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鬲丕乇賷禺 賵賷賵鬲賵亘賷丕
鬲丕乇賷禺 賵賷賵鬲賵亘賷丕" 賴賷 丕賱鬲乇噩賲丞 丕賱丨乇賮賷丞 賱賱毓賳賵丕賳 丕賱兀氐賱賷 賱賱賰鬲丕亘 丕賱氐丕丿乇 亘丕賱賮乇賳爻賷丞 爻賳丞 1960貙 賵賴賵 丕賱乇丕亘毓 賮賷 爻噩賱 兀毓賲丕賱 爻賷賵乇丕賳. 賷毓丿 賴匕丕 丕賱賰鬲丕亘 賲賳 兀賰孬乇 賰鬲亘 爻賷賵乇丕賳 賳馗丕賲丕賸 賵賳爻賯賷丞 賮賷 亘賳賷鬲賴 丕賱賮賰乇賷丞 賵丕賱丕爻賱賵亘賷丞, 賮賴賵 卮兀賳賴 卮兀賳 "睾賵丕賷丞 丕賱賵噩賵丿" 賷禺囟毓 賱卮賰賱賺 賳孬乇賷 匕賷 丨亘賰丞 賮賱爻賮賷丞 賵丕囟丨丞 賮賷 丕賱賳馗乇丞 廿賱賶 丕賱賵噩賵丿. 廿匕 兀賳 噩賱賻 丕賱賳氐賵氐 丕賱鬲賷 賷丨鬲賵賷賴丕 氐丿乇鬲 賮賷 馗乇賵賮賺 賲毓賷賳丞 賲賳 丨賷丕丞 丕賱賰丕鬲亘. 賮丕賱賳氐 丕賱兀賵賱 丕賱匕賷 賷賮鬲鬲丨 "鬲丕乇賷禺 賵賷賵鬲賵亘賷" 賱賴 賯氐丞 禺丕氐賻丞 鬲噩毓賱 賲賳賴 卮丕賴丿丕賸 毓賱賶 丕賱丨賯亘丞 丕賱夭賲賳賷丞 丕賱鬲賷 禺胤賻 賮賷賴丕 賵毓賱賶 丕賱亘賳賷丞 丕賱賮賰乇賷丞 賱爻賷賵乇丕賳. 賵賱卅賳 噩丕亍鬲 賴匕賴 丕賱乇爻丕賱丞 廿賱賶 氐丿賷賯 亘毓賷丿" 禺丕賱賷丞 賲賳 賰賱 廿卮丕乇丞 廿賱賶 賴賵賷賻丞 賴匕丕 丕賱氐丿賷賯貙 賮廿賳 匕賱賰 賱丕 賷賳賲賻 毓賳 賳賷賻丞 鬲囟賱賷賱賷丞 鬲禺氐賻 兀爻賱賵亘 丕賱鬲卮賵賷賯貙 丕賱匕賷 賷賳鬲賴噩賴 丕賱賰丕鬲亘 賷馗賴乇 匕賱賰 噩賱賷丕賸 賲賳匕 賲胤賱毓 "乇爻丕賱鬲賴" 廿賱賶 氐丿賷賯賴 丕賱亘毓賷丿: "賲賳 鬲賱賰 丕賱亘賱丕丿 丕賱鬲賷 賰丕賳鬲 賱賳丕 賵賱賲 鬲毓丿 賱兀丨丿貙 兀賳鬲 鬲賱丨賻 毓賱賷 亘毓丿 賰賱 賴匕賴 丕賱爻賳賵丕鬲 賲賳 丕賱氐賲鬲貙 賰賷 兀賲丿賰 亘亘毓囟 丕賱鬲賮丕氐賷賱 毓賲賻丕 賷卮睾賱賳賷貙 賵賰匕賱賰 毓賳 賴匕丕 丕賱毓丕賱賲 "丕賱乇丕卅毓" 丕賱匕賷 鬲賯賵賱 廿賳賻賷 賲丨馗賵馗 亘爻賰賳丕賴 賵丕賱鬲噩賵丕賱 賮賷賴...". 賵賷毓賱賯 毓賱賶 賴匕丕 丕賱賳氐 丕賱卮丕毓乇 兀賷賲賳 丨爻賳 賮賷 賲賯丿賲丞 丕賱賰鬲丕亘 亘兀賳 賮賴賲 丕賱丿丕卅乇丞 丕賱賰丕賲賳丞 賮賷 賰鬲丕亘 "鬲丕乇賷禺 賵賷賵鬲賵亘賷丕" 亘賭 兀賵賱丕賸 : 丕賱賳馗丕賲 丕賱夭賲賳賷 丕賱禺丕氐 亘丕賱賳氐 賷賲鬲丿 毓賱賶 賲丕囟 亘毓賷丿 毓賱賶 睾乇丕乇 丕賱氐丿賷賯 賳賮爻賴貙 兀賷 兀賳 丕賱乇亘胤 亘賷賳 丕賱賲丕囟賷 丕賱賵噩賷夭 毓賳 胤乇賷賯 毓亘丕乇丞 "賰丕賳鬲" 賵丕賱丨丕囟乇 丕賱賲胤賱賯 兀賷 丕賱氐丕賱丨 賱賰賱 夭賲丕賳 賵賲賰丕賳 毓賳 胤乇賷賯 毓亘丕乇丞 "賱賲 鬲毓丿 賱兀丨丿" 賷賮乇囟 丕賱賯胤賷毓丞 亘賷賳 丕賱賰丕鬲亘 賵賲賵胤賳賴 賲賳 噩賴丞 賵亘賷賳 丕賱氐丿賷賯賷賳 賲賳 噩賴丞 兀禺乇賶貙 賲賲賻丕 賷賯賱亘 乇兀爻丕賸 毓賱賶 毓賯亘 賲賵丕夭賷賳 丕賱氐丿丕賯丞 丕賱鬲賷 賰丕賳鬲 亘賷賳 丕賱乇噩賱賷賳貙 丕賱丕賷丿賷賵賱賵噩賷丕 丕賱賲卮鬲乇賰丞.
亘賴匕賴 丕賱賱睾丞 賷賰鬲亘 丕賲賷賱 爻賷賵乇丕賳 賮賴賵 賲賳 丕賱賲丐賱賮賷賳 丕賱匕賷賳 賷氐毓亘 丕禺鬲夭丕賱 賳氐賵氐賴賲 賵鬲氐賳賷賮賴丕貙 賱兀賳 賰孬賷乇丕賸 賲賳賴丕 賷賲賰賳 賯乇丕亍鬲賴 賰賳氐 卮毓乇賷 賵丕賱亘毓囟 丕賱丌禺乇 賷賯乇兀 賰賳氐 賮賱爻賮賷 毓賲賷賯貙 賱賰賳賴 賮賷 "鬲丕乇賷禺 賵賷賵鬲賵亘賷丕" 賷噩賲毓 亘賷賳 氐賮丞 丕賱卮丕毓乇 賵丕賱賮賷賱爻賵賮 賵賷囟賷賯 賱賴賲丕 賱賯亘丕賸 噩丿賷丿丕賸 賴賵 "丕賱賲丐乇禺".
賲丨鬲賵賷丕鬲 丕賱賰鬲丕亘: 1- 賮賷 氐賳賮賷賳 賲賳 丕賱賲噩鬲賲毓丕鬲 (乇爻丕賱丞 廿賱賶 氐丿賷賯 亘毓賷丿)貙 2- 乇賵爻賷丕 兀賵 賮丕賷乇賵爻 丕賱丨乇賷賻丞貙 3- 賮賷 賲丿乇爻丞 丕賱胤睾丕丞貙 4- 兀賵丿賷爻丕 丕賱囟毓賳賷賳丞貙 5- 賲賷賰丕賳賷夭賲丕鬲 丕賱賷賵鬲賵亘賷丕貙 6- 丕賱毓氐乇 丕賱匕賴亘賷.
亘賴匕賴 丕賱賱睾丞 賷賰鬲亘 丕賲賷賱 爻賷賵乇丕賳 賮賴賵 賲賳 丕賱賲丐賱賮賷賳 丕賱匕賷賳 賷氐毓亘 丕禺鬲夭丕賱 賳氐賵氐賴賲 賵鬲氐賳賷賮賴丕貙 賱兀賳 賰孬賷乇丕賸 賲賳賴丕 賷賲賰賳 賯乇丕亍鬲賴 賰賳氐 卮毓乇賷 賵丕賱亘毓囟 丕賱丌禺乇 賷賯乇兀 賰賳氐 賮賱爻賮賷 毓賲賷賯貙 賱賰賳賴 賮賷 "鬲丕乇賷禺 賵賷賵鬲賵亘賷丕" 賷噩賲毓 亘賷賳 氐賮丞 丕賱卮丕毓乇 賵丕賱賮賷賱爻賵賮 賵賷囟賷賯 賱賴賲丕 賱賯亘丕賸 噩丿賷丿丕賸 賴賵 "丕賱賲丐乇禺".
賲丨鬲賵賷丕鬲 丕賱賰鬲丕亘: 1- 賮賷 氐賳賮賷賳 賲賳 丕賱賲噩鬲賲毓丕鬲 (乇爻丕賱丞 廿賱賶 氐丿賷賯 亘毓賷丿)貙 2- 乇賵爻賷丕 兀賵 賮丕賷乇賵爻 丕賱丨乇賷賻丞貙 3- 賮賷 賲丿乇爻丞 丕賱胤睾丕丞貙 4- 兀賵丿賷爻丕 丕賱囟毓賳賷賳丞貙 5- 賲賷賰丕賳賷夭賲丕鬲 丕賱賷賵鬲賵亘賷丕貙 6- 丕賱毓氐乇 丕賱匕賴亘賷.
166 pages, Paperback
First published January 1, 1960
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About the author
Emil M. Cioran
154听books4,136听followersBorn in 1911 in R膬葯inari, a small village in the Carpathian Mountains of Romania, raised under the rule of a father who was a Romanian Orthodox priest and a mother who was prone to depression, Emil Cioran wrote his first five books in Romanian. Some of these are collections of brief essays (one or two pages, on average); others are collections of aphorisms. Suffering from insomnia since his adolescent years in Sibiu, the young Cioran studied philosophy in the 鈥渓ittle Paris鈥� of Bucarest.
A prolific publicist, he became a well-known figure, along with Mircea Eliade, Constantin No茂ca, and his future close friend Eugene Ionesco (with whom he shared the Royal Foundation鈥檚 Young Writers Prize in 1934 for his first book, On the Heights of Despair).
Influenced by the German romantics, by Schopenhauer, Nietzsche, and the Lebensphilosophie of Schelling and Bergson, by certain Russian writers, including Chestov, Rozanov, and Dostoyevsky, and by the Romanian poet Eminescu, Cioran wrote lyrical and expansive meditations that were often metaphysical in nature and whose recurrent themes were death, despair, solitude, history, music, saintliness and the mystics (cf. Tears and Saints, 1937) 鈥� all of which are themes that one finds again in his French writings. In his highly controversial book, The Transfiguration of Romania (1937), Cioran, who was at that time close to the Romanian fascists, violently criticized his country and his compatriots on the basis of a contrast between such 鈥渓ittle nations鈥� as Romania, which were contemptible from the perspective of universal history and great nations, such as France or Germany, which took their destiny into their own hands.
After spending two years in Germany, Cioran arrived in Paris in 1936. He continued to write in Romanian until the early 1940s (he wrote his last article in Romanian in 1943, which is also the year in which he began writing in French). The break with Romanian became definitive in 1946, when, in the course of translating Mallarm茅, he suddenly decided to give up his native tongue since no one spoke it in Paris. He then began writing in French a book that, thanks to numerous intensive revisions, would eventually become the impressive 'A Short History of Decay' (1949) -- the first of a series of ten books in which Cioran would continue to explore his perennial obsessions, with a growing detachment that allies him equally with the Greek sophists, the French moralists, and the oriental sages. He wrote existential vituperations and other destructive reflections in a classical French style that he felt was diametrically opposed to the looseness of his native Romanian; he described it as being like a 鈥渟traight-jacket鈥� that required him to control his temperamental excesses and his lyrical flights. The books in which he expressed his radical disillusionment appeared, with decreasing frequency, over a period of more than three decades, during which time he shared his solitude with his companion Simone Bou茅 in a miniscule garret in the center of Paris, where he lived as a spectator more and more turned in on himself and maintaining an ever greater distance from a world that he rejected as much on the historical level (History and Utopia, 1960) as on the ontological (The Fall into Time, 1964), raising his misanthropy to heights of subtlety (The Trouble with being Born, 1973), while also allowing to appear from time to time a humanism composed of irony, bitterness, and preciosity (Exercices d鈥檃dmiration, 1986, and the posthumously published Notebooks).
Denied the right to return to Romania during the years of the communist regime, and attracting international attention only late in his career, Cioran died in Paris in 1995.
Nicolas Cavaill猫s
Translated by Thomas Cousineau
A prolific publicist, he became a well-known figure, along with Mircea Eliade, Constantin No茂ca, and his future close friend Eugene Ionesco (with whom he shared the Royal Foundation鈥檚 Young Writers Prize in 1934 for his first book, On the Heights of Despair).
Influenced by the German romantics, by Schopenhauer, Nietzsche, and the Lebensphilosophie of Schelling and Bergson, by certain Russian writers, including Chestov, Rozanov, and Dostoyevsky, and by the Romanian poet Eminescu, Cioran wrote lyrical and expansive meditations that were often metaphysical in nature and whose recurrent themes were death, despair, solitude, history, music, saintliness and the mystics (cf. Tears and Saints, 1937) 鈥� all of which are themes that one finds again in his French writings. In his highly controversial book, The Transfiguration of Romania (1937), Cioran, who was at that time close to the Romanian fascists, violently criticized his country and his compatriots on the basis of a contrast between such 鈥渓ittle nations鈥� as Romania, which were contemptible from the perspective of universal history and great nations, such as France or Germany, which took their destiny into their own hands.
After spending two years in Germany, Cioran arrived in Paris in 1936. He continued to write in Romanian until the early 1940s (he wrote his last article in Romanian in 1943, which is also the year in which he began writing in French). The break with Romanian became definitive in 1946, when, in the course of translating Mallarm茅, he suddenly decided to give up his native tongue since no one spoke it in Paris. He then began writing in French a book that, thanks to numerous intensive revisions, would eventually become the impressive 'A Short History of Decay' (1949) -- the first of a series of ten books in which Cioran would continue to explore his perennial obsessions, with a growing detachment that allies him equally with the Greek sophists, the French moralists, and the oriental sages. He wrote existential vituperations and other destructive reflections in a classical French style that he felt was diametrically opposed to the looseness of his native Romanian; he described it as being like a 鈥渟traight-jacket鈥� that required him to control his temperamental excesses and his lyrical flights. The books in which he expressed his radical disillusionment appeared, with decreasing frequency, over a period of more than three decades, during which time he shared his solitude with his companion Simone Bou茅 in a miniscule garret in the center of Paris, where he lived as a spectator more and more turned in on himself and maintaining an ever greater distance from a world that he rejected as much on the historical level (History and Utopia, 1960) as on the ontological (The Fall into Time, 1964), raising his misanthropy to heights of subtlety (The Trouble with being Born, 1973), while also allowing to appear from time to time a humanism composed of irony, bitterness, and preciosity (Exercices d鈥檃dmiration, 1986, and the posthumously published Notebooks).
Denied the right to return to Romania during the years of the communist regime, and attracting international attention only late in his career, Cioran died in Paris in 1995.
