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丨乇亘 賳賴丕賷丞 丕賱毓丕賱賲
賴匕賴 乇賵丕賷丞 賲夭賱夭賱丞貙 賮賷 賲丕 鬲丨鬲賵賷賴 賲賳 兀賮賰丕乇 賵賲丕 鬲毓乇囟賴 賲賳 賲卮丕賴丿. 賵賱爻賵賮 賷禺乇噩 賯丕乇丐賴丕 賲亘賱亘賱 丕賱亘丕賱貙 賲丨賷乇丕貙 賲爻鬲賲鬲毓丕貙 賲爻鬲賴噩賳丕.... 賵丨賷賳 賷胤賵賷 氐賮丨鬲賴丕 丕賱兀禺賷乇丞 爻賷噩丿 賳賮爻賴 兀賲丕賲 丕賱爻丐丕賱 丕賱丨鬲賲賷: 賵亘毓丿責
賮賷 丕賱乇賵丕賷丞 氐乇丕毓 亘賷賳 賲毓爻賰乇賷賳貙 賯賵鬲賷賳貙 賵賯丿 賷鬲亘丕丿乇 廿賱賶 丕賱匕賴賳 兀賳 丕賱賰丕鬲亘 賷鬲亘賳賶 兀丨丿 胤乇賮賷 丕賱氐乇丕毓. 賵賱賰賳 賲賴丕乇丞 "賮丕乇睾丕爻 賷賵爻丕" 鬲賰賲賳 賮賷 兀爻賱賵亘 丕賱胤乇丨 丕賱匕賷 賷賳鬲賴噩賴. 廿賳賰 賲丕 廿賳 鬲賳丨丕夭 廿賱賶 噩丕賳亘貙 亘賮毓賱 賯賵丞 丕賱丨噩丞 兀賵 丿賱丕賱丞 丕賱鬲氐乇賮 兀賵 丕賱鬲毓丕胤賮 丕賱賵噩丿丕賳賷貙 丨鬲賶 賷賳鬲卮賱賰 丕賱賰丕鬲亘貙 亘賮毓賱 丕賱毓賵丕賲賱 毓賷賳賴丕貙 賱賷丨胤賰 賮賷 氐賮 丕賱噩丕賳亘 丕賱丌禺乇.
廿賳 "賮丕乇睾丕爻 賷賵爻丕" 賮賳丕賳 賮賷 氐賳毓鬲賴. 賮賲毓 兀賳 丕賱乇賵丕賷丞 胤賵賷賱丞 丕賱賳賮爻貙 賲賱丨賲賷丞 (鬲匕賰乇 丕賱賲乇亍 亘賭 "丕賱丨乇亘 賵丕賱爻賱丕賲")貙 廿賱丕 兀賳賴 賷馗賱 賲賲爻賰丕 亘禺賷賵胤賴丕 丕賱賰孬丕乇 丕賱賲鬲卮毓亘丞 廿賲爻丕賰 丕賱賱丕毓亘 丕賱丨丕匕賯 丕賱賲爻賷胤乇 毓賱賶 丕賱賲賮乇丿丕鬲 賰賱賴丕. 賵賲賳 爻賲丕鬲 賴匕賴 丕賱賲賴丕乇丞 兀賳賴 賷毓賲丿 廿賱賶 丕賱鬲毓丿丿賷丞 賮賷 禺胤賵胤 丕賱爻乇丿貙 賵賱賰賳賴丕 鬲毓丿丿賷丞 鬲禺丿賲 丕賱鬲賳丕賲賷 丕賱丿乇丕賲賷 賱賱兀丨丿丕孬. 賵賲賳賴丕 兀賷囟丕 鬲胤賵賷毓 丕賱賳丨賵 (賵亘禺丕氐丞 兀夭賲丕賳 丕賱兀賮毓丕賱) 賱禺丿賲丞 賴匕丕 丕賱鬲賳丕賲賷. 賵賮賷 亘毓囟 丕賱賲賯丕胤毓 鬲鬲丿丕禺賱 禺胤賵胤 丕賱爻乇丿 賵鬲鬲丿丕禺賱 丕賱賲卮丕賴丿 賲賳 禺賱丕賱 丕爻鬲禺丿丕賲 兀爻賱賵亘 (丕賱賮賱丕卮 亘丕賰) 亘丨賷孬 賷賳亘睾賷 毓賱賶 丕賱賯丕乇卅 兀賳 賷卮丨匕 丕賳鬲亘丕賴賴 賱賰賷 賷卮禺氐 賳賯丕胤 丕賱鬲賯丕胤毓.
賮賷 丕賱乇賵丕賷丞 氐乇丕毓 亘賷賳 賲毓爻賰乇賷賳貙 賯賵鬲賷賳貙 賵賯丿 賷鬲亘丕丿乇 廿賱賶 丕賱匕賴賳 兀賳 丕賱賰丕鬲亘 賷鬲亘賳賶 兀丨丿 胤乇賮賷 丕賱氐乇丕毓. 賵賱賰賳 賲賴丕乇丞 "賮丕乇睾丕爻 賷賵爻丕" 鬲賰賲賳 賮賷 兀爻賱賵亘 丕賱胤乇丨 丕賱匕賷 賷賳鬲賴噩賴. 廿賳賰 賲丕 廿賳 鬲賳丨丕夭 廿賱賶 噩丕賳亘貙 亘賮毓賱 賯賵丞 丕賱丨噩丞 兀賵 丿賱丕賱丞 丕賱鬲氐乇賮 兀賵 丕賱鬲毓丕胤賮 丕賱賵噩丿丕賳賷貙 丨鬲賶 賷賳鬲卮賱賰 丕賱賰丕鬲亘貙 亘賮毓賱 丕賱毓賵丕賲賱 毓賷賳賴丕貙 賱賷丨胤賰 賮賷 氐賮 丕賱噩丕賳亘 丕賱丌禺乇.
廿賳 "賮丕乇睾丕爻 賷賵爻丕" 賮賳丕賳 賮賷 氐賳毓鬲賴. 賮賲毓 兀賳 丕賱乇賵丕賷丞 胤賵賷賱丞 丕賱賳賮爻貙 賲賱丨賲賷丞 (鬲匕賰乇 丕賱賲乇亍 亘賭 "丕賱丨乇亘 賵丕賱爻賱丕賲")貙 廿賱丕 兀賳賴 賷馗賱 賲賲爻賰丕 亘禺賷賵胤賴丕 丕賱賰孬丕乇 丕賱賲鬲卮毓亘丞 廿賲爻丕賰 丕賱賱丕毓亘 丕賱丨丕匕賯 丕賱賲爻賷胤乇 毓賱賶 丕賱賲賮乇丿丕鬲 賰賱賴丕. 賵賲賳 爻賲丕鬲 賴匕賴 丕賱賲賴丕乇丞 兀賳賴 賷毓賲丿 廿賱賶 丕賱鬲毓丿丿賷丞 賮賷 禺胤賵胤 丕賱爻乇丿貙 賵賱賰賳賴丕 鬲毓丿丿賷丞 鬲禺丿賲 丕賱鬲賳丕賲賷 丕賱丿乇丕賲賷 賱賱兀丨丿丕孬. 賵賲賳賴丕 兀賷囟丕 鬲胤賵賷毓 丕賱賳丨賵 (賵亘禺丕氐丞 兀夭賲丕賳 丕賱兀賮毓丕賱) 賱禺丿賲丞 賴匕丕 丕賱鬲賳丕賲賷. 賵賮賷 亘毓囟 丕賱賲賯丕胤毓 鬲鬲丿丕禺賱 禺胤賵胤 丕賱爻乇丿 賵鬲鬲丿丕禺賱 丕賱賲卮丕賴丿 賲賳 禺賱丕賱 丕爻鬲禺丿丕賲 兀爻賱賵亘 (丕賱賮賱丕卮 亘丕賰) 亘丨賷孬 賷賳亘睾賷 毓賱賶 丕賱賯丕乇卅 兀賳 賷卮丨匕 丕賳鬲亘丕賴賴 賱賰賷 賷卮禺氐 賳賯丕胤 丕賱鬲賯丕胤毓.
160 pages, ebook
First published October 1, 1981
1208 people are currently reading
33383 people want to read
About the author
Mario Vargas Llosa
559听books9,016听followersJorge Mario Pedro Vargas Llosa, 1st Marquess of Vargas Llosa, more commonly known as Mario Vargas Llosa, was a Peruvian novelist, journalist, essayist, and politician. Vargas Llosa was one of the Spanish language and Latin America's most significant novelists and essayists and one of the leading writers of his generation. Some critics consider him to have had a more substantial international impact and worldwide audience than any other writer of the Latin American Boom. In 2010, he won the Nobel Prize in Literature "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat".
Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversaci贸n en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 R贸mulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world.
Like many Latin American writers, Vargas Llosa was politically active. While he initially supported the Cuban revolutionary government of Fidel Castro, Vargas Llosa later became disenchanted with its policies, particularly after the imprisonment of Cuban poet Heberto Padilla in 1971, and later identified as a liberal and held anti-left-wing ideas. He ran for the presidency of Peru in 1990 with the center-right Frente Democr谩tico coalition, advocating for liberal reforms, but lost the election to Alberto Fujimori in a landslide.
Vargas Llosa continued his literary career while advocating for right-wing activists and candidates internationally following his exit from direct participation in Peruvian politics. He was awarded the 1994 Miguel de Cervantes Prize, the 1995 Jerusalem Prize, the 2010 Nobel Prize in Literature, the 2012 Carlos Fuentes International Prize, and the 2018 Pablo Neruda Order of Artistic and Cultural Merit. In 2011, Vargas Llosa was made the Marquess of Vargas Llosa by Spanish king Juan Carlos I. In 2021, he was elected to the Acad茅mie fran莽aise.
Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversaci贸n en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 R贸mulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world.
Like many Latin American writers, Vargas Llosa was politically active. While he initially supported the Cuban revolutionary government of Fidel Castro, Vargas Llosa later became disenchanted with its policies, particularly after the imprisonment of Cuban poet Heberto Padilla in 1971, and later identified as a liberal and held anti-left-wing ideas. He ran for the presidency of Peru in 1990 with the center-right Frente Democr谩tico coalition, advocating for liberal reforms, but lost the election to Alberto Fujimori in a landslide.
Vargas Llosa continued his literary career while advocating for right-wing activists and candidates internationally following his exit from direct participation in Peruvian politics. He was awarded the 1994 Miguel de Cervantes Prize, the 1995 Jerusalem Prize, the 2010 Nobel Prize in Literature, the 2012 Carlos Fuentes International Prize, and the 2018 Pablo Neruda Order of Artistic and Cultural Merit. In 2011, Vargas Llosa was made the Marquess of Vargas Llosa by Spanish king Juan Carlos I. In 2021, he was elected to the Acad茅mie fran莽aise.
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Displaying 1 - 30 of 1,072 reviews
December 13, 2022
The War of the End of the World is a panoramic and polychromatic canvas 鈥� it is equally historical, philosophical, psychological and adventurous story and one of the deepest at that.
The question is posed and the entire novel is a meticulous answer to this question.
There are some strange pages in the history of humankind and the novel is an endeavor to open one of such pages. The central figure is a magnetic person whose magnetism can鈥檛 be explained rationally but the thousands were on his side and they fought unselfishly and desperately for their misty ideals.
He who possesses charisma charms his followers similar to a snake staring at its helpless prey.
Do the rhetorical quarrels of bourgeois political parties have anything to do with the interests of the humble and downtrodden?
The question is posed and the entire novel is a meticulous answer to this question.
There are some strange pages in the history of humankind and the novel is an endeavor to open one of such pages. The central figure is a magnetic person whose magnetism can鈥檛 be explained rationally but the thousands were on his side and they fought unselfishly and desperately for their misty ideals.
He had had the thought that, here, something different from reason governed things, men, time, death, something that it would be unfair to call madness and too general to call faith, superstition, ever since the night on which he had first heard the Counselor, immersed in that multitude which, as it listened to the deep, booming, strangely impersonal voice, had taken on a granite immobility, amid a silence one could touch. More than by the man鈥檚 words and his majestic voice, the journalist was struck, stunned, overwhelmed by that stillness, that silence in which they listened to him.
He who possesses charisma charms his followers similar to a snake staring at its helpless prey.
October 14, 2021
Practical Eschatology
At precisely the time that Fyodor Dostoevsky was writing of the Grand Inquisitor and his confrontation with a Jesus returned to the world (1879-80), the events he was fictionalising were playing themselves out in the scrublands of the Brazilian State of Bahia. In fact, the Brazilian drama surpasses Dostoevsky鈥檚 plot by including all the celebrities from the original biblical stories. Who says history doesn鈥檛 repeat itself?
Mario Vargas Llosa鈥檚 The War of the End of the World is a docu-fictional account of the so-called War of Canudos and the events leading to it from 1877 to 1897. In Vargas Llosa鈥檚 account it doesn鈥檛 take much imagination to identify Antonio, The Counsellor, as Jesus; the revolutionary Scotsman, Galileo Gall, as St. Paul; the local administrative power, Baron de Canabrava, as Pilate; and the psycho-fanatic, Big Joao, as Judas. The Mystic, The Revolutionary, Satan, and The Betrayer could be playing out their cosmic roles rather than merely bit parts in a provincial theatre.
Antonio鈥檚 disciples (the wretchedly poor, the dispossessed, criminals, the psychologically needy), followed Antonio in increasingly large and militant groups as he roamed the Galilee of Bahia State. Wherever they went both plagues and miracles were reported, thus combining Old and New testament references. The disciples had no means of support but lived off the contributions of food and water offered in the villages they entered. Antonio preached and the band grew.
What he preached was a kind of repentance: the rejection of political republicanism and the return to monarchy (Brazil became the realm of the Portuguese king after the Napoleonic putsch of his country in 1807). The details of things to be held anathema were derivative: irreligion, taxes and the metric system. Let the Samaritans of the South in Rio and S茫o Paulo have their republican apostasy, Antonio and his followers knew the joys of the true Kingdom of God (ruled by Dom Pedro of course) with its capital in Salvador. They resisted the forces of the state like the Maccabees at Masada. Their attack formation was that of a religious holy day procession; they used whatever weaponry available in close combat. They did not mind suffering casualties of ten to one for the cause.
Galileo Gall was the (mythical, unhistorical) Osama bin Laden of his day. He represents how the movement was shaped by cultural forces outside of Brazil and often quite opposed to the teaching of Antonio. Gall was persona non grata in his native Britain, jailed in Turkey, Egypt and the USA for proletarian agitation and unionising, and wanted for murder in France, in Spain, and in Portugal. His gospel was that of the anarchists Proudhon and Bakunin. Gall's anthropological vision was only slightly less radical than that of St. Paul. He was convinced that phrenology, the study of the shape of the head, told all. For Paul, only belief mattered, for Galileo it was hat size.
As with the movement of Jesus, Antonio鈥檚 went well at first. But success, as so often, was its own undoing. As a fiction structured around historical events, there is never any doubt that everything will end in tears and death. Vargas Llosa鈥檚 brilliance lies not in creating suspense about the outcome but about the development of the characters as they realise what they are themselves creating. For me this is the magic of The War of the End of the World.
It is also a rather splendid allegory of the early development of Christianity. Vargas Llosa's insertion of the Paul-character in the form of Galileo Gall suggests that he meant such an allegorical interpretation. The rebel who ensures both the dissemination and the distortion of the message of hope was an ideological as well as literary temptation he couldn't resist.
At precisely the time that Fyodor Dostoevsky was writing of the Grand Inquisitor and his confrontation with a Jesus returned to the world (1879-80), the events he was fictionalising were playing themselves out in the scrublands of the Brazilian State of Bahia. In fact, the Brazilian drama surpasses Dostoevsky鈥檚 plot by including all the celebrities from the original biblical stories. Who says history doesn鈥檛 repeat itself?
Mario Vargas Llosa鈥檚 The War of the End of the World is a docu-fictional account of the so-called War of Canudos and the events leading to it from 1877 to 1897. In Vargas Llosa鈥檚 account it doesn鈥檛 take much imagination to identify Antonio, The Counsellor, as Jesus; the revolutionary Scotsman, Galileo Gall, as St. Paul; the local administrative power, Baron de Canabrava, as Pilate; and the psycho-fanatic, Big Joao, as Judas. The Mystic, The Revolutionary, Satan, and The Betrayer could be playing out their cosmic roles rather than merely bit parts in a provincial theatre.
Antonio鈥檚 disciples (the wretchedly poor, the dispossessed, criminals, the psychologically needy), followed Antonio in increasingly large and militant groups as he roamed the Galilee of Bahia State. Wherever they went both plagues and miracles were reported, thus combining Old and New testament references. The disciples had no means of support but lived off the contributions of food and water offered in the villages they entered. Antonio preached and the band grew.
What he preached was a kind of repentance: the rejection of political republicanism and the return to monarchy (Brazil became the realm of the Portuguese king after the Napoleonic putsch of his country in 1807). The details of things to be held anathema were derivative: irreligion, taxes and the metric system. Let the Samaritans of the South in Rio and S茫o Paulo have their republican apostasy, Antonio and his followers knew the joys of the true Kingdom of God (ruled by Dom Pedro of course) with its capital in Salvador. They resisted the forces of the state like the Maccabees at Masada. Their attack formation was that of a religious holy day procession; they used whatever weaponry available in close combat. They did not mind suffering casualties of ten to one for the cause.
Galileo Gall was the (mythical, unhistorical) Osama bin Laden of his day. He represents how the movement was shaped by cultural forces outside of Brazil and often quite opposed to the teaching of Antonio. Gall was persona non grata in his native Britain, jailed in Turkey, Egypt and the USA for proletarian agitation and unionising, and wanted for murder in France, in Spain, and in Portugal. His gospel was that of the anarchists Proudhon and Bakunin. Gall's anthropological vision was only slightly less radical than that of St. Paul. He was convinced that phrenology, the study of the shape of the head, told all. For Paul, only belief mattered, for Galileo it was hat size.
As with the movement of Jesus, Antonio鈥檚 went well at first. But success, as so often, was its own undoing. As a fiction structured around historical events, there is never any doubt that everything will end in tears and death. Vargas Llosa鈥檚 brilliance lies not in creating suspense about the outcome but about the development of the characters as they realise what they are themselves creating. For me this is the magic of The War of the End of the World.
It is also a rather splendid allegory of the early development of Christianity. Vargas Llosa's insertion of the Paul-character in the form of Galileo Gall suggests that he meant such an allegorical interpretation. The rebel who ensures both the dissemination and the distortion of the message of hope was an ideological as well as literary temptation he couldn't resist.
December 1, 2023
that's what happens when the world's most overrated living author (GGM) gets punched in the face by a far superior one (MVL). the fight occurred in a mexican moviehouse in 1976 and neither of 'em have ever discussed said incident. whatever went down (a woman? politics?), i wish i was there to give the chubby bastard a kick in the ribs when he was on the ground.
the war of the end of the world deserves the place in the pantheon occupied by marquez's silly epics. here we have a 20th century history of the peloponnesian war, a sprawling messy fuckoff of a book featuring a most intriguing and elusive lead character: 'war' -- a dumbfuck spawned by a cocktail of human fanaticism jingoism and idiocy. forget 100 yrs of solitude and love in the time of cholera. read vargas llosa's war of the end of the world and mutis's the adventures and misadventures of maqroll.
and vargas llosa himself? a marxist castro-supporter turned right-leaning peruvian presidential candidate? love it. his opponents read sex/violence passages from his novels over peruvian radio in an effort to scare the shit outta voters. it worked. a japanese-peruvian became president.
MVL has long held the top spot on my 'people i'd like to sit with in an open-air bar drinking tequila while arguing books & politics until the sun comes up' list. gotta make this happen.
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May 21, 2025
It is around Antonio Vicente Mendes Maciel, a historical and Christic figure, ascetic and hallucinated. A madman doubled as a saint, nicknamed the Counselor by his disciples, who, one day, a millenarian and messianic movement formed in Bahia. At the end of the 19th century, when Brazil had just abolished slavery and was still in the infancy of a democracy, it passed from the Empire to the Republic in less than ten years. This court of miracles, this motley collection of poor natives, beggars, pilgrims, impoverished peasants, Maroon enslaved people, freedmen, bandits, and repentant murderers, refused to bow to the new power. It rejected the census, civil marriage, the decimal metric system, paying taxes, banishing private property and money in absolute collectivism, restoring churches, cemeteries, and holy places, and seeing in the Republic the embodiment of the Antichrist. This "city of god" successfully routed three military expeditions to give way to the number finally. The War of the End of the World, a moving and harsh historical fresco, seeks to bring this special moment back to life with its epic breath and the great wealth of these well-established characters. By freeing himself from the limits of time and space, Mario Vargas Llosa meticulously retraces the circumstances and motivations that led all these destitute and disgraced beings to wander through Sertao, a particularly inhospitable region of the Brazilian Northeast. To share without backing the fate of this illuminated man, whom he sees as a prophet, he describes the organization and the preparations of the belligerents of the two camps. The maneuvers of the Republicans' exploit, the sovereignty of monarchical inspiration, and the press organs in the pay of their sponsors are to blame for the proliferation of this seditious Sebastianist movement.
This novel is about a guerrilla civil war, with which Latin America's history abounds. It is a particularly poignant book, and we do not come out unscathed.
This novel is about a guerrilla civil war, with which Latin America's history abounds. It is a particularly poignant book, and we do not come out unscathed.
January 4, 2023
That a "mad man" walking from village to village in the poor northeast of Brazil in the state of Bahia, during the late 1800's preaching to the poor the brotherhood of all, and the end of the world would cause the deaths of countless people, and shake the very foundation of the new republic ... is unfathomable. Since the abolition of slavery and the monarchy less then a decade ago 1888, 1889, many homeless slaves have nowhere to go or feel wanted anywhere, white farm workers no jobs, neglected Indians living in abject poverty eating roots, when available but they do have something in common, each is powerless and hungry exploited by the rich landowners , the government more interested in collecting taxes than helping them, they die like flies in the arid lands, frequent droughts, epidemics, bandits roaming the countryside killing stealing from the inhabitants the little they have. Nobody cares until Antonio Vincent Mendes Maciel, known as Antonio the Counselor. Gathering followers after twenty years of fixing neglected churches, cemeteries, comforting the impoverished becomes a saint to the locals. He decides to build a new town Canudos, ( Canes) spectacularly growing to 30,000 citizen in a few years, causes concern to the nervous authorities, since he opposes the Republic separation of church and state and Freemasons, unbelievers that influence greatly the Brazilian establishment. The city does not use paper money, trading is the custom everyone has a piece of land and a mud house to live, food given to the helpless health houses for the sick and old, farms outside growing crops by the river nearby all, are equal. The benevolent Counselor, no titles orders the building of a second church a magnificent cathedral the Temple of the Blessed Jesus, a bell tower above it ringing the faithful to come in, he Antonio gives sermons there, looking down at the adoring crowd the loyal, local priest Father Joaquim a former coward, with children from his concubine saying mass, burying the dead baptizing marrying couples. Canudos is contended the Counselor has valuable apostles to govern, a dwarf a cruel woman that killed her infant child, Maria Quadrado a famous outlaw Satan John, now Abbot John the able, canny field commander ... Pajeu, with an ugly scar on his face, an angry fierce Indian that loved to mutilate his victim's noses and ears, a runaway slave heartless Big John, who killed his owner's sister a deformed man they call the Lion, who can read reformed by Antonio but the Republic is not happy sending armies to crush what they fear is an attempt (wrongly) to restore the monarchy, one, two, three, four arrive getting bigger and bigger each one, they're surprised that these peasants fight so ferociously, why? A vicious conflict where prisoners are butchered, by both sides. They will never quite understand the rulers, that these people have something to fight for, for the first time in their lives. A place where they are welcomed, accepted and even loved the criminals, freaks the penniless, somebody is helping the lowest of the low... A tremendous novel based on fact Mario Vargas Llosa, best book many critics believe including himself, not a happy read yet true mostly, an important one too ...
April 6, 2022
This riveting story about a true event in Brasilian history is a page-turner. The story of the surprising rise and inevitable fall of the commune of Canudo out in the middle of the Bahia region is told from several perspectives and using painstaking detail. The scenes of battle are excruciating and incredibly realistic. Once again, Mario Vargas Llosa has delivered a marvelous piece of literature here and one can see why he deserved his Nobel in 2010.
The narrative style is classic Vargas Llosa: different perspectives covering all sides of this particular conflict and putting it in its complex historical context. Certainly one of the great historical novels of the 20th C.
In light of International Women's Day, I would need to point out that I can see how feminists would object to some misogyny in Vargas Llosa however. Two rape victims become either lovers or married to their rapists and the other principal female character goes insane. Perhaps it is a South American machismo, but all the other female characters came off as ignorant fanatics as well. But, to his credit, in his later books like Feast of the Goat or The Bad Girl, the female characters are stronger and more developed.
This is truly epic historic fiction.
Fino's Mario Vargas Llosa Reviews:
Fiction
The Cubs and Other Stories (1959) TBR
The Time of the Hero (1963)
The Green House (1966)
Conversation in the Cathedral (1969)
Captain Pantoja and the Special Services (1973)
Aunt Julia and the Scriptwriter (1977)
The War of the End of the World (1981)
The Real Life of Alejandro Mayta (1985)
Who Killed Palomino Molero? (1987)
The Storyteller (1989)
In Praise of the Stepmother (1990)
Death in the Andes (1996)
The Notebooks of Don Rigoberto (1998)
The Feast of the Goat (2001)
The Way to Paradise (2003)
The Bad Girl (2007)
The Dream of the Celt (2010)
The Discrete Hero (2015)
The Neighborhood (2018)
Harsh Times (2021) TBR
Non-Fiction
The Perpetual Orgy (1975)
A Fish Out of Water (1993)
Letters to a Young Novelist (1998)
The narrative style is classic Vargas Llosa: different perspectives covering all sides of this particular conflict and putting it in its complex historical context. Certainly one of the great historical novels of the 20th C.
In light of International Women's Day, I would need to point out that I can see how feminists would object to some misogyny in Vargas Llosa however. Two rape victims become either lovers or married to their rapists and the other principal female character goes insane. Perhaps it is a South American machismo, but all the other female characters came off as ignorant fanatics as well. But, to his credit, in his later books like Feast of the Goat or The Bad Girl, the female characters are stronger and more developed.
This is truly epic historic fiction.
Fino's Mario Vargas Llosa Reviews:
Fiction
The Cubs and Other Stories (1959) TBR
The Time of the Hero (1963)
The Green House (1966)
Conversation in the Cathedral (1969)
Captain Pantoja and the Special Services (1973)
Aunt Julia and the Scriptwriter (1977)
The War of the End of the World (1981)
The Real Life of Alejandro Mayta (1985)
Who Killed Palomino Molero? (1987)
The Storyteller (1989)
In Praise of the Stepmother (1990)
Death in the Andes (1996)
The Notebooks of Don Rigoberto (1998)
The Feast of the Goat (2001)
The Way to Paradise (2003)
The Bad Girl (2007)
The Dream of the Celt (2010)
The Discrete Hero (2015)
The Neighborhood (2018)
Harsh Times (2021) TBR
Non-Fiction
The Perpetual Orgy (1975)
A Fish Out of Water (1993)
Letters to a Young Novelist (1998)
September 15, 2022
What an elephantine statement. I began the novel with the impression that it was kind of a Christian millenarian in terms of the bleakness of its storyline. By the end, however, it was clear to me that Vargas Llosa's model was predominantly Russian. When AC says here that "there is a certain archaism and hieratic nature in the writing," I think this is in part what he means, though the limited third-person voice never widens to full God-like omniscience.
The novel is based on the Canudos or backlands rebellion in Brazil of the late 1890s, which is known to us primarily from Euclides Da Cunha鈥檚 pioneering 厂别谤迟玫别蝉 (available in translation from Penguin as ), which has been called the starting point of Brazilian letters. Brazil has deposed its monarchy and established a young, unstable republic. The disenfranchised monarchists want to hang on to their property rights and are in a political fight with the republicans. This conflict forms the novel鈥檚 lethal backstory. In the foreground is the messianic figure, Antonio Conselhiero (the Counselor), who, over thirty years of preaching in the backlands has assembled a flock of congregants, including many notorious bandits, made up largely of poor farming families forced off the land by devastating drought.
The Counselor views the new republic as the Anti-Christ because of a provision in the new constitution that separates church and state. The republic's transgressions include the institution of civil marriage, when, as the Counselor knows from direct contact with his deity, a perfectly valid form of religious marriage already exists. Also cited as fodder for rebellion is the collection of taxes, viewed as an encroachment on Church tithing; and a census, which is seen as a way to both reinstitute the slave trade, abolished under the monarchy, and provide the Anti-Christ republic with the information it needs to undertake a pogrom of all declared Catholics. An entirely baseless claim yet one that is not without irony given the story's genocidal conclusion.
In time the dispossessed pilgrims settle on one of the landholdings, Canudos, of the Baron Canabrava. The pro-republican propagandist, Epaminondas Gon莽alves -- a man whose murderous PR would make even Joey Goebbels burst with admiration -- paints the squatters as recidivist monarchists in league with the elderly baron. This is false. It is true, however, that the squatters have rejected the republic. When Gon莽alves arranges for a shipment of English rifles and ammunition to Canudos he conveniently exposes the "monarchists" as traitors to the fledgling republic and publishes accordingly. Because of this deft bit of disinformation, the republicans and their armies and most of the public do not know that Canudos is in fact a religious settlement with eschatological leanings. Even during the last prolonged campaign against Canudos the commanding general still believes that the 箩补驳耻苍莽辞蝉 have monarchist tendencies and that English officers are advising them. Three times the republic sends the army against Canudos and loses ignominiously, thanks to the insurgents' ruthless guerrilla tactics. The fourth campaign succeeds.
Vargas Llosa spends the first 200 pages alone establishing his characters. They are a rogue鈥檚 gallery, too, and include the 鈥渘earsighted journalist,鈥� a character based on Euclides Da Cunha himself; the elderly Baron Canabrava, head of the (real) ousted monarchists; the newspaper owner and lethal republican, Gon莽alves; Galileo Gall, a Scottish socialist, whose over-zealousness and lack of self-examination bring him to an ugly pass; the ex-slave, Big Jo茫o, who ruthlessly slices his mistress to bits during a backlands excursion; Abbot Jo茫o, formerly Satan Jo茫o, Paje煤, Pedr茫o, and other murderous bandits turned upstanding Christians; the Vilanova brothers, itinerant merchants; the filicide Maria Quadrado; the Lion of Natuba, a literate, deformed young man who serves as the Counselor's scribe; and the entire Brazilian army -- a Tolstoyan dramatis personae if ever there was one.
On the whole, the novel is an admirable endeavor. The narration is straightforward, the diction very flat. There's no fancy vocabulary, except for the occasional Portuguese word, and no structural sleight-of-hand. The writing strives to stay out of its own way, and largely succeeds. But neither does the prose exhibit any real "nicety of style," to use 鈥檚 phrase, at least it doesn't come through in this translation. In other words, it doesn't sing. The book鈥檚 achievement is in its structure and its length (580 pages). A bit too long for me, the battle scenes especially. As we hurtle toward the end, increasingly there's a tendency toward melodrama. Cliches start popping up: "A chill ran down his spine." Then again there are many beautifully vivid renderings of action and space: the sere landscape, the streets of the impoverished squatter town.
The novel is based on the Canudos or backlands rebellion in Brazil of the late 1890s, which is known to us primarily from Euclides Da Cunha鈥檚 pioneering 厂别谤迟玫别蝉 (available in translation from Penguin as ), which has been called the starting point of Brazilian letters. Brazil has deposed its monarchy and established a young, unstable republic. The disenfranchised monarchists want to hang on to their property rights and are in a political fight with the republicans. This conflict forms the novel鈥檚 lethal backstory. In the foreground is the messianic figure, Antonio Conselhiero (the Counselor), who, over thirty years of preaching in the backlands has assembled a flock of congregants, including many notorious bandits, made up largely of poor farming families forced off the land by devastating drought.
The Counselor views the new republic as the Anti-Christ because of a provision in the new constitution that separates church and state. The republic's transgressions include the institution of civil marriage, when, as the Counselor knows from direct contact with his deity, a perfectly valid form of religious marriage already exists. Also cited as fodder for rebellion is the collection of taxes, viewed as an encroachment on Church tithing; and a census, which is seen as a way to both reinstitute the slave trade, abolished under the monarchy, and provide the Anti-Christ republic with the information it needs to undertake a pogrom of all declared Catholics. An entirely baseless claim yet one that is not without irony given the story's genocidal conclusion.
In time the dispossessed pilgrims settle on one of the landholdings, Canudos, of the Baron Canabrava. The pro-republican propagandist, Epaminondas Gon莽alves -- a man whose murderous PR would make even Joey Goebbels burst with admiration -- paints the squatters as recidivist monarchists in league with the elderly baron. This is false. It is true, however, that the squatters have rejected the republic. When Gon莽alves arranges for a shipment of English rifles and ammunition to Canudos he conveniently exposes the "monarchists" as traitors to the fledgling republic and publishes accordingly. Because of this deft bit of disinformation, the republicans and their armies and most of the public do not know that Canudos is in fact a religious settlement with eschatological leanings. Even during the last prolonged campaign against Canudos the commanding general still believes that the 箩补驳耻苍莽辞蝉 have monarchist tendencies and that English officers are advising them. Three times the republic sends the army against Canudos and loses ignominiously, thanks to the insurgents' ruthless guerrilla tactics. The fourth campaign succeeds.
