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Edmund de Waal

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Edmund de Waal


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Edmund de Waal describes himself as a 'potter who writes'. His porcelain has been displayed in many museum collections around the world and he has recently made a huge installation for the dome of the Victoria and Albert Museum in London. Edmund was apprenticed as a potter, studied in Japan, and read English Literature at Cambridge University. 'The Hare with Amber Eyes', a journey through the history of a family in objects, is his most personal book.

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Average rating: 3.95 · 65,207 ratings · 4,517 reviews · 46 distinct works â€� Similar authors
The Hare With Amber Eyes: A...

3.95 avg rating — 60,786 ratings — published 2010 — 18 editions
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Letters to Camondo

4.15 avg rating — 1,964 ratings — published 2021 — 24 editions
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The White Road: Journey Int...

3.81 avg rating — 1,368 ratings — published 2015 — 42 editions
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The Hare with Amber Eyes: A...

4.19 avg rating — 75 ratings
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The Pot Book

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4.20 avg rating — 74 ratings — published 2011 — 5 editions
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20th Century Ceramics

4.22 avg rating — 49 ratings7 editions
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Edmund de Waal Library of E...

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4.25 avg rating — 28 ratings
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Edmund de Waal

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4.27 avg rating — 22 ratings — published 2014
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Bernard Leach

3.64 avg rating — 22 ratings — published 1997 — 5 editions
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Timeless Beauty: Traditiona...

4.17 avg rating — 12 ratings3 editions
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“With languages, you can move from one social situation to another. With languages, you are at home anywhere.”
Edmund de Waal, The Hare With Amber Eyes: A Family's Century of Art and Loss

“How objects are handed on is all about story-telling. I am giving you this because I love you. Or because it was given to me. Because I bought it somewhere special. Because you will care for it. Because it will complicate your life. Because it will make someone else envious. There is no easy story in legacy. What is remembered and what is forgotten?”
Edmund de Waal, The Hare With Amber Eyes: A Family's Century of Art and Loss

“There is something about that burning of all those letters that gives me pause: why should everything be made clear and be brought into the light? Why keep things, archive your intimacies? Why not let thirty years of shared conversation go spiralling in ash up into the air of Tunbridge Wells? Just because you have it does not mean you have to pass it on. Losing things can something gain you a space in which to live.”
Edmund de Waal, The Hare With Amber Eyes: A Family's Century of Art and Loss

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