Nicolas Cavaill猫s
Translated by Thomas Cousineau
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February 10, 2022
賮賱爻賮丞 爻賷賵乇丕賳 賵乇丐賷鬲賴 賱賱毓丕賱賲 賮賷 賲賯丕賱丕鬲 胤賵賷賱丞
丕賱賲孬賷乇 賱賱丕賳鬲亘丕賴 賳馗乇鬲賴 賱賱賯賵丞 賵丕賱爻賱胤丞, 賷賰乇賴 丕賱胤睾丕丞 賱賰賳賴 賷乇賶 丕賳賴賲 賷氐賳毓賵賳 丕賱鬲丕乇賷禺 賵丕賱丕賲亘乇丕胤賵乇賷丕鬲 亘賮馗丕卅毓賴賲 賵噩乇丕卅賲賴賲
兀賲丕 丕賱賷賵鬲賵亘賷丕 賮賴賷 賱丕毓賯賱丕賳賷丞 賱賰賳 毓亘乇 丕賱鬲丕乇賷禺 賵賲賳 賵賯鬲 賱丌禺乇 鬲丨鬲丕噩 丕賱賯賵丞 賱賷賵鬲賵亘賷丕 兀賵 賲亘丕丿卅 賵賲購孬賱 賱鬲賮乇囟 爻賱胤鬲賴丕
賷賯鬲乇亘 賲賳 丕賱賳賮爻 丕賱亘卮乇賷丞 賵禺氐賵氐丕 丕賱胤睾丕丞 賵丕賱賲爻鬲亘丿賷賳 賵丿賵丕賮毓 兀賮毓丕賱賴賲
賵賷爻鬲賮賷囟 賮賷 丕賱丨丿賷孬 毓賳 賳夭毓丕鬲 丕賱卮乇 賵丕賱卮乇丕爻丞 賵丕賱乇匕丕卅賱 丕賱丕賳爻丕賳賷丞 賵丕禺鬲賱丕賮 賯丿乇丞 丕賱亘卮乇 毓賱賶 丕賱賲噩丕賴乇丞 亘賴丕 賮賷 丕賱兀賮毓丕賱 賵丕賱鬲氐乇賮丕鬲 鬲噩丕賴 丕賱丌禺乇賷賳
賷乇亘胤 亘賷賳 丕賱囟毓賮 賵亘賷賳 丕賱丿賷賲賯乇丕胤賷丞 賵賷乇賶 丕賳 亘毓囟 丕賱丨賰賵賲丕鬲 鬲胤亘賯賴丕 毓賳丿賲丕 鬲賮賯丿 丕賱賯丿乇丞 毓賱賶 丕賱賴賷賲賳丞
賮賷賴 卮賷亍 賲賳 丕賱禺賱胤 賮賷 賰賱丕賲賴 毓賳 丕賱爻賱胤丞 丕賱丿賷賳賷丞, 賴賷 氐丨賷丨 賲賳 兀賯賵賶 丕賱爻購賱胤丕鬲 賮賷 丕賱毓丕賱賲, 賱賰賳 丕賱兀賰賷丿 丕賳 丕賱兀丿賷丕賳 睾賷乇 賲爻卅賵賱丞 毓賳 爻賵亍 丕賱賮賴賲 賵丕賱禺賱賱 丕賱毓賯賱賷 賵丕賱兀禺胤丕亍 丕賱鬲賷 賷乇鬲賰亘賴丕 丕賱賲賳鬲爻亘賷賳 賱賴丕
丌乇丕丐賴 氐乇賷丨丞, 鬲丨賱賷賱賷丞 賵賵丕賯毓賷丞, 賮賷 亘毓囟 兀丨賷丕賳 賷賰鬲亘 賵賰兀賳賴 賷丨鬲賮賷 亘丕賱爻賱胤丞 丕賱賲胤賱賯丞 亘乇睾賲 丕毓鬲乇丕賮賴 亘丕賱賮爻丕丿 丕賱匕賷 鬲購丨丿孬賴 丕賱丿賷賰鬲丕鬲賵乇賷丕鬲
乇丐賶 賵兀賮賰丕乇 賲孬賷乇丞 賱賱噩丿賱, 賵丕賱賲賯丿賲丞 賲賴賲丞 賰鬲亘 賮賷賴丕 兀賷賲賳 丨爻賳 丕賱卮丕毓乇 丕賱鬲賵賳爻賷 毓賳 賵賯鬲 賵馗乇賵賮 賰鬲丕亘丞 賴匕賴 丕賱賳氐賵氐 兀賵 丕賱賲賯丕賱丕鬲
丕賱賲孬賷乇 賱賱丕賳鬲亘丕賴 賳馗乇鬲賴 賱賱賯賵丞 賵丕賱爻賱胤丞, 賷賰乇賴 丕賱胤睾丕丞 賱賰賳賴 賷乇賶 丕賳賴賲 賷氐賳毓賵賳 丕賱鬲丕乇賷禺 賵丕賱丕賲亘乇丕胤賵乇賷丕鬲 亘賮馗丕卅毓賴賲 賵噩乇丕卅賲賴賲
兀賲丕 丕賱賷賵鬲賵亘賷丕 賮賴賷 賱丕毓賯賱丕賳賷丞 賱賰賳 毓亘乇 丕賱鬲丕乇賷禺 賵賲賳 賵賯鬲 賱丌禺乇 鬲丨鬲丕噩 丕賱賯賵丞 賱賷賵鬲賵亘賷丕 兀賵 賲亘丕丿卅 賵賲購孬賱 賱鬲賮乇囟 爻賱胤鬲賴丕
賷賯鬲乇亘 賲賳 丕賱賳賮爻 丕賱亘卮乇賷丞 賵禺氐賵氐丕 丕賱胤睾丕丞 賵丕賱賲爻鬲亘丿賷賳 賵丿賵丕賮毓 兀賮毓丕賱賴賲
賵賷爻鬲賮賷囟 賮賷 丕賱丨丿賷孬 毓賳 賳夭毓丕鬲 丕賱卮乇 賵丕賱卮乇丕爻丞 賵丕賱乇匕丕卅賱 丕賱丕賳爻丕賳賷丞 賵丕禺鬲賱丕賮 賯丿乇丞 丕賱亘卮乇 毓賱賶 丕賱賲噩丕賴乇丞 亘賴丕 賮賷 丕賱兀賮毓丕賱 賵丕賱鬲氐乇賮丕鬲 鬲噩丕賴 丕賱丌禺乇賷賳
賷乇亘胤 亘賷賳 丕賱囟毓賮 賵亘賷賳 丕賱丿賷賲賯乇丕胤賷丞 賵賷乇賶 丕賳 亘毓囟 丕賱丨賰賵賲丕鬲 鬲胤亘賯賴丕 毓賳丿賲丕 鬲賮賯丿 丕賱賯丿乇丞 毓賱賶 丕賱賴賷賲賳丞
賮賷賴 卮賷亍 賲賳 丕賱禺賱胤 賮賷 賰賱丕賲賴 毓賳 丕賱爻賱胤丞 丕賱丿賷賳賷丞, 賴賷 氐丨賷丨 賲賳 兀賯賵賶 丕賱爻購賱胤丕鬲 賮賷 丕賱毓丕賱賲, 賱賰賳 丕賱兀賰賷丿 丕賳 丕賱兀丿賷丕賳 睾賷乇 賲爻卅賵賱丞 毓賳 爻賵亍 丕賱賮賴賲 賵丕賱禺賱賱 丕賱毓賯賱賷 賵丕賱兀禺胤丕亍 丕賱鬲賷 賷乇鬲賰亘賴丕 丕賱賲賳鬲爻亘賷賳 賱賴丕
丌乇丕丐賴 氐乇賷丨丞, 鬲丨賱賷賱賷丞 賵賵丕賯毓賷丞, 賮賷 亘毓囟 兀丨賷丕賳 賷賰鬲亘 賵賰兀賳賴 賷丨鬲賮賷 亘丕賱爻賱胤丞 丕賱賲胤賱賯丞 亘乇睾賲 丕毓鬲乇丕賮賴 亘丕賱賮爻丕丿 丕賱匕賷 鬲購丨丿孬賴 丕賱丿賷賰鬲丕鬲賵乇賷丕鬲
乇丐賶 賵兀賮賰丕乇 賲孬賷乇丞 賱賱噩丿賱, 賵丕賱賲賯丿賲丞 賲賴賲丞 賰鬲亘 賮賷賴丕 兀賷賲賳 丨爻賳 丕賱卮丕毓乇 丕賱鬲賵賳爻賷 毓賳 賵賯鬲 賵馗乇賵賮 賰鬲丕亘丞 賴匕賴 丕賱賳氐賵氐 兀賵 丕賱賲賯丕賱丕鬲
January 2, 2019
賴賱 丕賱賮乇賯 賰亘賷乇 亘賷賳 丕賱噩丨賷賲 賵賮乇丿賵爻 禺乇亘責
賴匕賴 丕賱噩賲賱丞 賴賷 丕賱賲賮鬲丕丨 賰賷 鬲賮賴賲 丕賱夭丕賵賷丞 丕賱鬲賷 賷乇賶 爻賷賵乇丕賳 丕賱毓丕賱賲 賲賳賴丕
廿賳賰 賱賳 鬲噩丿 賲丿丕賮毓丕 毓賳 丕賱孬賵乇丕鬲 賵丕賱賮囟丕卅賱 賵丕賱丨乇賷丞 賴賳丕
爻鬲噩丿 賰丕乇賴 丕賱亘卮乇 賷爻乇丿 鬲丕乇賷禺 丕賱亘卮乇
賮賱賰 兀賳 鬲鬲禺賷賱
October 8, 2018
毓賱賶 毓賰爻 丕賱賲毓鬲丕丿貙 賷乇亘胤 爻賷賵乇丕賳 亘賷賳 丕賱賷賵鬲賵亘賷丕 賵丕賱鬲毓丕爻丞 丕賱亘卮乇賷丞貙 賵賷乇賶 兀賳 丕賱賷賵鬲賵亘賷丕 亘賲毓賳丕賴丕 丕賱鬲賯賱賷丿賷 爻賷賰賵賳 賱賴丕 丕賱賰孬賷乇 賲賳 丕賱丌孬丕乇 丕賱爻賱亘賷丞 毓賱賶 丨賷丕丞 丕賱亘卮乇
兀毓噩亘賳賷 鬲丨賱賷賱賴 丕賱毓賲賷賯 賵乇亘胤賴 亘賷賳 丕賱鬲丕乇賷禺 賵丕賱賵丕賯毓 亘卮賰賱 毓賱賲賷 賲賲賷夭貙 賵廿賳 賰賳鬲 丕禺鬲賱賮 賲毓賴 賮賷 亘毓囟 丌乇丕卅賴
兀毓噩亘賳賷 鬲丨賱賷賱賴 丕賱毓賲賷賯 賵乇亘胤賴 亘賷賳 丕賱鬲丕乇賷禺 賵丕賱賵丕賯毓 亘卮賰賱 毓賱賲賷 賲賲賷夭貙 賵廿賳 賰賳鬲 丕禺鬲賱賮 賲毓賴 賮賷 亘毓囟 丌乇丕卅賴
January 3, 2018
L'ultimo possesso
Quando si 猫 davvero liberi? Nella nudit脿 interiore o nella potenza della servit霉. Non facciamo altro che immaginare un sempre nuovo delirio di miseria. Benedire il lavoro e non temere la morte; possibile camminando fino l脿 dove sono questi luoghi inesistenti, queste citt脿 perfette, dove mai infrangere la legge del re n茅 mostrarsi meno che deboli. Che sia l'ambizione il nostro nutrimento, fino alla demenza e al risentimento. Continue sono le visioni di utopie senza speranza, di falsi paradisi, di isole riformate dove essere 猫 produrre. Cioran demolisce ogni illusione, deviando dal cinismo all'irreprensibile lucidit脿, verso la fonte fatale di quel dolore indimenticato che viene dai bassifondi dell'animo. Abbiamo il vizio della bont脿: discendendo verso la salvezza siamo sempre pi霉 ineguali. Una voce attuale che giunge dal 1960, in un tempo dentro al quale si cade, che ci spinge a inabissarci nell'entusiasmo e nella passione, in quella facolt脿 di volere che a volte 猫 specchio di una dannazione euforica, di una nostalgia umiliante. Disperati cerchiamo la via di uscita: ma sono i mezzi in errore, la storia e l'utopia, facili da confezionare, inadatti ad anticipare il momento della sconfitta. Minaccia di follia e solitudine, nel deserto dove ogni notte tocca accamparci.
Quando si 猫 davvero liberi? Nella nudit脿 interiore o nella potenza della servit霉. Non facciamo altro che immaginare un sempre nuovo delirio di miseria. Benedire il lavoro e non temere la morte; possibile camminando fino l脿 dove sono questi luoghi inesistenti, queste citt脿 perfette, dove mai infrangere la legge del re n茅 mostrarsi meno che deboli. Che sia l'ambizione il nostro nutrimento, fino alla demenza e al risentimento. Continue sono le visioni di utopie senza speranza, di falsi paradisi, di isole riformate dove essere 猫 produrre. Cioran demolisce ogni illusione, deviando dal cinismo all'irreprensibile lucidit脿, verso la fonte fatale di quel dolore indimenticato che viene dai bassifondi dell'animo. Abbiamo il vizio della bont脿: discendendo verso la salvezza siamo sempre pi霉 ineguali. Una voce attuale che giunge dal 1960, in un tempo dentro al quale si cade, che ci spinge a inabissarci nell'entusiasmo e nella passione, in quella facolt脿 di volere che a volte 猫 specchio di una dannazione euforica, di una nostalgia umiliante. Disperati cerchiamo la via di uscita: ma sono i mezzi in errore, la storia e l'utopia, facili da confezionare, inadatti ad anticipare il momento della sconfitta. Minaccia di follia e solitudine, nel deserto dove ogni notte tocca accamparci.
January 25, 2011
Another deluge of Cioranosophy from the Romanian's mature period; perpetually ensconced in his hatefully beloved Paris and letting the fiery currents of a raging consciousness pour forth at propitious moments to be captured and imprisoned upon the page by means of the rigid strictures of the French language, a tongue whose very alienating syntax seemed to accommodate itself so well to the task of expressing this writer's brand of tortured genius. The six essays contained within reflect Cioran's world in 1960, when the re-ordering of the Soviet Union after the death of Stalin鈥攁nd its growing acclimatization with the West鈥攈ad skewed slightly the view from the Left Bank. Though by this point the nihilognostic firebrand could admit his growing appreciation for the comfortable and expansive liberties of democracy, he still recognized these trappings as inherently vitiating and self-destructive; similarly, though the awareness of the terrible savageries of Stalin and Hitler were then at perhaps their highest point, Cioran cannot help but confess his attraction to their wild and demoniac excesses as being of that spiritual darkness that was forever enjoined with the same deep springs from which sprang all of man's creative and artistic powers. It is within these depths that the self may find the eternal present, the absolute timelessness from which it was sundered by History and its bifurcated enablers, action and consciousness鈥攁nd which is erroneously sought for in visions of utopia and apocalypse.
Throughout the entirety the invigorating energies of political, cultural, and spiritual barbarism are compared and contrasted, praised and reviled, against the sedentary acmes and enervating lullabies of democratic civilization. History and Utopia thus is an exercise in juxtaposition and contradiction鈥攍ike all of Cioran's work鈥攗ndertaken amidst the untamed extremes where he so fervently loved to let loose his fertile imagination; but鈥攁gain as with all that he drew forth from his own inner maelstrom and enchained in words鈥攊t's the breathtakingly clear truths and searingly honest phrases that emerge from the storm, and the sheer lunar beauty of their expression, that makes them so worthwhile.
Throughout the entirety the invigorating energies of political, cultural, and spiritual barbarism are compared and contrasted, praised and reviled, against the sedentary acmes and enervating lullabies of democratic civilization. History and Utopia thus is an exercise in juxtaposition and contradiction鈥攍ike all of Cioran's work鈥攗ndertaken amidst the untamed extremes where he so fervently loved to let loose his fertile imagination; but鈥攁gain as with all that he drew forth from his own inner maelstrom and enchained in words鈥攊t's the breathtakingly clear truths and searingly honest phrases that emerge from the storm, and the sheer lunar beauty of their expression, that makes them so worthwhile.
December 7, 2018
爻賷賵乇丕賳 丨氐鬲賷 賲賳 丕賱賰鬲賾丕亘 亘丕賱丿賳賷丕 :')
賰鬲丕亘 賷賯乇兀 賲乇丕鬲 賵賲乇丕鬲 ..
賰鬲丕亘 賷賯乇兀 賲乇丕鬲 賵賲乇丕鬲 ..
May 5, 2018
賱兀賵賱 賲乇丞 兀賯乇兀 賰鬲丕亘 賮賷賴 賲賯丕賱丕鬲 賰丕賲賱丞 賱廿賲賷賱 爻賷賵乇丕賳 貙貙 賮丕賱賰鬲亘 丕賱鬲賷 鬲賳卮乇 賱賴 賲賯賵賱丕鬲 賲禺鬲氐乇丞 鬲丨乇賲賳丕 賲賳 賱匕丞 兀賮賰丕乇賴 丕賱毓賲賷賯丞 ... 賰鬲丕亘 乇丕卅毓
August 24, 2015
廿賳 賮賰乇丞 丕賱賰丕鬲亘 賮賷 賴匕丕 丕賱賰鬲丕亘 亘丕禺鬲氐丕乇 賴賷 兀賳 丕賱賷賵鬲賵亘賷丕 鬲毓丕乇囟 賲爻賷乇丞 丕賱鬲丕乇賷禺.
賮丕賱廿賳爻丕賳 賮賷 丕賱賷賵鬲賵亘賷丕 賰丕賲賱 丨丿 丕賱鬲賮丕賴丞貙 賵賷鬲毓丕乇囟 賴匕丕 丕賱賰賲丕賱 賲毓 丕賱鬲丕乇賷禺 丕賱匕賷 賷氐賳毓賴 囟睾丕卅賳 丕賱廿賳爻丕賳 賵丨賯丿賴 賱匕賱賰 賳乇賶 兀賳 丕賱鬲丕乇賷禺 賷賳鬲賴賷 丿丕卅賲丕賸 亘丕賱鬲乇丕噩賷丿賷丕 賳賯賷囟 丕賱賷賵鬲賵亘賷丕.
胤賵丕賱 賯乇丕亍鬲賷 賱賱賰鬲丕亘 賰賳鬲 賲亘賴賵乇丞 亘毓賲賯 鬲丨賱賷賱賴 賱賱鬲丕乇賷禺 .. 賱賱廿賳爻丕賳 .. 賱賱丨囟丕乇丞 .. 賵賰孬賷乇丕賸 賲丕 賰賳鬲 兀賮賰乇 兀賳 賴匕丕 丕賱賮賷賱爻賵賮 賴賵 丕賱卮禺氐 丕賱兀賯丿乇 毓賱賶 賰鬲丕亘丞 乇賵丕賷丞 賷賳亘賴乇 亘賴丕 丕賱鬲丕乇賷禺 匕丕鬲賴.
賵賴匕賴 亘毓囟 賲賳 丕賱丕賯鬲亘丕爻丕鬲 丕賱鬲賷 乇丕賯鬲 賱賷:
兀賳 賳毓賷卮 丨賯丕賸 賷毓賳賷 兀賳 賳乇賮囟 丕賱丌禺乇賷賳貙 賮丕賱賯亘賵賱 亘賴賲 賷鬲胤賱亘 丕賱鬲禺賱賷 毓賳 丕賱兀卮賷丕亍貙 賰亘丨 噩賲丕丨 丕賱匕丕鬲貙 廿囟毓丕賮 丕賱賳賮爻.
賱賲 賷爻亘賯 賱孬賵乇丞 兀賳 丕賳丿賱毓鬲 亘丕爻賲 賲爻鬲賯亘賱 賲馗賱賲貙 兀賵 亘丕爻賲 賳亘賵亍丞 賯丕鬲賲丞.
賴賱 丕賱賮乇賯 賰亘賷乇 亘賷賳 丕賱噩丨賷賲 賵賮乇丿賵爻 禺乇亘責
廿賳 賲賳 賱賲 鬲睾賵賴 丕賱乇睾亘丞 賮賷 兀賳 賷賰賵賳 丕賱兀賵賱 賮賷 丕賱賲丿賷賳丞 賱賳 賷賮賯賴 卮賷卅丕賸 賲賳 丕賱賱毓亘丞 丕賱爻賷丕爻賷丞.
賱丕 卮賷亍 兀賰孬乇 廿孬丕乇丞 賱賱廿毓噩丕亘 廿賳爻丕賳賷丕賸 賵兀賰孬乇 廿孬丕乇丞 賱賱卮賮賯丞 鬲丕乇賷禺賷丕賸 賲賳 胤丕睾賷丞 兀丨亘胤鬲賴 賵禺夭丕鬲 囟賲賷乇賴.
芦賵丕賱卮毓亘責禄 賯丿 賷賯賵賱 兀丨丿賴賲.