Vargas Llosa spends the first 200 pages alone establishing his characters. They are a rogue鈥檚 gallery, too, and include the 鈥渘earsighted journalist,鈥� a character based on Euclides Da Cunha himself; the elderly Baron Canabrava, head of the (real) ousted monarchists; the newspaper owner and lethal republican, Gon莽alves; Galileo Gall, a Scottish socialist, whose over-zealousness and lack of self-examination bring him to an ugly pass; the ex-slave, Big Jo茫o, who ruthlessly slices his mistress to bits during a backlands excursion; Abbot Jo茫o, formerly Satan Jo茫o, Paje煤, Pedr茫o, and other murderous bandits turned upstanding Christians; the Vilanova brothers, itinerant merchants; the filicide Maria Quadrado; the Lion of Natuba, a literate, deformed young man who serves as the Counselor's scribe; and the entire Brazilian army -- a Tolstoyan dramatis personae if ever there was one.
On the whole, the novel is an admirable endeavor. The narration is straightforward, the diction very flat. There's no fancy vocabulary, except for the occasional Portuguese word, and no structural sleight-of-hand. The writing strives to stay out of its own way, and largely succeeds. But neither does the prose exhibit any real "nicety of style," to use 鈥檚 phrase, at least it doesn't come through in this translation. In other words, it doesn't sing. The book鈥檚 achievement is in its structure and its length (580 pages). A bit too long for me, the battle scenes especially. As we hurtle toward the end, increasingly there's a tendency toward melodrama. Cliches start popping up: "A chill ran down his spine." Then again there are many beautifully vivid renderings of action and space: the sere landscape, the streets of the impoverished squatter town.
April 29, 2021
丨乇賮 丌禺乇 乇丕 丕賵賱 亘诏賵蹖賲貙 "丕蹖乇丕賳 禺賵丿乇賵" 卮毓丕乇蹖 丿丕卮鬲 亘丿蹖賳 賲囟賲賵賳 讴賴
乇丕賴 貙 鬲賵 乇丕 賲蹖 禺賵丕賳丿
. 亘诏匕丕乇 賲賳 賴賲 亘诏賵蹖賲 丕蹖 诏賵丿乇蹖丿夭蹖賽 毓夭蹖夭!貙 蹖賵爻丕 賵 噩賳诏 丌禺乇夭賲丕賳 鬲賵 乇丕 賲蹖 禺賵丕賳丿
丕賵賱丕賻賻
蹖賵爻丕貙 賳賵蹖爻賳丿賴 蹖 倬乇賵蹖蹖貙 蹖讴亘丕乇 賳賵亘賱 诏乇賮鬲賴貙 丕爻鬲丨賯丕賯 亘丕乇 丿賵賲卮 乇丕 賴賲 丿丕乇丿
趩賴 亘诏賵蹖賲 賵 趩胤賵乇 亘賳賵蹖爻賲 丕夭 毓胤卮蹖 讴賴 亘賴 禺賵丕賳丿賳賽 賲丕亘賯蹖賽 丕蹖賳 丿丕爻鬲丕賳賽 900 氐賮丨賴 丕蹖 丿丕卮鬲賲貙 丌賳诏丕賴 讴賴 賴乇亘丕乇 讴鬲丕亘 乇丕 夭賲蹖賳 賲蹖 诏匕丕卮鬲賲. 噩丕賱亘 鬲乇 丕蹖賳讴賴貙 賴賲夭賲丕賳賽 亘丕 丕蹖賳 卮賻毓賮貙 毓胤卮蹖 鬲丕夭賴 亘乇丕蹖賽 禺乇蹖丿賽 乇賲丕賳 賴丕蹖賽 丿蹖诏乇賽 "蹖賵爻丕"貙 诏乇蹖亘丕賳 诏蹖乇 賲蹖 卮丿
丕蹖賳 乇賲丕賳 乇丕 賲蹖鬲賵丕賳 "噩賳诏蹖-鬲丕乇蹖禺蹖" [賴賲] 丿丕賳爻鬲 丕賲丕 賳賻賴 蹖讴 丕孬乇賽 噩賳诏蹖 賵 鬲丕乇蹖禺蹖賽 氐乇賮貙 亘賱讴賴 賳诏丕賴蹖 丕爻鬲 亘爻蹖丕乇 毓賲蹖賯貙 亘賴 賮乇蹖賮鬲诏蹖賽 爻乇蹖毓 賵 亘丕賵乇賳讴乇丿賳蹖賽 賲賮賱賵讴丕賳 亘賴 讴丕乇蹖夭賲丕蹖賽 賲丿毓蹖丕賳賽 賲匕賴亘. 賳诏丕賴蹖 爻鬲 丕賳鬲賯丕丿蹖 亘賴 倬蹖丕丿賴 賳馗丕賲賽 讴賻賲 丿丕賳 賵 倬購乇诏賵蹖賽 丨乇讴鬲 賴丕蹖賽 丕氐賱丕丨蹖賽 丌賲乇蹖讴丕蹖 賱丕鬲蹖賳 丿乇 賯丕賱亘賽 丿丕爻鬲丕賳蹖 爻乇丕倬丕 夭賳丿诏蹖 賵 亘賻爻 乇卅丕賱 讴賴 丿乇 賵氐賮卮 亘丕蹖丿 诏賮鬲: 賴賳乇賽 讴賲 賳馗蹖乇賽 "鬲賵氐蹖賮賽 亘噩丕貙 亘賴 丕賳丿丕夭賴 賵 亘賽賴 诏購夭蹖賳賽 丌賳趩賴 亘丕蹖丿 鬲氐賵蹖乇 爻丕禺鬲"貙 趩蹖夭蹖 讴賴 賴賲賴 噩丕蹖賽 丿丕爻鬲丕賳 賲賵噩 賲蹖 夭賳丿
孬丕賳蹖丕賻賻
丿丕爻鬲丕賳賽 丨丕囟乇貙 亘丕 丿爻鬲蹖 亘賴 丿丕賲賳賽 丕爻鬲賳丕丿賽 鬲丕乇蹖禺蹖 賵 丿爻鬲蹖 亘賴 丌爻賲丕賳賽 禺蹖丕賱 賳賵蹖爻賳丿賴貙 卮賵乇卮蹖 丕夭 倬丕亘乇賴賳诏丕賳 賵 賲爻鬲氐毓賮丕賳賽 賲賳胤賯賴 丕蹖 丿賵乇丕賮鬲丕丿賴 丿乇 亘乇夭蹖賱 丿乇 丌爻鬲丕賳賴 蹖 賯乇賳 20丕購賲貙 亘賴 乇賴亘乇蹖 蹖讴 卮禺氐蹖鬲 讴丕乇蹖夭賲丕鬲蹖讴賽 賲匕賴亘蹖 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿 讴賴 爻禺鬲 賲睾囟賵亘賽 讴賱蹖爻丕 丕爻鬲. 賵蹖 賴賲賴 蹖賽 睾賲夭丿诏丕賳 賵 亘蹖趩丕乇诏丕賳賽 賲賳丕胤賯賽 丿賵乇 賵 賳夭丿蹖讴 乇丕 趩賵賳 丌賴賳乇亘丕蹖蹖 噩匕亘 賲蹖讴賳丿貙 丌賳 賴丕 讴賴 賳丿丕賳爻鬲賴 賲禺丕賱賮 噩賲賴賵乇蹖 禺賵丕賴蹖 賴爻鬲賳丿 賵 賳禺賵丕爻鬲賴 賴賵丕禺賵丕賴賽 爻賱胤賳鬲 賵 爻賱胤賳鬲 胤賱亘丕賳
孬丕賱孬丕賻賻
蹖賵爻丕貙 賴乇 卮禺氐蹖鬲 乇丕 趩賳丕賳 乇賵丕賳 亘賴 鬲氐賵蹖乇 賲蹖 讴卮丿 讴賴 亘丕賵乇 賳丿丕乇蹖 氐丕丨亘 蹖讴 賯賱賲貙 丿乇 毓蹖賳賽 夭賲丕賳貙 亘鬲賵丕賳丿 趩賳蹖賳 蹖賻賱賴 賵 丌夭丕丿貙 賱丕亘賱丕蹖 爻胤賵乇 賵 丿蹖丕賱賵诏 賴丕貙 丿乇 倬賻乇卮 丕夭 卮禺氐蹖鬲 蹖讴 賲賵噩賵丿 毓噩蹖亘 丕賱禺賱賯賴 蹖賽 乇賵爻鬲丕蹖蹖賽 賴賵丕禺賵丕賴賽 卮賵乇卮蹖丕賳 亘賴 卮禺氐蹖鬲賽 噩賳鬲賱賲賳賽 丕爻鬲乇丕鬲跇蹖爻鬲賽 丿爻鬲賴 蹖賽 賲禺丕賱賮賽 卮賵乇卮貙 趩賳蹖賳 賲丕賴乇丕賳賴 乇賳诏 賵 賯賱賲 毓賵囟 讴賳丿 诏賵賳賴 丕蹖 讴賴 乇賻丿蹖 丕夭 丕賵賱蹖 亘乇 丿賵賲蹖 賳賲丕賳丿 賵 鬲丕夭诏蹖賽 丿賵賲蹖貙 賱匕鬲 丕亘乇丕夭賽 丕賵賱蹖 乇丕 賲禺丿賵卮 賳讴賳丿
:爻禺賳 丌禺乇
丕诏乇 賳禺賵丕賳丿賴 丕蹖丿 丕蹖賳 卮丕賴讴丕乇 乇丕貙 讴丕乇鬲 丿乇 噩蹖亘貙 乇丕賴蹖 丕賵賱蹖賳 讴鬲丕亘 賮乇賵卮蹖 卮賵蹖丿 讴賴 鬲丕禺蹖乇 噩丕蹖夭 賳蹖爻鬲貙 丕賲丕
丕賵賱丕 讴賴 讴鬲丕亘 乇丕 夭蹖乇 蹖讴 賴賮鬲賴 亘禺賵丕賳蹖丿 鬲丕 亘丕 丨賮馗賽 賳馗賲賽 匕賴賳蹖賽 鬲丕賳貙 賱匕鬲賽 賲胤丕賱毓賴 夭丕卅賱 賳诏乇丿丿
丿賵賲 丕蹖賳讴賴貙 丕爻丕賲蹖 卮禺氐蹖鬲 賴丕 賵 卮賴乇賴丕蹖賽 丕爻倬丕賳蹖賵賱蹖 夭亘丕賳貙 丕賳丿讴蹖 爻禺鬲 禺賵丕賳 賴爻鬲賳賳丿 賵 亘賴 賳馗乇 [賵賻蹖丕] 卮丕蹖丿 爻賱蹖賯賴 蹖賽 丕蹖賳 亘賳丿賴貙 噩購夭 卮禺氐蹖鬲 賴丕 賵 賲讴丕賳 賴丕蹖賽 讴賱蹖丿蹖 乇賲丕賳貙 亘賯蹖賴 丕爻丕賲蹖 乇賵貙 爻賻乇爻賻乇蹖 乇丿 卮蹖丿 亘賴鬲乇賴. 趩賵賳 讴賴 倬賻爻 夭賻賳賴 丿丕乇賴 賵 爻乇毓鬲賽 禺賵丕賳卮 乇賵 倬丕蹖蹖賳 賲蹖丕乇賴
丕賵賱丕賻賻
蹖賵爻丕貙 賳賵蹖爻賳丿賴 蹖 倬乇賵蹖蹖貙 蹖讴亘丕乇 賳賵亘賱 诏乇賮鬲賴貙 丕爻鬲丨賯丕賯 亘丕乇 丿賵賲卮 乇丕 賴賲 丿丕乇丿
趩賴 亘诏賵蹖賲 賵 趩胤賵乇 亘賳賵蹖爻賲 丕夭 毓胤卮蹖 讴賴 亘賴 禺賵丕賳丿賳賽 賲丕亘賯蹖賽 丕蹖賳 丿丕爻鬲丕賳賽 900 氐賮丨賴 丕蹖 丿丕卮鬲賲貙 丌賳诏丕賴 讴賴 賴乇亘丕乇 讴鬲丕亘 乇丕 夭賲蹖賳 賲蹖 诏匕丕卮鬲賲. 噩丕賱亘 鬲乇 丕蹖賳讴賴貙 賴賲夭賲丕賳賽 亘丕 丕蹖賳 卮賻毓賮貙 毓胤卮蹖 鬲丕夭賴 亘乇丕蹖賽 禺乇蹖丿賽 乇賲丕賳 賴丕蹖賽 丿蹖诏乇賽 "蹖賵爻丕"貙 诏乇蹖亘丕賳 诏蹖乇 賲蹖 卮丿
丕蹖賳 乇賲丕賳 乇丕 賲蹖鬲賵丕賳 "噩賳诏蹖-鬲丕乇蹖禺蹖" [賴賲] 丿丕賳爻鬲 丕賲丕 賳賻賴 蹖讴 丕孬乇賽 噩賳诏蹖 賵 鬲丕乇蹖禺蹖賽 氐乇賮貙 亘賱讴賴 賳诏丕賴蹖 丕爻鬲 亘爻蹖丕乇 毓賲蹖賯貙 亘賴 賮乇蹖賮鬲诏蹖賽 爻乇蹖毓 賵 亘丕賵乇賳讴乇丿賳蹖賽 賲賮賱賵讴丕賳 亘賴 讴丕乇蹖夭賲丕蹖賽 賲丿毓蹖丕賳賽 賲匕賴亘. 賳诏丕賴蹖 爻鬲 丕賳鬲賯丕丿蹖 亘賴 倬蹖丕丿賴 賳馗丕賲賽 讴賻賲 丿丕賳 賵 倬購乇诏賵蹖賽 丨乇讴鬲 賴丕蹖賽 丕氐賱丕丨蹖賽 丌賲乇蹖讴丕蹖 賱丕鬲蹖賳 丿乇 賯丕賱亘賽 丿丕爻鬲丕賳蹖 爻乇丕倬丕 夭賳丿诏蹖 賵 亘賻爻 乇卅丕賱 讴賴 丿乇 賵氐賮卮 亘丕蹖丿 诏賮鬲: 賴賳乇賽 讴賲 賳馗蹖乇賽 "鬲賵氐蹖賮賽 亘噩丕貙 亘賴 丕賳丿丕夭賴 賵 亘賽賴 诏購夭蹖賳賽 丌賳趩賴 亘丕蹖丿 鬲氐賵蹖乇 爻丕禺鬲"貙 趩蹖夭蹖 讴賴 賴賲賴 噩丕蹖賽 丿丕爻鬲丕賳 賲賵噩 賲蹖 夭賳丿
孬丕賳蹖丕賻賻
丿丕爻鬲丕賳賽 丨丕囟乇貙 亘丕 丿爻鬲蹖 亘賴 丿丕賲賳賽 丕爻鬲賳丕丿賽 鬲丕乇蹖禺蹖 賵 丿爻鬲蹖 亘賴 丌爻賲丕賳賽 禺蹖丕賱 賳賵蹖爻賳丿賴貙 卮賵乇卮蹖 丕夭 倬丕亘乇賴賳诏丕賳 賵 賲爻鬲氐毓賮丕賳賽 賲賳胤賯賴 丕蹖 丿賵乇丕賮鬲丕丿賴 丿乇 亘乇夭蹖賱 丿乇 丌爻鬲丕賳賴 蹖 賯乇賳 20丕購賲貙 亘賴 乇賴亘乇蹖 蹖讴 卮禺氐蹖鬲 讴丕乇蹖夭賲丕鬲蹖讴賽 賲匕賴亘蹖 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿 讴賴 爻禺鬲 賲睾囟賵亘賽 讴賱蹖爻丕 丕爻鬲. 賵蹖 賴賲賴 蹖賽 睾賲夭丿诏丕賳 賵 亘蹖趩丕乇诏丕賳賽 賲賳丕胤賯賽 丿賵乇 賵 賳夭丿蹖讴 乇丕 趩賵賳 丌賴賳乇亘丕蹖蹖 噩匕亘 賲蹖讴賳丿貙 丌賳 賴丕 讴賴 賳丿丕賳爻鬲賴 賲禺丕賱賮 噩賲賴賵乇蹖 禺賵丕賴蹖 賴爻鬲賳丿 賵 賳禺賵丕爻鬲賴 賴賵丕禺賵丕賴賽 爻賱胤賳鬲 賵 爻賱胤賳鬲 胤賱亘丕賳
孬丕賱孬丕賻賻
蹖賵爻丕貙 賴乇 卮禺氐蹖鬲 乇丕 趩賳丕賳 乇賵丕賳 亘賴 鬲氐賵蹖乇 賲蹖 讴卮丿 讴賴 亘丕賵乇 賳丿丕乇蹖 氐丕丨亘 蹖讴 賯賱賲貙 丿乇 毓蹖賳賽 夭賲丕賳貙 亘鬲賵丕賳丿 趩賳蹖賳 蹖賻賱賴 賵 丌夭丕丿貙 賱丕亘賱丕蹖 爻胤賵乇 賵 丿蹖丕賱賵诏 賴丕貙 丿乇 倬賻乇卮 丕夭 卮禺氐蹖鬲 蹖讴 賲賵噩賵丿 毓噩蹖亘 丕賱禺賱賯賴 蹖賽 乇賵爻鬲丕蹖蹖賽 賴賵丕禺賵丕賴賽 卮賵乇卮蹖丕賳 亘賴 卮禺氐蹖鬲賽 噩賳鬲賱賲賳賽 丕爻鬲乇丕鬲跇蹖爻鬲賽 丿爻鬲賴 蹖賽 賲禺丕賱賮賽 卮賵乇卮貙 趩賳蹖賳 賲丕賴乇丕賳賴 乇賳诏 賵 賯賱賲 毓賵囟 讴賳丿 诏賵賳賴 丕蹖 讴賴 乇賻丿蹖 丕夭 丕賵賱蹖 亘乇 丿賵賲蹖 賳賲丕賳丿 賵 鬲丕夭诏蹖賽 丿賵賲蹖貙 賱匕鬲 丕亘乇丕夭賽 丕賵賱蹖 乇丕 賲禺丿賵卮 賳讴賳丿
:爻禺賳 丌禺乇
丕诏乇 賳禺賵丕賳丿賴 丕蹖丿 丕蹖賳 卮丕賴讴丕乇 乇丕貙 讴丕乇鬲 丿乇 噩蹖亘貙 乇丕賴蹖 丕賵賱蹖賳 讴鬲丕亘 賮乇賵卮蹖 卮賵蹖丿 讴賴 鬲丕禺蹖乇 噩丕蹖夭 賳蹖爻鬲貙 丕賲丕
丕賵賱丕 讴賴 讴鬲丕亘 乇丕 夭蹖乇 蹖讴 賴賮鬲賴 亘禺賵丕賳蹖丿 鬲丕 亘丕 丨賮馗賽 賳馗賲賽 匕賴賳蹖賽 鬲丕賳貙 賱匕鬲賽 賲胤丕賱毓賴 夭丕卅賱 賳诏乇丿丿
丿賵賲 丕蹖賳讴賴貙 丕爻丕賲蹖 卮禺氐蹖鬲 賴丕 賵 卮賴乇賴丕蹖賽 丕爻倬丕賳蹖賵賱蹖 夭亘丕賳貙 丕賳丿讴蹖 爻禺鬲 禺賵丕賳 賴爻鬲賳賳丿 賵 亘賴 賳馗乇 [賵賻蹖丕] 卮丕蹖丿 爻賱蹖賯賴 蹖賽 丕蹖賳 亘賳丿賴貙 噩購夭 卮禺氐蹖鬲 賴丕 賵 賲讴丕賳 賴丕蹖賽 讴賱蹖丿蹖 乇賲丕賳貙 亘賯蹖賴 丕爻丕賲蹖 乇賵貙 爻賻乇爻賻乇蹖 乇丿 卮蹖丿 亘賴鬲乇賴. 趩賵賳 讴賴 倬賻爻 夭賻賳賴 丿丕乇賴 賵 爻乇毓鬲賽 禺賵丕賳卮 乇賵 倬丕蹖蹖賳 賲蹖丕乇賴
January 23, 2024
丕蹖賳 讴鬲丕亘 爻賵賲蹖賳 丕孬乇蹖 丕爻鬲 丕夭 蹖賵爻丕 讴賴 亘賴 丌賳 丕賲鬲蹖丕夭 讴丕賲賱 賲蹖鈥屫囐� (亘丕 鬲賵噩賴 亘賴 鬲噩乇亘賴鈥屫й� 讴賴 丿丕乇賲貙 丕丨鬲賲丕賱丕 诏賮鬲诏賵 丿乇 讴丕鬲丿乇丕賱 賴賲貙 讴賴 賴賳賵夭 丌賳 乇丕 賳禺賵丕賳丿賴鈥屫з呚� 丕賲鬲蹖丕夭 亘丕賱丕蹖蹖 禺賵丕賴丿 诏乇賮鬲). 亘丕 丕蹖賳 賴賲賴貙 丕亘丿丕 讴鬲丕亘 亘蹖 賳賯氐蹖 賳亘賵丿. 丿乇 賯蹖丕爻 亘丕 丿蹖诏乇 卮丕賴讴丕乇卮貙 爻賵乇 亘夭貙 亘丕蹖丿 诏賮鬲 讴賴 賯賱賲卮 丿乇 丌賳 蹖讴蹖 禺蹖賱蹖 倬禺鬲賴 亘賵丿. 丕爻鬲丕丿丕賳賴鈥屫� 亘賵丿. 賲蹖鈥屫з嗀池� 丕賳丿丕夭賴鈥屰� 賴乇 趩蹖夭 趩賯丿乇 丕爻鬲. 丕夭 爻乇诏匕卮鬲 讴丕乇丕讴鬲乇鈥屬囏� 趩賴 賲蹖夭丕賳 亘賳賵蹖爻丿 讴賴 亘乇丕蹖 禺賵丕賳賳丿賴 讴丕賮蹖 亘丕卮丿貙 趩賯丿乇 亘丕 鬲讴賳蹖讴 乇賵丕蹖鬲卮 禺賵丕賳賳丿賴 乇丕 亘乇 爻乇 卮賵賯 丌賵乇丿 亘丿賵賳 丕蹖賳讴賴 丕孬乇卮 鬲讴賳蹖讴 夭丿賴 鬲賱賯蹖 卮賵丿 賵 蹖丕 趩賴 亘禺卮蹖 丕夭 丿丕爻鬲丕賳卮 倬鬲丕賳爻蹖賱 倬乇丿丕禺鬲 亘蹖卮鬲乇 丿丕乇丿. 噩賳诏 丌禺乇 夭賲丕賳 丕丨鬲賲丕賱丕 胤賵賱丕賳蹖鈥屫臂屬� 丕孬乇 蹖賵爻丕 丕爻鬲 賵賱蹖 丨賮乇賴鈥屬囏й屰� 丿丕乇丿貨 亘乇丕蹖 賲孬丕賱 丕夭 賲乇卮丿貙 讴賴 丕爻丕爻蹖 鈥屫臂屬� 卮禺氐蹖鬲 丿丕爻鬲丕賳 丕爻鬲貙 讴賲 賲蹖鈥屬嗁堐屫池�. 亘乇 禺賵丕賳賳丿賴 丌卮讴丕乇 賳賲蹖鈥屫促堌� 讴賴 丿賱蹖賱 讴丕乇蹖夭賲丕蹖 賮賵賯鈥屫з勜关ж� 亘丕賱丕蹖 丕蹖賳 卮禺氐 趩蹖爻鬲 賵 趩乇丕 鬲賲丕賲蹖 賲乇丿賲 賮賱讴 夭丿賴 卮蹖賮鬲賴鈥屰� 丕賵 賲蹖鈥屫促堎嗀� 賵 蹖丕 亘乇禺蹖 鬲賵氐蹖賮丕鬲卮 丕夭 氐丨賳賴鈥屬囏й� 賳亘乇丿 诏丕賴蹖貙 丕賱亘鬲賴 禺蹖賱蹖 讴賲貙 鬲氐賳毓蹖 賴爻鬲賳丿. 亘丕 丕蹖賳 賴賲賴 讴賵趩讴鈥屫臂屬� 丕賲鬲蹖丕夭蹖 丕夭 丕蹖賳 丕孬乇 爻鬲乇诏 讴賲 賳賲蹖鈥屭┵嗁�.
丕賵賱丕 讴賴 賲賴賳丿爻蹖 賵 亘賴 賯賵賱蹖 賴賳丿賱蹖賳诏 趩賳蹖賳 丕孬乇蹖貙 亘丕 趩賳蹖賳 賲賵囟賵毓蹖 賵 亘丕 丕蹖賳 賲蹖夭丕賳 鬲毓丿丕丿 讴丕乇丕讴鬲乇 (讴賴 賱丕夭賲 亘賴 匕讴乇 丕爻鬲 讴賴 蹖賵爻丕 亘賴 胤賵乇 讴賱蹖 丕爻鬲丕丿 卮禺氐蹖鬲 倬乇丿丕夭蹖 賵 禺賱賯 讴丕乇丕讴鬲乇 丕爻鬲. 賳亘丕蹖丿 氐乇賮丕 亘禺丕胤乇 讴賲 诏賵蹖蹖 丕夭 賲乇卮丿 賲賱丕賲鬲 卮賵丿. 賯胤毓丕 禺賵丿 蹖賵爻丕 賲鬲賵噩賴 丕蹖賳 賲賵囟賵毓 亘賵丿賴 賵 氐乇賮丕 賳賳賵卮鬲賳 丕夭 卮禺氐蹖鬲卮貙 诏乇賴 讴賵乇蹖 丿乇 丿丕爻鬲丕賳卮 亘賵丿賴 讴賴 賳鬲賵丕賳爻鬲 亘乇丕蹖卮 趩丕乇賴 讴賳丿) 賮賵賯鈥屫з勜关ж� 讴丕乇 胤丕賯鬲 賮乇爻丕蹖蹖 丕爻鬲 賵 丕爻鬲賯丕賲鬲 賵 賴賵卮 亘丕賱丕蹖蹖 賲蹖鈥屫焚勜ㄘ�.
丿賵賲丕貙 丕蹖賳 讴鬲丕亘貙 蹖讴 讴鬲丕亘 丿乇爻 丕爻鬲. 倬乇 丕夭 丿乇爻鈥屬囏й� 賵丕賯毓蹖貙 賳賴 趩蹖夭蹖 讴賴 丿乇 賳鬲蹖噩賴鈥屰� 鬲丨氐蹖賱丕鬲 丌讴丕丿賲蹖讴 讴爻亘 賲蹖鈥屭┵嗃屫�. 蹖賵爻丕 爻蹖丕爻蹖 賲蹖鈥屬嗁堐屫池� 賵 亘夭乇诏鬲乇蹖賳 丿乇爻蹖 讴賴 賴賲賵丕乇賴 亘賴 賲賳 诏賵卮 夭丿 賲蹖鈥屭┵嗀� 趩賳丿 賵噩賴蹖 丕賳丿蹖卮蹖丿賳 賵 賴乇 趩蹖夭 乇丕 賳爻亘鬲 亘賴 亘爻鬲乇卮 亘乇乇爻蹖 讴乇丿賳 亘賵丿.
亘賴 蹖賲賳 賵噩賵丿 趩賳蹖賳 丕孬乇蹖貙 亘丕 丿賴賯丕賳丕賳 賮賱讴鈥屫藏� 亘蹖鈥屫迟堌ж� 賵 禺乇丕賮丕鬲蹖 乇賵夭诏丕乇 诏匕乇丕賳丿賲. 丌丿賲鈥屬囏й� 賲禺鬲賱賮 丕夭 噩賳丕丨鈥屬囏й� 爻蹖丕爻蹖 賲禺鬲賱賮 亘丕 毓賯丕蹖丿 賲匕賴亘蹖 賲禺鬲賱賮 賲賱丕賯丕鬲 讴乇丿賲 賵 丿蹖丿賲 诏賱賵倬丕乇賴鈥屭┵嗀� 趩诏賵賳賴 爻乇 丌賳賴丕蹖蹖 讴賴 禺丕卅賳 賲蹖鈥屬嗀з呟屫� 乇丕 賲蹖鈥屫ㄘ臂屫�. 讴鬲丕亘蹖 亘賵丿 讴賴 賵賯鬲蹖 賮氐賱蹖 丕夭 丌賳 乇丕 亘賴 倬丕蹖丕賳 賲蹖鈥屫ㄘ臂屫� 丕賳诏卮鬲鬲丕賳 乇丕 賱丕蹖 讴鬲丕亘 賲蹖诏匕丕乇蹖丿 賵 讴鬲丕亘 乇丕 賲蹖鈥屫ㄙ嗀屫� 賵 賲丿鬲蹖 亘賴 诏賵卮賴鈥屫й� 禺蹖乇賴 賲蹖鈥屫促堐屫� 賵 賲睾夭鬲丕賳 賲丿丕賲 賲卮睾賵賱 噩賵丕亘 爻丕夭蹖 賵 賳馗乇蹖賴 倬乇丿丕夭蹖 亘賴 芦趩乇丕 賴丕禄蹖蹖 丕爻鬲 讴賴 丿丕爻鬲丕賳 倬蹖卮 乇賵蹖鬲丕賳 賲蹖鈥屭柏ж必�. 丿乇 倬丕蹖丕賳 賴賲 禺賵丿 蹖賵爻丕貙 丿乇 賲賯丕賱賴鈥屫й� 讴賴 亘賴 丕賳鬲賴丕蹖 讴鬲丕亘 囟賲蹖賲賴 卮丿賴 丕爻鬲貙 丕夭 丿卮賵丕乇蹖鈥屬囏� 賵 丿賱丕蹖賱卮 亘乇丕蹖 賳賵卮鬲賳 丕蹖賳 乇賲丕賳 賲蹖鈥屬嗁堐屫池� 讴賴 賴賲 丕爻丕爻蹖 丕爻鬲 賴賲 禺賵丕賳丿賳蹖. 鬲乇噩賲賴 賴賲 讴賴 賳蹖丕夭 亘賴 賲毓乇賮蹖 賳丿丕乇丿.
丿乇 賳賴丕蹖鬲 賴賲 亘丕蹖丿 亘诏賵蹖賲貙 賴乇趩賳丿 讴賴 丿乇 胤賵賱 爻賮乇賲 賮賯胤 禺賵賳 丿蹖丿賲 賵 讴噩鈥屬佡囐呟� 賵 诏賱賵鈥屬囏й� 亘乇蹖丿賴貙 賵賱蹖讴賳 丕夭 丕蹖賳讴賴 賲丿鬲蹖 乇丕 丿乇 芦讴丕賳賵丿賵爻禄 亘賵丿賲貙 丕丨爻丕爻 乇囟丕蹖鬲 讴丕賲賱 丿丕乇賲.
丌亘丕賳賽 賴夭丕乇 賵 趩賴丕乇氐丿
丕賵賱丕 讴賴 賲賴賳丿爻蹖 賵 亘賴 賯賵賱蹖 賴賳丿賱蹖賳诏 趩賳蹖賳 丕孬乇蹖貙 亘丕 趩賳蹖賳 賲賵囟賵毓蹖 賵 亘丕 丕蹖賳 賲蹖夭丕賳 鬲毓丿丕丿 讴丕乇丕讴鬲乇 (讴賴 賱丕夭賲 亘賴 匕讴乇 丕爻鬲 讴賴 蹖賵爻丕 亘賴 胤賵乇 讴賱蹖 丕爻鬲丕丿 卮禺氐蹖鬲 倬乇丿丕夭蹖 賵 禺賱賯 讴丕乇丕讴鬲乇 丕爻鬲. 賳亘丕蹖丿 氐乇賮丕 亘禺丕胤乇 讴賲 诏賵蹖蹖 丕夭 賲乇卮丿 賲賱丕賲鬲 卮賵丿. 賯胤毓丕 禺賵丿 蹖賵爻丕 賲鬲賵噩賴 丕蹖賳 賲賵囟賵毓 亘賵丿賴 賵 氐乇賮丕 賳賳賵卮鬲賳 丕夭 卮禺氐蹖鬲卮貙 诏乇賴 讴賵乇蹖 丿乇 丿丕爻鬲丕賳卮 亘賵丿賴 讴賴 賳鬲賵丕賳爻鬲 亘乇丕蹖卮 趩丕乇賴 讴賳丿) 賮賵賯鈥屫з勜关ж� 讴丕乇 胤丕賯鬲 賮乇爻丕蹖蹖 丕爻鬲 賵 丕爻鬲賯丕賲鬲 賵 賴賵卮 亘丕賱丕蹖蹖 賲蹖鈥屫焚勜ㄘ�.
丿賵賲丕貙 丕蹖賳 讴鬲丕亘貙 蹖讴 讴鬲丕亘 丿乇爻 丕爻鬲. 倬乇 丕夭 丿乇爻鈥屬囏й� 賵丕賯毓蹖貙 賳賴 趩蹖夭蹖 讴賴 丿乇 賳鬲蹖噩賴鈥屰� 鬲丨氐蹖賱丕鬲 丌讴丕丿賲蹖讴 讴爻亘 賲蹖鈥屭┵嗃屫�. 蹖賵爻丕 爻蹖丕爻蹖 賲蹖鈥屬嗁堐屫池� 賵 亘夭乇诏鬲乇蹖賳 丿乇爻蹖 讴賴 賴賲賵丕乇賴 亘賴 賲賳 诏賵卮 夭丿 賲蹖鈥屭┵嗀� 趩賳丿 賵噩賴蹖 丕賳丿蹖卮蹖丿賳 賵 賴乇 趩蹖夭 乇丕 賳爻亘鬲 亘賴 亘爻鬲乇卮 亘乇乇爻蹖 讴乇丿賳 亘賵丿.
