doesn’t matter how much you like wine, because wine is social and writing is anti-social. This is a writer’s interview, writing is a lonely job, and spirits are the lubricant of the lonely. You might say all drinking is supposed to be social but there’s a difference, at one in the morning while you’re hunched over your computer, between opening up a bottle of Chardonnay and pouring two-fingers of bourbon into a tumbler. A gin martini, of course, splits the difference nicely, keeping you from feeling like a deadline reporter with a smoldering cigarette while still reminding you that your job is to be interesting for a living. Anyone who suggests you can make a martini with vodka, by the way, is probably in need of electroconvulsive therapy.”
Stuart Connelly




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