賲丕 賲賳 賲賮賰乇 兀賵 賲丐乇禺 丕爻鬲毓賲賱 賴匕賴 丕賱賰賱賲丞 丿賵賳 爻禺乇賷丞 廿賱丕 禺爻乇 賰賱 丕毓鬲亘丕乇.
丕賱鬲丕乇賷禺 賷賳卮胤 賮賷 賮氐賱 丕賱賮馗丕毓丞 賵賷丿丕賴賲賴 丕賱囟噩乇 賮賷 賮氐賱 丕賱鬲爻丕賲丨 賵丕賱賱賷亘乇丕賱賷丞貙 匕賱賰 丕賱賳馗丕賲 丕賱匕賷 鬲禺亘賵 賮賷賴 丕賱丨乇丕乇丞 賵賷睾賱亘 毓賱賶 賲卮丕賰爻賷賴 賮賷 兀睾賱亘 丕賱兀丨賵丕賱 賲馗賴乇 丕賱賲鬲丌賲乇賷賳 丕賱賲賴匕亘賷賳.
賮丕賱廿賳爻丕賳 賮賷 丕賱賷賵鬲賵亘賷丕 賰丕賲賱 丨丿 丕賱鬲賮丕賴丞貙 賵賷鬲毓丕乇囟 賴匕丕 丕賱賰賲丕賱 賲毓 丕賱鬲丕乇賷禺 丕賱匕賷 賷氐賳毓賴 囟睾丕卅賳 丕賱廿賳爻丕賳 賵丨賯丿賴 賱匕賱賰 賳乇賶 兀賳 丕賱鬲丕乇賷禺 賷賳鬲賴賷 丿丕卅賲丕賸 亘丕賱鬲乇丕噩賷丿賷丕 賳賯賷囟 丕賱賷賵鬲賵亘賷丕.
胤賵丕賱 賯乇丕亍鬲賷 賱賱賰鬲丕亘 賰賳鬲 賲亘賴賵乇丞 亘毓賲賯 鬲丨賱賷賱賴 賱賱鬲丕乇賷禺 .. 賱賱廿賳爻丕賳 .. 賱賱丨囟丕乇丞 .. 賵賰孬賷乇丕賸 賲丕 賰賳鬲 兀賮賰乇 兀賳 賴匕丕 丕賱賮賷賱爻賵賮 賴賵 丕賱卮禺氐 丕賱兀賯丿乇 毓賱賶 賰鬲丕亘丞 乇賵丕賷丞 賷賳亘賴乇 亘賴丕 丕賱鬲丕乇賷禺 匕丕鬲賴.
賵賴匕賴 亘毓囟 賲賳 丕賱丕賯鬲亘丕爻丕鬲 丕賱鬲賷 乇丕賯鬲 賱賷:
兀賳 賳毓賷卮 丨賯丕賸 賷毓賳賷 兀賳 賳乇賮囟 丕賱丌禺乇賷賳貙 賮丕賱賯亘賵賱 亘賴賲 賷鬲胤賱亘 丕賱鬲禺賱賷 毓賳 丕賱兀卮賷丕亍貙 賰亘丨 噩賲丕丨 丕賱匕丕鬲貙 廿囟毓丕賮 丕賱賳賮爻.
賱賲 賷爻亘賯 賱孬賵乇丞 兀賳 丕賳丿賱毓鬲 亘丕爻賲 賲爻鬲賯亘賱 賲馗賱賲貙 兀賵 亘丕爻賲 賳亘賵亍丞 賯丕鬲賲丞.
賴賱 丕賱賮乇賯 賰亘賷乇 亘賷賳 丕賱噩丨賷賲 賵賮乇丿賵爻 禺乇亘責
廿賳 賲賳 賱賲 鬲睾賵賴 丕賱乇睾亘丞 賮賷 兀賳 賷賰賵賳 丕賱兀賵賱 賮賷 丕賱賲丿賷賳丞 賱賳 賷賮賯賴 卮賷卅丕賸 賲賳 丕賱賱毓亘丞 丕賱爻賷丕爻賷丞.
賱丕 卮賷亍 兀賰孬乇 廿孬丕乇丞 賱賱廿毓噩丕亘 廿賳爻丕賳賷丕賸 賵兀賰孬乇 廿孬丕乇丞 賱賱卮賮賯丞 鬲丕乇賷禺賷丕賸 賲賳 胤丕睾賷丞 兀丨亘胤鬲賴 賵禺夭丕鬲 囟賲賷乇賴.
芦賵丕賱卮毓亘責禄 賯丿 賷賯賵賱 兀丨丿賴賲.
賲丕 賲賳 賲賮賰乇 兀賵 賲丐乇禺 丕爻鬲毓賲賱 賴匕賴 丕賱賰賱賲丞 丿賵賳 爻禺乇賷丞 廿賱丕 禺爻乇 賰賱 丕毓鬲亘丕乇.
丕賱鬲丕乇賷禺 賷賳卮胤 賮賷 賮氐賱 丕賱賮馗丕毓丞 賵賷丿丕賴賲賴 丕賱囟噩乇 賮賷 賮氐賱 丕賱鬲爻丕賲丨 賵丕賱賱賷亘乇丕賱賷丞貙 匕賱賰 丕賱賳馗丕賲 丕賱匕賷 鬲禺亘賵 賮賷賴 丕賱丨乇丕乇丞 賵賷睾賱亘 毓賱賶 賲卮丕賰爻賷賴 賮賷 兀睾賱亘 丕賱兀丨賵丕賱 賲馗賴乇 丕賱賲鬲丌賲乇賷賳 丕賱賲賴匕亘賷賳.
February 12, 2023
A book worth reading these days; even if only for its unique mixture of nihilism, misanthropy, decadence, blasphemy, pessimism, youthful energy, cynicism, and similar.
February 18, 2022
'If actions are fruits of envy, it will be understood why political struggle, in its ultimate expression, comes down to calculations and intrigues likely to assure the elimination of our rivals or our enemies. If you would strike home, begin by liquidating those who think according to your categories and your prejudices and, having traveled the same roads beside you, necessarily dream of supplanting or felling you. They are the most dangerous of your competitors; confine yourself to them, the others can wait. Were I to seize power, my first concern would be to do away with all my friends. Any other way of going about it would spoil the m茅tier, would discredit tyranny. Hitler, quite competent in this instance, displayed great wisdom by getting rid of Roehm, the only man he addressed in the second person singular, and of a good number of his early companions. Stalin, for his part, was no less equal to the task, as the Moscow purges testify.
As long as a conqueror succeeds, as long as he gains ground, he can permit himself any atrocity; public opinion absolves him; once fortune abandons him, the slightest error turns against him. Everything depends on the moment when he kills: crime in full glory consolidates authority by the sacred fear it inspires. The art of making oneself feared and respected is equivalent to the sense of opportunity. Mussolini, the very type of the clumsy or unlucky despot, turned cruel when his failure was manifest and his prestige tarnished; a few months of inopportune vengeances voided the work of twenty years. Napoleon was much more perspicacious: had he had the Duke d'Enghien put to death later, after the Russian campaign for example, he would have bequeathed an image of himself as an executioner; instead, this murder now appears as a blot on his memory and nothing more.'
January 13, 2016
賮賷 丕賱賵丕賯毓 貙賱丕 丕毓乇賮 賲賳 兀卮賰乇 貙 爻賷賵乇丕賳 丕賱匕賷 賷賲胤乇賳丕 賮賷 賰賱 賲乇丞 賳賯乇兀 賱賴 貙夭禺丕鬲 賲賳 丕賱賮賱爻賮丞 丕賱賲毓噩賵賳丞 亘丕賱賳亘賵睾 . 丕賲 丌丿賲 賮鬲丨賷 毓賱賶 鬲乇噩賲鬲賴 丕賱鬲賷 賱丕 賲孬賷賱 賱賴丕
丕賳丕 賲賲鬲賳丞 賱賰賱賷賴賲丕 貙賱丕賳賴賲丕 噩毓賱丕賳賷 丕卮毓乇 丕賱丕賳 賵賰兀賳賳賷 爻賰乇賶 毓賱賶 賲鬲賳 爻丨丕亘丞賺 卮丕乇丿丞
賴匕丕 丕賱爻賽賰乇 賮胤乇賷賾 賵噩賲賷賱 貙丕賳賴購 賷購卮亘賴 爻賷賵乇丕賳 丕賱賶 丨丿 賰亘賷乇 .
丕賳丕 賲賲鬲賳丞 賱賰賱賷賴賲丕 貙賱丕賳賴賲丕 噩毓賱丕賳賷 丕卮毓乇 丕賱丕賳 賵賰兀賳賳賷 爻賰乇賶 毓賱賶 賲鬲賳 爻丨丕亘丞賺 卮丕乇丿丞
賴匕丕 丕賱爻賽賰乇 賮胤乇賷賾 賵噩賲賷賱 貙丕賳賴購 賷購卮亘賴 爻賷賵乇丕賳 丕賱賶 丨丿 賰亘賷乇 .
May 23, 2017
Dosto'ya paralel okudu臒umdan m谋d谋r nedir anlayamad谋m, olmad谋 yani 100 sayfa zul眉m oldu diyebilirim. Burukluktan sonra bu karma艧谋k dilde nas谋l yazm谋艧 bunu hi莽 anlam veremedim.
Kalan 4 eseri de bu anlat谋mdaysa, buralarda 莽ok a臒layaca臒谋m demektir.
Kalan 4 eseri de bu anlat谋mdaysa, buralarda 莽ok a臒layaca臒谋m demektir.
May 19, 2013
((兀賳 賳賰賵賳 賷毓賳賷 兀賳 賳丨爻 亘丕賱匕丕鬲 賵兀賳 賳丐賰丿 毓賱賷賴丕.賲賳 孬賲 毓丿賲 丕賱賲毓乇賮丞(賵賳鬲賷噩丞 賲亘丕卮乇丞:丕賱丕賳鬲賯丕賲)貙賲亘丿兀 廿馗賴丕乇 丕賱兀卮亘丕丨 貙毓賱賾丞 爻賷丕丨鬲賳丕 賮賷 丕賱兀乇囟.賰賱賲丕 夭丕丿 爻毓賷賳丕 廿賱賶 丕賳鬲夭丕毓賳丕 賲賳 匕丕鬲賳丕 丕夭丿丿賳丕 睾賵氐丕賸 賮賷賴丕.賵毓賱賶 丕賱乇睾賲 賲賳 賲丨丕賵賱鬲賳丕 鬲賮噩賷乇賴丕 賲乇丕乇丕賸 賵鬲賰乇丕乇丕賸 賮兀賳賴丕 鬲亘丿賵 兀賰孬乇 氐賲賵丿丕賸 賰賱賾 賲乇丞.賵賰兀賳 賰賱賾 賲丕 賳亘匕賱賴 賮賷 爻亘賷賱 鬲禺乇賷亘賴丕 賱丕 賷賮毓賱 睾賷乇 賲丿賴丕 亘丕賱賲夭賷丿 賲賳 丕賱賯賵丞 賵丕賱氐賱丕亘丞.丨鬲賶 鬲亘賱睾 賲賳 丕賱丨賷賵賷賾丞 賵丕賱賲賰乇 賲丕 賷噩毓賱賴丕 鬲賳卮乇丨 賮賷 丕賱毓匕丕亘 兀賰孬乇 賲賲丕 鬲賳卮乇丨 賮賷 丕賱賲購鬲毓丞.))
賯丿 賱丕 賷賰賵賳 丕賱鬲賯丿賷賲 賱賴匕丕 丕賱賰鬲丕亘 爻賴賱丕賸貙賵賱賰賳 賱毓賱賷 丕爻鬲胤賷毓 丕賱賯賵賱 兀賳 丕賱賮賰乇 丕賱賮賱爻賮賷 賱爻賷賵乇丕賳 賯丿 賷亘丿賵 兀賵囟丨 賲丕 賷賲賰賳 賴賳丕貙匕賱賰 兀賳賴 賱賷爻 賰鬲丕亘 卮匕乇丕鬲 賰賲丕 賰賳丕 賯丿 賯乇兀賳丕 賱賴 賲賳 賯亘賱.
賮賴賳丕 賰鬲丕亘 賲鬲氐賱 丕賱兀賮賰丕乇 氐丕丿賲 賱賳丕 亘鬲賱賰 丕賱乇丐賶 鈥� 丕賱丨賯丕卅賯 - 賱賴匕丕 丕賱賮賷賱爻賵賮 丕賱匕賷 賷噩賲毓 賮賷 賰鬲丕亘賴 賴匕丕 賲丕 兀丿乇賰賴 賰賲鬲鬲亘毓 賱賱鬲丕乇賷禺 賵丕賱丌丿丕亘 賵賷賳囟噩 亘丕賱賮賰乇丞 丕賱鬲賷 乇亘賲丕 賯丿 鬲氐賱 賱賳亘賵亍丞 毓氐乇 賯丕丿賲.
噩丕亍鬲 賲賯丿賲丞 丕賱賲鬲乇噩賲 乇丕卅毓丞貙賵賵賯賮鬲 兀賰孬乇 賲賳 賲乇丞 毓賱賶 丕賱乇爻丕賱丞 賮賷 亘丿丕賷丞 丕賱賰鬲丕亘貙賵廿賳 賰賳鬲 丕毓鬲亘乇 兀賳 丕賱乇爻丕賱丞 亘丨丿 匕丕鬲賴丕 賷賲賰賳 兀賳 鬲賰賵賳 賰鬲丕亘 賲賳賮氐賱.
賯丿 賱丕 賷賰賵賳 丕賱鬲賯丿賷賲 賱賴匕丕 丕賱賰鬲丕亘 爻賴賱丕賸貙賵賱賰賳 賱毓賱賷 丕爻鬲胤賷毓 丕賱賯賵賱 兀賳 丕賱賮賰乇 丕賱賮賱爻賮賷 賱爻賷賵乇丕賳 賯丿 賷亘丿賵 兀賵囟丨 賲丕 賷賲賰賳 賴賳丕貙匕賱賰 兀賳賴 賱賷爻 賰鬲丕亘 卮匕乇丕鬲 賰賲丕 賰賳丕 賯丿 賯乇兀賳丕 賱賴 賲賳 賯亘賱.
賮賴賳丕 賰鬲丕亘 賲鬲氐賱 丕賱兀賮賰丕乇 氐丕丿賲 賱賳丕 亘鬲賱賰 丕賱乇丐賶 鈥� 丕賱丨賯丕卅賯 - 賱賴匕丕 丕賱賮賷賱爻賵賮 丕賱匕賷 賷噩賲毓 賮賷 賰鬲丕亘賴 賴匕丕 賲丕 兀丿乇賰賴 賰賲鬲鬲亘毓 賱賱鬲丕乇賷禺 賵丕賱丌丿丕亘 賵賷賳囟噩 亘丕賱賮賰乇丞 丕賱鬲賷 乇亘賲丕 賯丿 鬲氐賱 賱賳亘賵亍丞 毓氐乇 賯丕丿賲.
噩丕亍鬲 賲賯丿賲丞 丕賱賲鬲乇噩賲 乇丕卅毓丞貙賵賵賯賮鬲 兀賰孬乇 賲賳 賲乇丞 毓賱賶 丕賱乇爻丕賱丞 賮賷 亘丿丕賷丞 丕賱賰鬲丕亘貙賵廿賳 賰賳鬲 丕毓鬲亘乇 兀賳 丕賱乇爻丕賱丞 亘丨丿 匕丕鬲賴丕 賷賲賰賳 兀賳 鬲賰賵賳 賰鬲丕亘 賲賳賮氐賱.
August 3, 2007
As they are, the people endure their ordeals, sometimes solicit them, and rebel against them only to rush into new ones, more horrible than the old. Revolution being their one luxury, they fling themselves into it, not so much to derive certain benefits from it or to improve their lot, as to acquire for themselves, too, the right to insolence, an advantage which consoles them for their habitual setbacks, but which they immediately lose once the privileges of chaos are abolished.