亘賴 蹖賲賳 賵噩賵丿 趩賳蹖賳 丕孬乇蹖貙 亘丕 丿賴賯丕賳丕賳 賮賱讴鈥屫藏� 亘蹖鈥屫迟堌ж� 賵 禺乇丕賮丕鬲蹖 乇賵夭诏丕乇 诏匕乇丕賳丿賲. 丌丿賲鈥屬囏й� 賲禺鬲賱賮 丕夭 噩賳丕丨鈥屬囏й� 爻蹖丕爻蹖 賲禺鬲賱賮 亘丕 毓賯丕蹖丿 賲匕賴亘蹖 賲禺鬲賱賮 賲賱丕賯丕鬲 讴乇丿賲 賵 丿蹖丿賲 诏賱賵倬丕乇賴鈥屭┵嗀� 趩诏賵賳賴 爻乇 丌賳賴丕蹖蹖 讴賴 禺丕卅賳 賲蹖鈥屬嗀з呟屫� 乇丕 賲蹖鈥屫ㄘ臂屫�. 讴鬲丕亘蹖 亘賵丿 讴賴 賵賯鬲蹖 賮氐賱蹖 丕夭 丌賳 乇丕 亘賴 倬丕蹖丕賳 賲蹖鈥屫ㄘ臂屫� 丕賳诏卮鬲鬲丕賳 乇丕 賱丕蹖 讴鬲丕亘 賲蹖诏匕丕乇蹖丿 賵 讴鬲丕亘 乇丕 賲蹖鈥屫ㄙ嗀屫� 賵 賲丿鬲蹖 亘賴 诏賵卮賴鈥屫й� 禺蹖乇賴 賲蹖鈥屫促堐屫� 賵 賲睾夭鬲丕賳 賲丿丕賲 賲卮睾賵賱 噩賵丕亘 爻丕夭蹖 賵 賳馗乇蹖賴 倬乇丿丕夭蹖 亘賴 芦趩乇丕 賴丕禄蹖蹖 丕爻鬲 讴賴 丿丕爻鬲丕賳 倬蹖卮 乇賵蹖鬲丕賳 賲蹖鈥屭柏ж必�. 丿乇 倬丕蹖丕賳 賴賲 禺賵丿 蹖賵爻丕貙 丿乇 賲賯丕賱賴鈥屫й� 讴賴 亘賴 丕賳鬲賴丕蹖 讴鬲丕亘 囟賲蹖賲賴 卮丿賴 丕爻鬲貙 丕夭 丿卮賵丕乇蹖鈥屬囏� 賵 丿賱丕蹖賱卮 亘乇丕蹖 賳賵卮鬲賳 丕蹖賳 乇賲丕賳 賲蹖鈥屬嗁堐屫池� 讴賴 賴賲 丕爻丕爻蹖 丕爻鬲 賴賲 禺賵丕賳丿賳蹖. 鬲乇噩賲賴 賴賲 讴賴 賳蹖丕夭 亘賴 賲毓乇賮蹖 賳丿丕乇丿.
丿乇 賳賴丕蹖鬲 賴賲 亘丕蹖丿 亘诏賵蹖賲貙 賴乇趩賳丿 讴賴 丿乇 胤賵賱 爻賮乇賲 賮賯胤 禺賵賳 丿蹖丿賲 賵 讴噩鈥屬佡囐呟� 賵 诏賱賵鈥屬囏й� 亘乇蹖丿賴貙 賵賱蹖讴賳 丕夭 丕蹖賳讴賴 賲丿鬲蹖 乇丕 丿乇 芦讴丕賳賵丿賵爻禄 亘賵丿賲貙 丕丨爻丕爻 乇囟丕蹖鬲 讴丕賲賱 丿丕乇賲.
丌亘丕賳賽 賴夭丕乇 賵 趩賴丕乇氐丿
December 8, 2020
Hailed as his masterpiece, "War of the End of the World" is... megadense. It churns inside the brain as it desperately tries to make sense of what is inherently senseless. The world of the fanatical Counselor versus the entire republic of Brazil is perhaps one of the most exciting and well-written war novels ever, on the same scale as "Gone With the Wind". There are many flavors here, like in most of his other denser novels, & all of them are exceedingly palatable. There are no "Green House" shenanigans here, nor some strikingly postmodern edge, like that of "Aunt Julia." Again, M.V.L. impresses in his range and ambition-- the scope of this novel truly boggles the mind. Although I still maintain that "Feast of the Goat" is his absolute best, this one is a pretty close second.
July 4, 2020
鈥淚nstead of speaking of justice and injustice, freedom and oppression, classless society and class society, they talked in terms of God and the Devil.鈥�
What a beautiful and sad story.
What a beautiful and sad story.
April 23, 2015
趩乇丕 丕蹖賳 讴鬲丕亘 乇賵 禺賵賳丿賲責
賯丕毓丿鬲丕 禺賵賳丿賳 讴鬲丕亘蹖 亘丕 丕蹖賳 丨噩賲 亘賴 蹖賴 鬲氐賲蹖賲 倬蹖卮蹖賳 賳蹖丕夭 丿丕乇賴. 丕賲丕 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 蹖賴 丕鬲賮丕賯 亘賵丿 亘乇丕賲. 丕夭 爻乇 亘丕夭蹖诏賵卮蹖 賵 讴賳噩讴丕賵蹖 賴賲蹖卮诏蹖賲 亘乇丕蹖 禺賵賳丿賳 噩賲賱賴鈥屰� 丕賵賱 乇賲丕賳鈥屬囏� 芦丿乇禄 讴鬲丕亘 乇賵 亘丕夭 讴乇丿賲 賵 禺賵賳丿賲
:
亘賱賳丿亘丕賱丕 亘賵丿 賵 趩賳丿丕賳 鬲讴蹖丿賴 讴賴 丕賳诏丕乇 賴賲蹖卮賴 賳蹖賲鈥屫必� 乇丕 賲蹖鈥屫屫�. 倬賵爻鬲蹖 鬲蹖乇賴 賵 丕賳丿丕賲蹖 丕爻鬲禺賵丕賳蹖 丿丕卮鬲貙 賵 丌鬲卮蹖 賴賲丕乇賴 丿乇 趩卮賲丕賳卮 賲蹖鈥屫迟堌�
卮賲丕乇賵 賳賲蹖鈥屫堎嗁� 賵賱蹖 賲賳 讴賴 亘丕 禺賵賳丿賳 賴賲蹖賳 噩賲賱丕鬲 (賵 亘丕 賴賲蹖賳 鬲乇噩賲賴鈥屰� 毓丕賱蹖 讴賴 丕诏乇 賳亘賵丿 卮丕蹖丿 丕蹖賳 噩賲賱賴鈥屬囏� 賴賲 丕蹖賳鈥屬傌� 賯賵鬲 倬蹖丿丕 賳賲蹖鈥屭┴必�) 氐丿丕蹖 卮賱倬 丕賮鬲丕丿賳賲 乇賵 鬲賵 诏乇丿丕亘 丕蹖賳 讴鬲丕亘 卮賳蹖丿賲
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賳丨賵賴鈥屰� 乇賵丕蹖鬲 讴鬲丕亘
丨丿賵丿 丿賵 賲丕賴 倬蹖卮 亘賵丿. 鬲丕夭賴 卮乇賵毓 讴乇丿賴 亘賵丿賲 亘賴 禺賵賳丿賳 丕蹖賳 乇賲丕賳 賵 匕賴賳賲 卮丿蹖丿丕 丿乇诏蹖乇 乇賵丕蹖鬲 讴鬲丕亘 亘賵丿. 倬賳噩鈥屫促嗀ㄙ� 乇賵夭蹖 亘賵丿. 卮丕賱 賵 讴賱丕賴 讴乇丿賴 亘賵丿賲 鬲丕 亘乇賲 賵 亘乇丕蹖 趩賳丿 爻丕毓鬲蹖 毓蹖賳 丕蹖賳 丌丿賲鈥屬囏й� 亘蹖鈥屫嘿� 鬲賵蹖 丕爻鬲禺乇 賵丕爻賴 禺賵丿賲 卮賳丕 讴賳賲 賵 禺賵卮丨丕賱 亘丕卮賲. 丿丕卮鬲賲 禺蹖賱蹖 卮蹖讴 賵 賵乇夭卮鈥屭┴ж臂� 讴乇丕賱 倬卮鬲 賲蹖鈥屫辟佖� 賵 毓蹖賳 爻诏 亘賴 禺賵丿賲 丌乇丕賲卮 鬲夭乇蹖賯 賲蹖鈥屭┴必� 賵 鬲丕夭賴 丿丕卮鬲賲 賲蹖鈥屭佖� 倬爻乇 丕蹖賳 鬲乇蹖倬 亘蹖鈥屫嘿� 亘賵丿賳 賵 丌乇丕賲卮 賵 丕蹖賳丕賲 趩蹖夭 亘丿蹖 賳蹖爻鬲 讴賴 蹖賴賵 賴賲賵賳 賵爻胤貙 丕賱诏賵蹖 乇賵丕蹖鬲 乇賲丕賳 亘賴 匕賴賳賲 乇爻蹖丿. 賴蹖趩蹖 丿蹖诏賴 丿賴賳賲 賳丕睾丕賮賱 亘丕夭 卮丿 賵 蹖賴 賯賱倬 賲卮鬲蹖 丌亘 乇賮鬲 鬲丕 丕賵賳 鬲賴 賳丕蹖跇賴鈥屬囏з�. 卮丕賳爻 丌賵乇丿賲 賳夭丿蹖讴 丿蹖賵丕乇 亘賵丿賲. 賲賮鬲 賲賮鬲 丿丕卮鬲賲 鬲賱賮 賲蹖鈥屫簇�
賳丨賵賴鈥屰� 乇賵丕蹖鬲 讴鬲丕亘 卮亘蹖賴 倬賱賴 亘乇賯蹖鈥� 賴爻鬲. 亘禺卮 丕賵賱蹖 讴賴 賲蹖鈥屫堎嗃屫� 卮亘蹖賴 噩丕蹖蹖 賴爻鬲 讴賴 丿爻鬲鈥屫堎� 乇賵 賲蹖鈥屭柏ж臂屫�. 丕丨爻丕爻 賲蹖鈥屭┵嗃屫� 丿丕乇蹖丿 禺蹖賱蹖 爻乇蹖毓 賲蹖鈥屫臂屫� 賵賱蹖 丿乇 丨賯蹖賯鬲 爻乇毓鬲 賵丕賯毓蹖 乇賵丕蹖鬲 賲丕賱 噩丕蹖蹖 賴爻鬲 讴賴 倬丕賴丕鬲賵賳 乇賵 丕賵賳鈥屫� 诏匕丕卮鬲蹖丿貨 蹖毓賳蹖 亘禺卮 亘毓丿蹖 讴賴 賯乇丕乇賴 亘禺賵賳蹖丿. 賮讴乇 賲蹖鈥屭┵嗃屫� 丕鬲賮丕賯蹖 丕賮鬲丕丿賴. 丕賲丕 鬲賵蹖 亘禺卮 亘毓丿蹖 賲蹖鈥屬佡囐呟屫� 讴賴 賮賯胤 賮讴乇 讴乇丿蹖丿 丕鬲賮丕賯蹖 丕賮鬲丕丿賴貨 趩賵賳 鬲丕夭賴 丕賱丕賳 賴爻鬲 讴賴 丿丕乇賴 丕鬲賮丕賯蹖 賲蹖鈥屫з佖�
[鬲賵囟蹖丨 睾蹖乇囟乇賵乇蹖: 鬲賵蹖 倬賱賴 亘乇賯蹖鈥屬囏� 爻乇毓鬲 賳賵丕乇蹖 讴賴 噩丕蹖 丿爻鬲賴 丕夭 爻乇毓鬲 賳賵丕乇蹖 讴賴 倬丕賴丕賲賵賳 乇賵 乇賵卮 賲蹖鈥屫柏ж臂屬� 亘蹖卮鬲乇賴]
丿丕卮鬲賲 亘乇丕蹖 賴賲蹖賳 丿賵 禺胤 睾乇賯 賲蹖鈥屫簇�. 亘賴 噩丕賳 禺賵丿賲 丕诏賴 睾乇賯 賲蹖鈥屫簇� 禺賵丿賲 丨丕囟乇 賳賲蹖鈥屫簇� 鬲賵 鬲卮蹖蹖毓 噩賳丕夭賴鈥屰� 禺賵丿賲 卮乇讴鬲 讴賳賲
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賯囟蹖賴 趩蹖 賴爻鬲責
乇賲丕賳 丨讴丕蹖鬲 丿乇 賴賲 倬蹖趩蹖丿賳 乇賵丕亘胤 丌丿賲鈥屬囏й屰� 賴爻鬲 讴賴 亘丿賵賳 賴蹖趩 丿賱蹖賱 賵丕囟丨蹖 丕賳诏丕乇 噩丕 乇賵 亘乇丕蹖 賴賲鈥屫屭� 鬲賳诏 讴乇丿賳. 丕爻丕爻 乇賲丕賳 亘乇诏乇賮鬲賴 丕夭 蹖賴 賵丕賯毓賴鈥屰� 鬲丕乇蹖禺蹖 賲丕賱 氐丿 爻丕賱 倬蹖卮 賴爻鬲貨 噩賳诏 讴丕賳賵丿賵爻. 蹖賴 噩賳诏 丿丕禺賱蹖 亘蹖賳 丨讴賵賲鬲 噩賲賴賵乇蹖 鬲丕夭賴鈥屫ж驰屫� 亘乇夭蹖賱 賵 卮賵乇卮蹖鈥屬囏й� 賲匕賴亘蹖. 丕賱亘鬲賴 賲賵囟賵毓 賮乇丕鬲乇 丕夭 丕蹖賳鈥屬囏ж池� 亘賴 賯賵賱 禺賵丿 蹖賵爻丕
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賲爻丕賱賴 丕氐賱蹖 噩賳诏 丌禺乇 夭賲丕賳 鬲賮丕賵鬲鈥屬囏й� 賲匕賴亘蹖 蹖丕 爻蹖丕爻蹖 賲賵噩賵丿 丿乇 亘乇夭蹖賱 賵 亘賴 胤賵乇 讴賱蹖 丿乇 丕賲乇蹖讴丕蹖 賱丕鬲蹖賳貙 賳蹖爻鬲貙 亘賱讴賴 噩丿丕蹖蹖 賵 鬲毓丕乇囟 賲蹖丕賳 丿賵 噩丕賲毓賴鈥屫й� 丕爻鬲 讴賴 賯丕丿乇 賳蹖爻鬲賳丿 亘丕 蹖讴鈥屫屭� 丕乇鬲亘丕胤 亘乇賯乇丕乇 讴賳賳丿
鬲賵蹖 丕蹖賳 毓丿賲 丕賲讴丕賳 亘乇賯乇丕乇蹖 丕乇鬲亘丕胤 賴賲賴 爻賴賲 丿丕乇賳丿. 爻賱胤賳鬲鈥屫焚勜ㄢ€屬囏й� 賯丿蹖賲蹖 讴賴 賴賳賵夭 丕賲蹖丿賵丕乇 賴爻鬲賳丿 讴賴 丨讴賵賲鬲 噩賲賴賵乇蹖 爻賯賵胤 讴賳賴貙 噩賲賴賵乇蹖鈥屫堌з団€屬囏й屰� 讴賴 亘乇丕蹖 爻乇 亘賴 賳蹖爻鬲 讴乇丿賳 爻賱胤賳鬲鈥屫焚勜ㄢ€屬囏� 丕亘丕蹖蹖 賳丿丕乇賳丿 丕夭 夭蹖乇 倬丕 诏匕丕卮鬲賳 丕氐賵賱 噩賲賴賵乇蹖鈥屫堌з囒屸€屫促堎嗀� 丌賳丕乇卮蹖爻鬲蹖 讴賴 禺蹖丕賱 賲蹖鈥屭┵嗁� 亘乇夭蹖賱 賴賲 丕乇賵倬丕爻鬲 賵 賲蹖卮賴 亘丕 賴賲賵賳 丕賯鬲囟丕卅丕鬲 鬲賵蹖 丕蹖賳 賮囟丕 爻乇 讴乇丿貙 賲賱丕讴鈥屬囏й� 賯丿蹖賲蹖 蹖讴 亘賵賲 賵 丿賵 賴賵丕 讴賴 趩丕乇賴鈥屫й� 賳丿丕乇賳丿 讴賴 亘乇丕蹖 丨賮馗 爻乇賲丕蹖賴鈥屫促堎� 蹖讴蹖 亘賴 賳毓賱 亘夭賳賳丿貙 蹖讴蹖 亘賴 賲蹖禺 賵 丕蹖賳 賵爻胤 噩賲丕毓鬲 跇賳丿賴鈥屬举堌篡� 讴賴 噩賲賴賵乇蹖 乇賵 丿噩丕賱 夭賲丕賳 賲蹖鈥屫堎嗁嗀� 賵 亘丕賴丕卮 爻乇 爻丕夭诏丕乇蹖 賳丿丕乇賳丿.
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鬲賵囟蹖丨 亘蹖卮鬲乇 丕夭 丕蹖賳 噩丕賴丕蹖 噩匕丕亘 乇賲丕賳 乇賵 賱賵 賲蹖丿賴. 賴乇趩賳丿 讴賴 丕蹖賳 乇賲丕賳 丕賵賳鈥屬傌� 禺乇丿賴 乇賵丕蹖鬲 丿賵爻鈥屫ж簇嗃� 賵 氐丿丕賱亘鬲賴 诏丕賴蹖 賴賵賱鈥屬嗀и� 丿丕乇賴 讴賴 丨鬲蹖 丕夭 丿爻鬲 丿丕丿賳 賳賯丕胤 毓胤賮 乇賲丕賳 賴賲 丕賵賳 乇賵 丕夭 賯丕亘賱蹖鬲鈥屬囏ж� 禺丕賱蹖 賳賲蹖鈥屭┵嗁�
倬丕卮賳賴鈥屰� 丌卮蹖賱 讴鬲丕亘
馗丕賴乇丕 趩丕乇賴鈥屫й� 賳蹖爻鬲 讴賴 亘倬匕蹖乇蹖賲 蹖賵爻丕 賯賱賲 鬲賵丕賳賲賳丿蹖 亘乇丕蹖 鬲賵氐蹖賮 氐丨賳賴鈥屬囏й� 倬乇丕夭丿丨丕賲 賳亘乇丿 賳丿丕乇賴. 蹖賵爻丕 鬲賵蹖 賳亘乇丿 丕賵賱 丕夭 丕爻鬲乇丕鬲跇蹖 鬲賵賱爻鬲賵蹖蹖 亘乇丕蹖 卮乇丨 賳亘乇丿 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗁�. 蹖毓賳蹖 乇丕賵蹖 乇賵 賲蹖鈥屫ㄘ辟� 乇賵蹖 讴賵賴 蹖丕 鬲倬賴鈥屰� 賲卮乇賮 亘賴 氐丨賳賴鈥屰� 賳亘乇丿 鬲丕 丕夭 丕賵賳鈥屫� 诏夭丕乇卮 氐丨賳賴 乇賵 亘丿賴. 鬲丕 丕蹖賳鈥屫й� 讴丕乇 趩賳丿丕賳 亘丿 丕夭 丌亘 丿乇 賳蹖賵賲丿賴. 丕賲丕 賲禺氐賵氐丕 鬲賵蹖 丿賵 鬲丕 賳亘乇丿 丕賵賱貙 鬲賵氐蹖賮 賳夭丿蹖讴 氐丨賳賴鈥屬囏й� 賳亘乇丿 亘賴 賯賵鬲 氐丨賳賴鈥屬囏й� 賳亘乇丿 噩賳诏 賵 氐賱丨 賳亘賵丿賴 賵 丕蹖賳 匕丕鬲丕 鬲賯氐蹖乇 蹖賵爻丕 賳蹖爻鬲. 讴爻蹖 賲蹖鈥屫堎嗁� 氐丨賳賴鈥屬囏й� 賳亘乇丿 丕蹖賳鈥屫蹿┵勠� 乇賵 丕夭 噩賵賳 賵 丿賱 亘賳賵蹖爻賴 讴賴 亘丕 匕乇賴 匕乇賴鈥屰� 賵噩賵丿卮 趩賳蹖賳 賳亘乇丿賴丕蹖蹖 乇賵 鬲噩乇亘賴 讴乇丿賴 亘丕卮賴貨 讴爻蹖 賲孬賱 禺賵丿 鬲賵賱爻鬲賵蹖
丕賲丕 鬲賵蹖 鬲丨賱蹖賱 賳賴丕蹖蹖 賴賲蹖賳 讴賴 讴爻蹖 鬲賵氐蹖賮 氐丨賳賴鈥屬囏й� 賳亘乇丿 乇賵 胤賵乇蹖 亘賳賵蹖爻賴 讴賴 鬲賵蹖 匕賴賳 賲禺丕胤亘卮 丕賵賳 乇賵 賵丕丿丕乇 讴賳賴 亘賴 賲賯丕蹖爻賴 亘丕 氐丨賳賴鈥屬囏й� 賳亘乇丿 噩賳诏 賵 氐賱丨 禺賵丿卮 蹖毓賳蹖 丕蹖賳鈥屭┵� 賳賵蹖爻賳丿賴鈥屰� 亘夭乇诏蹖 賴爻鬲
乇丕賴賳賲丕蹖 讴賵鬲丕賴 禺賵賳丿賳 讴鬲丕亘
丕蹖賳 賳賯卮賴 乇賵 匕禺蹖乇賴 讴賳蹖丿 鬲賵蹖 爻蹖爻鬲賲鈥屫堎�. 賳賯卮賴鈥屰� 卮賴乇賴丕蹖 鬲丕孬蹖乇诏匕丕乇 鬲賵蹖 噩賳诏 讴丕賳賵丿賵爻 亘賵丿賴. 鬲賵蹖 丿賵蹖爻鬲 氐賮丨賴鈥屰� 丕賵賱 禺蹖賱蹖 讴賲讴 賲蹖鈥屭┵嗁� 亘賴 丿乇讴 賲賵賯毓蹖鬲鈥屬囏й� 賲禺鬲賱賮 乇賲丕賳. 丕賱亘鬲賴 賮賴賲蹖丿賳 乇賲丕賳 賳蹖丕夭蹖 亘賴 丕蹖賳 賳賯卮賴 賳丿丕乇賴. 丕賲丕 禺蹖賱蹖 噩匕丕亘鈥屫必� 賲蹖鈥屭┵嗁�. 亘毓丿 丕夭 丿賵蹖爻鬲 氐賮丨賴 賴賲 讴賴 丿蹖诏賴 賳賯卮賴 讴丕賲賱 賲蹖乇賴 鬲賵蹖 匕賴賳鈥�
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賲禺賱氐 讴賱丕賲
乇賲丕賳 乇賲丕賳 芦賲毓馗賲蹖禄 賴爻鬲. 丕夭 賴賲賵賳 氐賮丨賴鈥屬囏й� 丕賵賱 乇賲丕賳 賲蹖鈥屫堎嗃屫� 讴賴 丿丕乇蹖丿 蹖賴 讴丕乇 芦亘夭乇诏禄 乇賵 賲蹖鈥屫堎嗃屫�. 鬲賵氐蹖賴鈥屰� 丕蹖賳鈥屫堌� 讴鬲丕亘鈥屬囏� 亘蹖卮鬲乇 亘賴 卮賵禺蹖 卮亘蹖賴賴. 蹖讴蹖 丕夭 芦亘賴鬲乇蹖賳禄 乇賲丕賳鈥屬囏й� 夭賳丿诏蹖鈥屫堎� 亘丕 蹖賴 鬲乇噩賲賴鈥屰� 芦賲賵賳丿诏丕乇禄 賲賳鬲馗乇 卮賲丕爻鬲
賯丕毓丿鬲丕 禺賵賳丿賳 讴鬲丕亘蹖 亘丕 丕蹖賳 丨噩賲 亘賴 蹖賴 鬲氐賲蹖賲 倬蹖卮蹖賳 賳蹖丕夭 丿丕乇賴. 丕賲丕 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 蹖賴 丕鬲賮丕賯 亘賵丿 亘乇丕賲. 丕夭 爻乇 亘丕夭蹖诏賵卮蹖 賵 讴賳噩讴丕賵蹖 賴賲蹖卮诏蹖賲 亘乇丕蹖 禺賵賳丿賳 噩賲賱賴鈥屰� 丕賵賱 乇賲丕賳鈥屬囏� 芦丿乇禄 讴鬲丕亘 乇賵 亘丕夭 讴乇丿賲 賵 禺賵賳丿賲
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亘賱賳丿亘丕賱丕 亘賵丿 賵 趩賳丿丕賳 鬲讴蹖丿賴 讴賴 丕賳诏丕乇 賴賲蹖卮賴 賳蹖賲鈥屫必� 乇丕 賲蹖鈥屫屫�. 倬賵爻鬲蹖 鬲蹖乇賴 賵 丕賳丿丕賲蹖 丕爻鬲禺賵丕賳蹖 丿丕卮鬲貙 賵 丌鬲卮蹖 賴賲丕乇賴 丿乇 趩卮賲丕賳卮 賲蹖鈥屫迟堌�
卮賲丕乇賵 賳賲蹖鈥屫堎嗁� 賵賱蹖 賲賳 讴賴 亘丕 禺賵賳丿賳 賴賲蹖賳 噩賲賱丕鬲 (賵 亘丕 賴賲蹖賳 鬲乇噩賲賴鈥屰� 毓丕賱蹖 讴賴 丕诏乇 賳亘賵丿 卮丕蹖丿 丕蹖賳 噩賲賱賴鈥屬囏� 賴賲 丕蹖賳鈥屬傌� 賯賵鬲 倬蹖丿丕 賳賲蹖鈥屭┴必�) 氐丿丕蹖 卮賱倬 丕賮鬲丕丿賳賲 乇賵 鬲賵 诏乇丿丕亘 丕蹖賳 讴鬲丕亘 卮賳蹖丿賲
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賳丨賵賴鈥屰� 乇賵丕蹖鬲 讴鬲丕亘
丨丿賵丿 丿賵 賲丕賴 倬蹖卮 亘賵丿. 鬲丕夭賴 卮乇賵毓 讴乇丿賴 亘賵丿賲 亘賴 禺賵賳丿賳 丕蹖賳 乇賲丕賳 賵 匕賴賳賲 卮丿蹖丿丕 丿乇诏蹖乇 乇賵丕蹖鬲 讴鬲丕亘 亘賵丿. 倬賳噩鈥屫促嗀ㄙ� 乇賵夭蹖 亘賵丿. 卮丕賱 賵 讴賱丕賴 讴乇丿賴 亘賵丿賲 鬲丕 亘乇賲 賵 亘乇丕蹖 趩賳丿 爻丕毓鬲蹖 毓蹖賳 丕蹖賳 丌丿賲鈥屬囏й� 亘蹖鈥屫嘿� 鬲賵蹖 丕爻鬲禺乇 賵丕爻賴 禺賵丿賲 卮賳丕 讴賳賲 賵 禺賵卮丨丕賱 亘丕卮賲. 丿丕卮鬲賲 禺蹖賱蹖 卮蹖讴 賵 賵乇夭卮鈥屭┴ж臂� 讴乇丕賱 倬卮鬲 賲蹖鈥屫辟佖� 賵 毓蹖賳 爻诏 亘賴 禺賵丿賲 丌乇丕賲卮 鬲夭乇蹖賯 賲蹖鈥屭┴必� 賵 鬲丕夭賴 丿丕卮鬲賲 賲蹖鈥屭佖� 倬爻乇 丕蹖賳 鬲乇蹖倬 亘蹖鈥屫嘿� 亘賵丿賳 賵 丌乇丕賲卮 賵 丕蹖賳丕賲 趩蹖夭 亘丿蹖 賳蹖爻鬲 讴賴 蹖賴賵 賴賲賵賳 賵爻胤貙 丕賱诏賵蹖 乇賵丕蹖鬲 乇賲丕賳 亘賴 匕賴賳賲 乇爻蹖丿. 賴蹖趩蹖 丿蹖诏賴 丿賴賳賲 賳丕睾丕賮賱 亘丕夭 卮丿 賵 蹖賴 賯賱倬 賲卮鬲蹖 丌亘 乇賮鬲 鬲丕 丕賵賳 鬲賴 賳丕蹖跇賴鈥屬囏з�. 卮丕賳爻 丌賵乇丿賲 賳夭丿蹖讴 丿蹖賵丕乇 亘賵丿賲. 賲賮鬲 賲賮鬲 丿丕卮鬲賲 鬲賱賮 賲蹖鈥屫簇�
賳丨賵賴鈥屰� 乇賵丕蹖鬲 讴鬲丕亘 卮亘蹖賴 倬賱賴 亘乇賯蹖鈥� 賴爻鬲. 亘禺卮 丕賵賱蹖 讴賴 賲蹖鈥屫堎嗃屫� 卮亘蹖賴 噩丕蹖蹖 賴爻鬲 讴賴 丿爻鬲鈥屫堎� 乇賵 賲蹖鈥屭柏ж臂屫�. 丕丨爻丕爻 賲蹖鈥屭┵嗃屫� 丿丕乇蹖丿 禺蹖賱蹖 爻乇蹖毓 賲蹖鈥屫臂屫� 賵賱蹖 丿乇 丨賯蹖賯鬲 爻乇毓鬲 賵丕賯毓蹖 乇賵丕蹖鬲 賲丕賱 噩丕蹖蹖 賴爻鬲 讴賴 倬丕賴丕鬲賵賳 乇賵 丕賵賳鈥屫� 诏匕丕卮鬲蹖丿貨 蹖毓賳蹖 亘禺卮 亘毓丿蹖 讴賴 賯乇丕乇賴 亘禺賵賳蹖丿. 賮讴乇 賲蹖鈥屭┵嗃屫� 丕鬲賮丕賯蹖 丕賮鬲丕丿賴. 丕賲丕 鬲賵蹖 亘禺卮 亘毓丿蹖 賲蹖鈥屬佡囐呟屫� 讴賴 賮賯胤 賮讴乇 讴乇丿蹖丿 丕鬲賮丕賯蹖 丕賮鬲丕丿賴貨 趩賵賳 鬲丕夭賴 丕賱丕賳 賴爻鬲 讴賴 丿丕乇賴 丕鬲賮丕賯蹖 賲蹖鈥屫з佖�
[鬲賵囟蹖丨 睾蹖乇囟乇賵乇蹖: 鬲賵蹖 倬賱賴 亘乇賯蹖鈥屬囏� 爻乇毓鬲 賳賵丕乇蹖 讴賴 噩丕蹖 丿爻鬲賴 丕夭 爻乇毓鬲 賳賵丕乇蹖 讴賴 倬丕賴丕賲賵賳 乇賵 乇賵卮 賲蹖鈥屫柏ж臂屬� 亘蹖卮鬲乇賴]
丿丕卮鬲賲 亘乇丕蹖 賴賲蹖賳 丿賵 禺胤 睾乇賯 賲蹖鈥屫簇�. 亘賴 噩丕賳 禺賵丿賲 丕诏賴 睾乇賯 賲蹖鈥屫簇� 禺賵丿賲 丨丕囟乇 賳賲蹖鈥屫簇� 鬲賵 鬲卮蹖蹖毓 噩賳丕夭賴鈥屰� 禺賵丿賲 卮乇讴鬲 讴賳賲
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賯囟蹖賴 趩蹖 賴爻鬲責
乇賲丕賳 丨讴丕蹖鬲 丿乇 賴賲 倬蹖趩蹖丿賳 乇賵丕亘胤 丌丿賲鈥屬囏й屰� 賴爻鬲 讴賴 亘丿賵賳 賴蹖趩 丿賱蹖賱 賵丕囟丨蹖 丕賳诏丕乇 噩丕 乇賵 亘乇丕蹖 賴賲鈥屫屭� 鬲賳诏 讴乇丿賳. 丕爻丕爻 乇賲丕賳 亘乇诏乇賮鬲賴 丕夭 蹖賴 賵丕賯毓賴鈥屰� 鬲丕乇蹖禺蹖 賲丕賱 氐丿 爻丕賱 倬蹖卮 賴爻鬲貨 噩賳诏 讴丕賳賵丿賵爻. 蹖賴 噩賳诏 丿丕禺賱蹖 亘蹖賳 丨讴賵賲鬲 噩賲賴賵乇蹖 鬲丕夭賴鈥屫ж驰屫� 亘乇夭蹖賱 賵 卮賵乇卮蹖鈥屬囏й� 賲匕賴亘蹖. 丕賱亘鬲賴 賲賵囟賵毓 賮乇丕鬲乇 丕夭 丕蹖賳鈥屬囏ж池� 亘賴 賯賵賱 禺賵丿 蹖賵爻丕
:
賲爻丕賱賴 丕氐賱蹖 噩賳诏 丌禺乇 夭賲丕賳 鬲賮丕賵鬲鈥屬囏й� 賲匕賴亘蹖 蹖丕 爻蹖丕爻蹖 賲賵噩賵丿 丿乇 亘乇夭蹖賱 賵 亘賴 胤賵乇 讴賱蹖 丿乇 丕賲乇蹖讴丕蹖 賱丕鬲蹖賳貙 賳蹖爻鬲貙 亘賱讴賴 噩丿丕蹖蹖 賵 鬲毓丕乇囟 賲蹖丕賳 丿賵 噩丕賲毓賴鈥屫й� 丕爻鬲 讴賴 賯丕丿乇 賳蹖爻鬲賳丿 亘丕 蹖讴鈥屫屭� 丕乇鬲亘丕胤 亘乇賯乇丕乇 讴賳賳丿
鬲賵蹖 丕蹖賳 毓丿賲 丕賲讴丕賳 亘乇賯乇丕乇蹖 丕乇鬲亘丕胤 賴賲賴 爻賴賲 丿丕乇賳丿. 爻賱胤賳鬲鈥屫焚勜ㄢ€屬囏й� 賯丿蹖賲蹖 讴賴 賴賳賵夭 丕賲蹖丿賵丕乇 賴爻鬲賳丿 讴賴 丨讴賵賲鬲 噩賲賴賵乇蹖 爻賯賵胤 讴賳賴貙 噩賲賴賵乇蹖鈥屫堌з団€屬囏й屰� 讴賴 亘乇丕蹖 爻乇 亘賴 賳蹖爻鬲 讴乇丿賳 爻賱胤賳鬲鈥屫焚勜ㄢ€屬囏� 丕亘丕蹖蹖 賳丿丕乇賳丿 丕夭 夭蹖乇 倬丕 诏匕丕卮鬲賳 丕氐賵賱 噩賲賴賵乇蹖鈥屫堌з囒屸€屫促堎嗀� 丌賳丕乇卮蹖爻鬲蹖 讴賴 禺蹖丕賱 賲蹖鈥屭┵嗁� 亘乇夭蹖賱 賴賲 丕乇賵倬丕爻鬲 賵 賲蹖卮賴 亘丕 賴賲賵賳 丕賯鬲囟丕卅丕鬲 鬲賵蹖 丕蹖賳 賮囟丕 爻乇 讴乇丿貙 賲賱丕讴鈥屬囏й� 賯丿蹖賲蹖 蹖讴 亘賵賲 賵 丿賵 賴賵丕 讴賴 趩丕乇賴鈥屫й� 賳丿丕乇賳丿 讴賴 亘乇丕蹖 丨賮馗 爻乇賲丕蹖賴鈥屫促堎� 蹖讴蹖 亘賴 賳毓賱 亘夭賳賳丿貙 蹖讴蹖 亘賴 賲蹖禺 賵 丕蹖賳 賵爻胤 噩賲丕毓鬲 跇賳丿賴鈥屬举堌篡� 讴賴 噩賲賴賵乇蹖 乇賵 丿噩丕賱 夭賲丕賳 賲蹖鈥屫堎嗁嗀� 賵 亘丕賴丕卮 爻乇 爻丕夭诏丕乇蹖 賳丿丕乇賳丿.
