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Ed     Park

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Ed Park

Å·±¦ÓéÀÖ Author


Born
in Buffalo, New York, The United States
August 02

Website

Genre

Influences
Powell, Nabokov, Wodehouse, Portis, Keeler, Adler, Ingalls

Member Since
February 2007


I'm the author of the forthcoming story collection AN ORAL HISTORY OF ATLANTIS (July 2025)—preorder it now!

My novel SAME BED DIFFERENT DREAMS (2023) was named a finalist for the Pulitzer Prize, and won the Los Angeles Times Book Prize for fiction. It's now out in paperback.

My debut novel, PERSONAL DAYS (2008), was named a top 10 fiction book by Time Magazine and one of the decade's top 10 pop culture moments by The Atlantic. It was a finalist for the PEN/Hemingway Award, the Asian American Literary Award, and the John Sargent Sr. First Novel Prize.

WEIRD MENACE, a long story in the form of a DVD commentary track, is available as an Audible Original. (It will also appear in AN ORAL HISTORY OF ATLANTIS.)

What else? I'm a founding editor of TH
...more

SBDD paperback is out now!

Exciting news—the paperback version of SBDD is out now, available at your favorite stores and online.

And if you're in New York City, come to the launch event on Thursday, November 21 at 7 pm. I'll be in conversation with Ava Chin, author of the acclaimed nonfiction book MOTT STREET.

The fantastic Yu & Me Books will be hosting the event at New Design High School at 350 Grand St.

More information ( Read more of this blog post »
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Published on November 11, 2024 14:57
Average rating: 3.64 · 5,899 ratings · 1,228 reviews · 49 distinct works â€� Similar authors
Same Bed Different Dreams

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Turtle Diary

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Personal Days

3.26 avg rating — 1,673 ratings — published 2008 — 8 editions
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Escape Velocity: A Charles ...

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4.02 avg rating — 402 ratings — published 2012 — 10 editions
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Afternoon Men

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The New World: Comics from ...

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Buffalo Noir (Akashic Noir)

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3.59 avg rating — 140 ratings — published 2013 — 7 editions
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Weird Menace

2.47 avg rating — 86 ratings3 editions
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An Oral History of Atlantis...

4.18 avg rating — 28 ratings — expected publication 2025 — 3 editions
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Like Cormac McCarthy, But F...

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2.38 avg rating — 13 ratings2 editions
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Quotes by Ed Park  (?)
Quotes are added by the Å·±¦ÓéÀÖ community and are not verified by Å·±¦ÓéÀÖ.

“A few insect skeletons lay scattered on the narrow sill, shiny and precise and sad as broken jewelry.”
Ed Park, Personal Days

“Maxine will sometimes compliment us on our hair or other aspects of our scruffy appearance. The next day, or even later the same day, she'll send an all-caps e-mail asking why a certain form is not on her desk. This will prompt a peppy reply, one barely stifling a howl of fear:

Hey Maxine!
The document you want was actually put in your in-box yesterday around lunchtime. I also e-mailed it to you and Russell. Let me know if you can't find it!
Thanks!
Laars

P.S. I'm also attaching it again as a Word doc, just in case.

There's so much wrong here: the fake-vague around lunchtime, the nonsensical Thanks, the quasi-casual postscript. The exclamation points look downright psychotic.”
Ed Park, Personal Days

“A: Is this the copy that you read as a kid?
E: Yes. Look at the edges--that turquoise color. It's lighter along the top, from where the sun hit it. Now look at this gorgeous color here, the long edge. Beautiful. Makes me nostalgic.
A: For what?
E: I don't know. The age of turquoise page edges. Somewhere there's a grad student doing her dissertation on the inks used in twentieth-century mass-market paperbacks. ”
Ed Park

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“A few insect skeletons lay scattered on the narrow sill, shiny and precise and sad as broken jewelry.”
Ed Park, Personal Days

“A: Is this the copy that you read as a kid?
E: Yes. Look at the edges--that turquoise color. It's lighter along the top, from where the sun hit it. Now look at this gorgeous color here, the long edge. Beautiful. Makes me nostalgic.
A: For what?
E: I don't know. The age of turquoise page edges. Somewhere there's a grad student doing her dissertation on the inks used in twentieth-century mass-market paperbacks. ”
Ed Park

“Maxine will sometimes compliment us on our hair or other aspects of our scruffy appearance. The next day, or even later the same day, she'll send an all-caps e-mail asking why a certain form is not on her desk. This will prompt a peppy reply, one barely stifling a howl of fear:

Hey Maxine!
The document you want was actually put in your in-box yesterday around lunchtime. I also e-mailed it to you and Russell. Let me know if you can't find it!
Thanks!
Laars

P.S. I'm also attaching it again as a Word doc, just in case.

There's so much wrong here: the fake-vague around lunchtime, the nonsensical Thanks, the quasi-casual postscript. The exclamation points look downright psychotic.”
Ed Park, Personal Days

“Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.â€� Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.”
David Mitchell, The Bone Clocks

“We are in front of a fountain, whose jet she seems to be watching. 'Those are your thoughts and mine. Look where they all start from, how high they reach, and then how it's still prettier when they fall back. And then they dissolve immediately, driven back up with the same strength, then there's that broken spurt again, that fall ... and so on indefinitely.”
André Breton, Nadja




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