--"Learning from the Tyrants"
--"Learning from the Tyrants"
September 15, 2013
鈥淧e cel care n-a cunoscut, pana la treizeci de ani, fascinatia tuturor extremismelor, ma intreb daca trebuie sa-l admir sau sa-l dispretuiesc, sa-l consider un sfant 鈥� sau un cadavru.鈥�
鈥淟a iesirea din adolescenta esti prin definitie fanatic鈥�
鈥淐at poate sa conteze viitorul, aceasta jumatate a timpului, pentru cel impatimit de vesnicie?鈥�
鈥淒evenim toleranti doar in masura in care ne pierdem vigoarea si, cazand cu blandete in mintea copiilor, suntem prea istoviti ca sa-i mai chinuim pe ceilalti cu dragostea sau ura noastra.鈥�
鈥淪uferintele previzibile nu imboldesc imaginatia鈥�
鈥淚n curgerea vremii, libertatea nu tine mai multe clipe decat extazul in viata unui mistic.鈥�
鈥淯n popor, de altfel, reprezinta nu atat o suma de idei si de teorii, cat mai ales de obsesii鈥�
鈥減arasitism genial鈥� (Petru cel Mare; Revolutia)
鈥渦topia este grotescul in roz鈥�
鈥溾€cest Occident ajuns la un nivel de civilizatie ce nu se poate depasi decat coborand.鈥�
鈥淒e cate ultimatumuri se face vinovat?鈥�
鈥淒ar cum sa reusesti 鈥� mai ales intr-un regim democratic, al carui viciu capital e ca-i permite primului sosit sa ravneasca puterea, sa-si dea frau liber ambitiilor?鈥�
鈥淐and insesi principiile ei (democratiei) o cheama sa dispara, mai merita, in fond, sa supravietuiasca?鈥�
鈥溾€� tirani, care, contrar caricaturii lor, poseda un destin, ba chiar prea mult destin.鈥�
鈥溾€� (Si chiar le-as fi tovaras de drum,) daca ura lor fata de tiranie n-ar fi impura: dar o detesta numai pentru ca, trimitandu-i in exilul vietii particulare, ii pune fata in fata cu neantul lor.鈥�
鈥溾€� tiraniei poti sa-i dai de gust, caci omul prefera adesea sa dospeasca in frica lui decat sa infrunte spaima de a fi el insusi. Cand fenomenul se generalizeaza, cezarii isi fac aparitia; cum am putea sa le facem vreo vina, cand ei raspund cerintelor nimicniciei, apelurilor lasitatii noastre?鈥�
鈥淓poca infloririi lor (dictatorilor, cezarilor) coincide cu sfarsitul unui ciclu de civilizatie.鈥�
鈥淪e stie ca Furiile erau considerate mai vechi decat zeii, decat Jupiter insusi. Razbunarea precedand Divinitatea! 鈥� Intuitie majora a mitologiei antice.鈥�
鈥淐a sa ne putem pastra increderea in noi si in semeni si ca sa nu vedem caracterul iluzoriu, nulitatea oricarei fapturi, natura ne-a facut opaci la noi insine, atinsi de o orbire ce zamisleste lumea si o guverneaza.鈥�
鈥淎 faptui inseamna a trada Absolutul.鈥�
鈥溾€� un viciu mic intrece in eficienta o mare virtute鈥�
鈥淒oar marile dureri, durerile de neuitat ne dezleaga de cele lumesti.鈥�
鈥淐and cunoastem echilibrul, nu ne pasioneaza nimic, nu ne preocupa nici macar viata, pentru ca suntem viata鈥�
鈥淐u cat ne cunoastem mai bine ranile, cu-atat ne par mai inseparabile de conditia noastra de neizbaviti.鈥�
鈥渦topia inseamna niciunde鈥�
鈥淪i tot asa, nu te cunosti pe tine insuti decat din clipa cand incepi sa decazi, cand nicio reusita, la nivelul preocuparilor omenesti, nu mai este posibila: infrangere lucida prin care, instapanindu-te pe propria fiinta, te smulgi din letargia universala.鈥�
鈥淯topia este un amestec de rationalism pueril si de angelism secularizat.鈥�
鈥淭otul ne face sa credem ca Raiul este din nou zavorat si ca multa vreme va ramane asa.鈥�
鈥淚ntelegand ca oamenii ar accepta martiriul pentru o himera, dar nu pentru un adevar, (Iisus) a trebuit sa tina seama de slabiciunea lor.鈥�
鈥淐and suntem satui de valorile traditionale, ne orientam inevitabil spre idelogia care le neaga. Aceasta seduce mai mult prin forta de negatie decat prin formulele ei pozitive.鈥�
鈥淪-a atrofiat oare organul ce ne ingaduia sa ne percepem esenta fiintei? Sa fim pe veci redusi la umbra noastra?鈥�
鈥淓suati fara drept de apel in vesnicia negativa, in acest timp risipit ce nu se afirma decat anulandu-se, esenta redusa la un sir de distrugeri, suma de ambiguitati, plenitudine ce are neantul drept principiu 鈥� traim si murim in fiecare din clipele sale, fara sa stim cand este, caci de fapt nu exista nicicand. Desi atat de efemer, ne leaga in asemenea masura, incat, ca sa ne smulgem din stransoarea lui, ne-ar trebui nu doar o rasturnare a deprinderilor, ci o leziune a spiritului, o fisura a eului, prin care sa putem intrezari indestructibilul si sa ajungem la el; de acest privilegiu au parte doar cativa blestemati de soarta, ca recompense pentru a-si fi acceptat ruina. Restul, cvasitotalitatea oamenilor, desi se recunosc incapabili de asemenea sacrificii, tot nu renunta la cautarea unui alt timp; din contra, o fac cu indarjire, insa cu gandul sa-l plaseze in lumea aceasta, conform recomandarilor utopiei, care incearca sa impace prezentul vesnic cu istoria, dulceata varstei de aur cu ambitiile prometeice 鈥� sau, ca sa recurgem la terminologia biblica, incearca sa refaca Edenul cu mijloacele pacatului originar, redandu-i astfel noului Adam privilegiile celui din vechime. Nu inseamna asta, oare, sa incerci revizuirea Creatiunii?鈥�
鈥淰reti sa construiti o societate in care oamenii sa nu-si faca rau unii altora? Nu-i lasati sa intre in ea decat pe abulici.鈥�
鈥淥mul iubeste tensiunea, miscarea perpetua: catre ce sa se indrepte insa in interiorul perfectiunii? Este inapt pentru prezentul vesnic; in plus, il inspaimanta monotonia acestuia, punct vulnerabil al paradisului sub dubla lui infatisare 鈥� religioasa si utopica. Nu e oare istoria, in ultima instanta, rezultatul fricii noastre de plictiseala, ce ne va face mereu sa indragim savoarea si noutatea dezastrului, sa preferam orice urgie in locul stagnarii? Obsesia ineditului este principiul ce ne saboteaza mantuirea. Ne indreptam spre infern in masura in care ne indepartam de viata vegetativa, a carei pasivitate ar trebui sa fie Solutia universala, raspunsul suprem la toate intrebarile noastre; groaza pe care ne-o inspira ne-a transformat in aceasta hoarda de civilizati, monstri atotstiutori ce ignora esentialul. Suntem prea corupti si prea nerabdatori pentru a sti sa ne plictisim pe indelete, sa respiram si nimic mai mult, sa suportam cu demnitate nedreptatea de a fi, sa refuzam asteptarea, jugul sperantei, sa cautam o cale de mijloc intre cadavru si duh. Neindoielnic, nimic nu ne va reconcilia cu plictisul. Ca sa-i fim mai putin refractari, ar trebui, cu ajutorul cerului, sa cunoastem o plenitudine fara evenimente, voluptatea clipei neschimbatoare, deliciile identitatii. Dar un asemenea har e atat de potrivnic naturii noastre, incat suntem mai fericiti sa nu pogoare peste noi. Robiti diversitatii, extragem din ea acea suma constanta de deziluzii si de conflicte atat de necesara instinctelor noastre. Eliberati de griji si de orice oprelisti, am fi abandonati noua insine: betia ce ne-ar cuprinde atunci ne-ar face de mii de ori mai rai decat ne face servitudinea.鈥�
鈥溾€� ideea de a nimici orice autoritate ramane printre cele mai admirabile din cate s-au imaginat vreodata. Si n-am putea regreta indeajuns ca stirpea celor ce voiau s-o realizeze s-a stins. (anarhistii) Dar poate ca trebuiau sa dispara, sa paraseasca un veac ca al nostru, atat de zelos sa le infirme teoriile si previziunile. Ei vesteau era individului 鈥� iar individual este pe duca; eclipsa statului 鈥� iar statul n-a fost niciodata mai puternic si mai apasator; era egalitatii 鈥� si era terorii a venit.鈥�
鈥溾€and, (Dostoievski) impreuna cu marele Inchizitor, imparte omenirea intr-o turma fericita si o minoritate ravasita, clarvazatoare, ce ia pe umerii ei destinele celorlalti鈥︹€�
鈥淣u exista alt paradis decat cel din strafundul fiintei noastre, ca intr-un eu al eului; dar pentru a-l gasi acolo, mai trebuie sa fi cutreierat totalitatea paradisurilor, revolute si posibile, sa le fi iubit si urat cu orbirea fanatismului, sa le fi cercetat si respins mai apoi cu competenta deceptiei.鈥�
鈥淚nsa un vid ce-si revarsa preaplinul nu contine oare mai multa realitate decat istoria, in tot cuprinsul ei?鈥�
鈥淟a iesirea din adolescenta esti prin definitie fanatic鈥�
鈥淐at poate sa conteze viitorul, aceasta jumatate a timpului, pentru cel impatimit de vesnicie?鈥�
鈥淒evenim toleranti doar in masura in care ne pierdem vigoarea si, cazand cu blandete in mintea copiilor, suntem prea istoviti ca sa-i mai chinuim pe ceilalti cu dragostea sau ura noastra.鈥�
鈥淪uferintele previzibile nu imboldesc imaginatia鈥�
鈥淚n curgerea vremii, libertatea nu tine mai multe clipe decat extazul in viata unui mistic.鈥�
鈥淯n popor, de altfel, reprezinta nu atat o suma de idei si de teorii, cat mai ales de obsesii鈥�
鈥減arasitism genial鈥� (Petru cel Mare; Revolutia)
鈥渦topia este grotescul in roz鈥�
鈥溾€cest Occident ajuns la un nivel de civilizatie ce nu se poate depasi decat coborand.鈥�
鈥淒e cate ultimatumuri se face vinovat?鈥�
鈥淒ar cum sa reusesti 鈥� mai ales intr-un regim democratic, al carui viciu capital e ca-i permite primului sosit sa ravneasca puterea, sa-si dea frau liber ambitiilor?鈥�
鈥淐and insesi principiile ei (democratiei) o cheama sa dispara, mai merita, in fond, sa supravietuiasca?鈥�
鈥溾€� tirani, care, contrar caricaturii lor, poseda un destin, ba chiar prea mult destin.鈥�
鈥溾€� (Si chiar le-as fi tovaras de drum,) daca ura lor fata de tiranie n-ar fi impura: dar o detesta numai pentru ca, trimitandu-i in exilul vietii particulare, ii pune fata in fata cu neantul lor.鈥�
鈥溾€� tiraniei poti sa-i dai de gust, caci omul prefera adesea sa dospeasca in frica lui decat sa infrunte spaima de a fi el insusi. Cand fenomenul se generalizeaza, cezarii isi fac aparitia; cum am putea sa le facem vreo vina, cand ei raspund cerintelor nimicniciei, apelurilor lasitatii noastre?鈥�
鈥淓poca infloririi lor (dictatorilor, cezarilor) coincide cu sfarsitul unui ciclu de civilizatie.鈥�
鈥淪e stie ca Furiile erau considerate mai vechi decat zeii, decat Jupiter insusi. Razbunarea precedand Divinitatea! 鈥� Intuitie majora a mitologiei antice.鈥�
鈥淐a sa ne putem pastra increderea in noi si in semeni si ca sa nu vedem caracterul iluzoriu, nulitatea oricarei fapturi, natura ne-a facut opaci la noi insine, atinsi de o orbire ce zamisleste lumea si o guverneaza.鈥�
鈥淎 faptui inseamna a trada Absolutul.鈥�
鈥溾€� un viciu mic intrece in eficienta o mare virtute鈥�
鈥淒oar marile dureri, durerile de neuitat ne dezleaga de cele lumesti.鈥�
鈥淐and cunoastem echilibrul, nu ne pasioneaza nimic, nu ne preocupa nici macar viata, pentru ca suntem viata鈥�
鈥淐u cat ne cunoastem mai bine ranile, cu-atat ne par mai inseparabile de conditia noastra de neizbaviti.鈥�
鈥渦topia inseamna niciunde鈥�
鈥淪i tot asa, nu te cunosti pe tine insuti decat din clipa cand incepi sa decazi, cand nicio reusita, la nivelul preocuparilor omenesti, nu mai este posibila: infrangere lucida prin care, instapanindu-te pe propria fiinta, te smulgi din letargia universala.鈥�
鈥淯topia este un amestec de rationalism pueril si de angelism secularizat.鈥�
鈥淭otul ne face sa credem ca Raiul este din nou zavorat si ca multa vreme va ramane asa.鈥�
鈥淚ntelegand ca oamenii ar accepta martiriul pentru o himera, dar nu pentru un adevar, (Iisus) a trebuit sa tina seama de slabiciunea lor.鈥�
鈥淐and suntem satui de valorile traditionale, ne orientam inevitabil spre idelogia care le neaga. Aceasta seduce mai mult prin forta de negatie decat prin formulele ei pozitive.鈥�
鈥淪-a atrofiat oare organul ce ne ingaduia sa ne percepem esenta fiintei? Sa fim pe veci redusi la umbra noastra?鈥�
鈥淓suati fara drept de apel in vesnicia negativa, in acest timp risipit ce nu se afirma decat anulandu-se, esenta redusa la un sir de distrugeri, suma de ambiguitati, plenitudine ce are neantul drept principiu 鈥� traim si murim in fiecare din clipele sale, fara sa stim cand este, caci de fapt nu exista nicicand. Desi atat de efemer, ne leaga in asemenea masura, incat, ca sa ne smulgem din stransoarea lui, ne-ar trebui nu doar o rasturnare a deprinderilor, ci o leziune a spiritului, o fisura a eului, prin care sa putem intrezari indestructibilul si sa ajungem la el; de acest privilegiu au parte doar cativa blestemati de soarta, ca recompense pentru a-si fi acceptat ruina. Restul, cvasitotalitatea oamenilor, desi se recunosc incapabili de asemenea sacrificii, tot nu renunta la cautarea unui alt timp; din contra, o fac cu indarjire, insa cu gandul sa-l plaseze in lumea aceasta, conform recomandarilor utopiei, care incearca sa impace prezentul vesnic cu istoria, dulceata varstei de aur cu ambitiile prometeice 鈥� sau, ca sa recurgem la terminologia biblica, incearca sa refaca Edenul cu mijloacele pacatului originar, redandu-i astfel noului Adam privilegiile celui din vechime. Nu inseamna asta, oare, sa incerci revizuirea Creatiunii?鈥�
鈥淰reti sa construiti o societate in care oamenii sa nu-si faca rau unii altora? Nu-i lasati sa intre in ea decat pe abulici.鈥�
鈥淥mul iubeste tensiunea, miscarea perpetua: catre ce sa se indrepte insa in interiorul perfectiunii? Este inapt pentru prezentul vesnic; in plus, il inspaimanta monotonia acestuia, punct vulnerabil al paradisului sub dubla lui infatisare 鈥� religioasa si utopica. Nu e oare istoria, in ultima instanta, rezultatul fricii noastre de plictiseala, ce ne va face mereu sa indragim savoarea si noutatea dezastrului, sa preferam orice urgie in locul stagnarii? Obsesia ineditului este principiul ce ne saboteaza mantuirea. Ne indreptam spre infern in masura in care ne indepartam de viata vegetativa, a carei pasivitate ar trebui sa fie Solutia universala, raspunsul suprem la toate intrebarile noastre; groaza pe care ne-o inspira ne-a transformat in aceasta hoarda de civilizati, monstri atotstiutori ce ignora esentialul. Suntem prea corupti si prea nerabdatori pentru a sti sa ne plictisim pe indelete, sa respiram si nimic mai mult, sa suportam cu demnitate nedreptatea de a fi, sa refuzam asteptarea, jugul sperantei, sa cautam o cale de mijloc intre cadavru si duh. Neindoielnic, nimic nu ne va reconcilia cu plictisul. Ca sa-i fim mai putin refractari, ar trebui, cu ajutorul cerului, sa cunoastem o plenitudine fara evenimente, voluptatea clipei neschimbatoare, deliciile identitatii. Dar un asemenea har e atat de potrivnic naturii noastre, incat suntem mai fericiti sa nu pogoare peste noi. Robiti diversitatii, extragem din ea acea suma constanta de deziluzii si de conflicte atat de necesara instinctelor noastre. Eliberati de griji si de orice oprelisti, am fi abandonati noua insine: betia ce ne-ar cuprinde atunci ne-ar face de mii de ori mai rai decat ne face servitudinea.鈥�
鈥溾€� ideea de a nimici orice autoritate ramane printre cele mai admirabile din cate s-au imaginat vreodata. Si n-am putea regreta indeajuns ca stirpea celor ce voiau s-o realizeze s-a stins. (anarhistii) Dar poate ca trebuiau sa dispara, sa paraseasca un veac ca al nostru, atat de zelos sa le infirme teoriile si previziunile. Ei vesteau era individului 鈥� iar individual este pe duca; eclipsa statului 鈥� iar statul n-a fost niciodata mai puternic si mai apasator; era egalitatii 鈥� si era terorii a venit.鈥�
鈥溾€and, (Dostoievski) impreuna cu marele Inchizitor, imparte omenirea intr-o turma fericita si o minoritate ravasita, clarvazatoare, ce ia pe umerii ei destinele celorlalti鈥︹€�
鈥淣u exista alt paradis decat cel din strafundul fiintei noastre, ca intr-un eu al eului; dar pentru a-l gasi acolo, mai trebuie sa fi cutreierat totalitatea paradisurilor, revolute si posibile, sa le fi iubit si urat cu orbirea fanatismului, sa le fi cercetat si respins mai apoi cu competenta deceptiei.鈥�
鈥淚nsa un vid ce-si revarsa preaplinul nu contine oare mai multa realitate decat istoria, in tot cuprinsul ei?鈥�
October 31, 2021
賷噩毓賱 爻賷賵乇丕賳 賲賳 丕賱賰鬲丕亘丞 賰氐乇禺丞 賮賷 賵噩賴 丕賱亘卮乇賷丞 賵毓賱賶 毓賰爻 賰鬲亘賴 丕賱兀禺乇賶 丕賱鬲賶 賰鬲亘賴丕 毓賱賶 卮賰賱 卮匕乇丕鬲 貙 賮賷 賴匕丕 丕賱賰鬲丕亘 鬲兀鬲賷 賰鬲丕亘鬲賴 毓賱賶 卮賰賱 賲賯丕賱丕鬲 賵賱賯丿 兀丨亘亘鬲 胤乇賷賯鬲賴 賮賷 丕賱賲賯丕賱丕鬲 兀賰孬乇 賲賳 鬲賱賰賲 丕賱卮馗丕賷丕 賵丕賱卮匕乇丕鬲貙 乇亘賲丕 鬲鬲賮賯 兀賵 鬲禺鬲賱賮 賮賷 賲丕 賰鬲亘賴 賮賷 賴匕丕 丕賱賰鬲丕亘 賱賰賳 賷噩毓賱賰 鬲毓賷丿 賵鬲賮賰乇 賮賷 賲丕 賰鬲亘賴 賴賳丕 貙 賱賲 賷噩丿 爻賷賵乇丕賳 兀賷 亘氐賷氐 兀賲賱 賮賷 賲爻鬲賯亘賱 丕賱亘卮乇賷丞 賵賱丕 賮賷 賲丕囟賷賴丕 丕賱匕賴亘賷 丕賱賮乇丿賵爻賷
丕賱卮賰乇 賱兀丿賲 賮鬲丨賷 賱鬲乇噩賲丕鬲賴 丕賱亘丿賷毓丞 賱賰鬲亘 爻賷賵乇丕賳
丕賱卮賰乇 賱兀丿賲 賮鬲丨賷 賱鬲乇噩賲丕鬲賴 丕賱亘丿賷毓丞 賱賰鬲亘 爻賷賵乇丕賳
January 6, 2017
賷噩賷亍 爻賷賵乇丕賳 賮賷 賴匕丕 丕賱賰鬲丕亘 毓賱賶 氐賵乇丞賺 兀賰孬乇 賵囟賵丨賸丕 賵亘兀賮賰丕乇賺 兀賰孬乇 丕鬲夭丕賳賸丕 賲賳 賰鬲亘 丕賱卮匕乇丕鬲 丕賱禺丕氐丞 亘賴. 賱賷鬲丨丿孬 毓賳 丕賱丨乇賷丞貙 賵丕賱胤睾丕丞貙 賵丕賱囟睾賷賳丞 賵睾賷乇賴丕 賲賳 丕賱賲賵丕囟賷毓 丕賱鬲賷 賰丕賳鬲 鬲賲孬賱 賴丕噩爻賸丕 亘丕賱賳爻亘丞 賱賴 賮賷 鬲賱賰 丕賱賮鬲乇丞. 賲購丿賴卮!