蹖賵爻丕 鬲賵蹖 鬲氐賵蹖乇 讴乇丿賳 丕蹖賳 亘賱亘卮賵 亘蹖鈥屬嗀港屫� 亘賵丿賴貨 鬲賵蹖 鬲乇爻蹖賲 夭丿 賵 亘賳丿賴丕 賵 亘丕夭蹖鈥屬囏й� 倬賳賴丕賳蹖貨 鬲賵蹖 鬲噩爻賲 亘禺卮蹖丿賳 亘賴 芦诏丕賴蹖 丕賯鬲囟丕 賲蹖鈥屭┵嗁� 丕賵賳鈥屫堌臂屫� 诏丕賴蹖 丕賯鬲囟丕 賲蹖鈥屭┵嗁� 丕蹖賳鈥屫堌臂屄�
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[噩賲賱賴鈥屰� 丿丕禺賱 诏蹖賵賲賴 蹖讴蹖 丕夭 丿蹖丕賱賵诏鈥屬囏й� 賲睾賮賵賱 賲賵賳丿賴鈥屰� 賮蹖賱賲 芦賲讴爻禄 賴爻鬲. 鬲賵 丕賵賳 賮蹖賱賲 蹖讴蹖 丕夭 讴丕賳丿蹖丿丕賴丕蹖 丕賳鬲禺丕亘丕鬲蹖 亘乇丕蹖 丕賮夭丕蹖卮 乇丕蹖鈥屬囏ж� 賲蹖鈥屫堌ж� 亘乇賴 爻賲鬲 蹖賴 賲胤乇亘 讴賵趩賴鈥屫ㄘж藏ж臂� 讴賴 丨爻丕亘蹖 亘乇丕蹖 禺賵丿卮 胤乇賮丿丕乇 噩賲毓 讴乇丿賴. 賵賯鬲蹖 賲卮丕賵乇卮 丕夭卮 賲蹖 倬乇爻賴 讴賴 丌禺賴 賯乇亘丕賳 丕蹖賳 蹖丕乇賵 讴賴 讴賱丕 爻蹖爻鬲賲卮 亘丕 爻蹖爻鬲賲 賲丕 賮乇賯 賲蹖鈥屭┵嗁囏� 讴丕賳丿蹖丿丕 蹖賴 賳诏丕賴 毓丕賯賱 丕賳丿乇 爻賮蹖賴 亘賴 賲卮丕賵乇 賲蹖鈥屭┵嗁� 賵 賲蹖诏賴: 丕賵賳鈥屬呝堎傌� 丕賯鬲囟丕 賲蹖鈥屭┴必� 丕賵賳鈥屫堌臂屫� 丕賱丕賳 丕賯鬲囟丕 賲蹖鈥屭┵嗁� 丕蹖賳鈥屫堌臂�...]
鬲賵囟蹖丨 亘蹖卮鬲乇 丕夭 丕蹖賳 噩丕賴丕蹖 噩匕丕亘 乇賲丕賳 乇賵 賱賵 賲蹖丿賴. 賴乇趩賳丿 讴賴 丕蹖賳 乇賲丕賳 丕賵賳鈥屬傌� 禺乇丿賴 乇賵丕蹖鬲 丿賵爻鈥屫ж簇嗃� 賵 氐丿丕賱亘鬲賴 诏丕賴蹖 賴賵賱鈥屬嗀и� 丿丕乇賴 讴賴 丨鬲蹖 丕夭 丿爻鬲 丿丕丿賳 賳賯丕胤 毓胤賮 乇賲丕賳 賴賲 丕賵賳 乇賵 丕夭 賯丕亘賱蹖鬲鈥屬囏ж� 禺丕賱蹖 賳賲蹖鈥屭┵嗁�
倬丕卮賳賴鈥屰� 丌卮蹖賱 讴鬲丕亘
馗丕賴乇丕 趩丕乇賴鈥屫й� 賳蹖爻鬲 讴賴 亘倬匕蹖乇蹖賲 蹖賵爻丕 賯賱賲 鬲賵丕賳賲賳丿蹖 亘乇丕蹖 鬲賵氐蹖賮 氐丨賳賴鈥屬囏й� 倬乇丕夭丿丨丕賲 賳亘乇丿 賳丿丕乇賴. 蹖賵爻丕 鬲賵蹖 賳亘乇丿 丕賵賱 丕夭 丕爻鬲乇丕鬲跇蹖 鬲賵賱爻鬲賵蹖蹖 亘乇丕蹖 卮乇丨 賳亘乇丿 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗁�. 蹖毓賳蹖 乇丕賵蹖 乇賵 賲蹖鈥屫ㄘ辟� 乇賵蹖 讴賵賴 蹖丕 鬲倬賴鈥屰� 賲卮乇賮 亘賴 氐丨賳賴鈥屰� 賳亘乇丿 鬲丕 丕夭 丕賵賳鈥屫� 诏夭丕乇卮 氐丨賳賴 乇賵 亘丿賴. 鬲丕 丕蹖賳鈥屫й� 讴丕乇 趩賳丿丕賳 亘丿 丕夭 丌亘 丿乇 賳蹖賵賲丿賴. 丕賲丕 賲禺氐賵氐丕 鬲賵蹖 丿賵 鬲丕 賳亘乇丿 丕賵賱貙 鬲賵氐蹖賮 賳夭丿蹖讴 氐丨賳賴鈥屬囏й� 賳亘乇丿 亘賴 賯賵鬲 氐丨賳賴鈥屬囏й� 賳亘乇丿 噩賳诏 賵 氐賱丨 賳亘賵丿賴 賵 丕蹖賳 匕丕鬲丕 鬲賯氐蹖乇 蹖賵爻丕 賳蹖爻鬲. 讴爻蹖 賲蹖鈥屫堎嗁� 氐丨賳賴鈥屬囏й� 賳亘乇丿 丕蹖賳鈥屫蹿┵勠� 乇賵 丕夭 噩賵賳 賵 丿賱 亘賳賵蹖爻賴 讴賴 亘丕 匕乇賴 匕乇賴鈥屰� 賵噩賵丿卮 趩賳蹖賳 賳亘乇丿賴丕蹖蹖 乇賵 鬲噩乇亘賴 讴乇丿賴 亘丕卮賴貨 讴爻蹖 賲孬賱 禺賵丿 鬲賵賱爻鬲賵蹖
丕賲丕 鬲賵蹖 鬲丨賱蹖賱 賳賴丕蹖蹖 賴賲蹖賳 讴賴 讴爻蹖 鬲賵氐蹖賮 氐丨賳賴鈥屬囏й� 賳亘乇丿 乇賵 胤賵乇蹖 亘賳賵蹖爻賴 讴賴 鬲賵蹖 匕賴賳 賲禺丕胤亘卮 丕賵賳 乇賵 賵丕丿丕乇 讴賳賴 亘賴 賲賯丕蹖爻賴 亘丕 氐丨賳賴鈥屬囏й� 賳亘乇丿 噩賳诏 賵 氐賱丨 禺賵丿卮 蹖毓賳蹖 丕蹖賳鈥屭┵� 賳賵蹖爻賳丿賴鈥屰� 亘夭乇诏蹖 賴爻鬲
乇丕賴賳賲丕蹖 讴賵鬲丕賴 禺賵賳丿賳 讴鬲丕亘
丕蹖賳 賳賯卮賴 乇賵 匕禺蹖乇賴 讴賳蹖丿 鬲賵蹖 爻蹖爻鬲賲鈥屫堎�. 賳賯卮賴鈥屰� 卮賴乇賴丕蹖 鬲丕孬蹖乇诏匕丕乇 鬲賵蹖 噩賳诏 讴丕賳賵丿賵爻 亘賵丿賴. 鬲賵蹖 丿賵蹖爻鬲 氐賮丨賴鈥屰� 丕賵賱 禺蹖賱蹖 讴賲讴 賲蹖鈥屭┵嗁� 亘賴 丿乇讴 賲賵賯毓蹖鬲鈥屬囏й� 賲禺鬲賱賮 乇賲丕賳. 丕賱亘鬲賴 賮賴賲蹖丿賳 乇賲丕賳 賳蹖丕夭蹖 亘賴 丕蹖賳 賳賯卮賴 賳丿丕乇賴. 丕賲丕 禺蹖賱蹖 噩匕丕亘鈥屫必� 賲蹖鈥屭┵嗁�. 亘毓丿 丕夭 丿賵蹖爻鬲 氐賮丨賴 賴賲 讴賴 丿蹖诏賴 賳賯卮賴 讴丕賲賱 賲蹖乇賴 鬲賵蹖 匕賴賳鈥�
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賲禺賱氐 讴賱丕賲
乇賲丕賳 乇賲丕賳 芦賲毓馗賲蹖禄 賴爻鬲. 丕夭 賴賲賵賳 氐賮丨賴鈥屬囏й� 丕賵賱 乇賲丕賳 賲蹖鈥屫堎嗃屫� 讴賴 丿丕乇蹖丿 蹖賴 讴丕乇 芦亘夭乇诏禄 乇賵 賲蹖鈥屫堎嗃屫�. 鬲賵氐蹖賴鈥屰� 丕蹖賳鈥屫堌� 讴鬲丕亘鈥屬囏� 亘蹖卮鬲乇 亘賴 卮賵禺蹖 卮亘蹖賴賴. 蹖讴蹖 丕夭 芦亘賴鬲乇蹖賳禄 乇賲丕賳鈥屬囏й� 夭賳丿诏蹖鈥屫堎� 亘丕 蹖賴 鬲乇噩賲賴鈥屰� 芦賲賵賳丿诏丕乇禄 賲賳鬲馗乇 卮賲丕爻鬲
November 11, 2013
丨乇亘 賳賴丕賷丞 丕賱毓丕賱賲
丕賳鬲亘賴鬲 廿賱賶 兀賳賳賷 賮賷 賰賱 賲乇丞 兀賰鬲亘 賮賷賴丕 賲乇丕噩毓丞 賱廿丨丿賶 乇賵丕賷丕鬲 賷賵爻丕貙 丕爻鬲賮鬲丨 亘丕賱丨丿賷孬 毓賳 賮賳 丕賱乇賵丕賷丞 賵毓馗賲鬲賴貙 賴匕丕 賲丕 賷賮毓賱賴 亘賳丕 賷賵爻丕 賮賷 賰賱 賲乇丞貙 賷兀禺匕賳丕 廿賱賶 丕賱兀毓丕賱賷 賰氐賯乇貙 賵賱丕 賷毓賷丿賳丕 廿賱賶 丕賱兀乇囟 廿賱丕 丿丕卅禺賷賳貙 賳丨丕賵賱 兀賳 賳賮賴賲 賰賷賮 禺囟賳丕 賴匕賴 丕賱乇丨賱丞責 賲丕 賴賷 丕賱兀丿丕丞 丕賱鬲賷 丕爻鬲禺丿賲賴丕 賷賵爻丕 !! 賲丕 賴匕丕 丕賱賮賳責 賰賷賮 賱丕 賷噩賷丿賴 廿賱丕 丕賱賯賱丞責 賵賱賰賳賷 - 乇睾賲 兀賳 賴匕賴 丕賱乇賵丕賷丞 匕乇賵丞 賷賵爻丕 - 賱賳 兀賰鬲亘 毓賳 賴匕丕貙 賲賳 賷乇賷丿 兀賳 賷賯乇兀貙 賷賲賰賳賴 兀賳 賷毓賵丿 廿賱賶 賲乇丕噩毓鬲賷 賱丨賱賲 丕賱爻賱鬲賷貙 賱賷噩丿 賮賷 賲賯丿賲鬲賴丕 賰賱丕賲賷 丨賵賱 賮賳 丕賱乇賵丕賷丞 賵賯賷賲鬲賴.
賲丕 丕賱匕賷 賮毓賱賴 賷賵爻丕 賮賷 賴匕賴 丕賱乇賵丕賷丞責 匕丕鬲 賲丕 賷賮毓賱賴 賮賷 賰賱 乇賵丕賷丞貙 賷噩匕亘 賲賳 丕賱賴丕賲卮 丨丿孬丕賸 賲丕貙 賷亘丿賵 氐睾賷乇丕賸 噩丿丕賸貙 賱丕 賷賲賰賳 鬲賲賷賷夭賴 毓賱賶 氐賮丨丞 丕賱鬲丕乇賷禺 丕賱囟禺賲丞 賵丕賱賲賳賯賵卮丞 亘賰賱 卮賷亍貙 孬賲 賷爻賱胤 毓賱賷賴 毓丿爻鬲賴 丕賱賲賰亘乇丞貙 賮賷賰亘乇 賴匕丕 丕賱丨丿孬貙 賷鬲丨賵賱 廿賱賶 賲乇賰夭 丕賱氐賮丨丞貙 亘丨賷孬 兀賳賳丕 賵賱兀賷丕賲 賳丨鬲噩夭 賮賷 鬲賱賰 丕賱爻胤賵乇 丕賱氐睾賷乇丞貙 賳卮毓乇 賵賰兀賳賴丕 賴賷 鬲丕乇賷禺 丕賱毓丕賱賲貙 賳賲鬲賱卅 亘賰賱 丕賱鬲賮丕氐賷賱 丕賱丿賯賷賯丞 丕賱鬲賷 賷賳孬乇賴丕 亘爻禺丕亍貙 賮賷賵爻丕 乇賵丕卅賷 爻禺賷貙 賷賲賰賳賰 兀賳 鬲鬲禺賷賱賴 賵賴賵 賷賰鬲亘貙 賷丨鬲乇賯 亘賰賱 賲丕 毓乇賮賴 賵賲丕 禺亘乇賴貙 賷賯乇兀 賵賷亘丨孬貙 孬賲 賷賰鬲亘 賮賷 孬賱孬 丕賱賱賷賱貙 賲賱賮賵賮丕賸 亘丕賱賰賱賲丕鬲貙 賵丕賱氐賵乇貙 賵丕賱賵孬丕卅賯貙 賵丕賱乇丐賶貙 賮賷賳賮賯 亘爻禺丕亍貙 毓賵丕胤賮賴貙 賵兀賮賰丕乇賴貙 賵兀丨丿丕孬賴貙 賳毓賲 廿賳賴丕 兀丨丿丕孬賴貙 氐丨賷丨 兀賳賴丕 丨丿孬鬲 賯亘賱 丨鬲賶 兀賳 賷賵賱丿貙 賵賱賰賳賴 賴賵 賲賳 兀夭丕賱 毓賳賴丕 睾亘丕乇 丕賱鬲丕乇賷禺貙 賮賱匕丕 賴賵 賲賳 賷賲鬲賱賰賴丕貙 賴賵 賲賳 兀毓丕丿賴丕 賱賱丨賷丕丞.
賳賯乇兀 賲丕 賰鬲亘賴 賷賵爻丕 亘爻禺丕亍 賮賳鬲兀孬乇貙 鬲鬲丨賵賱 丨乇亘 賰丕賳賵丿賵爻 賲賳 丨乇亘 丿賷賳賷丞 賴丕賲卮賷丞 賮賷 亘乇丕夭賷賱 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇貙 廿賱賶 丕賱氐賵乇丞 丕賱賰丕賲賱丞 賱賰賱 丨乇賰丞 丿賷賳賷丞貙 亘賳亘賷賴丕 賵丨賵丕乇賷賷賴丕 賵賲丐賲賳賷賴丕 賵兀卮乇丕乇賴丕貙 賴賰匕丕 賳鬲丕亘毓 丕賱賲乇卮丿 賮賷 噩賵賱丕鬲賴貙 賵賳鬲丕亘毓 賰賷賮 賷賯賱亘 賱氐賵氐 賵賯胤丕毓 胤乇賯 亘丕賴賷丕 廿賱賶 賲丐賲賳賷賳 賲爻鬲毓丿賷賳 賱賳亘匕 賰賱 卮賷亍 賮賷 爻亘賷賱 丕賱廿賱賴貙 賳鬲丕亘毓 賰賷賮 賷賴夭賲賵賳 丕賱丨賲賱丕鬲 丕賱毓爻賰乇賷丞 丕賱賲鬲鬲丕賱賷丞貙 賳鬲丕亘毓 丕賱爻丕爻丞 丕賱賮丕爻丿賷賳貙 賳鬲丕亘毓 丕賱孬賵乇賷 丕賱廿賷乇賱賳丿賷 賵丕賱匕賷 賷亘丨孬 毓賳 兀丨賱丕賲賴 賮賷 賰丕賳賵丿賵爻貙 賳鬲丕亘毓 賰賱 卮賷亍 賲賳 丕賱亘丿丕賷丞 廿賱賶 丕賱賳賴丕賷丞.
賱丕 兀丿乇賷 賱賲丕匕丕 賳賯賱賳賷 丨氐丕乇 賰丕賳賵丿賵爻 廿賱賶 丨氐丕乇 丕賱丿乇毓賷丞貙 賷丕 賱賱鬲卮丕亘賴丕鬲 亘賷賳賴賲丕.
賵賱賰賳 賲賳 賷馗賳 賵賴賵 賷賳鬲賴賷 賲賳 (丨乇亘 賳賴丕賷丞 丕賱毓丕賱賲) 兀賳賴 賯乇兀 乇賵丕賷丞 鬲丕乇賷禺賷丞 賮賴賵 賲禺胤卅貙 賱賯丿 兀賮賱鬲鬲 賲賳賴 賮賱爻賮丞 賷賵爻丕 丕賱爻丕禺乇丞貙 丕賱鬲賱胤賷禺賷丞貙 賮賰賱 卮禺氐 賮賷 丕賱乇賵丕賷丞 賯丕賲 賷賵爻丕 亘鬲賱胤賷禺賴貙 賮丕賱賲乇卮丿 賷賲賵鬲 賵賴賵 賷賮乇睾 兀賲毓丕卅賴 賵賲丿賷賳鬲賴 丕賱鬲賷 亘卮乇 亘賴丕 鬲賴丿賲 賮賵賯 乇丐賵爻 兀鬲亘丕毓賴貙 賵賱丕 賲賱丕卅賰丞 鬲噩賷亍 賱廿賳賯丕匕賴賲貙 賵賷賵爻丕 亘禺亘孬賴 賷噩毓賱 丕賱兀鬲亘丕毓 賷鬲匕賵賯賵賳 賲丕 噩丕丿鬲 亘賴 兀賲毓丕亍 丕賱賲乇卮丿貙 丕賱氐睾賷乇 丕賱賲亘丕乇賰 賴賵 賲賳 賷禺賵賳 賲毓賱賲賴 賮賷 丕賱賳賴丕賷丞 賵賷賯丿賲 噩爻丿賴 賱賱噩賲賴賵乇賷丞貙 丕賱孬丕卅乇 睾丕賱賷賱賷賵 睾丕賱 賷賲賵鬲 毓賱賶 賲卮丕乇賮 賰丕賳賵丿賵爻 亘爻亘亘 丕睾鬲氐丕亘賴 夭賵噩丞 丿賱賷賱貙 賷丕 賱賴丕 賲賳 賳賴丕賷丞 賲禺夭賷丞 !! 丕賱亘丕乇賵賳 丿賷 賰丕賳丕亘乇丕賮丕 丕賱匕賷 賷賮鬲乇囟 亘賴 兀賳 賷賲孬賱 丕賱毓賯賱 賮賷 賴匕賴 丕賱乇賵丕賷丞貙 賷睾鬲氐亘 禺丕丿賲鬲賴 兀賲丕賲 毓賷賳賷 夭賵噩鬲賴 丕賱賲噩賳賵賳丞貙 丕賱賯丕卅丿 丕賱毓爻賰乇賷 丕賱亘乇丕夭賷賱賷 兀賳鬲賵賳賷賵 賲賵乇賷乇丕 鬲賳鬲賴賷 賲睾丕賲乇丕鬲賴 丕賱毓爻賰乇賷丞 毓賱賶 兀亘賵丕亘 賰丕賳賵丿賵爻 賵鬲爻丨賯 賮乇賯鬲賴 丕賱爻丕亘毓丞貙 丕賱噩賲賷毓 賮賷 賴匕賴 丕賱乇賵丕賷丞 賷鬲賱胤禺賵賳貙 賵賰兀賳 賷賵爻丕 丕賱匕賷 賰鬲亘 亘賰賱 鬲賱賰 丕賱賮禺丕賲丞 賵丕賱毓馗賲丞貙 賷賳夭毓 亘胤乇賷賯丞 賲賵丕乇亘丞 賴匕賴 丕賱毓馗賲丞貙 賵賷賯丿賲 賱賳丕 丕賱毓丕賱賲 賰賲丕 賴賵 賲賱胤禺貙 賯亘賷丨貙 賰賱 賲丕 賷丿賵乇 賮賷賴 賴賵 睾亘丕亍 鬲丕賲貙 賵爻賵亍 賮賴賲 賮馗賷毓.
丕賳鬲亘賴鬲 廿賱賶 兀賳賳賷 賮賷 賰賱 賲乇丞 兀賰鬲亘 賮賷賴丕 賲乇丕噩毓丞 賱廿丨丿賶 乇賵丕賷丕鬲 賷賵爻丕貙 丕爻鬲賮鬲丨 亘丕賱丨丿賷孬 毓賳 賮賳 丕賱乇賵丕賷丞 賵毓馗賲鬲賴貙 賴匕丕 賲丕 賷賮毓賱賴 亘賳丕 賷賵爻丕 賮賷 賰賱 賲乇丞貙 賷兀禺匕賳丕 廿賱賶 丕賱兀毓丕賱賷 賰氐賯乇貙 賵賱丕 賷毓賷丿賳丕 廿賱賶 丕賱兀乇囟 廿賱丕 丿丕卅禺賷賳貙 賳丨丕賵賱 兀賳 賳賮賴賲 賰賷賮 禺囟賳丕 賴匕賴 丕賱乇丨賱丞責 賲丕 賴賷 丕賱兀丿丕丞 丕賱鬲賷 丕爻鬲禺丿賲賴丕 賷賵爻丕 !! 賲丕 賴匕丕 丕賱賮賳責 賰賷賮 賱丕 賷噩賷丿賴 廿賱丕 丕賱賯賱丞責 賵賱賰賳賷 - 乇睾賲 兀賳 賴匕賴 丕賱乇賵丕賷丞 匕乇賵丞 賷賵爻丕 - 賱賳 兀賰鬲亘 毓賳 賴匕丕貙 賲賳 賷乇賷丿 兀賳 賷賯乇兀貙 賷賲賰賳賴 兀賳 賷毓賵丿 廿賱賶 賲乇丕噩毓鬲賷 賱丨賱賲 丕賱爻賱鬲賷貙 賱賷噩丿 賮賷 賲賯丿賲鬲賴丕 賰賱丕賲賷 丨賵賱 賮賳 丕賱乇賵丕賷丞 賵賯賷賲鬲賴.
賲丕 丕賱匕賷 賮毓賱賴 賷賵爻丕 賮賷 賴匕賴 丕賱乇賵丕賷丞責 匕丕鬲 賲丕 賷賮毓賱賴 賮賷 賰賱 乇賵丕賷丞貙 賷噩匕亘 賲賳 丕賱賴丕賲卮 丨丿孬丕賸 賲丕貙 賷亘丿賵 氐睾賷乇丕賸 噩丿丕賸貙 賱丕 賷賲賰賳 鬲賲賷賷夭賴 毓賱賶 氐賮丨丞 丕賱鬲丕乇賷禺 丕賱囟禺賲丞 賵丕賱賲賳賯賵卮丞 亘賰賱 卮賷亍貙 孬賲 賷爻賱胤 毓賱賷賴 毓丿爻鬲賴 丕賱賲賰亘乇丞貙 賮賷賰亘乇 賴匕丕 丕賱丨丿孬貙 賷鬲丨賵賱 廿賱賶 賲乇賰夭 丕賱氐賮丨丞貙 亘丨賷孬 兀賳賳丕 賵賱兀賷丕賲 賳丨鬲噩夭 賮賷 鬲賱賰 丕賱爻胤賵乇 丕賱氐睾賷乇丞貙 賳卮毓乇 賵賰兀賳賴丕 賴賷 鬲丕乇賷禺 丕賱毓丕賱賲貙 賳賲鬲賱卅 亘賰賱 丕賱鬲賮丕氐賷賱 丕賱丿賯賷賯丞 丕賱鬲賷 賷賳孬乇賴丕 亘爻禺丕亍貙 賮賷賵爻丕 乇賵丕卅賷 爻禺賷貙 賷賲賰賳賰 兀賳 鬲鬲禺賷賱賴 賵賴賵 賷賰鬲亘貙 賷丨鬲乇賯 亘賰賱 賲丕 毓乇賮賴 賵賲丕 禺亘乇賴貙 賷賯乇兀 賵賷亘丨孬貙 孬賲 賷賰鬲亘 賮賷 孬賱孬 丕賱賱賷賱貙 賲賱賮賵賮丕賸 亘丕賱賰賱賲丕鬲貙 賵丕賱氐賵乇貙 賵丕賱賵孬丕卅賯貙 賵丕賱乇丐賶貙 賮賷賳賮賯 亘爻禺丕亍貙 毓賵丕胤賮賴貙 賵兀賮賰丕乇賴貙 賵兀丨丿丕孬賴貙 賳毓賲 廿賳賴丕 兀丨丿丕孬賴貙 氐丨賷丨 兀賳賴丕 丨丿孬鬲 賯亘賱 丨鬲賶 兀賳 賷賵賱丿貙 賵賱賰賳賴 賴賵 賲賳 兀夭丕賱 毓賳賴丕 睾亘丕乇 丕賱鬲丕乇賷禺貙 賮賱匕丕 賴賵 賲賳 賷賲鬲賱賰賴丕貙 賴賵 賲賳 兀毓丕丿賴丕 賱賱丨賷丕丞.
賳賯乇兀 賲丕 賰鬲亘賴 賷賵爻丕 亘爻禺丕亍 賮賳鬲兀孬乇貙 鬲鬲丨賵賱 丨乇亘 賰丕賳賵丿賵爻 賲賳 丨乇亘 丿賷賳賷丞 賴丕賲卮賷丞 賮賷 亘乇丕夭賷賱 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇貙 廿賱賶 丕賱氐賵乇丞 丕賱賰丕賲賱丞 賱賰賱 丨乇賰丞 丿賷賳賷丞貙 亘賳亘賷賴丕 賵丨賵丕乇賷賷賴丕 賵賲丐賲賳賷賴丕 賵兀卮乇丕乇賴丕貙 賴賰匕丕 賳鬲丕亘毓 丕賱賲乇卮丿 賮賷 噩賵賱丕鬲賴貙 賵賳鬲丕亘毓 賰賷賮 賷賯賱亘 賱氐賵氐 賵賯胤丕毓 胤乇賯 亘丕賴賷丕 廿賱賶 賲丐賲賳賷賳 賲爻鬲毓丿賷賳 賱賳亘匕 賰賱 卮賷亍 賮賷 爻亘賷賱 丕賱廿賱賴貙 賳鬲丕亘毓 賰賷賮 賷賴夭賲賵賳 丕賱丨賲賱丕鬲 丕賱毓爻賰乇賷丞 丕賱賲鬲鬲丕賱賷丞貙 賳鬲丕亘毓 丕賱爻丕爻丞 丕賱賮丕爻丿賷賳貙 賳鬲丕亘毓 丕賱孬賵乇賷 丕賱廿賷乇賱賳丿賷 賵丕賱匕賷 賷亘丨孬 毓賳 兀丨賱丕賲賴 賮賷 賰丕賳賵丿賵爻貙 賳鬲丕亘毓 賰賱 卮賷亍 賲賳 丕賱亘丿丕賷丞 廿賱賶 丕賱賳賴丕賷丞.
賱丕 兀丿乇賷 賱賲丕匕丕 賳賯賱賳賷 丨氐丕乇 賰丕賳賵丿賵爻 廿賱賶 丨氐丕乇 丕賱丿乇毓賷丞貙 賷丕 賱賱鬲卮丕亘賴丕鬲 亘賷賳賴賲丕.
賵賱賰賳 賲賳 賷馗賳 賵賴賵 賷賳鬲賴賷 賲賳 (丨乇亘 賳賴丕賷丞 丕賱毓丕賱賲) 兀賳賴 賯乇兀 乇賵丕賷丞 鬲丕乇賷禺賷丞 賮賴賵 賲禺胤卅貙 賱賯丿 兀賮賱鬲鬲 賲賳賴 賮賱爻賮丞 賷賵爻丕 丕賱爻丕禺乇丞貙 丕賱鬲賱胤賷禺賷丞貙 賮賰賱 卮禺氐 賮賷 丕賱乇賵丕賷丞 賯丕賲 賷賵爻丕 亘鬲賱胤賷禺賴貙 賮丕賱賲乇卮丿 賷賲賵鬲 賵賴賵 賷賮乇睾 兀賲毓丕卅賴 賵賲丿賷賳鬲賴 丕賱鬲賷 亘卮乇 亘賴丕 鬲賴丿賲 賮賵賯 乇丐賵爻 兀鬲亘丕毓賴貙 賵賱丕 賲賱丕卅賰丞 鬲噩賷亍 賱廿賳賯丕匕賴賲貙 賵賷賵爻丕 亘禺亘孬賴 賷噩毓賱 丕賱兀鬲亘丕毓 賷鬲匕賵賯賵賳 賲丕 噩丕丿鬲 亘賴 兀賲毓丕亍 丕賱賲乇卮丿貙 丕賱氐睾賷乇 丕賱賲亘丕乇賰 賴賵 賲賳 賷禺賵賳 賲毓賱賲賴 賮賷 丕賱賳賴丕賷丞 賵賷賯丿賲 噩爻丿賴 賱賱噩賲賴賵乇賷丞貙 丕賱孬丕卅乇 睾丕賱賷賱賷賵 睾丕賱 賷賲賵鬲 毓賱賶 賲卮丕乇賮 賰丕賳賵丿賵爻 亘爻亘亘 丕睾鬲氐丕亘賴 夭賵噩丞 丿賱賷賱貙 賷丕 賱賴丕 賲賳 賳賴丕賷丞 賲禺夭賷丞 !! 丕賱亘丕乇賵賳 丿賷 賰丕賳丕亘乇丕賮丕 丕賱匕賷 賷賮鬲乇囟 亘賴 兀賳 賷賲孬賱 丕賱毓賯賱 賮賷 賴匕賴 丕賱乇賵丕賷丞貙 賷睾鬲氐亘 禺丕丿賲鬲賴 兀賲丕賲 毓賷賳賷 夭賵噩鬲賴 丕賱賲噩賳賵賳丞貙 丕賱賯丕卅丿 丕賱毓爻賰乇賷 丕賱亘乇丕夭賷賱賷 兀賳鬲賵賳賷賵 賲賵乇賷乇丕 鬲賳鬲賴賷 賲睾丕賲乇丕鬲賴 丕賱毓爻賰乇賷丞 毓賱賶 兀亘賵丕亘 賰丕賳賵丿賵爻 賵鬲爻丨賯 賮乇賯鬲賴 丕賱爻丕亘毓丞貙 丕賱噩賲賷毓 賮賷 賴匕賴 丕賱乇賵丕賷丞 賷鬲賱胤禺賵賳貙 賵賰兀賳 賷賵爻丕 丕賱匕賷 賰鬲亘 亘賰賱 鬲賱賰 丕賱賮禺丕賲丞 賵丕賱毓馗賲丞貙 賷賳夭毓 亘胤乇賷賯丞 賲賵丕乇亘丞 賴匕賴 丕賱毓馗賲丞貙 賵賷賯丿賲 賱賳丕 丕賱毓丕賱賲 賰賲丕 賴賵 賲賱胤禺貙 賯亘賷丨貙 賰賱 賲丕 賷丿賵乇 賮賷賴 賴賵 睾亘丕亍 鬲丕賲貙 賵爻賵亍 賮賴賲 賮馗賷毓.
May 9, 2020
賲賱丨賲丞 賷賵爻丕 丕賱鬲賷 賱丕 兀丿乇賷 賱賲丕匕丕 鬲兀禺乇鬲 鬲乇噩賲鬲賴丕 丕賱毓乇亘賷丞 丨鬲賶 賴匕丕 丕賱毓丕賲!
廿匕丕 賰丕賳鬲 " 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 " 賴賷 賲賮禺乇丞 賲丕乇賰賷夭 賮賱丕 亘丿 兀賳 鬲賰賵賳 賴匕賴 丕賱乇賵丕賷丞 賴賷 賲丕 賷鬲亘丕賴賶 亘賴丕 賷賵爻丕. 丕賱乇賵丕賷丞 毓賱賶 賲爻鬲賵賶 爻乇丿賷 毓馗賷賲 賵 賲丨鬲乇賮 賱兀亘毓丿 丿乇噩丞賵 匕賱賰 賱兀賳 丕賱 700 氐賮丨丞 賲賱賷卅丞 亘丕賱兀丨丿丕孬 丕賱鬲賷 賱賲 鬲禺鬲賱 賮賷 兀賷 賮氐賱 賵 賲賳 睾賷乇 賲賱賱 賵 鬲賲囟賷 丕賱乇賵丕賷丞 賲賳 賮賲 廿賱賶 丌禺乇 賮賷 鬲賯丕胤毓 賴賳丿爻賷 賮馗賷毓. 丕賱乇賵丕賷丞 賵囟毓 賮賷賴丕 賷賵爻丕 賰賱 賲禺丕賵賮賴 賵 賮賱爻賮鬲賴 賵 禺亘乇丕鬲賴 賮丕賱乇賵丕賷丞 亘卮賰賱 毓丕賲 鬲鬲丨丿孬 毓賳 賰丕賴賳 禺丕乇噩 毓賱賶 丕賱賰賳賷爻丞 賷丨馗賶 亘賰孬賷乇 賲賳 丕賱兀鬲亘丕毓 賲賳 賰賱 丕賱賮卅丕鬲 丕賱丕噩鬲賲丕毓賷丞 賵 亘賲丕 兀賳 丕賱賲賱賰賷丞 賯丿 睾丕丿乇鬲 毓賱賶 睾賷乇 乇睾亘丞 賲賳 丕賱丕賯胤丕毓賷賷賳 賵 噩丕亍 賵賯鬲 丕賱噩賲賴賵乇賷丞 鬲賲囟賷 丕賱乇賵丕賷丞 賳丨賵 賰孬賷乇 賲賳 丕賱氐丿丕賲丕鬲 賵 賰孬賷乇 賲賳 丕賱毓丿丕賵丕鬲 賵 丕賱氐丿丕賯丕鬲 丕賱賲賮丕噩卅丞 賵 賯賱賷賱 賲賳 丕賱噩賳爻 - 毓賱賶 睾賷乇 毓丕丿丞 賷賵爻丕 - 賵 兀爻賱賵亘 賷賵爻丕 丕賱噩匕丕亘 毓賱丕賵丞賸 毓賱賶 賰賱 匕賱賰.
廿匕丕 賰丕賳鬲 " 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 " 賴賷 賲賮禺乇丞 賲丕乇賰賷夭 賮賱丕 亘丿 兀賳 鬲賰賵賳 賴匕賴 丕賱乇賵丕賷丞 賴賷 賲丕 賷鬲亘丕賴賶 亘賴丕 賷賵爻丕. 丕賱乇賵丕賷丞 毓賱賶 賲爻鬲賵賶 爻乇丿賷 毓馗賷賲 賵 賲丨鬲乇賮 賱兀亘毓丿 丿乇噩丞賵 匕賱賰 賱兀賳 丕賱 700 氐賮丨丞 賲賱賷卅丞 亘丕賱兀丨丿丕孬 丕賱鬲賷 賱賲 鬲禺鬲賱 賮賷 兀賷 賮氐賱 賵 賲賳 睾賷乇 賲賱賱 賵 鬲賲囟賷 丕賱乇賵丕賷丞 賲賳 賮賲 廿賱賶 丌禺乇 賮賷 鬲賯丕胤毓 賴賳丿爻賷 賮馗賷毓. 丕賱乇賵丕賷丞 賵囟毓 賮賷賴丕 賷賵爻丕 賰賱 賲禺丕賵賮賴 賵 賮賱爻賮鬲賴 賵 禺亘乇丕鬲賴 賮丕賱乇賵丕賷丞 亘卮賰賱 毓丕賲 鬲鬲丨丿孬 毓賳 賰丕賴賳 禺丕乇噩 毓賱賶 丕賱賰賳賷爻丞 賷丨馗賶 亘賰孬賷乇 賲賳 丕賱兀鬲亘丕毓 賲賳 賰賱 丕賱賮卅丕鬲 丕賱丕噩鬲賲丕毓賷丞 賵 亘賲丕 兀賳 丕賱賲賱賰賷丞 賯丿 睾丕丿乇鬲 毓賱賶 睾賷乇 乇睾亘丞 賲賳 丕賱丕賯胤丕毓賷賷賳 賵 噩丕亍 賵賯鬲 丕賱噩賲賴賵乇賷丞 鬲賲囟賷 丕賱乇賵丕賷丞 賳丨賵 賰孬賷乇 賲賳 丕賱氐丿丕賲丕鬲 賵 賰孬賷乇 賲賳 丕賱毓丿丕賵丕鬲 賵 丕賱氐丿丕賯丕鬲 丕賱賲賮丕噩卅丞 賵 賯賱賷賱 賲賳 丕賱噩賳爻 - 毓賱賶 睾賷乇 毓丕丿丞 賷賵爻丕 - 賵 兀爻賱賵亘 賷賵爻丕 丕賱噩匕丕亘 毓賱丕賵丞賸 毓賱賶 賰賱 匕賱賰.
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April 1, 2020At the end of the nineteenth century a rebellion broke out in the back lands of Bahia, Brazil.
The rebels who are poor people, bandits, people of uncertain ethnicity, former slaves, impoverished settlers, the disabled, all inspired by a charismatic religious leader and thoroughly alienated from the new Republic, were inspired by the hope that Dom Sebastian, the Portuguese King who had died in Morocco in the sixteenth century, would like a King Arthur return to rule over them, were eventually utterly crushed by the army after years of resistance .
The novel tracks the rebellion from its inception to its aftermath through a variety of point of view characters. One is a revolutionary and phrenologist, another a rationalist journalist (based on an actual gentlemen who wrote an account of the war) symbolically his glasses are broken early in the preceedings, thus Vargas Llosa symbolically dismisses his ambivalent account and gets on with his own, the journalist becomes dependant on others to get about, the modern man reduced to being led about by the superstitious, backwards looking people who like players of lotteries can only imagine that their lives could be improved by the personal direct intervention of God . The characters then allow the conflict to be seen as a conflict, or at least the testing ground of the different types of ideas (scientific, pseudo-scientific, pre-scientific) common in the world of the late nineteenth century. What Vargo Llosa shows us is that eventually, once convinced of the seriousness of the rebellion in the back of beyond by the wretched of the earth, the forces of the state are capable of deploying sufficient mechanised violence to achieve victory.
My abiding memory, aside from the poverty, was a sense of how the conflict transformed the lives of the characters and particularly how despite the fantastical and deeply religious motivations of the rebels, their lives seemed to be freer, even devoted to building a city in the badlands, than the formal, claustrophobic,hierarchical world of coastal Brazil. The actual rebellion and the literary responses to it together clock up a good four or five references in Edwin Williamsons , though at no point does he discuss the politics of a Spanish American writer addressing himself to an event in Brazilian History, and in doing so he chose not to write about the Tupac Amaru II rising in mid 18th century Peru. Yet as a novel in the context of the development of Latin America it makes a very strong statement - the vision of the future preferred by the elite will be victorious, all other concerns will be ignored however legitimate, the scream of the defeated will be recorded, but there will be no discussion and no concessions: Order and Progress !
The rebels who are poor people, bandits, people of uncertain ethnicity, former slaves, impoverished settlers, the disabled, all inspired by a charismatic religious leader and thoroughly alienated from the new Republic, were inspired by the hope that Dom Sebastian, the Portuguese King who had died in Morocco in the sixteenth century, would like a King Arthur return to rule over them, were eventually utterly crushed by the army after years of resistance .
The novel tracks the rebellion from its inception to its aftermath through a variety of point of view characters. One is a revolutionary and phrenologist, another a rationalist journalist (based on an actual gentlemen who wrote an account of the war) symbolically his glasses are broken early in the preceedings, thus Vargas Llosa symbolically dismisses his ambivalent account and gets on with his own, the journalist becomes dependant on others to get about, the modern man reduced to being led about by the superstitious, backwards looking people who like players of lotteries can only imagine that their lives could be improved by the personal direct intervention of God . The characters then allow the conflict to be seen as a conflict, or at least the testing ground of the different types of ideas (scientific, pseudo-scientific, pre-scientific) common in the world of the late nineteenth century. What Vargo Llosa shows us is that eventually, once convinced of the seriousness of the rebellion in the back of beyond by the wretched of the earth, the forces of the state are capable of deploying sufficient mechanised violence to achieve victory.
My abiding memory, aside from the poverty, was a sense of how the conflict transformed the lives of the characters and particularly how despite the fantastical and deeply religious motivations of the rebels, their lives seemed to be freer, even devoted to building a city in the badlands, than the formal, claustrophobic,hierarchical world of coastal Brazil. The actual rebellion and the literary responses to it together clock up a good four or five references in Edwin Williamsons , though at no point does he discuss the politics of a Spanish American writer addressing himself to an event in Brazilian History, and in doing so he chose not to write about the Tupac Amaru II rising in mid 18th century Peru. Yet as a novel in the context of the development of Latin America it makes a very strong statement - the vision of the future preferred by the elite will be victorious, all other concerns will be ignored however legitimate, the scream of the defeated will be recorded, but there will be no discussion and no concessions: Order and Progress !
March 7, 2011
There are books at which we arrive to too soon, books that are forced down our throats by well meaning instructors and friends, books that are passed on with loving grace and books that are clung to relentlessly for years. There are books of which we hear much yet never open and obscure books that catch our eye in a musty booksellers that swiftly become those items with which to cudgel our own friends. There are books that you forget minutes after reading and books that haunt your steps for years like a ghost of memory. Those are the books which I am always in search of, the always rare tomes that live on inside of you long after the final page is turned and inform your worldview for years, either consciously or not. Without realizing the import at the time, picking this lengthy read from atop my ever-growing to-read pile was the defining moment of my entire year.
Mario Vargas Llosa is an author of whom I had heard much, yet, for one ill-conceived reason or another, had never picked up any of his works and read them. All throughout my hodgepodge affair with Latin American authors there he has sat, waiting patiently as I endured the brilliant-but-meandering Garcia Marquez, the imaginative-yet-overblown Allende, the deliberately obtuse Bolano. Finally on a cold morning in February, as I cursed at my stacks of books purchased in haste and then left to linger for months, the spirit of inspiration that first moved me to acquire this structurally unsound stack of literature lit once more upon my shoulder and whispered at me to pick that beautiful red cover featured above from the neglected horde. Nothing has been the same since.
It is remarkably easy to dive deep into the world of post-Monarchist Brazil, populated by a vast coterie of the wretched and the ignorant and torn apart by the shifting winds of change and the turning of one epoch to another. Brazil has won its freedom from the monarchs of Portugal and is constructing its first civil government- with all the implements of the State which we take for granted now: marriage available for the first time outside of a church, a census to better know the nascent country's people and its needs, taxes to be paid for the creation of new roads and railways to better connect this country of nigh unfathomable size. Things that we, little more than a century later, take for granted (though we still seem to be having some delay with that whole Civil Marriage thing).
Not so in turn-of-the-century Bahia, a state midway along the coast known today primarily for its vast cacao plantations. In the backlands of this state wanders a man known as The Counselor preaching the Gospels to the illiterate, rebuilding churches fallen into disrepair and, everywhere he walks, showing love and acceptance for the most miserable and misshapen (both physically and mentally), some for the first time in their lives. He builds quite a dedicated following out of the dregs of society, winning over cangaceros (bandits), merchants, beggars and mutants as he travels for many years around the interior. Until one day he is shown a proclamation from the Republic informing the populace that civil marriage is now allowed and a census is to be taken regularly. Seeing this as a full assault on the church to which he is beholden he realizes that the faith is under assault by this new monster called the Republic, who must surely be the Antichrist in disguise. There is nothing to be done but to find some land and build a true city of god where his followers may live in peace. The fledgling state sees this as an open revolt to be quashed immediately lest other regions follow the example of the faithful of Canudos and proceeds to send out that true Antichrist, the Brazilian Army to ruthlessly put down this secessionist movement.
And so begins the tumultuous The War of the End of the World, based on true events but given poetic timbre by Vargas Llosa's pen. A cast of hundreds filters through, all with their histories and viewpoints, none purely evil and all conflicted by the demands this new age makes upon them. The beauty of Vargas Llosa's writing really comes through here as each, rebel and soldier, takes their minute upon the stage and illuminates very clearly the trying nature of these times. The doomed European idealist Gallileo Gall who believes quite fervently in both the ideal of Revolution and the disproved tenets of phrenology. The Dwarf, a member of a traveling circus fallen upon hard times. The near-sighted Journalist who plays the role of a faithless Job here, plagued by misfortune again and again. The retired cangacero Pajeu who has found grace in the Counselor's teachings and makes up for his bloody past by becoming a guerilla leader against the Army expeditions that assault Canudos again and again. The cast is vast but, so consummate is Vargas Llosa's skill, it never becomes overwhelming or difficult to keep straight.
Like the better-known Gabriel Garcia Marquez, Mario Vargas Llosa creates a whole world around the blessed miscreants in Canudos, but also improves upon it by pulling back on the scope of his ambitions and focusing instead on just those events that are germane to the story at hand. Where Garcia Marquez can tend to become overblown and distracted by whatever thoughts pass through his, admittedly admirable, head, Vargas Llosa uses his digressions to better tie his story together. This is performed so perfectly that when, near the end of the tale, a character says that "Canudos isn't a story; it's a tree of stories" you can't help but nod your head in agreement and marvel at Vargas Llosa's deft skill in crafting such an impeccable novel. Having been awarded the 2010 Nobel Prize for Literature one can only hope that this brings his works to a new generation of bibliophiles for he is, without a doubt, one of the finest wordsmiths that I have ever had the privilege of reading.
Mario Vargas Llosa is an author of whom I had heard much, yet, for one ill-conceived reason or another, had never picked up any of his works and read them. All throughout my hodgepodge affair with Latin American authors there he has sat, waiting patiently as I endured the brilliant-but-meandering Garcia Marquez, the imaginative-yet-overblown Allende, the deliberately obtuse Bolano. Finally on a cold morning in February, as I cursed at my stacks of books purchased in haste and then left to linger for months, the spirit of inspiration that first moved me to acquire this structurally unsound stack of literature lit once more upon my shoulder and whispered at me to pick that beautiful red cover featured above from the neglected horde. Nothing has been the same since.
It is remarkably easy to dive deep into the world of post-Monarchist Brazil, populated by a vast coterie of the wretched and the ignorant and torn apart by the shifting winds of change and the turning of one epoch to another. Brazil has won its freedom from the monarchs of Portugal and is constructing its first civil government- with all the implements of the State which we take for granted now: marriage available for the first time outside of a church, a census to better know the nascent country's people and its needs, taxes to be paid for the creation of new roads and railways to better connect this country of nigh unfathomable size. Things that we, little more than a century later, take for granted (though we still seem to be having some delay with that whole Civil Marriage thing).
Not so in turn-of-the-century Bahia, a state midway along the coast known today primarily for its vast cacao plantations. In the backlands of this state wanders a man known as The Counselor preaching the Gospels to the illiterate, rebuilding churches fallen into disrepair and, everywhere he walks, showing love and acceptance for the most miserable and misshapen (both physically and mentally), some for the first time in their lives. He builds quite a dedicated following out of the dregs of society, winning over cangaceros (bandits), merchants, beggars and mutants as he travels for many years around the interior. Until one day he is shown a proclamation from the Republic informing the populace that civil marriage is now allowed and a census is to be taken regularly. Seeing this as a full assault on the church to which he is beholden he realizes that the faith is under assault by this new monster called the Republic, who must surely be the Antichrist in disguise. There is nothing to be done but to find some land and build a true city of god where his followers may live in peace. The fledgling state sees this as an open revolt to be quashed immediately lest other regions follow the example of the faithful of Canudos and proceeds to send out that true Antichrist, the Brazilian Army to ruthlessly put down this secessionist movement.
And so begins the tumultuous The War of the End of the World, based on true events but given poetic timbre by Vargas Llosa's pen. A cast of hundreds filters through, all with their histories and viewpoints, none purely evil and all conflicted by the demands this new age makes upon them. The beauty of Vargas Llosa's writing really comes through here as each, rebel and soldier, takes their minute upon the stage and illuminates very clearly the trying nature of these times. The doomed European idealist Gallileo Gall who believes quite fervently in both the ideal of Revolution and the disproved tenets of phrenology. The Dwarf, a member of a traveling circus fallen upon hard times. The near-sighted Journalist who plays the role of a faithless Job here, plagued by misfortune again and again. The retired cangacero Pajeu who has found grace in the Counselor's teachings and makes up for his bloody past by becoming a guerilla leader against the Army expeditions that assault Canudos again and again. The cast is vast but, so consummate is Vargas Llosa's skill, it never becomes overwhelming or difficult to keep straight.
Like the better-known Gabriel Garcia Marquez, Mario Vargas Llosa creates a whole world around the blessed miscreants in Canudos, but also improves upon it by pulling back on the scope of his ambitions and focusing instead on just those events that are germane to the story at hand. Where Garcia Marquez can tend to become overblown and distracted by whatever thoughts pass through his, admittedly admirable, head, Vargas Llosa uses his digressions to better tie his story together. This is performed so perfectly that when, near the end of the tale, a character says that "Canudos isn't a story; it's a tree of stories" you can't help but nod your head in agreement and marvel at Vargas Llosa's deft skill in crafting such an impeccable novel. Having been awarded the 2010 Nobel Prize for Literature one can only hope that this brings his works to a new generation of bibliophiles for he is, without a doubt, one of the finest wordsmiths that I have ever had the privilege of reading.
August 9, 2022
賳賴丕賷丞 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇 貙 丕賱賲賰丕賳 賴賵 賰丕賳賵丿賵爻 賮賷 丕賱亘乇丕夭賷賱 貙 鬲丿賵乇 乇丨丕賷丕 丕賱噩賳賵賳 賲乇丞 丕禺乇賶 貙 鬲賱賰 丕賱鬲賷 賱賲 鬲賳賯胤毓 毓賳 丕賱丿賵乇丕賳 賮賷 丕夭賲賳丞 賵丕賲丕賰賳 丕禺乇賶 胤賵丕賱 鬲丕乇賷禺 丕賱亘卮乇賷丞 丕賱賲賰鬲賵亘 亘丿賲丕亍 毓亘孬賷丞 賵 亘爻賵亍 賮賴賲 貙 丨鬲賶 丕賱丕匕賰賷丕亍 賷噩丿賵賳 丕賳賮爻賴賲 毓丕噩夭賵賳 毓賳 丕賱鬲賮爻賷乇 貙 丕賳賴丕 賱賷爻鬲 乇賵丕賷丞 賱賱賮賴賲 貙 丕賳賲丕 賱賱鬲賵孬賷賯 貙 賱丨丕賱丞 丕禺乇賶 賲賳 丨丕賱丕鬲 丕賱毓賲賶 丕賱亘卮乇賷 貙 賱賵丕賯毓丞 丕禺乇賶 毓氐賷丞 毓賱賶 丕賱賮賴賲 賵丕賱鬲賮爻賷乇 貙賱賱噩賳賵賳 賵丕賱丕乇鬲亘丕賰 賵丕賱毓噩夭 貙 賰賷賮 賱賯丕胤毓 胤乇賷賯 丕賳 賷氐賷乇 賯丿賷爻丕 賵 丕賱賲賱丨丿 丕賱孬賵乇賷 丕賱賮賵囟賵賷 賷卮丿 丕賱乇丨丕賱 賱賲賳丕氐乇丞 爻亘丕爻鬲賷丕賳賷 賲鬲毓氐亘 貙 賰賷賮 鬲賯鬲乇亘 丕賱賲鬲賳丕賯囟丕鬲 丨鬲賶 賷氐賷乇 丕賯氐乇 賲爻丕賮丞 亘賷賳 賳賯胤鬲賷賳 賴賷 亘賷賳 丕賱賷賲賷賳 賵丕賱賷爻丕乇
January 11, 2021
When I was at High School I had an English teacher who was a fan of Dostoevsky, who told me that some people learned Russian solely to read Dostoevsky in the original. Sometimes I think it would be worth learning Spanish to read MVL in the original. This is the sixth of his novels that I鈥檝e read and the third that I have rated with five stars. I understand that MVL himself considers this epic novel as his greatest achievement, (and bear in mind that he was awarded a Nobel Prize).
The novel is based on historical events in north-east Brazil at the end of the 19th century, namely 鈥淭he War of Canudos鈥� of which I had previously been unaware. I don鈥檛 know how closely the novel follows the real story, but MVL is in the business of writing fiction, and I read it in that spirit. In real life, the basics seem to be that a wandering mystic and prophet called Ant么nio Conselheiro (鈥淭he Counsellor鈥�) gradually collected more and more followers over a period of years, and he and his disciples eventually settled, occupying land at a place called Canudos in the State of Bahia (the land belonged to a local aristocrat). Unlike many of the modern leaders of religious cults, The Counsellor seems to have been a genuine ascetic. People flocked to Canudos, which was organised as a society of subsistence peasants. There was no money, and food and work was shared amongst the inhabitants. The Brazilian army launched no less than 4 expeditions against Canudos. The first three were defeated, and the people of Canudos were only overrun by the fourth after prolonged and ferocious resistance.
The Counsellor is of course at the centre of the novel, but the story is not told through him in the first person. He is a distant, mysterious figure, in the novel always observed by others. The reader is instead presented with an immense tapestry of different characters, with numerous sub-plots creating a vivid picture of time and place. On one level, the novel gives us a spectacular re-telling of the war. On another, it seems to me that MVL uses the text to raise all sorts of themes. A major theme is that of idealism, and fanaticism. Canudos represents a rejection of modernity, especially the secular Brazilian Republic established after the overthrow of the monarchy a few years beforehand. The Counsellor rejects the introduction of civil marriage, the replacement of tithes by taxes, even the metric system. The Counsellor鈥檚 opposite in ideology, but his counterpart in fanaticism, is Colonel Moreira C茅sar, commander of one of the expeditions against Canudos, an extreme nationalist and a believer in progress and industrialisation. In the rest of Brazil, the people of Canudos are portrayed as the agents of reactionary monarchists and British imperialists. Bewildered by how the Brazilian army is routed by a collection of half-starved peasants, newspapers claim that the 鈥渞ebels鈥� are armed and trained by British officers. (鈥淔ake News鈥� is not that new a phenomenon). The book also features a Scottish anarchist, who fetches up in the area following a shipwreck and who goes by the nom de guerre of Galileo Gall. Equally fervent in his beliefs, he sees Canudos as the rejection of class oppression and the expression of the peasants鈥� desire for a just society, but his presence is useful to the nationalists who are trying to point to British influence.
At one point, the local aristocrat is addressed by one of the Counsellor鈥檚 principal disciples:
鈥淭he baron recognised that tone of voice; it was that of the Capuchin Fathers of the Sacred Missions, that of the sanctimonious wandering sects who made pilgrimages to Monte Santo, that of Moreira C茅sar, that of Galileo Gall. The tone of absolute certainty, he thought, the tone of those who are never assailed by doubts.鈥�
The Counsellor鈥檚 closest disciples are mostly people who have committed horrendous crimes. One, an ex-bandit, even earned the name 鈥淪atan Jo茫o鈥� because of his limitless cruelty 鈥� in Canudos he becomes 鈥淎bbot Jo茫o鈥�. Do the disciples come to the Counsellor from a desire to expiate their sins, or are they simply responding to someone who treats them with love and respect? Have they truly reformed as much as it would first appear? What is the source of the extreme devotion displayed by so many thousands? The reader is left to draw his or her own conclusions.
I should say that there is a great deal of cruelty in the book. The Counsellor鈥檚 followers regard the soldiers as agents of the Devil. The soldiers view the people of Canudos as traitors. Prisoners have their throats slit, corpses are mutilated, and there are many other atrocities. The slavish devotion towards the Counsellor is also uncomfortable to read at times. I have to admit the novel has put a couple of images into my head that I would rather weren鈥檛 there, and which I hope I can forget.
Overall though, an absolute masterpiece.
The novel is based on historical events in north-east Brazil at the end of the 19th century, namely 鈥淭he War of Canudos鈥� of which I had previously been unaware. I don鈥檛 know how closely the novel follows the real story, but MVL is in the business of writing fiction, and I read it in that spirit. In real life, the basics seem to be that a wandering mystic and prophet called Ant么nio Conselheiro (鈥淭he Counsellor鈥�) gradually collected more and more followers over a period of years, and he and his disciples eventually settled, occupying land at a place called Canudos in the State of Bahia (the land belonged to a local aristocrat). Unlike many of the modern leaders of religious cults, The Counsellor seems to have been a genuine ascetic. People flocked to Canudos, which was organised as a society of subsistence peasants. There was no money, and food and work was shared amongst the inhabitants. The Brazilian army launched no less than 4 expeditions against Canudos. The first three were defeated, and the people of Canudos were only overrun by the fourth after prolonged and ferocious resistance.
The Counsellor is of course at the centre of the novel, but the story is not told through him in the first person. He is a distant, mysterious figure, in the novel always observed by others. The reader is instead presented with an immense tapestry of different characters, with numerous sub-plots creating a vivid picture of time and place. On one level, the novel gives us a spectacular re-telling of the war. On another, it seems to me that MVL uses the text to raise all sorts of themes. A major theme is that of idealism, and fanaticism. Canudos represents a rejection of modernity, especially the secular Brazilian Republic established after the overthrow of the monarchy a few years beforehand. The Counsellor rejects the introduction of civil marriage, the replacement of tithes by taxes, even the metric system. The Counsellor鈥檚 opposite in ideology, but his counterpart in fanaticism, is Colonel Moreira C茅sar, commander of one of the expeditions against Canudos, an extreme nationalist and a believer in progress and industrialisation. In the rest of Brazil, the people of Canudos are portrayed as the agents of reactionary monarchists and British imperialists. Bewildered by how the Brazilian army is routed by a collection of half-starved peasants, newspapers claim that the 鈥渞ebels鈥� are armed and trained by British officers. (鈥淔ake News鈥� is not that new a phenomenon). The book also features a Scottish anarchist, who fetches up in the area following a shipwreck and who goes by the nom de guerre of Galileo Gall. Equally fervent in his beliefs, he sees Canudos as the rejection of class oppression and the expression of the peasants鈥� desire for a just society, but his presence is useful to the nationalists who are trying to point to British influence.
At one point, the local aristocrat is addressed by one of the Counsellor鈥檚 principal disciples:
鈥淭he baron recognised that tone of voice; it was that of the Capuchin Fathers of the Sacred Missions, that of the sanctimonious wandering sects who made pilgrimages to Monte Santo, that of Moreira C茅sar, that of Galileo Gall. The tone of absolute certainty, he thought, the tone of those who are never assailed by doubts.鈥�
The Counsellor鈥檚 closest disciples are mostly people who have committed horrendous crimes. One, an ex-bandit, even earned the name 鈥淪atan Jo茫o鈥� because of his limitless cruelty 鈥� in Canudos he becomes 鈥淎bbot Jo茫o鈥�. Do the disciples come to the Counsellor from a desire to expiate their sins, or are they simply responding to someone who treats them with love and respect? Have they truly reformed as much as it would first appear? What is the source of the extreme devotion displayed by so many thousands? The reader is left to draw his or her own conclusions.
I should say that there is a great deal of cruelty in the book. The Counsellor鈥檚 followers regard the soldiers as agents of the Devil. The soldiers view the people of Canudos as traitors. Prisoners have their throats slit, corpses are mutilated, and there are many other atrocities. The slavish devotion towards the Counsellor is also uncomfortable to read at times. I have to admit the novel has put a couple of images into my head that I would rather weren鈥檛 there, and which I hope I can forget.
Overall though, an absolute masterpiece.
April 3, 2025
禺賱丕氐賴 丿丕爻鬲丕賳:
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丿乇 賲賵乇丿 丿丕爻鬲丕賳:
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倬.賳: 丿賵 爻賴 卮亘 倬蹖卮 賮蹖賱賲 丿禺鬲乇蹖 亘丕 爻賵夭賳 乇賵 丿蹖丿賲 讴賴 禺蹖賱蹖 丿賵爻鬲 丿丕卮鬲賲.卮丕蹖丿 亘倬乇爻蹖丿 趩賴 乇亘胤蹖 亘賴 讴鬲丕亘 丿丕卮鬲 責丿乇爻鬲 丨丿爻 夭丿蹖丿貨賴蹖趩 乇亘胤蹖! 賮賯胤 丿賵爻鬲 丿丕卮鬲賲 丕蹖賳噩丕 賴賲 亘賴卮 丕卮丕乇賴 讴賳賲.賴賲蹖賳 :)....