March 8, 2023
Cioran - un stil cu totul aparte, si-a pastrat farmecul si in limba romana.
April 12, 2022
亘丿丕賷丞 賯乇丕亍鬲賷 賱爻賷賵乇丕賳貙 賱丕 兀賲賱賰 廿賱丕 兀賳 兀賯賵賱 兀賳賴 賱兀賵賱 賲乇丞 兀賯乇兀 賲賯丕賱丕鬲 亘賴匕丕 丕賱毓賲賯 賵丕賱賵囟賵丨 賵丕賱氐乇丕丨丞 賵丕賱爻賱丕爻丞 賮賷 胤乇丨賴丕貙 丕賱賲鬲乇噩賲 丌丿賲 賮鬲丨賷 毓馗賷賲
September 1, 2020
賰鬲丕亘 毓馗賷賲貙 賯賱亘 賲賮丕賴賷賲賷 乇兀爻賸丕 毓賱賶 毓賯亘貙兀丨亘 丕賱毓賯賵賱 丕賱賲賮賰乇丞 丕賱鬲賷 鬲乇賶 丕賱毓丕賱賲 亘胤乇賷賯丞 賲睾丕賷乇丞 毓賳 丕賱賲毓鬲丕丿
November 29, 2013
賷毓乇囟 爻賷賵乇丕賳 賮賷 賴匕丕 丕賱賰鬲丕亘 兀賮賰丕乇賴 丨賵賱 賲賵囟賵毓丕鬲 鬲鬲毓賱賯 亘丕賱丨乇賷丕鬲 賵 鬲毓丕胤賷 丕賱卮毓賵亘 賲毓 丕賱丨乇賷丞 貙 賵 毓賱丕賯丞 丕賱廿賳爻丕賳 亘丕賱丌禺乇賷賳 貙 賰賲丕 兀賳 賴匕丕 丕賱賰鬲丕亘 賷鬲囟賲賳 乇爻丕賱鬲賴 廿賱賶 兀丨丿 兀氐丿賯丕卅賴 貙 乇睾賲 兀賳 丕賱丨乇賷丞 亘丕賱賳爻亘丞 賱爻賷賵乇丕賳 囟乇賵乇丞 賲賳 禺賱丕賱 賲賲丕乇爻鬲賴 丕賱賰鬲丕亘丞 廿賱丕兀賳賴丕 鬲卮賰賱 賱賱廿賳爻丕賳 毓亘卅丕賸 賰賲丕 賴賵 丨丕賱 毓賱丕賯丞 丕賱廿賳爻丕賳 亘丕賱丌禺乇賷賳 貙 賮丕賱丌禺乇賵賳 亘丕賱賳爻亘丞 賱爻賷賵乇丕賳 賵爻賷賱丞 賱鬲禺賱賷 丕賱廿賳爻丕賳 毓賳 匕丕鬲賴 貙 毓賳 丨乇賷鬲賴 賵 賴賳丕 賷亘丿兀 丕賱毓亘亍 丕賱匕賷 賷毓賳賷賴 爻賷賵乇丕賳 亘毓亘亍 丕賱丨乇賷丞 貙 賷賳鬲賯賱 亘毓丿賴丕 爻賷賵乇丕賳 賱賷賯丿賾賲 賳賯丿丕賸 賱兀賮賰丕乇 丕賱賷賵鬲賵亘賷丕 丕賱兀賵乇賵亘賷丞 亘丿丕賷丞賸 亘丕賱賷賵鬲賵亘賷丕 丕賱賲爻賷丨賷丞 賵 賳賴丕賷丞賸 亘丕賱賷賵鬲賵亘賷丕 丕賱兀賳丕乇賰賷丞 貙 賰賲丕 兀賳賴 賷賯丿賾賲 賳賯丿丕賸 賱兀賵乇賵亘丕 丕賱鬲賷 賱賲 鬲丿乇爻 賲丕乇賰爻 噩賷丿丕賸 賵 丨丕乇亘鬲賴 .
丕賱賰鬲丕亘 賷爻鬲丨賯 兀賰孬乇 賲賳 賯乇丕亍丞 貙 賮賯乇丕亍丞 賵丕丨丿丞 鬲毓鬲亘乇 囟毓賷賮丞 噩丿丕賸 賵 睾賷乇 賲噩丿賷丞 賱賱丨賰賲 毓賱賶 兀賮賰丕乇 爻賷賵乇丕賳 .
丕賱賰鬲丕亘 賷爻鬲丨賯 兀賰孬乇 賲賳 賯乇丕亍丞 貙 賮賯乇丕亍丞 賵丕丨丿丞 鬲毓鬲亘乇 囟毓賷賮丞 噩丿丕賸 賵 睾賷乇 賲噩丿賷丞 賱賱丨賰賲 毓賱賶 兀賮賰丕乇 爻賷賵乇丕賳 .
January 26, 2018
Appurato che Emil Michel non 猫 un pedagogo (perverso) ma un descrittore (santo), si tratterebbe di stabilire se eserciti il mestiere da
a) profeta avverso alla profezia
b) poeta avverso alla poesia
c) oracolo finto inconsapevole
d) oracolo inconsapevole
e) chiaroveggente al buio (quindi ubiquo)
f) cavaliere dell'apocalisse (uno a scelta) al trotto e finanche sorridente (chi l'avrebbe detto mai).
Il resto 猫 Storia. Anzi no.
a) profeta avverso alla profezia
b) poeta avverso alla poesia
c) oracolo finto inconsapevole
d) oracolo inconsapevole
e) chiaroveggente al buio (quindi ubiquo)
f) cavaliere dell'apocalisse (uno a scelta) al trotto e finanche sorridente (chi l'avrebbe detto mai).
Il resto 猫 Storia. Anzi no.
November 11, 2018
In this book, Cioran questions history as the only valid account of reality, demystifying Progress as the reason of why so much viciousness has been committed, wondering about the meaning of the utopias that enable the validity of institutions. He points out the inherent paradoxes of the human being and society and warns us against the illusions in which we usually fall on ourselves in relation to our participation in History and its Becoming.
January 2, 2018
"Per quanto spietati siano i nostri rifiuti, non distruggiamo completamente gli oggetti della nostra nostalgia: i nostri sogni sopravvivono ai nostri risvegli e alle nostre analisi." (L'et脿 dell'oro, p. 142)
April 7, 2016
賮賷 賴匕丕 丕賱賰鬲丕亘 乇兀賷鬲 (丕賲賷賱) 賭賸丕 丌禺乇 睾賷乇 丕賱匕賷 賯乇兀鬲 賱賴 賯亘賱賸丕 ..
兀毓噩亘賳賷 噩丿賸 賮賷 氐乇丨丕鬲賴賽
禺氐賵氐賸丕 賮賷 賮氐賱 丕賱胤睾丕丞.
賷爻鬲丨賯 丕賱賯乇丕亍丞!
兀毓噩亘賳賷 噩丿賸 賮賷 氐乇丨丕鬲賴賽
禺氐賵氐賸丕 賮賷 賮氐賱 丕賱胤睾丕丞.
賷爻鬲丨賯 丕賱賯乇丕亍丞!
April 7, 2016
隆Viejo querido! Muy pol茅mico, por momentos inaceptable pero siempre sangu铆neo y dolorosamente indiscreto y por eso se deja leer. Sangu铆neo y no c铆nico del todo o nihilista, porque Emil no se maneja por categor铆as, sino por humores y porque es un pensador que escribe desde las entra帽as y la experiencia propia. 驴Cu谩l experiencia? La de ser un hijo de Transilvania, la de ser hijo de un pope ortodoxo, la de tener en las venas sangre de Asia, de pueblos b谩rbaros. La experiencia de ser un troglodita en Par铆s. Pensar la historia a partir, entre otras cosas, de la biolog铆a (隆!) es inaceptable para cualquiera que se tome en serio las teor铆as pol铆ticas y por eso leerlo es casi siempre un ejercicio de indignaci贸n.
Para Emil la historia fluye, el pueblo es v铆ctima resignada, a veces de tiranos, a veces del propio desgaste moral/vital. Es en la utop铆a donde el individuo interrumpe de modo subterr谩neo el flujo de la historia, pretendiendo corregir injusticias, buscando alterar el estado de las cosas. Es en el pensamiento ut贸pico, donde el individuo juega a ser D*os. Y es en la praxis pol铆tica donde se concentran todos los vicios/dones en茅rgicos: es en la envidia, la crueldad, la soberbia, la b煤squeda de poder y venganza donde el individuo se planta y se hace cargo de su destino. El utopista, en el peor de los casos es un tirano en potencia o un ingenuo y un mal cristiano; en el mejor de los casos, es un enfermo, convulso, pre帽ado de devenir.
El problema, como siempre, es el fanatismo. Se hace cargo de haber sufrido de ciertos fanatismos pol铆ticos violentos en su juventud y en mucho este libro, escrito entre 1957 y 1960, es un inmenso mea culpa sobre la cuesti贸n. En entrevistas posteriores cuenta que el final de la Segunda Guerra Mundial (en la cual su Rumania natal era aliada de la Alemania Nazi) lo encontr贸 leyendo muchos textos budistas. Esta influencia oriental se nota en muchos de sus textos. No es de extra帽ar que este libro en particular termine con un llamado al equilibrio que tiene mucho de tao铆sta. 隆No m谩s gobernadores fan谩ticos para Europa, por el amor del Dios en que ya no creemos!...
Ahora, chasqueado de esas extravagancias, de todo lo que daba realce a mis d铆as, me pongo a so帽ar con una ciudad, maravilla de moderaci贸n, dirigida por un equipo de octogenarios un tanto chochos, de una amenidad maquinal, lo suficientemente l煤cidos como para hacer buen uso de sus decrepitudes, exentos de deseos, de a帽oranzas, de dudas, y tan preocupados por el equilibrio general y el bien p煤blico que mirasen la sonrisa como un signo de depravaci贸n o de subversi贸n.
PD. Hay un punto en particular que me llam贸 la atenci贸n. Cioran defiende abiertamente a la Uni贸n Sovi茅tica, est谩 seguro de que se va a extender a otros pa铆ses, y casi al mundo. Afirma, claro, que hay grados y que el comunismo, en un pa铆s 鈥榲iril鈥� (l茅ase, con ganas de dominar a otros) puede resultar vigorizante, pero no tanto en otras naciones peque帽as. Ac谩 est谩 hablando de la situaci贸n de la Uni贸n Sovi茅tica con sus pa铆ses sat茅lites de Europa Oriental, a su Rumania en particular. Yo no pod铆a parar de pensar en China. La pifi贸: no es el comunismo ruso el que sobrevivi贸, sino el chino, que en la 茅poca en que escribi贸 esto, estaba en pleno fervor, a pocos a帽os de la Revoluci贸n Cultural.
PD 2. Si uno pas贸 por y estuvo m谩s o menos de acuerdo con Freud, este es un buen libro para trabajar.
March 24, 2013
丨丕賱丞 丕賱賳氐 : 丨乇賰丞 賲鬲賯賱亘丞 賮賷 馗賳 賵賷賯賷賳 , 乇孬丕亍 賱賱丨賷丕丞 賵賲賯丕乇毓丞 賲毓 丕賱賲賵鬲 .. 賷賳爻丕亘 丕賱賳氐 丕賱賮賱爻賮賷 賮賷 鬲賷丕乇 噩丕乇賮 兀丨賷丕賳丕 賵賴丕丿卅 賰丕賲賳 賱廿賳鬲賮丕囟丞 兀禺乇賶 賱賰賳賴 賱賲 賷鬲禺賱 毓賱賶 賰賱 毓賳 兀乇賯 賮賷 匕賴賳賷丞 丕賱賮賷賱爻賵賮 丕賱匕賷 賷賯賵丿賰 賱乇賴丕賳 丕賱賲爻鬲賯亘賱 賲賳 賳馗乇丞 賵丕囟丨丞 丕賱賲毓賳賶 亘賴鬲鬲 氐賵乇鬲賴丕 賱賲賳 賷乇賶 丨丕賱 丕賱毓丕賱賲 丕賱賷賵賲
賮賱爻賮丞 丕賱爻賷丕爻丞 賵丕賱鬲毓氐亘 : 兀禺匕 丕賱鬲丕乇賷禺 噩丕賳亘丕 賰亘賷乇丕 賮賷 丕賱賳氐 , 丨賷孬 鬲丿乇賰 賲丕 賲毓賳賶 兀賳 鬲賰賵賳 賲鬲毓氐亘丕 賱賮賰乇丞 賲丕 賱賲賳胤賯丞 賲丕 , 賵賱兀賷丿賷賵賱賵噩賷丕 鬲亘賳賷 賱賳馗乇丞 賲爻鬲賯亘賱賷丞 丨爻亘 賲丕 鬲鬲賲賳丕賴 兀賵 鬲乇丕賴賳 毓賱賷賴 , 丨鬲賲丕 爻鬲賳鬲賯賱 亘氐賵乇丞 賲賲鬲丕夭丞 毓賳 賳馗乇丞 丕賱廿賲亘乇賷丕賱賷丞 賵賰賷賮 鬲賮賴賲 賲毓賳賶 胤丕睾賷丞 賵賲丕匕丕 賷賮賰乇 亘賴 賵賲丕 賱丕 賷乇丕賴
賮賰乇丞 賲賴賲丞 : 毓賱賶 賲丕 賮賷 丕賱賰鬲丕亘 賲賳 兀賮賰丕乇 賲賴賲丞 廿賱丕 兀賳 賮賰乇丞 : 鬲賰賵賷賳 丕賱兀卮亘丕賴 毓亘乇 賳賯賱 丕賱賳馗乇賷丕鬲 , 丕賱鬲胤亘賷賯丕鬲 , 丕賱爻賱賵賰賷丕鬲 賴賷 賲賱丨賵馗丞 賮賷 夭賲賳賳丕 賵丕賱鬲賷 鬲賱賷賴丕 兀賵 賴賷 賲賵噩賵丿丞 亘丿丕禺賱賴丕 賮賰乇丞 賰乇丕賴賷丞 丕賱兀卮亘丕賴 孬賲 鬲丿賲賷乇賴賲 .. 賵丕賱廿賳鬲賯丕賱 丕賱丨囟丕乇賷 丕賱睾乇亘賷 賱賱卮乇賯 禺賷乇 丿賱賷賱 毓賱賶 賴匕賴 丕賱賳馗乇丞 .. 賵廿賳 賱賲 鬲鬲囟丨 丕賱氐賵乇丞 亘賵囟毓 兀賰亘乇 賮賳丨賳 亘丕賱賮毓賱 賮賷 賵囟毓 廿賳鬲馗丕乇 賱賴匕賴 丕賱鬲噩乇亘丞
氐賵乇丞 賲賳 亘毓丿 丌禺乇 : 賷毓賱賲賳丕 丕賱丿賷賳 丕賱廿爻賱丕賲賷 賮賴賲 丕賱賳賮爻 丕賱廿賲丕乇丞 亘丕賱爻賵亍 賮賴賷 賲賮胤賵乇丞 毓賱賷賴 賵毓賱賷賳丕 鬲兀丿賷亘賴丕 賵鬲乇亘賷鬲賴丕 .. 賵 爻賷賵乇丕賳 賮賷 丕賱賰鬲丕亘 賰賱賴 賷賲噩丿 賴匕丕 丕賱爻賵亍 丕賱匕賷 賴賵 賲禺夭賳 賱賱賵噩賵丿 .. 賮賰乇丞 丕賱賮賱爻賮丞 丕賱賮乇賳爻賷丞 丕賱賰亘賷乇丞
( 兀賳丕 兀鬲賲乇丿 廿匕丕 兀賳丕 賲賵噩賵丿 )
氐賵乇丞 賲賳 亘毓丿 丌禺乇 : 丕賱賲賷孬賵賱賵噩賷丕 賲賳胤賯丞 廿爻鬲乇丕丨丞 毓賯賱賷丞 .. 賴匕丕 賳毓乇賮賴 賱賰賳 賴賳丕賱賰 氐賵乇丞 兀禺乇賶 賱賱廿賳爻丕賳 丕賱亘爻賷胤 .. 丕賱匕賷 賷囟賷毓 鬲丨鬲 兀賯丿丕賲 賲賳 賷乇賷丿 氐賳毓 丕賱鬲丕乇賷禺 賱賳賮爻賴 .. 丕賱兀賳丕 丕賱亘丿丕卅賷丞 賴賷 乇賵丨 賲鬲毓丕賷卮丞 鬲乇賷丿 兀賳 鬲賰賵賳 噩夭亍丕 賲賳 鬲丕乇賷禺賴丕 丕賱亘賷賵賱賵噩賷 賵賱賷爻 亘丕賱囟乇賵乇丞 兀賳 鬲賲噩丿 兀賵 鬲氐賳毓 丕賱兀爻胤賵乇丞 .. 賱賲丕匕丕 賳爻賯胤 亘賴丕 賮賷 賴丕賵賷丞 賱賷爻鬲 賲賳 氐賳毓賴丕 賵賱丕 鬲乇賷丿 兀賳 鬲鬲賲賱賰賴丕 賷賵賲丕 賲丕
丕賱鬲丕乇賷禺 賵丕賱賷賵鬲賵亘賷丕 : 丕賱鬲丕乇賷禺 賷胤毓賳 賮賷 丕賱賷賵鬲賵亘賷丕 丕賱鬲賷 氐賳毓鬲 鬲賵丕賮賯賷丕 賱賱賮賰乇 丕賱賴丕乇亘 賲賳 丕賱鬲丕乇賷禺 .. 賵 丕賱鬲賷 賱賷爻鬲 廿毓鬲賯丕丿賷丞 賲丨囟丞 賵賴賷 賳賯賷囟 賮賷 噩丕賳亘 賲賳 丕賱氐賵乇丞 賱賱賲賷孬賵賱賵噩賷丕
丕賱鬲氐賵賷乇 噩賲賷賱 賵丕賱賳賯丿 賮丕毓賱 , 賱賰賳 賲丕 賴賵 丕賱賲禺乇噩 責 廿賳賴 丕賱賷賵鬲賵亘賷丕 賲乇丞 兀禺乇賶
賵丕賱丨賲丿 賱賱賴 毓賱賶 賳毓賲丞 丕賱廿爻賱丕賲 丕賱匕賷 兀睾賳丕賳丕 毓賳 賴匕賴 丕賱鬲乇賴丕鬲
氐賵乇丞 賳賴丕卅賷丞 : 賳氐 賲賲鬲毓 毓賱賶 賲丕 賴賵 賲賳 廿乇賴丕賯 賮賰乇賷 賵丿賵丕卅乇 鬲鬲賲丕爻 賮賷 丕賱賳賯丕胤 賵鬲禺鬲賱胤 賮賷 丕賱賲賰賵賳丕鬲 , 賷氐賷亘賰 亘丕賱丨賷乇丞 丨賷賳丕 賵賷賮丕噩卅賰 亘丨賯丕卅賯 賲賳 氐賲賷賲 丕賱鬲丨賱賷賱 丕賱賳賮爻賷 鬲鬲兀賰丿 亘賴丕 賲賳 賲丿賶 毓賲賯 丕賱鬲噩乇亘丞 丕賱賮賰乇賷丞 賱爻賷賵乇丕賳
亘睾囟 丕賱賳馗乇 毓賳 賮卮賱 乇丐賷鬲賴 丕賱賲爻鬲賯亘賱賷丞 ( 賮卮賱 睾賷乇 賰丕賲賱 丨鬲賶 丕賱丌賳) 賷馗賱 賴匕丕 丕賱賳氐 廿爻鬲孬賳丕卅賷丕 ..