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丿乇 賲賵乇丿 丿丕爻鬲丕賳:
噩賳诏 丌禺乇 夭賲丕賳 賲孬賱 丕讴孬乇 讴丕乇賴丕蹖 蹖賵爻丕 丕孬乇 爻禺鬲 禺賵丕賳蹖 亘賵丿 丕賲丕 噩匕丕亘蹖鬲鈥屬囏й� 禺丕氐 禺賵丿卮 乇賵 丿丕卮鬲. 鬲賯乇蹖亘丕 氐丿貙 氐丿 賵 倬賳噩丕賴 氐賮丨賴 丕亘鬲丿丕蹖蹖 诏蹖噩 亘賵丿賲 讴賴 亘賴 賲乇賵乇 丕蹖賳 诏蹖噩蹖 亘乇胤乇賮 卮丿.丕蹖賳 丕鬲賮丕賯蹖 賳丕丌卮賳丕 丿乇 賲賵丕噩賴賴 亘丕 丌孬丕乇 蹖賵爻丕 亘乇丕賲 賳亘賵丿 賵 趩賵賳 賲蹖鈥屫堎嗀池� 蹖讴 賲爻丕賱賴 乇賵鬲蹖賳 丿乇 丌孬丕乇 丕賵爻鬲貙 亘賴 禺賵亘蹖 亘丕賴丕卮 讴賳丕乇 丕賵賲丿賲. 賵賯鬲蹖 丿丕爻鬲丕賳 乇賵 賲蹖鈥屫堎嗀� 賲丿丕賲 丕蹖賳 丨爻 乇賵 丿乇蹖丕賮鬲 賲蹖鈥屭┴必� 讴賴 丿丕乇賲 蹖讴 丕孬乇 賯賵蹖 賲爻鬲丨讴賲 丕夭 蹖讴 賳賵蹖爻賳丿賴 賲爻賱胤 讴丕乇亘賱丿 賲蹖鈥屫堎嗁�. 丿丕爻鬲丕賳 丕夭 賳馗乇 夭賲丕賳 乇賵丕蹖鬲 賴賲 倬爻 賵 倬蹖卮 賲蹖卮賴 丕賲丕 禺蹖賱蹖 賳丕賵丕囟丨 賳蹖爻鬲 賵 丕夭 丕蹖賳 胤乇蹖賯 賲卮讴賱 禺丕氐蹖 乇賵 丕蹖噩丕丿 賳賲蹖鈥屭┵嗁�. 丿丕爻鬲丕賳 丕夭 卮禺氐蹖鬲 賴丕蹖 夭蹖丕丿蹖 亘丕 丕爻丕賲蹖 爻禺鬲 亘乇夭蹖賱蹖 鬲卮讴蹖賱 卮丿賴 讴賴 夭賲丕賳 賲蹖鈥屫ㄘ辟� 丌丿賲 亘丕賴丕卮賵賳 丌卮賳丕 亘卮賴. 蹖賵爻丕 倬爻 丕夭 鬲丨賯蹖賯丕鬲 賵 賲胤丕賱毓丕鬲 诏爻鬲乇丿賴 丿乇 賲賵乇丿 噩賳诏 丿丕禺賱蹖 讴丕賳賵丿賵爻 鬲氐賲蹖賲 賲蹖鈥屭屫辟� 丕蹖賳 讴鬲丕亘 乇賵 亘賳賵蹖爻賴 賵 禺賵丿卮 丕蹖賳 丕孬乇卮 乇賵 亘賱賳丿倬乇賵丕夭丕賳賴 鬲乇蹖賳 讴丕乇 禺賵丿卮 賲蹖鈥屫堎嗁�. 丿乇 胤蹖 丕蹖賳 賳亘乇丿 賵 噩賳诏 趩賴丕乇 賲乇丨賱賴 丕蹖 賲鬲丕爻賮丕賳賴 丨丿賵丿 趩賴賱 賴夭丕乇 賳賮乇 讴卮鬲賴 賲蹖卮賳丿. 蹖讴蹖 丕夭 睾賲 丕賳诏蹖夭鬲乇蹖賳 賵 丕賱亘鬲賴 賯丕亘賱 鬲丕賲賱 鬲乇蹖賳 賳讴鬲賴鈥屬囏� 丿乇 賲賵乇丿 丕蹖賳 噩賳诏 丿丕禺賱蹖貙 賮賯丿丕賳 诏賮鬲鈥屬堏� 丕爻鬲. 丿賯蹖賯丕 賴乇 丿賵 胤乇賮 賲丕噩乇丕 賴蹖趩 丕乇鬲亘丕胤蹖 亘丕 賴賲 亘乇賯乇丕乇 賳賲蹖鈥屭┵嗁嗀�. 賴蹖趩 賲爻蹖乇蹖 乇賵 亘丕夭 賳賲蹖匕丕乇賳 賵 鬲賲丕賲蹖 丿乇賴丕 乇賵 丕夭 丕亘鬲丿丕蹖 乇丕賴 亘賴 乇賵蹖 賴賲丿蹖诏賴 賲蹖鈥屫ㄙ嗀嗀�.賴賲蹖賳 賯囟蹖賴 亘賴 賳馗乇賲 囟乇亘賴 賲賴賱讴蹖 賲蹖夭賳賴 賵 卮丿 丌賳趩賴 賳亘丕蹖丿 賲蹖卮丿 賵 蹖讴 賯鬲賱 毓丕賲 诏爻鬲乇丿賴 禺乇賵噩蹖 丕蹖賳 鬲氐賲蹖賲 倬乇賴夭蹖賳賴 賵 丕卮鬲亘丕賴 賲蹖卮賴. 賴乇 丿賵 胤乇賮 丿乇诏蹖乇 噩賳诏 賮賯胤 亘賴 蹖讴 趩蹖夭 賮讴乇 賲蹖鈥屭┴必嗀� 賵 丕賵賳 賴賲 賳丕亘賵丿蹖 讴丕賲賱 胤乇賮 賲賯丕亘賱 亘賵丿. 夭賲丕賳蹖 讴賴 爻乇賴賳诏 爻夭丕乇 賵丕乇丿 毓賲賱蹖丕鬲 賲蹖卮賴 讴賴 蹖讴蹖 丕夭 賳馗丕賲蹖丕賳 趩蹖乇賴 丿爻鬲 賵 禺亘乇賴 丕賵賳 夭賲丕賳 亘賵丿賴貙 蹖讴蹖 丕夭 鬲卅賵乇蹖 賴丕蹖 丕賵 丕蹖賳賴 讴賴 讴丕乇貙 讴丕乇 丕賳诏賱蹖爻蹖鈥屬囏ж池�! 賵 賳賯卮 丿卮賲賳 乇賵 丿乇 丕蹖噩丕丿 賵 鬲卮讴蹖賱 丕蹖賳 賮鬲賳賴 亘爻蹖丕乇 倬乇乇賳诏 賲蹖鈥屫堎嗁�!! 禺賵丿 丕蹖賳 賯囟蹖賴 賵 胤乇夭 賮讴乇 噩丿丕蹖 丕夭 丿乇爻鬲蹖 蹖丕 賳丕丿乇爻鬲蹖鈥屫ж� 亘乇丕蹖 丕賮乇丕丿蹖 讴賴 丕蹖賳 賲爻丕卅賱 乇賵 賮賯胤 賲禺鬲氐 讴卮賵乇 賲丕 賲蹖鈥屫堎嗁嗀� 亘賴 賳馗乇賲 賲蹖鈥屫堎嗁� 賯丕亘賱 鬲賵噩賴 賵 鬲丕賲賱 亘丕卮賴. 蹖賵爻丕 丿乇 丕蹖賳 丕孬乇 乇賵丕蹖鬲 禺賵丿卮 乇賵 亘丕 亘蹖 胤乇賮蹖 賳賵卮鬲賴.讴賴 亘賴 賳馗乇賲 賳賵卮鬲賳 賳賴氐丿 氐賮丨賴 賵 丨賮馗 丕蹖賳 乇賵賳丿 讴丕乇 丿卮賵丕乇蹖 丕爻鬲 賵 丕賱亘鬲賴 丕乇夭卮賲賳丿.鬲毓丿丕丿 亘丕賱丕蹖 氐賮丨丕鬲 卮乇丨 賳亘乇丿 賵 噩賳诏 禺賵賳丿賳卮 亘乇丕蹖 賲賳 爻禺鬲 亘賵丿.賳賲蹖禺賵丕賲 亘诏賲 丨賵氐賱賴 亘乇貙 賳賴貙 賵賱蹖 噩匕丕亘蹖鬲 夭蹖丕丿蹖 賳丿丕卮鬲 賴乇 趩賳丿 禺丕賱蹖 丕夭 賱胤賮 賳亘賵丿.丕蹖賳 乇賵 賳賲蹖鬲賵賳賲 亘賴 毓賳賵丕賳 丕蹖乇丕丿 丨爻丕亘 讴賳賲 趩賵賳 亘蹖卮鬲乇 亘丨孬 爻賱蹖賯賴 賲胤乇丨賴. 鬲賵蹖 亘毓囟蹖 乇蹖賵蹖賵賴丕 丿蹖丿賲 丕蹖賳 賯爻賲鬲 賴丕 乇賵 亘丕 噩賳诏 賵 氐賱丨 鬲賵賱爻鬲賵蹖 賲賯丕蹖爻賴 讴乇丿賳丿 讴賴 亘乇丕賲 噩丕賱亘 亘賵丿! 卮丕蹖丿 丕诏乇 乇賴亘乇賴丕蹖 爻蹖丕爻蹖 賵 丿蹖賳蹖 丕蹖賳 讴鬲丕亘 乇賵 亘禺賵賳賳丿貙賯爻賲鬲蹖 讴賴 睾亘胤賴 亘禺賵乇賳丿貙 丕蹖賳 丕賲乇倬匕蹖乇蹖 亘蹖賳馗蹖乇 蹖丕乇丕賳 賲乇卮丿 丕夭 丕賵爻鬲. 亘賴 賳馗乇賲 賴乇 乇賴亘乇蹖 賴賲趩蹖賳 丕鬲賮丕賯蹖 乇賵 亘賴 毓賳賵丕賳 蹖讴 丿賱禺賵丕賴 禺賵丿卮 賲丿賳馗乇 丿丕乇賴. 蹖丕乇丕賳 賲乇卮丿 丕蹖賲丕賳蹖 賯賱亘蹖 賵 丌賴賳蹖賳 亘賴 丕賵 倬蹖丿丕 讴乇丿賴 亘賵丿賳丿 賵 乇賵丨丕 賵 噩爻賲丕 丿乇 丕禺鬲蹖丕乇 丕賵 亘賵丿賳丿 賵 鬲丕 丌禺乇蹖賳 賳賮爻 賴賲 噩賳诏蹖丿賳丿. 爻丕賱 2010 讴賴 蹖賵爻丕 賳賵亘賱 诏乇賮鬲 丿乇 亘禺卮蹖 丕夭 賲鬲賳 賳賵卮鬲賴 卮丿賴 : 亘乇丕蹖 賳賲丕蹖卮 爻丕禺鬲丕乇 賯丿乇鬲 賵 鬲氐賵蹖乇賴丕蹖 亘購乇賾賳丿賴 丕夭 賲賯丕賵賲鬲鈥屬囏ж� 卮賵乇卮鈥屬囏� 賵 卮讴爻鬲鈥屬囏й� 賮乇丿蹖... 丕蹖賳 噩賲賱賴 乇賵 卮賲丕 亘丕 鬲賲丕賲 賵噩賵丿鬲賵賳 丿乇 噩賳诏 丕禺乇夭賲丕賳 丨爻 賲蹖鈥屭┵嗃屫�.丿乇爻鬲賴 蹖讴 乇賵丕蹖鬲 丕丿亘蹖 亘丕 丿乇賵賳 賲丕蹖賴 鬲丕乇蹖禺 賵 爻蹖丕爻鬲 毓賳氐乇 倬乇鬲讴乇丕乇蹖 丿乇 讴丕乇賴丕蹖 蹖賵爻丕爻鬲 賵賱蹖 噩賳诏 丌禺乇 夭賲丕賳 亘賴 禺賵亘蹖 賵 丿乇 爻胤丨 讴賲丕賱 丕蹖賳 噩賲賱賴 乇賵 亘賴 賲禺丕胤亘 丕孬亘丕鬲 賲蹖鈥屭┵嗁�. 丕诏乇 亘丕 丿丕爻鬲丕賳賴丕蹖蹖 亘丕 丕蹖賳 賲囟丕賲蹖賳 毓賱丕賯賴 丿丕乇蹖丿貙 蹖賵爻丕 丿乇 氐丿乇 賱蹖爻鬲 倬蹖卮賳賴丕丿蹖 賲胤丕賱毓賴 賯乇丕乇 亘丿蹖丿貙 亘賴 賳馗乇賲 囟乇乇 賳禺賵丕賴蹖丿 讴乇丿.
噩賳诏 丌禺乇 夭賲丕賳 讴鬲丕亘蹖 亘賵丿 亘爻蹖丕乇 噩匕丕亘 賵 禺賵丕賳丿賳蹖 讴賴 亘丕 蹖讴 乇賵丕蹖鬲 倬乇賮乇丕夭 賵 賳卮蹖亘 亘丕毓孬 卮丿賴 亘賵丿 丿乇 倬蹖 丕蹖賳 賮乇丕夭賴丕 賵 賳卮蹖亘鈥屬囏� 賲丕 亘丕 丿丕爻鬲丕賳 賴賲乇丕賴 亘卮蹖賲. 蹖賵爻丕 賳賵蹖爻賳丿賴 賲賵乇丿 毓賱丕賯賲賴 賵 丕蹖賳 趩賳丿賲蹖賳 讴丕乇蹖 亘賵丿 讴賴 丕夭 丕賵 賲蹖禺賵賳丿賲 賵 亘爻蹖丕乇 禺賵卮丨丕賱賲 亘賴 爻賳鬲 賴乇 爻丕賱賴貙 丕賵賱蹖賳 讴鬲丕亘 爻丕賱 噩丿蹖丿 乇賵 丕禺鬲氐丕氐 丿丕丿賲 亘賴 丕孬乇蹖 讴賴 賲丿鬲賴丕 賯氐丿 賵 賲蹖賱 禺賵賳丿賳卮 乇賵 丿丕乇賲. 丕賱亘鬲賴 丕蹖賳 賳讴鬲賴 乇賵 賴賲 丕囟丕賮賴 讴賳賲 讴賴 亘賴 賳馗乇賲 丿丕爻鬲丕賳 賲蹖鈥屫堎嗀池� 丿乇 氐賮丨丕鬲 讴賲鬲乇蹖 噩賲毓 賵 噩賵乇 亘卮賴 . 丕賳鬲賴丕蹖 丕蹖賳 賳賵卮鬲賴 乇賵 賲蹖禺賵丕賲 亘賴 倬丕乇丕诏乇丕賮 丕亘鬲丿丕蹖蹖 讴鬲丕亘 丕禺鬲氐丕氐 亘丿賲 讴賴 鬲賵氐蹖賮 亘賴 睾丕蹖鬲 夭蹖亘丕蹖蹖 丿乇 賲賵乇丿 賲乇卮丿 亘賵丿.丕蹖賳 倬丕乇丕诏乇丕賮 丕亘鬲丿丕蹖蹖 乇賮鬲 讴賳丕乇 丿賵 讴鬲丕亘蹖 讴賴 倬蹖卮 丕夭 丕蹖賳貙 倬丕乇丕诏乇丕賮鈥屬囏й� 丕亘鬲丿丕蹖蹖卮賵賳 乇賵 亘爻蹖丕乇 丿賵爻鬲 丿丕卮鬲賲.. 讴鬲丕亘 亘丕 丕蹖賳 噩賲賱丕鬲 丌睾丕夭 賲蹖卮賴:
亘賱賳丿亘丕賱丕 亘賵丿 賵 趩賳丿丕賳 鬲讴蹖丿賴 讴賴 丕賳诏丕乇 賴賲蹖卮賴 賳蹖賲乇禺卮 乇丕 賲蹖鈥屫屫�. 倬賵爻鬲蹖 鬲蹖乇賴 賵 丕賳丿丕賲蹖 丕爻鬲禺賵丕賳蹖 丿丕卮鬲貙 賵 丌鬲卮蹖 賴賲丕乇賴 丿乇 趩卮賲丕賳卮 賲蹖鈥屫迟堌�. 氐賳丿賱 卮亘丕賳丕賳 乇丕 亘賴 倬丕 丿丕卮鬲 賵 卮賵賱丕蹖 讴亘賵丿乇賳诏蹖 讴賴 倬蹖讴乇卮 乇丕 賲蹖鈥屬举堌簇з嗃屫� 蹖丕丿丌賵乇 乇丿丕蹖 賲亘賱睾丕賳蹖 亘賵丿 讴賴 诏丕賴 賵 亘蹖鈥屭з� 亘賴 丿賴讴丿賴鈥屬囏й� 倬乇鬲 丕賮鬲丕丿賴 氐丨乇丕 爻乇 賲蹖鈥屫操嗀� 鬲丕 亘乇 禺蹖賱 讴賵丿讴丕賳 賳賵 夭丕丿 賳丕賲 亘诏匕丕乇丿 賵 夭賳丕賳 賵 賲乇丿丕賳 乇丕 讴賴 亘丕 賴賲 夭賳丿诏蹖 賲蹖鈥屭┴必嗀� 亘賴 毓賯丿 賴賲 丿乇丌賵乇賳丿. 倬蹖 亘乇丿賳 亘賴 爻賳 賵 爻丕賱 丕賵貙 丕蹖賱 賵 鬲亘丕乇卮 賵 賲丕噩乇丕蹖 夭賳丿诏蹖鈥屫ж� 賳丕賲賲讴賳 亘賵丿貙 丕賲丕 丿乇 禺賱賯 賵 禺賵蹖 丌乇丕賲貙 乇賮鬲丕乇 亘蹖鈥屫┵勝� 賵 賵賯丕乇 亘乇賴賲 賳禺賵乇丿賳蹖鈥屫ж� 趩蹖夭蹖 亘賵丿 讴賴 丨鬲蹖 丕夭 丌賳 讴賴 賲賵毓馗賴 禺賵丿 乇丕 丌睾丕夭 讴賳丿貙 賲乇丿賲 乇丕 亘賴 爻賵蹖卮 賲蹖鈥屭┴簇з嗀�.
倬.賳: 丿賵 爻賴 卮亘 倬蹖卮 賮蹖賱賲 丿禺鬲乇蹖 亘丕 爻賵夭賳 乇賵 丿蹖丿賲 讴賴 禺蹖賱蹖 丿賵爻鬲 丿丕卮鬲賲.卮丕蹖丿 亘倬乇爻蹖丿 趩賴 乇亘胤蹖 亘賴 讴鬲丕亘 丿丕卮鬲 責丿乇爻鬲 丨丿爻 夭丿蹖丿貨賴蹖趩 乇亘胤蹖! 賮賯胤 丿賵爻鬲 丿丕卮鬲賲 丕蹖賳噩丕 賴賲 亘賴卮 丕卮丕乇賴 讴賳賲.賴賲蹖賳 :)....
April 1, 2021
Why do the birds go on singing?
Why do the stars glow above?
Don't they know it's the end of the world?
It ended when I lost your love.
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賷夭賴賵 丕賱噩賲賷毓 亘丕賱噩匕賵乇 丕賱賮賰乇賷丞 賵丕賱賵噩丿丕賳賷丞 丕賱鬲賷 鬲鬲卮丕亘賰 賮賷 賵卮丕卅噩賻 賲購毓賯賻賾丿丞賺貙 賲購賰賵賽賾賳丞賸 賲丕 賷賲賰賳 兀賳 賳購胤賱賽賯賻 毓賱賷賴 賮賷 賲賯丕乇亘丞 賱睾賵賷丞: "賲購爻賱賻賾賲丕鬲"貙 賷乇賮毓 丕賱賲乇亍購 毓賯賷乇鬲賴 賱賱鬲賳丿賷丿 亘丕賱兀爻賵丕乇 丕賱鬲賷 鬲賻丨丿購賾 丨乇賷丞 丕賱乇兀賷貙 孬賲 廿賳賿 丨丕賵賱 亘毓囟購賴賲 兀賳 賷賲爻賻賾 鬲賱賰 丕賱賲購爻賱賻賾賲丕鬲貙 賮鬲賱賰 毓賱丕賲丞 丕賱禺胤乇貙 賵賲丕 賷毓賯亘 匕賱賰 賲賳 乇丿賵丿 賮毓賱 賱賳 賷賰賵賳 爻賵賶 廿胤賱丕賯 丕賱賲丕乇丿 丕賱丨賯賷賯賷 賲賳 賯賲賯賲賴貙 賱兀賳賻賾賰 亘亘爻丕胤丞 賯丿 爻乇賯鬲賻 賲賳 毓賯賱賴 賴匕丕 丕賱兀賲丕賳 丕賱夭丕卅賮貙 丕賱孬賯丞 丕賱賲胤賱賯丞 賮賷 氐賵丕亘 賲丕 賷毓鬲賯丿賴 賵賯丿 賷賲賵鬲 賮賷 爻亘賷賱賴貙 賵賱丕 兀購賯氐乇 丕賱丨丿賷孬 賴賳丕 毓賳 兀賷 鬲氐賳賷賮 賮賰乇賷貙 賮賮賷 毓賲賱賳丕 匕丕賰貙 鬲購丨賰賻賶 賯氐丞 丕賱馗賱丕賲 丕賱匕賷 賷丨賱 毓賯亘 丕賱亘丨孬 毓賳 丕賱兀賲丕賳 丕賱賲爻乇賵賯貙 賮鬲賱賰 賳賴丕賷丞 丕賱毓丕賱賲 丕賱丨鬲賲賷丞貙 賮賱丕 賷賳鬲賴賷 丕賱毓丕賱賲 亘丕賱賲賵鬲 賵賱丕 亘丕賱丨乇賵亘 賵丕賱賳夭丕毓丕鬲貙 亘賱 賷賳鬲賴賷 丨賷賳 賷賮賯丿 丕賱賳丕爻 賲丕 賷丐賲賳賵賳 亘賴貙 賵賷爻毓賻賵賿賳 賱賳氐乇賴 亘賰賱 賲丕 兀購賵鬲賵丕 賲賳 賯賵丞貙 丨賷賳賴丕 賷購賲爻賷 毓丕賱賲賸丕 亘賱丕 賯賷賲丞貙 賵賱丕 鬲亘氐乇 兀毓賷賳賴賲 賲賱噩兀賸 賱賱丕丨鬲賲丕亍 賲賳 匕賱賰 丕賱毓乇丕亍 丕賱賲賮丕噩卅 賮賷 賯爻賵鬲賴 賵禺賱丕卅賴 丕賱賲賻賴賷亘.
(丕賱毓賯賷丿 賲賵乇賷乇 爻賷夭丕乇)
(兀賮賵丕噩 丕賱丨噩丕噩 賮賷 賰丕賳賵丿賵爻)
睾乇賯鬲購 賮賷 賯乇丕亍丞 賴匕賴 丕賱乇賵丕賷丞 賲丿丞 夭賲賳賷丞 胤賵賷賱丞貙 賱賷爻鬲 賲賳 毓丕丿鬲賷貙 賮賯丿 兀乇丨鬲購 賳賮爻賷 丨賷賳 賯乇乇鬲購 鬲乇賰 丕賱賰鬲丕亘 丕賱匕賷 賱丕 賷爻鬲賴賵賷賳賷貙 賵丕賱丕賳鬲賴丕亍 賮賵乇賸丕 賲賳 兀賷 賰鬲丕亘 賷賱賮鬲 賳馗乇賷貙 鬲賱賰 丕賱賯丕毓丿丞 丕賱亘爻賷胤丞 賱賲 賷賰爻乇賴丕 兀賷購賾 丕爻鬲孬賳丕亍 胤賷賱丞 爻賳賵丕鬲 毓丿丞貙 賵賱丕 兀賳賰乇 賵賱賴賷 亘丕賱賰丕鬲亘 賵鬲鬲亘毓 鬲胤賵乇丕鬲賴 丕賱賮賰乇賷丞 賵丕賱爻賷丕爻賷丞貙 賵賱賰賳賾 丕賱睾乇賷亘 賮賷 乇賵丕賷鬲賳丕 兀賳賷 亘毓丿 賲丕卅丞 氐賮丨丞 丕賱兀賵賱賶貙 卮毓乇鬲購 亘丕賱毓賲賶貙 亘賱丕 兀賷丞 賴丿丕賷丞貙 賱賲 兀賮賴賲 兀氐賱賸丕 賱賽賲賻 賷鬲賵噩賾亘 毓賱賷賾 廿賰賲丕賱賴丕貙 賮賲丕 賴匕賴 丕賱兀賱睾丕夭 丕賱爻賷丕爻賷丞責 賵賲丕 亘丕賱賷 兀賳丕 亘丕賱丨乇亘 丕賱兀賴賱賷丞 丕賱亘乇丕夭賷賱賷丞 賮賷 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇責 賵賱賲丕匕丕 賷購睾乇賯賳賷 丕賱賰丕鬲亘 賮賷 鬲賯丿賷賲丕鬲 賱卮禺賵氐貙 鬲賰賮賷 丨賰丕賷丞 賰賱 賮乇丿 賲賳賴賲 賱賰鬲丕亘丞 乇賵丕賷丞 賰丕賲賱丞貙 賵賳賮乇鬲購 賲賳賴丕 賮賷 毓購噩丕賱丞 丨賲賯丕亍貙 丨鬲賶 賯丿 賯乇兀鬲購 賮賷 鬲賱賰 丕賱賮鬲乇丞 毓賲賱賸丕 丌禺乇 賵卮丕賴丿鬲 兀賮賱丕賲賸丕 毓丿丞貙 賵賮毓賱鬲購 賰賱 賲丕 亘丕爻鬲胤丕毓鬲賷 丨鬲賶 兀賳爻賶 匕賱賰 丕賱賲噩賱丿 丕賱兀氐賮乇 丕賱賯丕亘毓 亘噩賵丕乇 爻乇賷乇賷 亘毓賳賵丕賳 賲氐賷乇賷貙 賵賱丕 兀賳賰乇 賮噩丕噩鬲賴貙 賮兀賳 賷禺鬲丕乇 賰丕鬲亘賹 賲丕 兀賳 鬲賰賵賳 毓鬲亘丞 賳氐賴 賴賵 丕賱丨丿賷孬 毓賳 賳賴丕賷丞 丕賱毓丕賱賲貙 賮賴匕丕 賷毓賳賷 兀賳賳丕 毓賱賶 賵卮賰 丕賱賵賱賵噩 廿賱賶 賲丿丕禺賱 毓賲賱 賲賱丨賲賷貙 毓賱賶 卮丕賰賱丞 丕賱丨乇亘 賵丕賱爻賱丕賲貙 賵亘毓丿 丕爻鬲爻賱丕賲賷 廿賱賶 丕賱卮毓賵乇 亘丕賱賮囟賵賱 賵丕賱睾囟亘 廿夭丕亍 賴匕丕 丕賱丕爻鬲賮夭丕夭 丕賱匕賷 賱丕 兀賲賱賰 鬲賮爻賷乇賸丕 賱賴貙 卮乇毓鬲購 賮賷 廿賰賲丕賱 丕賱乇賵丕賷丞貙 亘鬲丐丿丞 賵氐亘乇貙 賱兀賯乇兀 亘丕賱賮毓賱 賳賴丕賷丞 丕賱毓丕賱賲.
(丕賱賲乇卮丿)
廿賳 丕賱賲毓鬲丕丿 賮賷 兀丿亘 賷賵爻丕貙 匕賱賰 丕賱爻賻賾賲鬲購 丕賱賴丕丿卅 賮賷 賳丨鬲 丕賱卮禺賵氐貙 賱丕 賷丨賰賷 賱賳丕 乇丿賵丿 兀賮毓丕賱賴丕 賯亘賱 兀賳 賷爻乇丿 丕賱鬲丕乇賷禺 賰賱賴貙 賮賲賳 丕賱賷爻賷乇 毓賱賷賰 兀賳 鬲爻丕乇毓 廿賱賶 廿胤賱丕賯 丕賱丨賰賲 毓賱賶 卮禺氐賷丞 丕賱賲乇兀丞 丕賱毓丕亘孬丞 丕賱禺丕卅賳丞貙 賵賲賳 丕賱胤亘賷毓賷 兀賳 賷鬲賲賱賾賰賰 丕賱賳賮賵乇 賵丕賱睾囟亘 賲賳 賯丕胤毓 胤乇賯 賷賯鬲賱 賵賷爻乇賯 賵賷亘賯乇 亘胤賵賳 丕賱丨賵丕賲賱貙 賵賱賰賳 賲丕 賷丨賰賷賴 賷賵爻丕 賱丕 賷毓賳賷 兀賳 賳乇丨賲 賴丐賱丕亍 賵賳睾賮乇 賱賴賲 噩乇丕卅賲賴賲貙 亘賱 亘賰賱 亘爻丕胤丞 兀賱賾丕 賳賳爻賶 丌丿賲賷丞 賴丐賱丕亍貙 賵賮賷 賱丨馗丞賺 賲丕 賲賳 丕賱賲賲賰賳 兀賳 賳鬲禺匕 賳賮爻 丕賱賯乇丕乇丕鬲 丕賱禺丕胤卅丞 賰賲丕 丕鬲禺匕賴丕 賴丐賱丕亍貙 廿賳 賷賵爻丕 賰丕鬲亘 卮賷胤丕賳賷 毓丕亘孬貙 賷購賲夭賽賾賯 丕賱夭賴賵 丕賱亘卮乇賷 丕賱賲鬲賲爻賰 亘丕賱賮囟賷賱丞 鬲賲爻購賾賰賸丕 賵丕賴賷賸丕貙 賲賳 兀賷賳 賱賰 兀賳 鬲賲賱賰 匕賱賰 丕賱賷賯賷賳 兀賳賰 賱賳 鬲購賯丿賽賲賻 毓賱賶 賮毓賱 賲購卮丕亘賴責 廿匕賸丕 兀賲賷賱 廿賱賶 賵氐賮 賷賵爻丕 亘丕賱兀丿賷亘 丕賱孬賵乇賷貙 賷孬賵乇 囟丿 鬲氐賳賷賮丕鬲賳丕 丕賱丨丕夭賲丞 賱賱氐賵丕亘 賵丕賱禺胤兀貙 賷囟毓賰 毓賱賶 賮賷 丨賱亘丞 丕賱賯鬲丕賱 賰賷 鬲氐丕乇毓 丨丿賻賾 丕賱賲賵鬲 賳賮爻賰賻 丕賱賲鬲睾胤乇爻丞 亘賲孬丕賱賷鬲賴丕 丕賱賰丕匕亘丞貙 賵賮賷 兀孬賳丕亍 賴匕丕 丕賱鬲丨胤賷賲 丕賱賴丕丿卅 賱丕毓鬲丿丕丿賰 亘賳賮爻賰貙 賷亘孬購賾 兀賮賰丕乇賴 丕賱丨丿賷賻賾丞貙 賵賴賷 鬲毓賰爻 丕賱賲爻丕乇 丕賱卮禺氐賷 賱賱賰丕鬲亘貙 賰丕鬲亘 噩乇賷亍 賱丕 賷鬲賵乇賾毓 毓賳 丕賱廿賷賲丕賳 亘丕賱賷爻丕乇 丕賱丕卮鬲乇丕賰賷 賵丕賱賯鬲丕賱 賮賷 爻亘賷賱賴貙 孬賲 賲賯鬲 賰丕爻鬲乇賵 賵丕賱鬲賳氐購賾賱 賲賳 兀賮毓丕賱賴 丕賱卮賳毓丕亍貙 賱賷賳囟賲賻賾 廿賱賶 丕賱賷賲賷賳 丕賱賵爻胤賷貙 鬲兀孬乇 丕賱毓丿賷丿 賲賳 兀毓賲丕賱 亘丕乇睾丕爻 賷賵爻丕 亘賵噩賴丞 賳馗乇 丕賱賰丕鬲亘 丨賵賱 丕賱賲噩鬲賲毓 丕賱亘賷乇賵賮賷 賵鬲噩丕乇亘賴 丕賱卮禺氐賷丞 亘賵氐賮賴 賲賵丕胤賳賸丕 亘賷乇賵賮賷賸丕. 睾賷乇 兀賳賴 賵爻賾毓 賲丿丕賴 亘卮賰賱 賲鬲氐丕毓丿貙 賮毓丕賱噩 賲賵囟賵毓丕鬲 賵兀賮賰丕乇 賲爻鬲賵丨丕丞 賲賳 賲賳丕胤賯 兀禺乇賶 賲賳 丕賱毓丕賱賲. 賵兀賯丿賲 亘丕乇睾丕爻 賷賵爻丕 賮賷 賰孬賷乇 賲賳 賲賯丕賱丕鬲賴 毓賱賶 賳賯丿 丕賱賵胤賳賷丞 囟賲賳 賲賳丕胤賯 賲禺鬲賱賮丞 賲賳 丕賱毓丕賱賲. 賵卮賴丿鬲 賲爻賷乇鬲賴 鬲丨賵賱賸丕 丌禺乇 鬲賲孬賱 賮賷 丕賱丕賳鬲賯丕賱 賲賳 兀爻賱賵亘賺 賵賲賳賴噩 賲乇鬲亘胤 亘丕賱丨丿丕孬丞 丕賱兀丿亘賷丞 廿賱賶 兀爻賱賵亘 賲丕 亘毓丿 丨丿丕孬丞 毓丕亘孬 兀丨賷丕賳賸丕.
賵賲孬賱 丨丕賱 丕賱賰孬賷乇 賲賳 賰鬲賾丕亘 兀賲乇賷賰丕 丕賱賱丕鬲賷賳賷丞貙 卮賴丿鬲 賲爻賷乇丞 亘丕乇睾丕爻 賷賵爻丕 賳卮丕胤賸丕 賮賷 賲噩丕賱 丕賱爻賷丕爻丞. 賵毓賱賶 丕賱乇睾賲 賲賳 丿毓賲賴 兀賵賱 丕賱兀賲乇 賱丨賰賵賲丞 賮賷丿賱 賰丕爻鬲乇賵 丕賱孬賵乇賷丞 丕賱賰賵亘賷丞貙 賮賯丿 鬲丨乇乇 亘丕乇睾丕爻 賷賵爻丕 賲賳 爻丨乇賴丕 賱丕丨賯賸丕 亘爻亘亘 爻賷丕爻丕鬲賴丕貙 賵賱丕 爻賷賲丕 亘毓丿 丨亘爻 丕賱卮丕毓乇 丕賱賰賵亘賷 賴賷亘賷乇鬲賵 亘丕丿賷賾丕 賮賷 毓丕賲 1971. 鬲乇卮丨 廿賱賶 丕賱丕賳鬲禺丕亘丕鬲 丕賱乇卅丕爻賷丞 丕賱亘賷乇賵賮賷丞 賮賷 毓丕賲 1990 賲毓 丕卅鬲賱丕賮 賷賲賷賳 丕賱賵爻胤 丕賱噩亘賴丞 丕賱丿賷賲賯乇丕胤賷丞貙 賲丐賷丿賸丕 丕賱廿氐賱丕丨丕鬲 丕賱賱賷亘乇丕賱賷丞 丕賱賰賱丕爻賷賰賷丞貙 賱賰賳賴 禺爻乇 賮賷 丕賱丕賳鬲禺丕亘丕鬲 兀賲丕賲 兀賱亘乇鬲賵 賮賵噩賷賲賵乇賷. 賵賴賵 丕賱卮禺氐 丕賱匕賷 芦氐丕睾 丕賱毓亘丕乇丞 丕賱鬲賷 噩丕亘鬲 兀賳丨丕亍 丕賱毓丕賱賲禄 賮賷 毓丕賲 1990貙 廿匕 兀毓賱賳 毓賱賶 丕賱鬲賱賮夭賷賵賳 丕賱賲賰爻賷賰賷 兀賳 芦丕賱賲賰爻賷賰 賴賷 丕賱丿賰鬲丕鬲賵乇賷丞 丕賱賲孬賱賶禄貙 賱賷鬲丨賵賱 賴匕丕 丕賱鬲氐乇賷丨 廿賱賶 賯賵賱 賲兀孬賵乇 禺賱丕賱 丕賱毓賯丿 丕賱鬲丕賱賷.
(兀賳賯丕囟 賰丕賳賵丿賵爻)
賴匕賴 丕賱禺賱賮賷丞 丕賱氐丕乇禺丞 賱賱賰丕鬲亘貙 賵鬲丕乇賷禺賴 丕賱兀賰丕丿賷賲賷貙 賷購毓賱賳丕賳 毓賳 賳賮爻賷賴賲丕 賮賷 乇賵丕賷丞 賰賲丕 賷噩亘 兀賳 鬲賰賵賳 丕賱乇賵丕賷丞貙 毓賲賱賹 賷購亘賱亘賱 丕賱賯丕乇卅貙 賵賷丨賰賲 毓賱賷賴 亘丕賱鬲卮鬲鬲 賵丕賱丨賷乇丞 丕賱賲夭毓噩丞貙 賮賱丕 兀賳爻賶 賮氐賵賱賸丕 賰孬賷乇丞 噩毓賱鬲賳賷 兀賮賰乇 賮賷 兀丨丿丕孬賴丕 賰賲丕 賱賵 賰丕賳 賲氐賷乇賷 爻賷鬲乇鬲亘 毓賱賶 鬲賱賰 丕賱賮氐賵賱貙 賴匕賴 丕賱賯丿乇丞 丕賱賴丕卅賱丞 毓賱賶 禺賱賯 毓丕賱賲 賰丕賲賱貙 賱丕 賷賲賰賳賳賷 丕賱廿賯乇丕乇 亘廿睾賮丕賱 賳賯胤丞 賵丕丨丿丞貙 賵亘丕鬲 丕賱兀賲乇購 賰賲賳 賷丨丕賵賱 鬲氐賷購賾丿賻 丕賱兀禺胤丕亍 毓賳賵丞賸貙 賵丕賳鬲賴賶 兀賲乇賷 亘丕賱賵賯賵毓 賮賷 睾乇丕賲 鬲賱賰 丕賱乇賵丕賷丞貙 毓賲賻賾 鬲丨賰賷 廿匕賸丕責
賮賷 賳賴丕賷丕鬲 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇 賵賮賷 噩賳賵亘 丕賱亘乇丕夭賷賱 丕賱賲賱賰賷丞貙 鬲丨丿賷丿賸丕 賮賷 丕賱兀乇丕囟賷 丕賱禺賱賮賷丞 丕賱乇賷賮賷丞貙 鬲氐乇禺 丕賱兀亘賵丕賯 賲賳丕丿賷丞賸 亘賯賷丕賲 丕賱賳馗丕賲 丕賱噩賲賴賵乇賷貙 賵鬲賳丨賷丞 乇賲賵夭 丕賱丨夭亘 丕賱廿賯胤丕毓賷 賰丕賮丞賸貙 賵賮氐賱 丕賱賰賳賷爻丞 毓賳 丕賱兀賲賵乇 丕賱爻賷丕爻賷丞 亘卮賰賱 賳賴丕卅賷貙 賵廿噩亘丕乇 丕賱賮賱丕丨賷賳 毓賱賶 丕賱夭賵丕噩 丕賱賲丿賳賷 賵丕賱兀賳馗賲丞 丕賱賲鬲乇賷丞 丕賱丨丿賷孬丞 賱賯賷丕爻 丕賱兀乇丕囟賷 丕賱夭乇丕毓賷丞貙 賵丕賱賰丕乇孬丞 丕賱賰亘乇賶 鬲賲孬賱鬲賿 賮賷 丕賱夭賵丕噩 丕賱賲丿賳賷 賵鬲丿禺賱 丕賱丿賵賱丞 丕賱噩賲賴賵乇賷丞 丕賱賵胤賳賷丞 賮賷 廿噩乇丕亍丕鬲 丕賱丿賮賳 賵丕賱夭賵丕噩 丕賱賲購賯丿賻賾爻賷賿賳 兀賷賻賾賲丕 鬲賯丿賷爻 賱丿賶 賴丐賱丕亍 丕賱亘爻胤丕亍貙 孬賲 賷爻賲毓賵賳 賳丿丕亍 廿賱睾丕亍 丕賱乇賯賾貙 賵賯丿 賯丕賲鬲 丕賱賯賷丕賲丞貙 賰賷賮 賱賳丕 兀賱丕 賳賰賵賳 鬲丨鬲 廿賲乇丞 爻丕丿丕鬲賳丕責 賳丿賮毓 丕賱囟乇丕卅亘責 賵賲丕 賲毓賳賶 丕賱夭賵丕噩 丕賱賲丿賳賷 爻賵賶 兀賳 丕賱噩賲賴賵乇賷丞 鬲噩亘乇賳丕 毓賱賶 丕乇鬲賰丕亘 丕賱禺胤賷卅丞責 賵賯丿 賲購賳賽丨鬲賿 丕賱丨乇賷丞 廿賱賶 丕賱兀賷丕丿賷 丕賱禺胤兀貙 賰丕賳鬲 賴匕賴 丕賱賲乇丞 丕賱兀賵賱賶 丕賱鬲賷 兀胤丕賱毓 賮賷賴丕 卮毓亘賸丕 賷禺丕賮 賲賳 賲賵丕噩賴丞 丕賱賵丕賯毓 丕賱禺丕賱賷 賲賳 丕賱賯賷賵丿 賵丕賱賵氐丕賷丕 丕賱賲賱賰賷丞 賵丕賱孬賷賵賯乇丕胤賷丞 丕賱禺丕賳賯丞貙 賵賰丕賳 胤亘賷毓賷賸賾丕 兀賳 賷馗賱賵丕 亘毓丿 賴匕丕 丕賱丨賳賯 賮賷 丨丕賱丞 亘丨孬賺 毓賲賾賳 賷乇卮丿賴賲 廿賱賶 胤乇賷賯 丕賱禺賱丕氐 賲賳 丕賱兀賵丕賲乇 丕賱卮賷胤丕賳賷丞 丕賱氐丕丿乇丞 賲賳 丕賱賴賷卅丞 丕賱賵胤賳賷丞貙 賵賮賷 匕賱賰 丕賱夭賲丕賳貙 馗賴乇鬲 卮禺氐賷丞 "丕賱賲乇卮丿" 兀賵: " 丕賳胤賵賳賷賵 賮賷爻賳鬲賷 賲丕賳丿賷爻 賲丕爻賷賷賱".
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"兀賴賵 噩賳賵賳責 爻賵亍 賮賴賲責 賴匕丕 賱丕 賷賰賮賷. 廿匕 廿賳賾賴 賱丕 賷毓賱賱 賰賱 卮賷亍...賰丕賳 賴賳丕賱賰 睾亘丕亍 賵賯爻賵丞 賰匕賱賰."
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(賲丿賮毓 丕賱賰鬲丕卅亘 丕賱亘乇丕夭賷賱賷丞)
賲賳 丕賱賲乇卮丿責 兀賴賵 賯丿賷爻 賲賳 丕賱賯丿賷爻賷賳責 丨賯賷賯丞賸 賱丕 兀賮賯賴 丕賱賰孬賷乇 毓賳 丕賱鬲丕乇賷禺 丕賱賰賳爻賷 丕賱賰丕孬賵賱賷賰賷 賮賷 鬲賱賰 丕賱丨賯亘丞 亘丕賱鬲丨丿賷丿貙 賵賷賵爻丕 賳賮爻賴 賱賲 賷爻鬲睾乇賯 丕賱乇賵丕賷丞 賮賷 賲丨丕賵賱丞 賮賴賲 賴賵賷丞 賵兀賮賰丕乇 賴匕丕 丕賱乇噩賱貙 賵毓賳丿 丕胤賻賾賱丕毓賷 毓賱賶 丕賱兀乇卮賷賮 丕賱禺丕氐 亘噩乇丕卅丿 鬲賱賰 丕賱兀丨丿丕孬貙 賱賲 賷爻鬲胤毓 丕賱氐丨丕賮賷賵賳 丕賱鬲賵氐賱 廿賱賶 賰購賳賴 丿毓丕賵賶 匕賱賰 丕賱乇噩賱貙 賮丕賱賰孬賷乇 賲賳 丕賱賲購丿賻賾毓賷賳 賰丕賳賵丕 賷馗賴乇賵賳 賮賷 丕賱兀氐賯丕毓 丕賱賮賯賷乇丞 賱鬲賰賵賷賳 丕賱賲噩丿 丕賱賲爻賷丨賷 賵廿丨賷丕卅賴 賲賳 噩丿賷丿貙 丕賱賱丕賮鬲 賱賱賳馗乇 賮賷 卮禺氐賷丞 丕賱賲乇卮丿 兀賵 賲丕 禺賱賻賾丿 匕賰乇賴貙 賴匕丕 丕賱鬲丨賵賱 丕賱囟禺賲 賮賷 賳賮賵爻 賲賳 丨賵賱賴! 賱賲 賷爻鬲賯胤亘 賮賯胤 丕賱賮賯乇丕亍 丕賱賲噩賴賵賱賷賳貙 亘賱 鬲丕亘 毓賱賶 賷丿賷賴 丕賱賲噩乇賲賵賳 丕賱賲購丿賲賽賾乇賵賳 賱賱兀乇丕囟賷 丕賱禺賱賮賷丞貙 兀爻賲丕亍 賰丕賳鬲 鬲乇鬲毓卮 兀亘丿丕賳 丕賱囟亘丕胤 賮賷 丕賱噩賷卮 廿賳 匕購賰賽乇鬲賿貙 賲孬賱 "亘丕噩賵" 賵"兀亘賵鬲 噩賵丕賵" 賵"噩賵丕賵 丕賱賰亘賷乇"貙 賱賲 鬲賰賳 丕賱胤丕賯丞 丕賱乇賵丨賷丞 賱匕賱賰 丕賱乇噩賱 賲購賯鬲氐乇丞賸 毓賱賶 丕賱賴丿丕賷丞 賵氐賳毓 胤丕卅賮丞 毓丕亘丿丞 賱賱賯賷賲 丕賱賲爻賷丨賷丞 丕賱賰丕孬賵賱賷賰賷丞貙 亘賱 兀乇丕丿 兀賳 賷亘賳賷 丿賵賱丞 賷購噩丕亘賴 亘賴丕 賯賵賶 丕賱卮賷胤丕賳 丕賱賲鬲賲孬賱丞 賮賷 丕賱噩賲賴賵乇賷丞貙 賴匕丕 丕賱卮胤胤 丕賱丿賷賳賷 丕賱丨丕卮丿 賱賱兀乇賵丕丨貙 賮噩賻賾乇 丕賱噩賲賷毓 賵噩毓賱 賱丨賷賵丕鬲賴賲 賲毓賳賶賸貙 噩毓賱 賷賵爻丕 丕賱賰丕亘賵爻 丕賱賲鬲賲孬賱 賮賷 丕賱禺賵丕亍 丕賱丿賷賳賷 賵鬲賵馗賷賮 丕賱禺胤丕亘 丕賱丿賷賲丕睾賵睾賷 丕賱兀噩賵賮貙 賲購鬲噩爻賾丿賸丕 毓賱賶 兀乇囟 丕賱賵丕賯毓貙 賮賰兀賳賰 鬲乇賷丿 丕賱氐乇丕禺 賮賷賴賲 噩賲賷毓賸丕 兀賳 賷賮賷賯賵丕 賲賳 匕賱賰 丕賱馗賱丕賲 丕賱賲購鬲賵賴賻賾賲貙 賵賱賰賳賾賰 鬲乇丕賯亘 賲氐丕卅乇賴賲 賮賷 丕爻鬲爻賱丕賲 賱賱丨鬲賲賷丞 丕賱鬲丕乇賷禺賷丞貙 賴匕賴 丕賱兀丨丿丕孬 賰賱賴丕 賯丿 賵賯毓鬲 亘丕賱賮毓賱貙 賵賯丿 賳鬲噩 毓賳賴丕 丕賱丕鬲賮丕賯賷丞 丕賱兀卮賴乇 賮賷 鬲丕乇賷禺 丕賱亘乇丕夭賷賱.
(賲賵賯毓 賰丕賳賵丿賵爻)
丕丨鬲卮丿 丕賱兀賱賵賮 丨賵賱 丕賱賲乇卮丿貙 賵兀丨丕胤賴 丕賱丨賵丕乇賷購賾賵賳貙 賲購賰賵賽賾賳賷賳 賲丿賷賳丞 氐睾賷乇丞 鬲購丿毓賶 "賰丕賳賵丿賵爻"貙 鬲兀爻爻鬲 賲丿賷賳丞 賰丕賳賵丿賵爻 賮賷 賲鬲賳賵毓丞 毓賳氐乇賷丞听賮賷 賵賱丕賷丞 亘丕賴賷丕听卮賲丕賱 卮乇賯听丕賱亘乇丕夭賷賱听賮賷 毓丕賲 1893貙 賰丕賳 賲賳丿賷爻 賲丕爻賷賱 賷鬲噩賵賱 毓亘乇 丕賱胤乇賯 丕賱禺賱賮賷丞 賵丕賱賲賳丕胤賯 丕賱兀賯賱 賲兀賴賵賱丞 亘丕賱爻賰丕賳 賮賷 丕賱亘賱丕丿 賲賳匕 爻亘毓賷賳賷丕鬲 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇 賮氐丕毓丿賸丕貙 賵鬲亘毓賴 賲噩賲賵毓丞 賲賳 丕賱賲丐賷丿賷賳 丕賱賲禺賱氐賷賳.听賲毓 鬲囟禺賲 兀鬲亘丕毓賴貙 兀禺匕 丕爻賲听兀賳胤賵賳賷賵 賰賵賳爻賷賱賴賷乇賵听(听兀賳胤賵賳賷賵 丕賱賲爻鬲卮丕乇听) 賵亘丿兀 毓賱賶 賳丨賵 賲鬲夭丕賷丿 賮賷 廿夭毓丕噩 丕賱爻賱胤丕鬲 丕賱賲丨賱賷丞貙 丕賱鬲賷 乇兀鬲賴 鬲賴丿賷丿賸丕 賱卮乇毓賷鬲賴丕.
(丕賱兀夭賷丕亍 丕賱卮丕卅毓丞 丨賷賳賴丕 賮賷 丕賱亘乇丕夭賷賱)
賮賷 毓丕賲 1893貙 賮賷 兀毓賯丕亘 丕丨鬲噩丕噩 毓賱賶听丕賱囟乇丕卅亘听賵賲卮丕噩乇丞 毓賳賷賮丞 賲毓 賯賵丕鬲 丕賱卮乇胤丞 賮賷 賲丕鬲爻賷賴.
丕賱賳丕爻 賲賳 噩賲賷毓 兀賳丨丕亍 亘丕賴賷丕貙 亘賲丕 賮賷 匕賱賰 丕賱賲毓丿賲賷賳貙 丕賱賲夭丕乇毓賷賳貙 丕賱毓亘賷丿 丕賱爻丕亘賯丞听貙听丕賱爻賰丕賳 丕賱兀氐賱賷賷賳听鬲賵丕賮丿賵丕 賱賱丕賳囟賲丕賲 廿賱賷賴貙 賵賮賷 睾囟賵賳 爻賳賵丕鬲 賯賱賷賱丞貙 亘賱睾 毓丿丿 丕賱賲爻鬲賵胤賳丞 丕賱賵賱賷丿丞 孬賱丕孬賷賳 兀賱賮 卮禺氐 (賲賲丕 噩毓賱賴丕 孬丕賳賷 兀賰亘乇 賲乇賰夭 丨囟乇賷 賮賷 亘丕賴賷丕 亘毓丿 爻賱賮丕丿賵乇听) 賵胤賵乇鬲 賳卮丕胤賸丕 賱鬲氐丿賷乇 丕賱噩賱賵丿.听
賰賲噩鬲賲毓 貙 賰丕賳 賷卮亘賴 廿賱賶 丨丿賺賾 賯乇賷亘 丕賱賲噩鬲賲毓丕鬲 丕賱丿賷賳賷丞貙 賲毓 兀賳胤賵賳賷賵 賰賵賳爻賷賱賴賷乇賵 賰毓囟賵 乇卅賷爻賷 賵賲丿賷乇.听賰丕賳鬲 賰丕賳賵丿賵爻 賲爻鬲賵胤賳丞 丿賷賳賷丞 卮丿賷丿丞貙 鬲丨鬲 爻賷胤乇丞 鬲毓氐亘 兀賳胤賵賳賷賵貙 賱賰賳 毓賱賶 丕賱乇睾賲 賲賳 鬲毓氐亘賴貙 賱賲 賷鬲賵賱賻賾 兀賷 賲賳氐亘 乇爻賲賷 賱賱爻賱胤丞.听賲賵乇爻鬲賿 丕賱鬲爻賵賷丞 丕賱賲賱賰賷丞 丕賱賲卮鬲乇賰丞貙 賵兀購賱睾賷鬲賿 丕賱毓賲賱丞 丕賱乇爻賲賷丞貙 賵兀購亘胤賱鬲 丕賱賯賵丕賳賷賳 丕賱賵胤賳賷丞 丕賱亘乇丕夭賷賱賷丞 賵毓賲鬲 丕賱賲卮丕乇賰丞 亘卮賰賱 噩賲丕毓賷 賮賷 廿丿丕乇丞 丕賱賲丿賷賳丞.听賰丕賳 賰丕賳賵丿賵爻 賮賷 噩賵賴乇賴 乇丿 賮毓賱 囟丿 丕賱兀賲丞 丕賱亘乇丕夭賷賱賷丞 丕賱賲毓丕氐乇丞.听
賱賲 鬲丿毓賲 丕賱丨賰賵賲丞 丕賱賲丨賱賷丞 賵賱丕 丕賱賵胤賳賷丞 丕賱賲爻鬲賵胤賳丞 賮賷 賰丕賳賵丿賵爻.听卮毓乇鬲 丕賱丨賰賵賲丞 丕賱賲丨賱賷丞 賮賷 亘丕賴賷丕 亘丕賱囟睾胤 賲賳 賲賱丕賰 丕賱兀乇丕囟賷 賱丕鬲禺丕匕 廿噩乇丕亍丕鬲 囟丿 丕賱賲爻鬲賵胤賳丞 亘爻亘亘 賳賯氐 丕賱毓賲丕賱丞 丕賱賳丕噩賲 毓賳 丕賱賴噩乇丞.听兀乇丕丿鬲 丕賱丨賰賵賲丞 丕賱亘乇丕夭賷賱賷丞 丕賱賵胤賳賷丞 廿乇爻丕賱 丨賲賱丞 毓爻賰乇賷丞 賱鬲丿賲賷乇 賰丕賳賵丿賵爻 亘丕爻賲 丕賱賱賷亘乇丕賱賷丞 賵丕賱鬲賯丿賲.听听毓賱賶 丨丿 鬲毓亘賷乇 兀丨丿 丕賱賲丐乇禺賷賳 貙 "廿賳 賲噩乇丿 賵噩賵丿 丨乇賰丕鬲 賲爻鬲賯賱丞 睾賷乇 禺丕囟毓丞 賱爻賷胤乇丞 丕賱丿賵賱丞 賷鬲毓丕乇囟 賲毓 丕賱賲氐賱丨丞 丕賱賵胤賳賷丞. 賵賯丿 丿丕賮毓 賰丕賳賵丿賵爻 毓賳 賲孬賱 賴匕丕 丕賱丨賰賲 丕賱匕丕鬲賷 貙 賵亘丕賱鬲丕賱賷 賰丕賳 賱丕 亘丿 賲賳 鬲丿賲賷乇賴".听
賮賷 賴匕丕 丕賱賲噩鬲賲毓 丕賱賵賱賷丿 丕賱噩丕賲毓 賮賷 賲夭賷噩 賲鬲賳丕賯囟 亘賷賳 丕賱丕卮鬲乇丕賰賷丞 賵丕賱賳馗丕賲 丕賱丿賷賳賷 丕賱氐丕乇賲貙 鬲爻賵丿 丕賱爻賱胤丞 丕賱毓賲賱賷丞貙 賮賯賷賲鬲賰 亘賷賳賳丕 鬲鬲丨丿丿 賵賮賯 丕賱噩賴丿 丕賱匕賷 鬲亘匕賱賴 賱廿賯丕賲丞 丕賱丿賵賱丞 丕賱賲購噩丕亘賴丞 賱卮賷胤賳丕鬲 丕賱賳馗丕賲 丕賱噩賲賴賵乇賷貙 賵鬲鬲賯丕賮夭 卮禺賵囟 賰孬賷乇丞 賲孬賱 "兀爻丿 賳丕鬲賵亘丕" 賵"丌賱 賮賷賱丕賳賵賮丕"貙 賷購乇賷賰賻 丕賱賰丕鬲亘 賲賳 禺賱丕賱賴賲 兀噩賲毓賷賳 賴匕丕 丕賱鬲睾賷乇 丕賱氐丕乇禺 賵丕賱鬲亘毓賷丞 丕賱乇毓賳丕亍 賱卮禺氐 丕賱賲乇卮丿貙 賵鬲賯丿賷爻賴 丨丿賻賾 丕賱兀賱賵賴賷丞貙 賵毓賱賶 丕賱賳丕丨賷丞 丕賱賲賯丕亘賱丞貙 亘毓丿 兀賳 鬲賰賵賽賾賳 丨賰賲賸丕 爻賱亘賷賸賾丕 毓賱賶 兀鬲亘丕毓 丕賱賲乇卮丿 馗丕賳賸賾丕 兀賳 賲賱丕卅賰丞 丕賱噩賲賴賵乇賷丞 賷爻鬲丨賯賵賳 丕賱賳氐乇貙 鬲噩丿 丕賱兀賲乇賻 賱丕 賷鬲賴賷賾丿貙 亘賱 賷夭丿丕丿 爻賵亍賸丕貙 賮廿賳 賰丕賳 賴丐賱丕亍 賯丿 兀氐丕亘賴賲 毓賲賶 丕賱丨賵噩 賵丕賱丕賳卮丿丕賴 丕賱丿賷賳賷貙 賮兀賵賱卅賰 賯丿 兀睾乇賯鬲賴賲 兀賱丕毓賷亘 丕賱爻賷丕爻丞 賵丕賱廿賷賲丕賳 亘丕賱賲丐丕賲乇丕鬲 丕賱廿賳噩賱賷夭賷丞 囟丿賴賲貙 賵賱丕 鬲賮賴賲貙 賲賳 毓賱賶 丨賯責 賮毓賱賸丕貙 賮賷 兀賷賾 丨夭亘賺 賷賳亘睾賷 毓賱賶 丕賱賲乇亍 兀賳 賷賯丕鬲賱責
廿賳 丕賱丿賲丕亍 丕賱賲購乇丕賯丞 賲賳 賰賱丕 丕賱賮乇賷賯賷賳 鬲毓賲賷 亘氐賷乇鬲賰 賵鬲卮賱賾 鬲賮賰賷乇賰 丨賷賳 鬲馗賳 賮賷 賳賮爻賰 丕賱廿賲賰丕賳賷丞 賱廿胤賱丕賯 丕賱丨賰賲 丕賱賳賴丕卅賷貙 賵賱丕 兀賳賰乇 兀賳 卮禺氐賷丞 丕賱亘丕乇賵賳 賴賷 丕賱鬲噩爻賷丿 丕賱乇賵丕卅賷 賱卮禺氐 丕賱賯丕乇卅貙 丕賱賰丕鬲亘 賵囟毓 賰賱 兀賮賰丕乇賰 賮賷 賴匕丕 丕賱乇噩賱 丕賱匕賷 爻賲毓 賰賱 卮賷卅 賵卮賴丿 丕賱氐乇丕毓 賵鬲囟乇乇 賲賳 賰賱丕 丕賱胤乇賮賷賳貙 賵賮賯丿 賯丿乇鬲賴 亘卮賰賱 賳賴丕卅賷 賰賷 賷購賰賲賱 氐乇丕毓賴 賮賷 賴匕賴 丕賱賲禺賲囟丞貙 賰賳鬲購 賱丕 兀賮賴賲 爻乇 賴匕賴 丕賱卮禺氐賷丞 丨賷賳 噩丕亍 賲卮賴丿 丨賵丕乇賴 賲毓 丕賱氐丨丕賮賷 賯氐賷乇 丕賱亘氐乇貙 賯乇兀鬲購 賴匕丕 丕賱賲卮賴丿 賱兀賮賴賲 賰賷賮賷丞 氐賵睾賴 賲乇丕鬲 毓丿丞貙 賵鬲賲賱賾賰賳賷 丕賱賷賯賷賳 兀賳賴 氐賵乇丞 賲鬲賰丕賲賱丞 丕賱兀亘毓丕丿貙 禺乇賷胤丞 賱鬲賲夭購賾賯 乇賵丨 丕賱廿賳爻丕賳 丨賷賳 賷賮賯丿 賰賱 賲丕 賷賲賱賰 賵賲丕 賷丐賲賳貙 氐丕睾 丕賱賰丕鬲亘 賴匕丕 丕賱賲卮賴丿 賰賷 賷囟毓 賮賰乇鬲賴 丕賱禺丕氐丞 毓賳 丕賱丨乇亘貙 賵賴匕賴 丕賱賲乇丞 丕賱兀賵賱賶 賵丕賱兀禺賷乇丞 丕賱鬲賷 賷鬲丿禺賱 賮賷賴丕 賷賵爻丕 賰賷 賷乇賮毓 氐賵鬲賴:
"賱賯丿 賯乇兀鬲購 亘囟毓丞 賰鬲亘貙 賵丨丿賾孬 賳賮爻賴: (賵賱賲 兀丨氐賱 毓賱賶 卮賷亍賺 賲賳賴丕) 匕賱賰 賰丕賳 卮賷卅賸丕 丕賰鬲卮賮賴 賮賷 賴匕賴 丕賱兀卮賴乇 丕賱胤賵丕賱: 丕賱孬賯丕賮丞貙 丕賱賲毓乇賮丞 賰丕賳鬲 兀賰丕匕賷亘貙 丨賲賱賸丕 爻丕賰賳賸丕貙 毓氐丕亘丕鬲 賱賱毓賷賵賳. 賰賱 鬲賱賰 丕賱賯乇丕亍丞..."
"廿賳 鬲賮爻賷乇 (賰丕賳賵丿賵爻) 賱丕 賷賰賲賳 賮賷 丕賱噩賳爻 亘賱 賮賷 丕賱噩賴賱."
"賯丕賱 丕賱亘丕乇賵賳 賵賴賵 賲丿乇賰賹 丕賱丕夭丿乇丕亍 丕賱匕賷 賷購毓亘賾乇 毓賳賴 氐賵鬲賴: (賰丕賳賵丕 賲鬲毓氐亘賷賳. 丕賱鬲毓氐亘 賷噩亘乇 丕賱賳丕爻 毓賱賶 丕賱鬲氐乇賮 亘鬲賱賰 丕賱胤乇賷賯丞. 廿賳賻賾 賲丕 賷購賮爻賽賾乇 丕賱亘胤賵賱丞 禺賷乇 鬲賮爻賷乇 賱賷爻 丕賱丿賵丕賮毓 丕賱爻丕賲賷丞 丕賱噩賱賷賱丞 丿丕卅賲賸丕. 孬賲 賴賳丕賰 丕賱鬲丨丕賲賱貙 囟賷賯 丕賱毓賯賱貙 兀卮丿 賲丕 賷賲賰賳 鬲氐賵乇賴 賲賳 丕賱兀賮賰丕乇 睾亘丕亍賸.)"
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賱賲 賷爻鬲胤毓 丕賱賰丕鬲亘 兀賳 賷賳爻賶 丿賵乇賻 丕賱丨亘 賮賷 禺囟賲 賴匕丕 丕賱賰丕亘賵爻貙 亘賱 賰丕賳 丕賱丨亘 賲購丨乇賽賾賰賸丕 賱卮禺氐賷丕鬲 賱賲 賷禺胤乇 亘亘丕賱賰 賱賵賴賱丞 兀賳 賲賳 丕賱賲賲賰賳 兀賳 鬲卮毓乇賻 亘丕賱丨亘貙 兀賵 兀賳 賷禺丕賱噩賴丕 賲卮丕毓乇 丕賱乇丨賲丞 丕賱丌丿賲賷丞 兀氐賱賸丕貙 賵賰兀賳 賲丕 兀賱賲賾 亘賴匕賴 丕賱卮禺氐賷丕鬲 丕賱賲乇賷囟丞 賯丿 丨乇賾乇賴丕 賵胤賴賾乇賴丕 賲賳 賲丨亘爻賴丕 丕賱賳賮爻賷貙 賰丕賳鬲 鬲乇賰賷亘丕鬲 廿賳爻丕賳賷丞 鬲鬲亘丿賻賾賶 毓賱賶 賳丨賵賺 睾丕賲囟貙 鬲丕乇賰丞賸 賵乇丕亍賴丕 禺賷賵胤賸丕 賰孬賷乇丞 賱鬲賯賵丿賰 廿賱賶 兀卮丿 丕賱賳賯丕胤 兀賱賲賸丕 賮賷 賳賮賵爻賴丕貙 賵禺賷乇 賲孬丕賱 毓賱賶 匕賱賰貙 丕賱氐丨丕賮賷 賯氐賷乇 丕賱亘氐乇貙 賱賳 兀賳爻賶 賲丕 丨賷賷鬲購 賴匕賴 丕賱卮禺氐賷丞貙 賮賯丿 乇兀賷鬲購 兀爻賵兀 賵兀賮囟賱 賲丕 賮賷 賳賮賵爻賳丕貙 賵賱賲 兀購賮丕噩賻兀 氐乇丕丨丞賸 賲賳 鬲賱賰 丕賱賮賰乇丞貙 賮賲賳匕 丨賷乇鬲賴 丕賱兀賵賱賶 丨賷賳 賵賯毓 亘賷賳 丕賱賮乇賷賯賷賳貙 賱丕 賷爻鬲胤賷毓 兀賳 賷賳賰乇 丕賳鬲賲丕亍賴 廿賱賶 丕賱噩賲賴賵乇賷丞貙 賵賱丕 賷購禺賮賷 丕賲鬲毓丕囟賴 賵卮賮賯鬲賴 毓賱賶 賲購乇賷丿賷 丕賱賲乇卮丿貙 賮賯丿 卮賴丿 賳賴丕賷丞 毓丕賱賲賴 丕賱禺丕氐貙 賵噩購賵亘賴 亘丨賯賷賯丞 禺賵賮賴 賵睾囟亘賴 毓賱賶 丕賱噩賲賷毓貙 賰丕賳鬲 鬲賳賴卮賴 丕賱乇睾亘丞 賮賷 丕賱亘賯丕亍貙 孬賲 丕爻鬲爻賱賲 賱毓亘孬賷丞 丕賱兀丨丿丕孬貙 孬賲 鬲乇兀賮 亘賴 鬲賱賰 丕賱乇賵丨 丕賱丨丕賳賷丞貙 亘丿賵賳 兀賷 鬲賵賯購賾毓貙 賵鬲馗賴乇 賱賴 賲毓丕賱賲 毓丕賱賲 噩丿賷丿貙 毓丕賱賲 賷禺氐購賾賴 亘賲賮乇丿賴貙 賱丕 賷丿 兀禺乇賶 鬲購丨乇賾賰賴丕:
"賷丨丿孬賴 毓賳 丕賱丨亘貙 毓賳 丕賱賱匕丞 亘氐賵鬲 賲購丨鬲丿賲賺 丨賲丕爻丞賸. (廿賳賴 兀毓馗賲 卮賷亍 賮賷 賰賱 賴匕丕 丕賱毓丕賱賲貙 賷丕 亘丕乇賵賳貙 丕賱卮賷亍 丕賱賵丨賷丿 丕賱兀賵丨丿 丕賱匕賷 賷爻鬲胤賷毓 丕賱賲乇亍 亘賴 兀賳 賷賰鬲卮賮 賲賯丿丕乇賸丕 賲賳 丕賱爻毓丕丿丞貙 賷爻鬲胤賷毓 亘賴 兀賳 賷鬲毓賱賲 賲丕 丕賱匕賷 鬲毓賳賷賴 賰賱賲丞 爻毓丕丿丞.)"
"賯丕賱 丕賱亘丕乇賵賳 賲購丨丕賵賱賸丕 噩乇丨賻 賲卮丕毓乇賴: (丕賱丨亘 賱丕 賷購胤賮卅 丕賱馗賲兀.)
乇丿賾 賲賵丕賮賯賸丕: (賰賱丕. 賱丕 賷胤賮卅賴. 賱賰賳賴 賷賲賳丨 丕賱賲乇亍賻 賯賵丞賸 毓賱賶 鬲丨賲賾賱賴..)"