賮賱爻賮丞 丕賱爻賷丕爻丞 賵丕賱鬲毓氐亘 : 兀禺匕 丕賱鬲丕乇賷禺 噩丕賳亘丕 賰亘賷乇丕 賮賷 丕賱賳氐 , 丨賷孬 鬲丿乇賰 賲丕 賲毓賳賶 兀賳 鬲賰賵賳 賲鬲毓氐亘丕 賱賮賰乇丞 賲丕 賱賲賳胤賯丞 賲丕 , 賵賱兀賷丿賷賵賱賵噩賷丕 鬲亘賳賷 賱賳馗乇丞 賲爻鬲賯亘賱賷丞 丨爻亘 賲丕 鬲鬲賲賳丕賴 兀賵 鬲乇丕賴賳 毓賱賷賴 , 丨鬲賲丕 爻鬲賳鬲賯賱 亘氐賵乇丞 賲賲鬲丕夭丞 毓賳 賳馗乇丞 丕賱廿賲亘乇賷丕賱賷丞 賵賰賷賮 鬲賮賴賲 賲毓賳賶 胤丕睾賷丞 賵賲丕匕丕 賷賮賰乇 亘賴 賵賲丕 賱丕 賷乇丕賴
賮賰乇丞 賲賴賲丞 : 毓賱賶 賲丕 賮賷 丕賱賰鬲丕亘 賲賳 兀賮賰丕乇 賲賴賲丞 廿賱丕 兀賳 賮賰乇丞 : 鬲賰賵賷賳 丕賱兀卮亘丕賴 毓亘乇 賳賯賱 丕賱賳馗乇賷丕鬲 , 丕賱鬲胤亘賷賯丕鬲 , 丕賱爻賱賵賰賷丕鬲 賴賷 賲賱丨賵馗丞 賮賷 夭賲賳賳丕 賵丕賱鬲賷 鬲賱賷賴丕 兀賵 賴賷 賲賵噩賵丿丞 亘丿丕禺賱賴丕 賮賰乇丞 賰乇丕賴賷丞 丕賱兀卮亘丕賴 孬賲 鬲丿賲賷乇賴賲 .. 賵丕賱廿賳鬲賯丕賱 丕賱丨囟丕乇賷 丕賱睾乇亘賷 賱賱卮乇賯 禺賷乇 丿賱賷賱 毓賱賶 賴匕賴 丕賱賳馗乇丞 .. 賵廿賳 賱賲 鬲鬲囟丨 丕賱氐賵乇丞 亘賵囟毓 兀賰亘乇 賮賳丨賳 亘丕賱賮毓賱 賮賷 賵囟毓 廿賳鬲馗丕乇 賱賴匕賴 丕賱鬲噩乇亘丞
氐賵乇丞 賲賳 亘毓丿 丌禺乇 : 賷毓賱賲賳丕 丕賱丿賷賳 丕賱廿爻賱丕賲賷 賮賴賲 丕賱賳賮爻 丕賱廿賲丕乇丞 亘丕賱爻賵亍 賮賴賷 賲賮胤賵乇丞 毓賱賷賴 賵毓賱賷賳丕 鬲兀丿賷亘賴丕 賵鬲乇亘賷鬲賴丕 .. 賵 爻賷賵乇丕賳 賮賷 丕賱賰鬲丕亘 賰賱賴 賷賲噩丿 賴匕丕 丕賱爻賵亍 丕賱匕賷 賴賵 賲禺夭賳 賱賱賵噩賵丿 .. 賮賰乇丞 丕賱賮賱爻賮丞 丕賱賮乇賳爻賷丞 丕賱賰亘賷乇丞
( 兀賳丕 兀鬲賲乇丿 廿匕丕 兀賳丕 賲賵噩賵丿 )
氐賵乇丞 賲賳 亘毓丿 丌禺乇 : 丕賱賲賷孬賵賱賵噩賷丕 賲賳胤賯丞 廿爻鬲乇丕丨丞 毓賯賱賷丞 .. 賴匕丕 賳毓乇賮賴 賱賰賳 賴賳丕賱賰 氐賵乇丞 兀禺乇賶 賱賱廿賳爻丕賳 丕賱亘爻賷胤 .. 丕賱匕賷 賷囟賷毓 鬲丨鬲 兀賯丿丕賲 賲賳 賷乇賷丿 氐賳毓 丕賱鬲丕乇賷禺 賱賳賮爻賴 .. 丕賱兀賳丕 丕賱亘丿丕卅賷丞 賴賷 乇賵丨 賲鬲毓丕賷卮丞 鬲乇賷丿 兀賳 鬲賰賵賳 噩夭亍丕 賲賳 鬲丕乇賷禺賴丕 丕賱亘賷賵賱賵噩賷 賵賱賷爻 亘丕賱囟乇賵乇丞 兀賳 鬲賲噩丿 兀賵 鬲氐賳毓 丕賱兀爻胤賵乇丞 .. 賱賲丕匕丕 賳爻賯胤 亘賴丕 賮賷 賴丕賵賷丞 賱賷爻鬲 賲賳 氐賳毓賴丕 賵賱丕 鬲乇賷丿 兀賳 鬲鬲賲賱賰賴丕 賷賵賲丕 賲丕
丕賱鬲丕乇賷禺 賵丕賱賷賵鬲賵亘賷丕 : 丕賱鬲丕乇賷禺 賷胤毓賳 賮賷 丕賱賷賵鬲賵亘賷丕 丕賱鬲賷 氐賳毓鬲 鬲賵丕賮賯賷丕 賱賱賮賰乇 丕賱賴丕乇亘 賲賳 丕賱鬲丕乇賷禺 .. 賵 丕賱鬲賷 賱賷爻鬲 廿毓鬲賯丕丿賷丞 賲丨囟丞 賵賴賷 賳賯賷囟 賮賷 噩丕賳亘 賲賳 丕賱氐賵乇丞 賱賱賲賷孬賵賱賵噩賷丕
丕賱鬲氐賵賷乇 噩賲賷賱 賵丕賱賳賯丿 賮丕毓賱 , 賱賰賳 賲丕 賴賵 丕賱賲禺乇噩 責 廿賳賴 丕賱賷賵鬲賵亘賷丕 賲乇丞 兀禺乇賶
賵丕賱丨賲丿 賱賱賴 毓賱賶 賳毓賲丞 丕賱廿爻賱丕賲 丕賱匕賷 兀睾賳丕賳丕 毓賳 賴匕賴 丕賱鬲乇賴丕鬲
氐賵乇丞 賳賴丕卅賷丞 : 賳氐 賲賲鬲毓 毓賱賶 賲丕 賴賵 賲賳 廿乇賴丕賯 賮賰乇賷 賵丿賵丕卅乇 鬲鬲賲丕爻 賮賷 丕賱賳賯丕胤 賵鬲禺鬲賱胤 賮賷 丕賱賲賰賵賳丕鬲 , 賷氐賷亘賰 亘丕賱丨賷乇丞 丨賷賳丕 賵賷賮丕噩卅賰 亘丨賯丕卅賯 賲賳 氐賲賷賲 丕賱鬲丨賱賷賱 丕賱賳賮爻賷 鬲鬲兀賰丿 亘賴丕 賲賳 賲丿賶 毓賲賯 丕賱鬲噩乇亘丞 丕賱賮賰乇賷丞 賱爻賷賵乇丕賳
亘睾囟 丕賱賳馗乇 毓賳 賮卮賱 乇丐賷鬲賴 丕賱賲爻鬲賯亘賱賷丞 ( 賮卮賱 睾賷乇 賰丕賲賱 丨鬲賶 丕賱丌賳) 賷馗賱 賴匕丕 丕賱賳氐 廿爻鬲孬賳丕卅賷丕 ..
September 25, 2014
Simly breathtaking.
Written in a brilliant way, yet understandable. With all the heavy ideas about politics and human's obsession with history, this book is certainly worth reading. Genius. As always.
Written in a brilliant way, yet understandable. With all the heavy ideas about politics and human's obsession with history, this book is certainly worth reading. Genius. As always.
October 30, 2021
Cioran masterfully manages to draw parallels that seem so obvious once read that I cannot help but feel unreflective and stupid, or like a "troglodyte", Cioran might have put it 鈥� the language he uses (or in any case, the one Howard has translated) is very distinct and precise. He almost apologizes for it in the book's first (and finest) essay: "What consumption of coffee, of cigarettes, and of dictionaries merely to write one halway decent sentence in this inapproachable language, too noble and too distinguished for my taste!" I cannot blame him for illitracy, however foreign the language is to him, when it is I who posess a too meagre vocabulary to be able to effortlessly partake in the essays (see the end of this review).
My inferiority complex aside, what does Cioran offer in this book? Poignant insights, beautiful sentences, somewhat meandering passages, abstruse references, oblique sentences, and some of the the funniest remarks I've ever read. The opening of "Letter to a Faraway Friend" offers a good sample:
"From that country which once was ours and now is no one's, you urge me, after so many years of silence, to send you details about my occupations, and about this 'wonderful' world in which, you say, I am lucky enough to live and move and have my being. I might answer that I am a man without occupation, and that this world is not in the least wonderful. But so laconic a reply cannot, for all its exactitude, assuage your curiosity or satisfy the many questions you raise."
What insights and parallels then, does Cioran offer? Reflections, I would say, on man's role in society, on eschatology, on consciousness, and of course on history and utopia. His lucid writing on the similarities of societies' drive towards utopia and the individual person's longing for salvation, for primordial (non-)existence, for release; and the impossibility of both are particularly moving. His analysis of Prometheus, the Garden of Eden and the original sin, and Dostoevsky's "Dream of a Ridicolous Man" is uncharacteristically straightforward and convincing, without being any less lucid than is expected of him.
Sometimes, however, he meanders a bit, showing no clear intent 鈥� more wallowing in imagery than propelling in thought. "Odyssey of Rancor" is in my opinion especially unclear, and "Russia and the Virus of Liberty" is amost Hegelian at it's core (strangely juxtaposed to a vague Marxist materialism throughout), unfortunately. Nonetheless, there is something to be appreciated in every essay, and "Letter to a Faraway Friend" is a pure delight.
8/10 - Letter to a Faraway Friend
6/10 - Russia and the Virus of Liberty
5/10 - Learning from the Tyrants
5/10 - Odyssey of Rancor
7/10 - Mechanism of Utopia
7/10 - The Golden Age
TOTAL: 7/10
And so, here are the words I had to look up when reading this book:
Pinions
Legerdemain
Debilitation
Auspice
Fatousness
Opulence
Tenebrae
Epigone
Roughshod
Superannuated
Superlatively
Unslaked
Filioque
惭茅迟颈别谤
Ratiocination
Soteriology
Exiguity
Frisson
Clairvoyant
Neophyte
Enfeoffed
Sinecure
Hecatomb
Rapine
Calumny
Opprobium
Ferreting
Peregrination
惭颈蝉茅谤
Extirpate
Calvary
Effervescent
Rachitic
Perfidious
Adroit
Lucurbation
Mendacity
Riposte
Appanage
Parousia
Confect
Phalanstery
Asservate
Maceration
Exultant
Brio
Abulic
Marasmus
Anculcate
Messianic
Moribund
Bugbear
Divagate
Aspersion
Delectation
My inferiority complex aside, what does Cioran offer in this book? Poignant insights, beautiful sentences, somewhat meandering passages, abstruse references, oblique sentences, and some of the the funniest remarks I've ever read. The opening of "Letter to a Faraway Friend" offers a good sample:
"From that country which once was ours and now is no one's, you urge me, after so many years of silence, to send you details about my occupations, and about this 'wonderful' world in which, you say, I am lucky enough to live and move and have my being. I might answer that I am a man without occupation, and that this world is not in the least wonderful. But so laconic a reply cannot, for all its exactitude, assuage your curiosity or satisfy the many questions you raise."
What insights and parallels then, does Cioran offer? Reflections, I would say, on man's role in society, on eschatology, on consciousness, and of course on history and utopia. His lucid writing on the similarities of societies' drive towards utopia and the individual person's longing for salvation, for primordial (non-)existence, for release; and the impossibility of both are particularly moving. His analysis of Prometheus, the Garden of Eden and the original sin, and Dostoevsky's "Dream of a Ridicolous Man" is uncharacteristically straightforward and convincing, without being any less lucid than is expected of him.
Sometimes, however, he meanders a bit, showing no clear intent 鈥� more wallowing in imagery than propelling in thought. "Odyssey of Rancor" is in my opinion especially unclear, and "Russia and the Virus of Liberty" is amost Hegelian at it's core (strangely juxtaposed to a vague Marxist materialism throughout), unfortunately. Nonetheless, there is something to be appreciated in every essay, and "Letter to a Faraway Friend" is a pure delight.
8/10 - Letter to a Faraway Friend
6/10 - Russia and the Virus of Liberty
5/10 - Learning from the Tyrants
5/10 - Odyssey of Rancor
7/10 - Mechanism of Utopia
7/10 - The Golden Age
TOTAL: 7/10
And so, here are the words I had to look up when reading this book:
Pinions
Legerdemain
Debilitation
Auspice
Fatousness
Opulence
Tenebrae
Epigone
Roughshod
Superannuated
Superlatively
Unslaked
Filioque
惭茅迟颈别谤
Ratiocination
Soteriology
Exiguity
Frisson
Clairvoyant
Neophyte
Enfeoffed
Sinecure
Hecatomb
Rapine
Calumny
Opprobium
Ferreting
Peregrination
惭颈蝉茅谤
Extirpate
Calvary
Effervescent
Rachitic
Perfidious
Adroit
Lucurbation
Mendacity
Riposte
Appanage
Parousia
Confect
Phalanstery
Asservate
Maceration
Exultant
Brio
Abulic
Marasmus
Anculcate
Messianic
Moribund
Bugbear
Divagate
Aspersion
Delectation
February 1, 2024
賳丨賳 賱丕 賳氐亘丨 賲鬲爻丕賲丨賷賳 廿賱丕 亘賯丿乇 賲丕 賳賮賯丿 丨賷賵賷鬲賳丕貙 亘賯丿乇 賲丕 賷胤賷亘 賱賳丕 丕賱賵賯賵毓 賮賷 丕賱胤賮賵賱丞貙 亘賯丿乇 賲丕 賷亘賱睾 亘賳丕 丕賱廿毓賷丕亍 丨丿賾 丕賱毓噩夭 毓賳 鬲毓匕賷亘 睾賷乇賳丕 亘丕賱丨亘賾 兀賵 亘丕賱賰乇丕賴賷丞.
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賱丕亘丿 賱賱毓丕賱賲 賲賳 賴匕賷丕賳 噩丿賷丿 賰賷 賱丕 賷鬲丨噩乇. 鬲賱賰 賴賷 丕賱亘丿丕賴丞 丕賱賵丨賷丿丞 丕賱鬲賷 賳禺乇噩 亘賴丕 賲賳 鬲丨賱賷賱 丕賱丨丕囟乇
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丕賱賲毓乇賮锟斤拷 鬲賯賵丿 丕賱丨亘賾 廿賱賶 丕賱廿賮賱丕爻 賰賱賲丕 丕夭丿丕丿鬲 賲毓乇賮鬲賳丕 亘兀禺氐 兀爻乇丕乇賳丕 丕夭丿丕丿 賰乇賴賳丕 賱兀卮亘丕賴賳丕 鬲丨丿賷丿丕 賱兀賳賴賲 賷卮亘賴賵賳賳丕. 賳賮賯丿 兀賵賴丕賲賳丕 賮賷 兀賳賮爻賳丕 賮賳賮賯丿 兀賵賴丕賲賳丕 賮賷 丕賱丌禺乇賷賳. 賵賲丕 兀賳 賳賰鬲卮賮 賮爻丕丿賳丕 毓賳 胤乇賷賯 丕賱丕爻鬲亘胤丕賳 丨鬲賶 賳丨爻 亘卮乇毓賷丞 鬲毓賲賷賲賴 毓賱賶 爻丕卅乇 丕賱賮丕賳賷賳 丕賱賮丕爻丿賷賳 兀氐賱丕賸. 賳丨賳 賱丕 賳禺胤卅 丨賷賳 賳賳爻亘 廿賱賷賴賲 賰賱賾 丕賱乇匕丕卅賱 . 丕賱睾乇賷亘 兀賳 兀睾賱亘賴賲 賷亘丿賵 毓丕噩夭丕 毓賳 賰卮賮 乇匕丕卅賱賴 兀賵 賲鬲賲賳毓賸丕 毓賳 乇氐丿賴丕 賱丿賷賴 兀賵 賱丿賶 丕賱丌禺乇賷賳 賱賷爻 兀爻賴賱 賲賳 廿鬲賷丕賳 丕賱卮乇賾 賮丕賱賰賱 賯丕丿乇 毓賱賷賴 賵毓賱賶 丕賱毓賰爻 賲賳 匕賱賰 賮廿賳賾 丕賱賲噩丕賴乇丞 亘廿鬲賷丕賳賴 賵丕賱丕毓鬲乇丕賮 亘丨賯賷賯鬲賴 丕賱賲丨鬲賵賲丞 廿賳噩丕夭 丕爻鬲孬賳丕卅賷. 賷爻鬲胤賷毓 兀賷 毓丕亘乇 爻亘賷賱 兀賳 賷賳丕賮爻 丕賱卮賷胤丕賳 賲賳 丕賱賳丕丨賷丞 丕賱鬲胤亘賷賯賷丞 兀賲丕 賲賳 丕賱賳丕丨賷丞 丕賱賳馗乇賷丞 賮丕賱兀賲乇 賲禺鬲賱賮 鬲賲丕賲賸丕. 丕乇鬲賰丕亘 丕賱賮馗丕毓丕鬲 賵鬲氐賵賾乇 丕賱賮馗丕毓丞 賮毓賱丕賳 賱丕 賷購禺鬲夭賱 兀丨丿賴賲丕 賮賷 丕賱丌禺乇. 賱賷爻 賲賳 賳賯胤丞 賲卮鬲乇賰丞 亘賷賳 丕賱賰賱亘賷賾丞 丕賱賲毓賷卮丞 賵丕賱賰賱亘賷賾丞 丕賱鬲噩乇賷丿賷丞 . 賱賳丨鬲乇夭 賲賳 兀賵賱卅賰 丕賱匕賷賳 賷賳禺乇胤賵賳 賮賷 賮賱爻賮丞 賲購胤賻賲賿卅賽賳丞貙 賷丐賲賳賵賳 亘丕賱禺賷乇 賵賷賳氐亘賵賳 賱賴 鬲賲孬丕賱丕賸 賵丕賱丨丕賱 兀賳賾賴賲 賲丕 賰丕賳賵丕 賱賷賳噩丨賵丕 賮賷 匕賱賰 賱賵 鬲賮丨氐賵丕 兀賳賮爻賴賲 亘氐丿賯 賵丕爻鬲賰卮賮賵丕 兀毓賲丕賯賴賲 賵賲爻鬲賳賯毓丕鬲 賵噩賲賴賲. 賯丿 賷鬲賷丨 丕賱賮囟賵賱 兀賵 爻賵亍 丕賱丨馗 賱賯賱丞 賵丕賱丨賯 賷購賯丕賱貙 兀賳 賷睾賵氐賵丕 賮賷 賯乇丕乇丞 賰賷丕賳賴賲 賵兀賳 賷賯賮賵丕 毓賱賶 丨賯賷賯丞 丕賱亘卮乇. 毓賳丿卅匕 賷賰賮賵賳 毓賳 丨亘賾賴 賱兀賳賴賲 賷賰賮賾賵賳 毓賳 丨亘賾 兀賳賮爻賴賲貙 毓賱賶 丕賱乇睾賲 賲賳 兀賳賴賲貙 賵鬲賱賰 毓賯賵亘鬲賴賲貙 賷馗賱賵賳 賲卮丿賵丿賷賳 廿賱賶 兀賳丕賴賲 兀賰孬乇 賲賳 匕賷 賯亘賱 .
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廿賳 賲賳 卮兀賳 丕賱囟睾賷賳丞 丕賱賲鬲賲丕爻賰丞 丕賱賲鬲賷賯馗丞 兀賳 鬲賲孬賱 賱賵丨丿賴丕 亘賳賷丞 丕賱賮乇丿 兀賲賾丕 囟毓賮 丕賱卮禺氐賷賾丞 賮賴賵 睾丕賱亘賸丕 賲丕 賷賳卮兀 毓賳 匕丕賰乇丞 囟毓賷賮丞. 廿賳 毓丿賲 賳爻賷丕賳 丕賱廿賴丕賳丞 爻乇賾 賲賳 兀爻乇丕乇 丕賱賳噩丕丨貙 賵賴賵 賮賳賾 賷賲鬲賱賰賴 兀氐丨丕亘 丕賱賯賳丕毓丕鬲 丕賱賯賵賷丞 丿賵賳 丕爻鬲孬賳丕亍貙 賱兀賳賾 賰賱賾 賯賳丕毓丞 鬲鬲賰賵賾賳 兀爻丕爻賸丕 賲賳 丕賱亘睾囟貙 孬賲賾 賮賷 丿乇噩丞 孬丕賳賷丞 賲賳 丕賱丨亘. 兀賲丕 丕賱鬲乇丿賾丿 賮賴賵 毓賱賶 丕賱毓賰爻貙 賳氐賷亘 匕丕賰 丕賱毓丕噩夭 鬲丨丿賷丿丕 毓賳 兀賳 賷丨亘賾 兀賵 兀賳 賷賰乇賴貙 賮廿匕丕 賴賵 賱丕 賷爻鬲胤賷毓 丕禺鬲賷丕乇 卮賷亍貙 賵賱丕 丨鬲賶 鬲噩丕匕亘丕鬲賴 . 廿匕丕 兀乇丕丿 兀賳 賷賮乇囟 賳賮爻賴 賵兀賳 賷賴夭賾 禺賲賵賱賴 賵兀賳 賷賱毓亘 丿賵乇賸丕貙 賮毓賱賷賴 賷禺鬲乇毓 賱賳賮爻賴 兀毓丿丕亍 賵兀賳 賷鬲賲爻賰 亘賴賲 毓賱賷賴 兀賳 賷賵賯馗 賵丨卮賷賾鬲賴 丕賱賳丕卅賲丞 兀賵 兀賳 賷爻鬲乇噩毓 匕賰乇賶 廿賴丕賳丕鬲 鬲毓噩賾賱 廿賴賲丕賱賴丕. 賳丨鬲丕噩 廿賱賶 賯丿乇 兀丿賳賶 賲賳 丕賱賵囟丕毓丞 賰賷 賳禺胤賵 禺胤賵丞 賵丕丨丿丞 廿賱賶 丕賱兀賲丕賲貙 賵乇亘賾賲丕 賳亘賯賶 賰賷 毓賱賶 賯賷丿 丕賱丨賷丕丞 毓賱賶 賰賱賾 賲賳賾丕 兀賳 賱丕 賷購賴賲賱 孬乇賵鬲賴 賲賳 丕賱丿賳丕亍丞 廿匕丕 賰丕賳 丨乇賷氐賸丕 毓賱賶 丕賱丕爻鬲賲乇丕乇 賮賷 丕賱賰賷賳賵賳丞禄. 丕賱囟睾賷賳丞 鬲丨丕賮馗 毓賱賷賳丕. 賵廿匕丕 毓乇賮賳丕 兀賷囟賸丕 賰賷賮 賳鬲毓賴丿賴丕 賵賰賷賮 賳毓鬲賳賷 亘賴丕 賮廿賳賳丕 賳鬲噩賳賾亘 亘賵丕爻胤鬲賴丕 兀賳 賳賰賵賳 匕賵賷 卮禺氐賷賾丞 賵丕賴賳丞 賵丨囟賵乇 亘丕賴鬲.
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毓賱賷賳丕 丕賱丕丨鬲乇丕夭 賲賳 丕賱賲乇囟賶貙 賮賴賲 賷賲賱賰賵賳 卮禺氐賷丕鬲 賯賵賷丞貙 賵賷鬲賯賳賵賳 丕爻鬲睾賱丕賱 賵卮丨匕 囟睾賷賳鬲賴賲
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廿賳賾 丕賱賯丿乇丞 毓賱賶 丕賱鬲禺賱賾賷 賴賷 丕賱賲賯賷丕爻 丕賱賵丨賷丿 賱賱丕乇鬲賯丕亍 丕賱乇賵丨賷. 丨賷賳 賳睾丕丿乇 丕賱兀卮賷丕亍 賵賱賷爻 丨賷賳 鬲睾丕丿乇賳丕貙 賳乇鬲賯賷 廿賱賶 丕賱毓乇賷 丕賱亘丕胤賳賷 鬲賱賰 丕賱賲賳胤賯丞 丕賱賯氐賵賶 丨賷孬 賳賮賯丿 賰賱賾 禺賷胤 亘丕賱毓丕賱賲 賵亘兀賳賮爻賳丕貙 丨賷孬 丕賱賳氐乇 賷毓賳賷 丕賱丕毓鬲夭丕賱 賵丕賱鬲賳丨賷 亘爻賰賷賳丞 賵丿賵賳 丨爻乇丞 賵禺丕氐丞 丿賵賳 賲丕賱賳禺賵賱賷丕. 賵匕賱賰 賱兀賳賾 丕賱賲丕賱賳禺賵賱賷丕 賲賴賲丕 賰丕賳鬲 賲丨鬲卮賲丞 賵賴賵丕卅賷丞 賮賷 賲馗丕賴乇賴丕 賮賴賷 鬲馗賱賾 毓賱賶 氐賱丞 亘丕賱亘睾囟丕亍 . 廿賳賾賴丕 丨賱賲 賷賯馗丞 賲購卮亘毓 亘丕賱賲乇丕乇丞貙 睾賷乇丞 賲鬲禺賮賾賷丞 賮賷 夭賷 爻賯丕賲貙 囟睾賷賳丞 亘禺丕乇賷丞 . 賰賱賾賲丕 馗賱賱賳丕 禺丕囟毓賷賳 賱賴丕 賱賲 賳鬲禺賱賾 毓賳 卮賷亍貙 亘賱 鬲賵乇賾胤賳丕 兀賰孬乇 賮賷 芦丕賱兀賳丕禄 丿賵賳 兀賳 賳鬲禺賱氐 賲賳 丕賱丌禺乇賷賳貙 丕賱匕賷賳 賳賮賰乇 賮賷賴賲 亘賯丿乇 毓丿賲 禺賱丕氐賳丕 賲賳 丕賱匕丕鬲.
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賰賱賾賲丕 兀爻賴亘賳丕 賮賷 丕賱賰賱丕賲 毓賱賶 噩乇丕丨賳丕 亘丿鬲 賱賳丕 賴匕賴 丕賱噩乇丕丨 賲賱鬲丨賲丞 亘卮乇胤賳丕 丕賱廿賳爻丕賳賷 賰亘卮乇 賱丕 禺賱丕氐 賱賴賲. 賵兀賯氐賶 賲丕 賷賲賰賳 兀賳 賳胤賲丨 廿賱賷賴 賲賳 鬲噩乇賾丿 賴賵 兀賳 賳丨丕賮馗 毓賱賶 兀賳賮爻賳丕 賮賷 賲賵賯毓 毓賱賶 賲爻丕賮丞 賵丕丨丿丞 賲賳 丕賱丕賳鬲賯丕賲 賵丕賱毓賮賵 賮賷 丕賱賲乇賰夭 賲賳 卮乇丕爻丞 賵兀乇賷丨賷丞 乇禺賵鬲蹖賳 賮丕乇睾鬲賷賳 亘賳賮爻 丕賱丿乇噩丞貙 賱兀賳賴賲丕 賲賳匕賵乇鬲丕賳 廿賱賶 兀賳 鬲購亘胤賱 廿丨丿丕賴賲丕 賲賮毓賵賱 丕賱兀禺乇賶. 賱賰賳賳丕 賱賳 賳賮賱丨 兀亘丿賸丕 賮賷 爻賱亘 丕賱卮賷禺 丕賱毓噩賵夭貙 丨鬲賶 賱賵 匕賴亘賳丕 亘賰乇賴賳丕 賱兀賳賮爻賳丕 丨丿 丕賱鬲禺賱賾賷 賳賴丕卅賷丕 毓賳 丕丨鬲賱丕賱 兀賷 賲賵賯毓 賮賷 爻購賱賾賲 丕賱賰丕卅賳丕鬲 .
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丕賱賲毓乇賮丞 鬲賯賵丿 丕賱丨亘賾 廿賱賶 丕賱廿賮賱丕爻 賰賱賲丕 丕夭丿丕丿鬲 賲毓乇賮鬲賳丕 亘兀禺氐 兀爻乇丕乇賳丕 丕夭丿丕丿 賰乇賴賳丕 賱兀卮亘丕賴賳丕 鬲丨丿賷丿丕 賱兀賳賴賲 賷卮亘賴賵賳賳丕. 賳賮賯丿 兀賵賴丕賲賳丕 賮賷 兀賳賮爻賳丕 賮賳賮賯丿 兀賵賴丕賲賳丕 賮賷 丕賱丌禺乇賷賳. 賵賲丕 兀賳 賳賰鬲卮賮 賮爻丕丿賳丕 毓賳 胤乇賷賯 丕賱丕爻鬲亘胤丕賳 丨鬲賶 賳丨爻 亘卮乇毓賷丞 鬲毓賲賷賲賴 毓賱賶 爻丕卅乇 丕賱賮丕賳賷賳 丕賱賮丕爻丿賷賳 兀氐賱丕賸. 賳丨賳 賱丕 賳禺胤卅 丨賷賳 賳賳爻亘 廿賱賷賴賲 賰賱賾 丕賱乇匕丕卅賱 . 丕賱睾乇賷亘 兀賳 兀睾賱亘賴賲 賷亘丿賵 毓丕噩夭丕 毓賳 賰卮賮 乇匕丕卅賱賴 兀賵 賲鬲賲賳毓賸丕 毓賳 乇氐丿賴丕 賱丿賷賴 兀賵 賱丿賶 丕賱丌禺乇賷賳 賱賷爻 兀爻賴賱 賲賳 廿鬲賷丕賳 丕賱卮乇賾 賮丕賱賰賱 賯丕丿乇 毓賱賷賴 賵毓賱賶 丕賱毓賰爻 賲賳 匕賱賰 賮廿賳賾 丕賱賲噩丕賴乇丞 亘廿鬲賷丕賳賴 賵丕賱丕毓鬲乇丕賮 亘丨賯賷賯鬲賴 丕賱賲丨鬲賵賲丞 廿賳噩丕夭 丕爻鬲孬賳丕卅賷. 賷爻鬲胤賷毓 兀賷 毓丕亘乇 爻亘賷賱 兀賳 賷賳丕賮爻 丕賱卮賷胤丕賳 賲賳 丕賱賳丕丨賷丞 丕賱鬲胤亘賷賯賷丞 兀賲丕 賲賳 丕賱賳丕丨賷丞 丕賱賳馗乇賷丞 賮丕賱兀賲乇 賲禺鬲賱賮 鬲賲丕賲賸丕. 丕乇鬲賰丕亘 丕賱賮馗丕毓丕鬲 賵鬲氐賵賾乇 丕賱賮馗丕毓丞 賮毓賱丕賳 賱丕 賷購禺鬲夭賱 兀丨丿賴賲丕 賮賷 丕賱丌禺乇. 賱賷爻 賲賳 賳賯胤丞 賲卮鬲乇賰丞 亘賷賳 丕賱賰賱亘賷賾丞 丕賱賲毓賷卮丞 賵丕賱賰賱亘賷賾丞 丕賱鬲噩乇賷丿賷丞 . 賱賳丨鬲乇夭 賲賳 兀賵賱卅賰 丕賱匕賷賳 賷賳禺乇胤賵賳 賮賷 賮賱爻賮丞 賲購胤賻賲賿卅賽賳丞貙 賷丐賲賳賵賳 亘丕賱禺賷乇 賵賷賳氐亘賵賳 賱賴 鬲賲孬丕賱丕賸 賵丕賱丨丕賱 兀賳賾賴賲 賲丕 賰丕賳賵丕 賱賷賳噩丨賵丕 賮賷 匕賱賰 賱賵 鬲賮丨氐賵丕 兀賳賮爻賴賲 亘氐丿賯 賵丕爻鬲賰卮賮賵丕 兀毓賲丕賯賴賲 賵賲爻鬲賳賯毓丕鬲 賵噩賲賴賲. 賯丿 賷鬲賷丨 丕賱賮囟賵賱 兀賵 爻賵亍 丕賱丨馗 賱賯賱丞 賵丕賱丨賯 賷購賯丕賱貙 兀賳 賷睾賵氐賵丕 賮賷 賯乇丕乇丞 賰賷丕賳賴賲 賵兀賳 賷賯賮賵丕 毓賱賶 丨賯賷賯丞 丕賱亘卮乇. 毓賳丿卅匕 賷賰賮賵賳 毓賳 丨亘賾賴 賱兀賳賴賲 賷賰賮賾賵賳 毓賳 丨亘賾 兀賳賮爻賴賲貙 毓賱賶 丕賱乇睾賲 賲賳 兀賳賴賲貙 賵鬲賱賰 毓賯賵亘鬲賴賲貙 賷馗賱賵賳 賲卮丿賵丿賷賳 廿賱賶 兀賳丕賴賲 兀賰孬乇 賲賳 匕賷 賯亘賱.
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賱丕亘丿 賱賱毓丕賱賲 賲賳 賴匕賷丕賳 噩丿賷丿 賰賷 賱丕 賷鬲丨噩乇. 鬲賱賰 賴賷 丕賱亘丿丕賴丞 丕賱賵丨賷丿丞 丕賱鬲賷 賳禺乇噩 亘賴丕 賲賳 鬲丨賱賷賱 丕賱丨丕囟乇
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丕賱賲毓乇賮锟斤拷 鬲賯賵丿 丕賱丨亘賾 廿賱賶 丕賱廿賮賱丕爻 賰賱賲丕 丕夭丿丕丿鬲 賲毓乇賮鬲賳丕 亘兀禺氐 兀爻乇丕乇賳丕 丕夭丿丕丿 賰乇賴賳丕 賱兀卮亘丕賴賳丕 鬲丨丿賷丿丕 賱兀賳賴賲 賷卮亘賴賵賳賳丕. 賳賮賯丿 兀賵賴丕賲賳丕 賮賷 兀賳賮爻賳丕 賮賳賮賯丿 兀賵賴丕賲賳丕 賮賷 丕賱丌禺乇賷賳. 賵賲丕 兀賳 賳賰鬲卮賮 賮爻丕丿賳丕 毓賳 胤乇賷賯 丕賱丕爻鬲亘胤丕賳 丨鬲賶 賳丨爻 亘卮乇毓賷丞 鬲毓賲賷賲賴 毓賱賶 爻丕卅乇 丕賱賮丕賳賷賳 丕賱賮丕爻丿賷賳 兀氐賱丕賸. 賳丨賳 賱丕 賳禺胤卅 丨賷賳 賳賳爻亘 廿賱賷賴賲 賰賱賾 丕賱乇匕丕卅賱 . 丕賱睾乇賷亘 兀賳 兀睾賱亘賴賲 賷亘丿賵 毓丕噩夭丕 毓賳 賰卮賮 乇匕丕卅賱賴 兀賵 賲鬲賲賳毓賸丕 毓賳 乇氐丿賴丕 賱丿賷賴 兀賵 賱丿賶 丕賱丌禺乇賷賳 賱賷爻 兀爻賴賱 賲賳 廿鬲賷丕賳 丕賱卮乇賾 賮丕賱賰賱 賯丕丿乇 毓賱賷賴 賵毓賱賶 丕賱毓賰爻 賲賳 匕賱賰 賮廿賳賾 丕賱賲噩丕賴乇丞 亘廿鬲賷丕賳賴 賵丕賱丕毓鬲乇丕賮 亘丨賯賷賯鬲賴 丕賱賲丨鬲賵賲丞 廿賳噩丕夭 丕爻鬲孬賳丕卅賷. 賷爻鬲胤賷毓 兀賷 毓丕亘乇 爻亘賷賱 兀賳 賷賳丕賮爻 丕賱卮賷胤丕賳 賲賳 丕賱賳丕丨賷丞 丕賱鬲胤亘賷賯賷丞 兀賲丕 賲賳 丕賱賳丕丨賷丞 丕賱賳馗乇賷丞 賮丕賱兀賲乇 賲禺鬲賱賮 鬲賲丕賲賸丕. 丕乇鬲賰丕亘 丕賱賮馗丕毓丕鬲 賵鬲氐賵賾乇 丕賱賮馗丕毓丞 賮毓賱丕賳 賱丕 賷購禺鬲夭賱 兀丨丿賴賲丕 賮賷 丕賱丌禺乇. 賱賷爻 賲賳 賳賯胤丞 賲卮鬲乇賰丞 亘賷賳 丕賱賰賱亘賷賾丞 丕賱賲毓賷卮丞 賵丕賱賰賱亘賷賾丞 丕賱鬲噩乇賷丿賷丞 . 賱賳丨鬲乇夭 賲賳 兀賵賱卅賰 丕賱匕賷賳 賷賳禺乇胤賵賳 賮賷 賮賱爻賮丞 賲購胤賻賲賿卅賽賳丞貙 賷丐賲賳賵賳 亘丕賱禺賷乇 賵賷賳氐亘賵賳 賱賴 鬲賲孬丕賱丕賸 賵丕賱丨丕賱 兀賳賾賴賲 賲丕 賰丕賳賵丕 賱賷賳噩丨賵丕 賮賷 匕賱賰 賱賵 鬲賮丨氐賵丕 兀賳賮爻賴賲 亘氐丿賯 賵丕爻鬲賰卮賮賵丕 兀毓賲丕賯賴賲 賵賲爻鬲賳賯毓丕鬲 賵噩賲賴賲. 賯丿 賷鬲賷丨 丕賱賮囟賵賱 兀賵 爻賵亍 丕賱丨馗 賱賯賱丞 賵丕賱丨賯 賷購賯丕賱貙 兀賳 賷睾賵氐賵丕 賮賷 賯乇丕乇丞 賰賷丕賳賴賲 賵兀賳 賷賯賮賵丕 毓賱賶 丨賯賷賯丞 丕賱亘卮乇. 毓賳丿卅匕 賷賰賮賵賳 毓賳 丨亘賾賴 賱兀賳賴賲 賷賰賮賾賵賳 毓賳 丨亘賾 兀賳賮爻賴賲貙 毓賱賶 丕賱乇睾賲 賲賳 兀賳賴賲貙 賵鬲賱賰 毓賯賵亘鬲賴賲貙 賷馗賱賵賳 賲卮丿賵丿賷賳 廿賱賶 兀賳丕賴賲 兀賰孬乇 賲賳 匕賷 賯亘賱 .
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廿賳 賲賳 卮兀賳 丕賱囟睾賷賳丞 丕賱賲鬲賲丕爻賰丞 丕賱賲鬲賷賯馗丞 兀賳 鬲賲孬賱 賱賵丨丿賴丕 亘賳賷丞 丕賱賮乇丿 兀賲賾丕 囟毓賮 丕賱卮禺氐賷賾丞 賮賴賵 睾丕賱亘賸丕 賲丕 賷賳卮兀 毓賳 匕丕賰乇丞 囟毓賷賮丞. 廿賳 毓丿賲 賳爻賷丕賳 丕賱廿賴丕賳丞 爻乇賾 賲賳 兀爻乇丕乇 丕賱賳噩丕丨貙 賵賴賵 賮賳賾 賷賲鬲賱賰賴 兀氐丨丕亘 丕賱賯賳丕毓丕鬲 丕賱賯賵賷丞 丿賵賳 丕爻鬲孬賳丕亍貙 賱兀賳賾 賰賱賾 賯賳丕毓丞 鬲鬲賰賵賾賳 兀爻丕爻賸丕 賲賳 丕賱亘睾囟貙 孬賲賾 賮賷 丿乇噩丞 孬丕賳賷丞 賲賳 丕賱丨亘. 兀賲丕 丕賱鬲乇丿賾丿 賮賴賵 毓賱賶 丕賱毓賰爻貙 賳氐賷亘 匕丕賰 丕賱毓丕噩夭 鬲丨丿賷丿丕 毓賳 兀賳 賷丨亘賾 兀賵 兀賳 賷賰乇賴貙 賮廿匕丕 賴賵 賱丕 賷爻鬲胤賷毓 丕禺鬲賷丕乇 卮賷亍貙 賵賱丕 丨鬲賶 鬲噩丕匕亘丕鬲賴 . 廿匕丕 兀乇丕丿 兀賳 賷賮乇囟 賳賮爻賴 賵兀賳 賷賴夭賾 禺賲賵賱賴 賵兀賳 賷賱毓亘 丿賵乇賸丕貙 賮毓賱賷賴 賷禺鬲乇毓 賱賳賮爻賴 兀毓丿丕亍 賵兀賳 賷鬲賲爻賰 亘賴賲 毓賱賷賴 兀賳 賷賵賯馗 賵丨卮賷賾鬲賴 丕賱賳丕卅賲丞 兀賵 兀賳 賷爻鬲乇噩毓 匕賰乇賶 廿賴丕賳丕鬲 鬲毓噩賾賱 廿賴賲丕賱賴丕. 賳丨鬲丕噩 廿賱賶 賯丿乇 兀丿賳賶 賲賳 丕賱賵囟丕毓丞 賰賷 賳禺胤賵 禺胤賵丞 賵丕丨丿丞 廿賱賶 丕賱兀賲丕賲貙 賵乇亘賾賲丕 賳亘賯賶 賰賷 毓賱賶 賯賷丿 丕賱丨賷丕丞 毓賱賶 賰賱賾 賲賳賾丕 兀賳 賱丕 賷購賴賲賱 孬乇賵鬲賴 賲賳 丕賱丿賳丕亍丞 廿匕丕 賰丕賳 丨乇賷氐賸丕 毓賱賶 丕賱丕爻鬲賲乇丕乇 賮賷 丕賱賰賷賳賵賳丞禄. 丕賱囟睾賷賳丞 鬲丨丕賮馗 毓賱賷賳丕. 賵廿匕丕 毓乇賮賳丕 兀賷囟賸丕 賰賷賮 賳鬲毓賴丿賴丕 賵賰賷賮 賳毓鬲賳賷 亘賴丕 賮廿賳賳丕 賳鬲噩賳賾亘 亘賵丕爻胤鬲賴丕 兀賳 賳賰賵賳 匕賵賷 卮禺氐賷賾丞 賵丕賴賳丞 賵丨囟賵乇 亘丕賴鬲.
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毓賱賷賳丕 丕賱丕丨鬲乇丕夭 賲賳 丕賱賲乇囟賶貙 賮賴賲 賷賲賱賰賵賳 卮禺氐賷丕鬲 賯賵賷丞貙 賵賷鬲賯賳賵賳 丕爻鬲睾賱丕賱 賵卮丨匕 囟睾賷賳鬲賴賲
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廿賳賾 丕賱賯丿乇丞 毓賱賶 丕賱鬲禺賱賾賷 賴賷 丕賱賲賯賷丕爻 丕賱賵丨賷丿 賱賱丕乇鬲賯丕亍 丕賱乇賵丨賷. 丨賷賳 賳睾丕丿乇 丕賱兀卮賷丕亍 賵賱賷爻 丨賷賳 鬲睾丕丿乇賳丕貙 賳乇鬲賯賷 廿賱賶 丕賱毓乇賷 丕賱亘丕胤賳賷 鬲賱賰 丕賱賲賳胤賯丞 丕賱賯氐賵賶 丨賷孬 賳賮賯丿 賰賱賾 禺賷胤 亘丕賱毓丕賱賲 賵亘兀賳賮爻賳丕貙 丨賷孬 丕賱賳氐乇 賷毓賳賷 丕賱丕毓鬲夭丕賱 賵丕賱鬲賳丨賷 亘爻賰賷賳丞 賵丿賵賳 丨爻乇丞 賵禺丕氐丞 丿賵賳 賲丕賱賳禺賵賱賷丕. 賵匕賱賰 賱兀賳賾 丕賱賲丕賱賳禺賵賱賷丕 賲賴賲丕 賰丕賳鬲 賲丨鬲卮賲丞 賵賴賵丕卅賷丞 賮賷 賲馗丕賴乇賴丕 賮賴賷 鬲馗賱賾 毓賱賶 氐賱丞 亘丕賱亘睾囟丕亍 . 廿賳賾賴丕 丨賱賲 賷賯馗丞 賲購卮亘毓 亘丕賱賲乇丕乇丞貙 睾賷乇丞 賲鬲禺賮賾賷丞 賮賷 夭賷 爻賯丕賲貙 囟睾賷賳丞 亘禺丕乇賷丞 . 賰賱賾賲丕 馗賱賱賳丕 禺丕囟毓賷賳 賱賴丕 賱賲 賳鬲禺賱賾 毓賳 卮賷亍貙 亘賱 鬲賵乇賾胤賳丕 兀賰孬乇 賮賷 芦丕賱兀賳丕禄 丿賵賳 兀賳 賳鬲禺賱氐 賲賳 丕賱丌禺乇賷賳貙 丕賱匕賷賳 賳賮賰乇 賮賷賴賲 亘賯丿乇 毓丿賲 禺賱丕氐賳丕 賲賳 丕賱匕丕鬲.
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賰賱賾賲丕 兀爻賴亘賳丕 賮賷 丕賱賰賱丕賲 毓賱賶 噩乇丕丨賳丕 亘丿鬲 賱賳丕 賴匕賴 丕賱噩乇丕丨 賲賱鬲丨賲丞 亘卮乇胤賳丕 丕賱廿賳爻丕賳賷 賰亘卮乇 賱丕 禺賱丕氐 賱賴賲. 賵兀賯氐賶 賲丕 賷賲賰賳 兀賳 賳胤賲丨 廿賱賷賴 賲賳 鬲噩乇賾丿 賴賵 兀賳 賳丨丕賮馗 毓賱賶 兀賳賮爻賳丕 賮賷 賲賵賯毓 毓賱賶 賲爻丕賮丞 賵丕丨丿丞 賲賳 丕賱丕賳鬲賯丕賲 賵丕賱毓賮賵 賮賷 丕賱賲乇賰夭 賲賳 卮乇丕爻丞 賵兀乇賷丨賷丞 乇禺賵鬲蹖賳 賮丕乇睾鬲賷賳 亘賳賮爻 丕賱丿乇噩丞貙 賱兀賳賴賲丕 賲賳匕賵乇鬲丕賳 廿賱賶 兀賳 鬲購亘胤賱 廿丨丿丕賴賲丕 賲賮毓賵賱 丕賱兀禺乇賶. 賱賰賳賳丕 賱賳 賳賮賱丨 兀亘丿賸丕 賮賷 爻賱亘 丕賱卮賷禺 丕賱毓噩賵夭貙 丨鬲賶 賱賵 匕賴亘賳丕 亘賰乇賴賳丕 賱兀賳賮爻賳丕 丨丿 丕賱鬲禺賱賾賷 賳賴丕卅賷丕 毓賳 丕丨鬲賱丕賱 兀賷 賲賵賯毓 賮賷 爻購賱賾賲 丕賱賰丕卅賳丕鬲 .
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丕賱賲毓乇賮丞 鬲賯賵丿 丕賱丨亘賾 廿賱賶 丕賱廿賮賱丕爻 賰賱賲丕 丕夭丿丕丿鬲 賲毓乇賮鬲賳丕 亘兀禺氐 兀爻乇丕乇賳丕 丕夭丿丕丿 賰乇賴賳丕 賱兀卮亘丕賴賳丕 鬲丨丿賷丿丕 賱兀賳賴賲 賷卮亘賴賵賳賳丕. 賳賮賯丿 兀賵賴丕賲賳丕 賮賷 兀賳賮爻賳丕 賮賳賮賯丿 兀賵賴丕賲賳丕 賮賷 丕賱丌禺乇賷賳. 賵賲丕 兀賳 賳賰鬲卮賮 賮爻丕丿賳丕 毓賳 胤乇賷賯 丕賱丕爻鬲亘胤丕賳 丨鬲賶 賳丨爻 亘卮乇毓賷丞 鬲毓賲賷賲賴 毓賱賶 爻丕卅乇 丕賱賮丕賳賷賳 丕賱賮丕爻丿賷賳 兀氐賱丕賸. 賳丨賳 賱丕 賳禺胤卅 丨賷賳 賳賳爻亘 廿賱賷賴賲 賰賱賾 丕賱乇匕丕卅賱 . 丕賱睾乇賷亘 兀賳 兀睾賱亘賴賲 賷亘丿賵 毓丕噩夭丕 毓賳 賰卮賮 乇匕丕卅賱賴 兀賵 賲鬲賲賳毓賸丕 毓賳 乇氐丿賴丕 賱丿賷賴 兀賵 賱丿賶 丕賱丌禺乇賷賳 賱賷爻 兀爻賴賱 賲賳 廿鬲賷丕賳 丕賱卮乇賾 賮丕賱賰賱 賯丕丿乇 毓賱賷賴 賵毓賱賶 丕賱毓賰爻 賲賳 匕賱賰 賮廿賳賾 丕賱賲噩丕賴乇丞 亘廿鬲賷丕賳賴 賵丕賱丕毓鬲乇丕賮 亘丨賯賷賯鬲賴 丕賱賲丨鬲賵賲丞 廿賳噩丕夭 丕爻鬲孬賳丕卅賷. 賷爻鬲胤賷毓 兀賷 毓丕亘乇 爻亘賷賱 兀賳 賷賳丕賮爻 丕賱卮賷胤丕賳 賲賳 丕賱賳丕丨賷丞 丕賱鬲胤亘賷賯賷丞 兀賲丕 賲賳 丕賱賳丕丨賷丞 丕賱賳馗乇賷丞 賮丕賱兀賲乇 賲禺鬲賱賮 鬲賲丕賲賸丕. 丕乇鬲賰丕亘 丕賱賮馗丕毓丕鬲 賵鬲氐賵賾乇 丕賱賮馗丕毓丞 賮毓賱丕賳 賱丕 賷購禺鬲夭賱 兀丨丿賴賲丕 賮賷 丕賱丌禺乇. 賱賷爻 賲賳 賳賯胤丞 賲卮鬲乇賰丞 亘賷賳 丕賱賰賱亘賷賾丞 丕賱賲毓賷卮丞 賵丕賱賰賱亘賷賾丞 丕賱鬲噩乇賷丿賷丞 . 賱賳丨鬲乇夭 賲賳 兀賵賱卅賰 丕賱匕賷賳 賷賳禺乇胤賵賳 賮賷 賮賱爻賮丞 賲購胤賻賲賿卅賽賳丞貙 賷丐賲賳賵賳 亘丕賱禺賷乇 賵賷賳氐亘賵賳 賱賴 鬲賲孬丕賱丕賸 賵丕賱丨丕賱 兀賳賾賴賲 賲丕 賰丕賳賵丕 賱賷賳噩丨賵丕 賮賷 匕賱賰 賱賵 鬲賮丨氐賵丕 兀賳賮爻賴賲 亘氐丿賯 賵丕爻鬲賰卮賮賵丕 兀毓賲丕賯賴賲 賵賲爻鬲賳賯毓丕鬲 賵噩賲賴賲. 賯丿 賷鬲賷丨 丕賱賮囟賵賱 兀賵 爻賵亍 丕賱丨馗 賱賯賱丞 賵丕賱丨賯 賷購賯丕賱貙 兀賳 賷睾賵氐賵丕 賮賷 賯乇丕乇丞 賰賷丕賳賴賲 賵兀賳 賷賯賮賵丕 毓賱賶 丨賯賷賯丞 丕賱亘卮乇. 毓賳丿卅匕 賷賰賮賵賳 毓賳 丨亘賾賴 賱兀賳賴賲 賷賰賮賾賵賳 毓賳 丨亘賾 兀賳賮爻賴賲貙 毓賱賶 丕賱乇睾賲 賲賳 兀賳賴賲貙 賵鬲賱賰 毓賯賵亘鬲賴賲貙 賷馗賱賵賳 賲卮丿賵丿賷賳 廿賱賶 兀賳丕賴賲 兀賰孬乇 賲賳 匕賷 賯亘賱.
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