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爻乇丿 賷賵爻丕 丕賱兀丨丿丕孬 亘鬲賯賳賷丞 丕賱丕乇鬲丿丕丿 鬲丕乇丞賸貙 孬賲 丕賱爻乇丿 丕賱賲鬲賵丕氐賱 丕賱鬲賯賱賷丿賷 鬲丕乇丞賸 兀禺乇賶貙 賵賴匕賴 丕賱賲夭丕賵噩丞 乇亘賲丕 賰丕賳鬲 禺賷乇 兀丿丕丞賺 賱丕賲鬲夭丕噩 兀爻賱賵亘 丕賱賰丕鬲亘 亘賲丨鬲賵賶 丕賱毓賲賱貙 賮賱丕 賷賲賰賳 鬲氐賵乇 爻乇丿賸丕 賴丕丿卅 丕賱賵鬲賷乇丞 賲毓 卮丿丞 鬲賱賰 丕賱兀丨丿丕孬貙 賵賮賷 賳賮爻 丕賱賵賯鬲 賮廿賳 賷賵爻丕 賱賷爻 賲賳 賮卅丞 丕賱賰購鬲賾丕亘 丕賱匕賷賳 賷賲丿賵賳 兀胤賳丕亘賴賲 毓賱賶 兀爻爻 鬲卮賵賷賯 丕賱兀丨丿丕孬 丕賱囟丨賱丞貨 賮賮賷 丕賱賰孬賷乇 賲賳 丕賱兀毓賲丕賱 鬲賯乇兀 丕賱毓賲賱 賮賯胤 賮賷 賲丨丕賵賱丞 賱賱鬲賵氐賱 廿賱賶 禺胤 賳賴丕賷丞 丕賱兀丨丿丕孬貙 賵賴匕丕 賱丕 賷賲賳毓 廿賳賰丕乇賷 賱毓丕賲賱 丕賱鬲卮賵賷賯 賮賷 丕賱爻乇丿 丕賱乇賵丕卅賷貙 賵賱賰賳賾 丕賱丌賳 賳噩丿 丕賱賰孬賷乇 賲賳 丕賱噩賲賱 丕賱丿毓丕卅賷丞 賱卮乇丕亍 賰鬲丕亘 賲毓賷賳 "兀賳賰 賱賳 鬲爻鬲胤賷毓 鬲乇賰賴 丨鬲賶 鬲氐賱 廿賱賶 丕賱氐賮丨丞 丕賱兀禺賷乇丞" 賵賱丕 兀丿乇賷 賲丕 丕賱賲賲賷夭 賮賷 賴匕丕! 賮廿賳 賰丕賳 丕賱丨丿賷孬 毓賳 乇賵丕賷丞 亘賵賱賷爻賷丞 賮賴匕丕 兀賲乇賹 胤亘賷毓賷賹賾貙 賱丕 賳賯乇兀 兀丿亘 丕賱噩乇賷賲丞 賱丕爻鬲禺賱丕氐 丕賱丿乇賵爻 丕賱鬲丕乇賷禺賷丞 兀賵 丕賱兀禺賱丕賯賷丞貙 兀賲丕 丕賱丨丿賷孬 丕賱乇賵丕卅賷貙 鬲賯亘毓 賲鬲毓鬲賴 賵丕賱賰卮賮 毓賳 賲賵賴亘丞 賰丕鬲亘賴 丕賱丨賯賷賯賷丞 丨賷賳 賷購噩亘乇 丕賱賯丕乇卅 賱賱噩賱賵爻 賵賯乇丕亍丞 兀爻賱賵亘 丕賱賰丕鬲亘貙 亘賲丕匕丕 賷卮毓乇責 賵賲丕 丕賱匕賷 賷乇賷丿 廿賷氐丕賱賴責 兀賰丕賳 賷賵爻丕 賮賷 鬲賱賰 丕賱乇賵丕賷丞 賷丨賰賷 賱賳丕 賯氐丞 丨乇亘 賯丿 賳購卮賽乇鬲賿 鬲賮丕氐賷賱賴丕 賮賷 丕賱賲乇丕噩毓 丕賱鬲丕乇賷禺賷丞 賵丕賱氐丨賮責 兀賰丕賳 賷氐亘購賾 睾囟亘賴 毓賱賶 丕賱爻賱胤丞 丕賱賰賳爻賷丞 賮賷 兀賲乇賷賰丕 丕賱賱丕鬲賷賳賷丞責 賴賱 賲賳 丕賱賲賲賰賳 兀賳 鬲賰賵賳 賲馗賳賾丞 鬲賮乇購賾丿 賷賵爻丕 賮賷 丕賱賰卮賮 毓賳 賲賵鬲 丕賱卮禺氐賷丞 賮賱丕賳 兀賵 鬲毓乇囟 丕賱卮禺氐賷丞 丕賱兀禺乇賶 廿賱賶 丕賱兀爻賿乇責 廿賳 賴匕賴 丕賱乇賵丕賷丞 賱丕 鬲丨亘爻 丕賱兀賳賮丕爻 賲賳 賮乇胤 丕賱廿孬丕乇丞 賰賲丕 鬲丐賰丿 丕賱賳賷賵賷賵乇賰 鬲丕賷賲夭貙 賵賱丕 鬲丨賰賷 賱賳丕 毓賳 賲睾丕賲乇丞 丨丕賱賲丞 亘賷賳 丕賱卮禺氐賷丕鬲貙 亘賱 賯丿 鬲囟噩乇賰 鬲賮丕氐賷賱 丕賱丨乇亘 賮賷 賮氐賵賱 賰孬賷乇丞貙 亘賱 賴賷 乇賵丕賷丞 賲爻鬲睾賱賯丞貙 賰丿乇賵亘 丕賱賲賮丕夭丞 賱賷賱賸丕貙 鬲賮賯丿 丕賱卮毓賵乇 亘丕賱賵賯鬲 賵丕賱賲賰丕賳貙 賵鬲購卮毓賱賰賻 睾囟亘賸丕 賲賳 丕賱賰丕鬲亘 丕賱匕賷 賷購賮賯丿賽賰 賯丿乇鬲賰 丕賱賵賴賲賷丞 賱賱廿賲爻丕賰 亘胤乇賮賷賿 丕賱禺胤兀 賵丕賱氐賵丕亘.
賴匕賴 丕賱賲乇丞 丕賱兀賵賱賶 丕賱鬲賷 兀賯乇兀 賮賷賴丕 毓賲賱賸丕 賱賷賵爻丕 賵賱賷爻 賲賳 鬲乇噩賲丞 氐丕賱丨 毓賱賲丕賳賷貙 賮賷 亘丕丿卅 丕賱兀賲乇 丕鬲禺匕鬲購 丨匕乇賷貙 亘賷丿賻 兀賳 丕賱兀爻鬲丕匕 兀賲噩丿 丨爻賷賳 賰丕賳 賷購卮毓乇賳賷 亘賳賮爻賴 噩丕賳亘賷 賱丕 鬲賯賱 丿賴卮鬲賴 毓賳賷貙 兀丨爻爻鬲購賴 賯丕乇卅賸丕 賷卮丕乇賰 鬲噩乇亘鬲賴 賲毓 賯丕乇卅 丌禺乇貙 賵兀囟丨賰鬲賳賷 鬲毓賱賷賯丕鬲賴 丕賱亘乇賷卅丞 賮賷 賮賯乇丕鬲 賰孬賷乇丞貙 賮賯丿 賯乇兀 丕賱毓賲賱 亘賳賴賲 賵丕囟丨 賵丕爻鬲馗賴乇 鬲賮丕氐賷賱 丕賱卮禺氐賷丕鬲 毓賳 馗賴乇 賯賱亘貙 賵賰丕賳鬲 鬲乇噩賲鬲賴 兀賲賷賳丞賸 亘賱賷睾丞 賱賲 鬲購卮毓乇賳賷 亘丕禺鬲賱丕賮 毓賳 丕賱乇丕丨賱 氐丕賱丨 毓賱賲丕賳賷-乇丨賲賴 丕賱賱賴- 賵兀乇丿鬲購 亘卮丿丞 賲賳丕賯卮丞 丕賱毓賲賱 賲毓賴 賮賵乇 丕賳鬲賴丕卅賷.
鬲賲鬲.
侉賮亘乇丕賷乇 佗贍佗贍
September 19, 2024
亘毓囟 丕賱兀毓賲丕賱 鬲賰賵賳 賰賯胤毓丞 賮賳賷丞 爻丕丨乇丞 鬲睾丕乇 毓賱賷賴丕貙 賮鬲禺丕賮 兀賳 賱丕 賷鬲賲 鬲賯丿賷乇賴丕 亘丕賱卮賰賱 丕賱賰丕賮賷 賮鬲禺亘卅賴 賲賳 丕賱兀禺乇賷賳 賵賱丕 鬲乇卮丨賴 賱丕丨丿 禺賵賮賸丕 賲賳 兀賳 賱丕 賷鬲賲 鬲賯丿賷乇賴貙 賵丨賷賳賴丕 賯丿 鬲卮毓乇 兀賳賴丕 廿爻丕亍丞 賱賰 賵賴匕丕 賲丕 賮毓賱鬲賴 賲賱丨賲丞 "丨乇亘 賳賴丕賷丞 丕賱毓丕賱賲" 賱賷賵爻丕貙 賮賴匕丕 丕賱毓賲賱 丕賱賵孬丕卅賯賷 賱丨乇亘 兀賴賱賷丞 賯賷 兀賯氐賷 丕賱賯丕乇丞 丕賱賱丕鬲賷賳賷丞 毓賳丿 丕賱亘乇丕夭賷賱貙 賲乇賴賯 賱兀亘毓丿 丨丿 賮賷賰賮賷 丕賱賯賵賱 兀賳 丕賱鬲毓乇賷賮 亘丕賱卮禺氐賷丕鬲 賮賯胤 賵禺賱賮賷鬲賴賲 賰丕賳 賮賷 兀賵賱 孬賱丕孬賲丕卅丞 氐賮丨丞貙 丕賱兀丨丿丕孬 賱賳 鬲亘丿兀 賯亘賱 丕賱賲賳鬲氐賮 賮賷 乇賵丕賷丞 鬲鬲毓丿賷 丕賱鬲爻毓賲丕卅丞 氐賮丨丞貙 賵丕賱卮禺氐賷丕鬲 賰孬賷乇丞 噩丿賸丕 賵賱賰賱 丨夭亘 卮禺氐賷丕鬲賴 賵賱匕賱賰 賰賳鬲 兀鬲亘毓 禺胤賵丕鬲賷 賮賷 丕賱賯乇丕亍丞 亘丕賱賵乇賯丞 賵丕賱賯賱賲 丨鬲賷 賱丕 賷氐賷亘賳賷 丕賱鬲卮鬲鬲.
賴匕丕 丕賱毓賲賱 賴賵 兀賷賯賵賳丞 賷賵爻丕 丕賱禺丕賱丿丞 賲賳 亘賷賳 兀毓賲丕賱賴 丕賱賰孬賷乇丞貙 賯丿 賱丕 賷賰賵賳 丕賱兀賮囟賱 賮賷 賳馗乇 丕賱賰孬賷乇賷賳 賱賰賳賴 亘丕賱鬲兀賰賷丿 丕賱兀賰孬乇 鬲賰丕賲賱賸丕 賵禺賷乇 丿賱賷賱 毓賱賶 賲賵賴亘丞 賷賵爻丕 丕賱毓亘賯乇賷丞 賮賷 丕賱爻乇丿 賵鬲胤賵乇 丕賱卮禺氐賷丕鬲.
賷賵爻丕 廿鬲禺匕 賲賳 丕賱丨乇亘 丕賱兀賴賱賷丞 賱賰丕賳丿賵爻 賱賷乇爻賲 賱賳丕 賰賱 丕賱丨乇賵亘 丕賱賲鬲胤乇賮丞 丕賱鬲賷 鬲賯賵賲 亘廿爻賲 丕賱丿賷賳 賵賲乇賷丿賷賴丕 賮賷 賲賯丕亘賱 丕賱爻賷丕爻賷賳 丕賱賮丕爻丿賷賳 丕賱匕賷賳 賷鬲睾匕賵丕 毓賱賶 賴匕丞 丕賱兀賮毓丕賱 賱賷丨賰賲賵丕 爻賷胤乇鬲賴賲 兀賰孬乇 賵亘賷賳 賮賰賷賴賲 賷鬲賲 賴乇爻 丕賱卮毓亘 賮賷 丕賱賳氐賮 賱賷氐亘丨 賴賵 丕賱禺丕爻乇 丕賱丨賯賷賯賷.
毓丕賲 賰丕賲賱 賵賲丨丕賵賱丕鬲 毓丿賷丿丞 賱乇爻賲 兀賮賰丕乇賷 賵賰鬲丕亘丞 賲乇丕噩毓丞 鬲賱賷賯 亘賴匕丕 丕賱毓賲賱 賱賰賳 賱丕 噩丿賵賷 賮賷賰賮賷 賮賯胤 賳卮乇 廿賳胤亘丕毓賷 賵廿賳亘賴丕乇賷 亘賴匕丕 丕賱毓賲賱 丕賱匕賷 毓噩夭 賯賱賲賷 毓賳 賰鬲丕亘丞 兀賶 卮賷亍 賷賱賷賯 亘賴.
賴匕丕 丕賱毓賲賱 賴賵 兀賷賯賵賳丞 賷賵爻丕 丕賱禺丕賱丿丞 賲賳 亘賷賳 兀毓賲丕賱賴 丕賱賰孬賷乇丞貙 賯丿 賱丕 賷賰賵賳 丕賱兀賮囟賱 賮賷 賳馗乇 丕賱賰孬賷乇賷賳 賱賰賳賴 亘丕賱鬲兀賰賷丿 丕賱兀賰孬乇 鬲賰丕賲賱賸丕 賵禺賷乇 丿賱賷賱 毓賱賶 賲賵賴亘丞 賷賵爻丕 丕賱毓亘賯乇賷丞 賮賷 丕賱爻乇丿 賵鬲胤賵乇 丕賱卮禺氐賷丕鬲.
賷賵爻丕 廿鬲禺匕 賲賳 丕賱丨乇亘 丕賱兀賴賱賷丞 賱賰丕賳丿賵爻 賱賷乇爻賲 賱賳丕 賰賱 丕賱丨乇賵亘 丕賱賲鬲胤乇賮丞 丕賱鬲賷 鬲賯賵賲 亘廿爻賲 丕賱丿賷賳 賵賲乇賷丿賷賴丕 賮賷 賲賯丕亘賱 丕賱爻賷丕爻賷賳 丕賱賮丕爻丿賷賳 丕賱匕賷賳 賷鬲睾匕賵丕 毓賱賶 賴匕丞 丕賱兀賮毓丕賱 賱賷丨賰賲賵丕 爻賷胤乇鬲賴賲 兀賰孬乇 賵亘賷賳 賮賰賷賴賲 賷鬲賲 賴乇爻 丕賱卮毓亘 賮賷 丕賱賳氐賮 賱賷氐亘丨 賴賵 丕賱禺丕爻乇 丕賱丨賯賷賯賷.
鉂� 賰丕賳賵丿賵爻禄 賴賷 丕賱匕乇賷毓丞 丕賱鬲賷 賷爻鬲賳丿 廿賱賷賴丕 乇噩購賱購賴購賲 賰賷 賷賰爻亘 賲夭賷丿丕賸 賲賳 丕賱賲噩丿 賵丕賱爻胤賵丞: 芦賲賵乇賷乇丕 爻賷夭丕乇禄 賷爻丨賯 賲丐丕賲乇丞 賲賱賰賷丞! 芦賲賵乇賷乇丕 爻賷夭丕乇禄 賷賳賯匕 丕賱噩賲賴賵乇賷丞! 兀賱賷爻 賴匕丕 禺賷乇 丿賱賷賱 賲賲賰賳 毓賱賶 兀賳 丕賱噩賷卮 賵丨丿賴 賴賵 丕賱賯丕丿乇 毓賱賶 囟賲丕賳 爻賱丕賲丞 丕賱賵胤賳責 賵賴賰匕丕 賷鬲爻賱賲 丕賱噩賷卮 丕賱爻賱胤丞 爻乇賷毓丕賸貙 賮鬲毓賱賳 芦丕賱噩賲賴賵乇賷丞 丕賱丿賰鬲丕鬲賵乇賷丞禄) .
毓丕賲 賰丕賲賱 賵賲丨丕賵賱丕鬲 毓丿賷丿丞 賱乇爻賲 兀賮賰丕乇賷 賵賰鬲丕亘丞 賲乇丕噩毓丞 鬲賱賷賯 亘賴匕丕 丕賱毓賲賱 賱賰賳 賱丕 噩丿賵賷 賮賷賰賮賷 賮賯胤 賳卮乇 廿賳胤亘丕毓賷 賵廿賳亘賴丕乇賷 亘賴匕丕 丕賱毓賲賱 丕賱匕賷 毓噩夭 賯賱賲賷 毓賳 賰鬲丕亘丞 兀賶 卮賷亍 賷賱賷賯 亘賴.
May 11, 2021
丕蹖賳 讴賱賲賴 賵胤賳 蹖讴 乇賵夭 丕夭 亘蹖賳 賲蹖鈥屫辟堌�. 丌賳 賵賯鬲 賲乇丿賲 亘賴 倬卮鬲 爻乇卮丕賳貙 亘賴 賲丕 賳诏丕賴 賲蹖鈥屭┵嗁嗀� 讴賴 禺賵丿賲丕賳 乇丕 鬲賵蹖 賲乇夭賴丕 丨亘爻 讴乇丿賴 亘賵丿蹖賲 賵 爻乇 趩賳丿 鬲丕 禺胤 乇賵蹖 賳賯卮賴 賴賲丿蹖诏乇 乇丕 賲蹖鈥屭┴簇屬呚� 亘毓丿 賲蹖鈥屭堐屬嗀�: 丕蹖賳鈥屬囏� 毓噩亘 丕丨賲賯鈥屬囏й屰� 亘賵丿賴鈥屫з嗀�
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March 20, 2021
Dalla costa brasiliana al sertao.
Dalla capitale dello Stato di Bahia, Salvador a sperduti e polverosi villaggi.
Siamo in Brasile alla fine del XIX掳 secolo.
La Repubblica 猫 ormai cosa fatta e incede mettendo da parte la Monarchia e il sistema feudale su cui si poggiava compresa la schiavit霉 tanto preziosa per i proprietari terrieri.
Realt脿 storica, mito e fantasia del romanziere costituiscono la materia di questo romanzo epico.
Una storia a forma di spirale dove una miriade di personaggi si avvolge intorno alla figura mitica del Consigliere.
Antonio Vicente Mendes Maciel fu chiamato il Consigliere per la capacit脿 di attirare la gente con le sue prediche dai toni apocalittici che rivendicavano una giustizia celeste ai diseredati della terra:
鈥滻 sertao sarebbero rinverditi con la pioggia, ci sarebbero stati mais e greggi in abbondanza, tutti avrebbero mangiato e ogni famiglia avrebbe potuto seppellire i propri morti in bare rivestite di velluto. Ma, prima, bisognava sconfiggere l'Anticristo.鈥�
Cos矛 Llosa inanella storie di esistenze perdute con la Storia di una nazione sconosciuta a se stessa gi脿 stremata dalla peste e dalla siccit脿.
Straccioni e banditi si trovano a condividere una nuova fede.
Arroccati a Canudos si fanno chiamare jagungos, ossia ribelli, uniti contro il demonio chiamato Repubblica.
Galileo Gall 猫 un anarchico scozzese che spicca perla fisionomia cos矛 differente e i bizzarri ragionamenti che fa.
Incuriosito dagli avvenimenti si domanda:
鈥淚 simboli religiosi, mitici, dinastici sono gli unici capaci di scuotere l'inerzia di masse sottomesse da secoli alla tirannia superstiziosa della chiesa, e per questo il Consigliere li utilizza?鈥�
Come la Vandea, come gli anabattisti. La storia si ripete con quel suo moto circolare.
La fede magnetizza e il numero di seguaci cresce vertiginosamente:
鈥漜ominciavano a essere migliaia diventavano una sola creatura sottomessa e riverente, disposta a dare tutto per colui che era stato capace di giungere fino alla loro prostrazione, alla loro fame e ai loro pidocchi, per infondere speranze e inorgoglirli del loro destino鈥�
Canudos 猫 simbolo dell鈥檌llogico, l鈥檌rrazionale perch茅 tutto ci貌 che esce fuori dagli schemi del senso comune non pu貌 essere accettato: una tragedia annunciata.
Maestoso.
Dalla capitale dello Stato di Bahia, Salvador a sperduti e polverosi villaggi.
Siamo in Brasile alla fine del XIX掳 secolo.
La Repubblica 猫 ormai cosa fatta e incede mettendo da parte la Monarchia e il sistema feudale su cui si poggiava compresa la schiavit霉 tanto preziosa per i proprietari terrieri.
Realt脿 storica, mito e fantasia del romanziere costituiscono la materia di questo romanzo epico.
Una storia a forma di spirale dove una miriade di personaggi si avvolge intorno alla figura mitica del Consigliere.
Antonio Vicente Mendes Maciel fu chiamato il Consigliere per la capacit脿 di attirare la gente con le sue prediche dai toni apocalittici che rivendicavano una giustizia celeste ai diseredati della terra:
鈥滻 sertao sarebbero rinverditi con la pioggia, ci sarebbero stati mais e greggi in abbondanza, tutti avrebbero mangiato e ogni famiglia avrebbe potuto seppellire i propri morti in bare rivestite di velluto. Ma, prima, bisognava sconfiggere l'Anticristo.鈥�
Cos矛 Llosa inanella storie di esistenze perdute con la Storia di una nazione sconosciuta a se stessa gi脿 stremata dalla peste e dalla siccit脿.
Straccioni e banditi si trovano a condividere una nuova fede.
Arroccati a Canudos si fanno chiamare jagungos, ossia ribelli, uniti contro il demonio chiamato Repubblica.
Galileo Gall 猫 un anarchico scozzese che spicca perla fisionomia cos矛 differente e i bizzarri ragionamenti che fa.
Incuriosito dagli avvenimenti si domanda:
鈥淚 simboli religiosi, mitici, dinastici sono gli unici capaci di scuotere l'inerzia di masse sottomesse da secoli alla tirannia superstiziosa della chiesa, e per questo il Consigliere li utilizza?鈥�
Come la Vandea, come gli anabattisti. La storia si ripete con quel suo moto circolare.
La fede magnetizza e il numero di seguaci cresce vertiginosamente:
鈥漜ominciavano a essere migliaia diventavano una sola creatura sottomessa e riverente, disposta a dare tutto per colui che era stato capace di giungere fino alla loro prostrazione, alla loro fame e ai loro pidocchi, per infondere speranze e inorgoglirli del loro destino鈥�
Canudos 猫 simbolo dell鈥檌llogico, l鈥檌rrazionale perch茅 tutto ci貌 che esce fuori dagli schemi del senso comune non pu貌 essere accettato: una tragedia annunciata.
Maestoso.
March 23, 2018
賲賱丨賲丞 賴賷貙 亘兀丨丿丕孬賴丕貙 亘卮禺賵氐賴丕貙 亘賱睾鬲賴丕 賵亘毓賲賯賴丕 丕賱鬲丕乇賷禺賷.
賲賱丨賲丞 賴賷貙 亘兀亘胤丕賱賴丕貙 亘丨乇賵亘賴丕貙 亘丕賳鬲氐丕乇丕鬲賴丕 丕賱爻丕丨賯丞 賵賴夭丕卅賲賴丕 丕賱賲丐賱賲丞.
鬲丨賮丞 兀丿亘賷丞貙 亘禺賷丕賱賴丕貙 亘賵丕賯毓賷鬲賴丕貙 亘廿爻賯丕胤丕鬲賴丕 亘廿賳氐丕賮賴丕 賵鬲噩乇丿賴丕.
賲丕匕丕 賱賵 丕賳亘乇賶 賵丕毓馗 丿賷賳賷 賮賷 夭賲賳 鬲毓賲賾賴 丕賱賮賵囟賶 賮兀毓丕乇 兀爻賲丕毓賴 賱賱賲賴囟賵賲賷賳貙 賵兀賴丿丕賴賲 毓氐丕乇丞 丨賰賲鬲賴 賵兀卮毓賱 賮賷賴賲 噩匕賵丞 丕賱廿賷賲丕賳責
賲丕匕丕 賱賵 丕爻鬲賯胤亘鬲 鬲賱賰 丕賱丿毓賵丞 爻賵丕丿丕賸 毓馗賷賲丕賸 賲賳 丕賱亘丕卅爻賷賳 賵丕賱賷丕卅爻賷賳貙 賲賳 毓鬲丕丞 丕賱賲噩乇賲賷賳 賵噩賴丕亘匕丞 丕賱鬲噩丕乇 賵乇噩丕賱 丕賱丿賷賳 丕賱賱匕賷賳 賱丕 賷賲賱賰賵賳 卮賷卅丕賸 賱賷禺爻乇賵賳賴貙 賵賲丕賷乇賷丿賵賳 廿賱丕 丕賱丨賷丕丞 賮賷 馗賱 毓賯賷丿鬲賴賲 兀賵 丕賱賲賵鬲 丿賵賳賴丕責
賲丕匕丕 爻賷丨丿孬 廿賳 兀乇丕丿鬲 丕賱丿賵賱丞 亘賯囟賴丕 賵賯囟賷囟賴丕 兀賳 鬲爻丨賯 賴匕賴 丕賱丨乇賰丞 賯亘賱 兀賳 賷爻鬲卮乇賷 爻乇胤丕賳賴丕責
賲丕匕丕 爻賷丨丿孬 廿賳 賰丕賳鬲 賴賳丕賰 鬲賳丕賯囟丕鬲 爻賷丕爻賷丞 賵賲乇丕賰夭 賯賵賶 賲鬲賳丕賮乇丞貙 賴賳丕賰 賲賳 賷乇賷丿 乇賰賵亘 丕賱賲賵噩丞貙 賴賳丕賰 賲賳 賷賳爻噩 賲丐丕賲乇丞貙 賴賳丕賰 賲賳 賷賳鬲賵賷 鬲噩賷賷乇賴丕 賱氐丕賱丨賴貙 賵賲賳 賷爻鬲睾賱賴丕 賱賲賰丕賷丿丞 禺氐賵賲賴責
兀賷丕賸 賰丕賳鬲 亘賱丿賰 賵賲賴賲丕 賰丕賳 卮賰賱 鬲丕乇賷禺賰貙 賱丕 亘丿 兀賳 鬲賱丕賲爻 丕賱兀丨丿丕孬 賵鬲乇丕賸-廿賳 賱賲 賷賰賳 廿賵鬲丕乇丕賸- 賮賷 賵噩丿丕賳賰.
鬲賳亘賷賴: 賱賷爻鬲 賴匕賴 賲賱丨賲丞 賲賳 丕賱賳賵毓 丕賱賲賲賱 丕賱匕賷 鬲賲乇 賮賷賴 禺賲爻賵賳 氐賮丨丞 丿賵賳 丨丿孬 賷匕賰乇. 亘賱 賴賷 賰丕賱丿賵丕賲丞 丕賱鬲賷 鬲噩匕亘賰 賮賱丕 鬲賮賱鬲賰.
鬲賳賵賷賴: 賴賷 乇賵丕賷丞 鬲爻鬲賳丿 廿賱賶 兀丨丿丕孬 賵丕賯毓賷丞貙 賱賰賳賴丕 賱賷爻鬲 鬲丕乇賷禺賷丞 噩丕賲丿丞 兀賵 爻賷丕爻賷丞 賲毓賯丿丞貙 亘賱 賴賷 丨賰丕賷丞 賲爻賱賷丞 兀賷囟丕賸 賵賱丕 鬲禺賱賵 賲賳 賱賲爻丕鬲 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞貨 丕賱兀丨丿丕孬 丨賲丕爻賷丞 賱賱睾丕賷丞.
賲賱丕丨馗丞: 丕賱卮禺氐賷丕鬲 賲乇爻賵賲丞 亘亘乇丕毓丞 賲賳賯胤毓丞 丕賱賳馗賷乇. 鬲鬲乇丕賵丨 亘賷賳 丕賱睾乇賷亘 賵丕賱賲兀賱賵賮貙 賱賰賳 兀睾賱亘賴丕 賲賲鬲毓 賵賲丐孬乇. 賱丕 兀匕賰乇 兀賷賳 乇兀賷鬲 賴匕丕 丕賱丨卮丿 賲賳 丕賱卮禺氐賷丕鬲 丕賱乇丕卅毓丞 賮賷 賰鬲丕亘 賵丕丨丿.
禺丕鬲賲丞: 乇賵丕賷丞 丨賷賾丞 賰丕賱丨賷丕丞 賳賮爻賴丕 賵乇亘賲丕 兀賰亘乇. 賱賲 鬲睾亘 毓賳 亘丕賱賷 賴匕賴 丕賱賲賯胤賵毓丞 丕賱賲賵爻賷賯賷丞 胤賵丕賱 賮鬲乇丞 賯乇丕卅鬲賷 賱賱乇賵丕賷丞. 賴賷 賮毓賱丕 鬲氐賵乇 賲夭丕噩賴丕 亘丿賯丞.
賲賱丨賲丞 賴賷貙 亘兀亘胤丕賱賴丕貙 亘丨乇賵亘賴丕貙 亘丕賳鬲氐丕乇丕鬲賴丕 丕賱爻丕丨賯丞 賵賴夭丕卅賲賴丕 丕賱賲丐賱賲丞.
鬲丨賮丞 兀丿亘賷丞貙 亘禺賷丕賱賴丕貙 亘賵丕賯毓賷鬲賴丕貙 亘廿爻賯丕胤丕鬲賴丕 亘廿賳氐丕賮賴丕 賵鬲噩乇丿賴丕.
賲丕匕丕 賱賵 丕賳亘乇賶 賵丕毓馗 丿賷賳賷 賮賷 夭賲賳 鬲毓賲賾賴 丕賱賮賵囟賶 賮兀毓丕乇 兀爻賲丕毓賴 賱賱賲賴囟賵賲賷賳貙 賵兀賴丿丕賴賲 毓氐丕乇丞 丨賰賲鬲賴 賵兀卮毓賱 賮賷賴賲 噩匕賵丞 丕賱廿賷賲丕賳責
賲丕匕丕 賱賵 丕爻鬲賯胤亘鬲 鬲賱賰 丕賱丿毓賵丞 爻賵丕丿丕賸 毓馗賷賲丕賸 賲賳 丕賱亘丕卅爻賷賳 賵丕賱賷丕卅爻賷賳貙 賲賳 毓鬲丕丞 丕賱賲噩乇賲賷賳 賵噩賴丕亘匕丞 丕賱鬲噩丕乇 賵乇噩丕賱 丕賱丿賷賳 丕賱賱匕賷賳 賱丕 賷賲賱賰賵賳 卮賷卅丕賸 賱賷禺爻乇賵賳賴貙 賵賲丕賷乇賷丿賵賳 廿賱丕 丕賱丨賷丕丞 賮賷 馗賱 毓賯賷丿鬲賴賲 兀賵 丕賱賲賵鬲 丿賵賳賴丕責
賲丕匕丕 爻賷丨丿孬 廿賳 兀乇丕丿鬲 丕賱丿賵賱丞 亘賯囟賴丕 賵賯囟賷囟賴丕 兀賳 鬲爻丨賯 賴匕賴 丕賱丨乇賰丞 賯亘賱 兀賳 賷爻鬲卮乇賷 爻乇胤丕賳賴丕責
賲丕匕丕 爻賷丨丿孬 廿賳 賰丕賳鬲 賴賳丕賰 鬲賳丕賯囟丕鬲 爻賷丕爻賷丞 賵賲乇丕賰夭 賯賵賶 賲鬲賳丕賮乇丞貙 賴賳丕賰 賲賳 賷乇賷丿 乇賰賵亘 丕賱賲賵噩丞貙 賴賳丕賰 賲賳 賷賳爻噩 賲丐丕賲乇丞貙 賴賳丕賰 賲賳 賷賳鬲賵賷 鬲噩賷賷乇賴丕 賱氐丕賱丨賴貙 賵賲賳 賷爻鬲睾賱賴丕 賱賲賰丕賷丿丞 禺氐賵賲賴責
兀賷丕賸 賰丕賳鬲 亘賱丿賰 賵賲賴賲丕 賰丕賳 卮賰賱 鬲丕乇賷禺賰貙 賱丕 亘丿 兀賳 鬲賱丕賲爻 丕賱兀丨丿丕孬 賵鬲乇丕賸-廿賳 賱賲 賷賰賳 廿賵鬲丕乇丕賸- 賮賷 賵噩丿丕賳賰.
鬲賳亘賷賴: 賱賷爻鬲 賴匕賴 賲賱丨賲丞 賲賳 丕賱賳賵毓 丕賱賲賲賱 丕賱匕賷 鬲賲乇 賮賷賴 禺賲爻賵賳 氐賮丨丞 丿賵賳 丨丿孬 賷匕賰乇. 亘賱 賴賷 賰丕賱丿賵丕賲丞 丕賱鬲賷 鬲噩匕亘賰 賮賱丕 鬲賮賱鬲賰.
鬲賳賵賷賴: 賴賷 乇賵丕賷丞 鬲爻鬲賳丿 廿賱賶 兀丨丿丕孬 賵丕賯毓賷丞貙 賱賰賳賴丕 賱賷爻鬲 鬲丕乇賷禺賷丞 噩丕賲丿丞 兀賵 爻賷丕爻賷丞 賲毓賯丿丞貙 亘賱 賴賷 丨賰丕賷丞 賲爻賱賷丞 兀賷囟丕賸 賵賱丕 鬲禺賱賵 賲賳 賱賲爻丕鬲 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞貨 丕賱兀丨丿丕孬 丨賲丕爻賷丞 賱賱睾丕賷丞.
賲賱丕丨馗丞: 丕賱卮禺氐賷丕鬲 賲乇爻賵賲丞 亘亘乇丕毓丞 賲賳賯胤毓丞 丕賱賳馗賷乇. 鬲鬲乇丕賵丨 亘賷賳 丕賱睾乇賷亘 賵丕賱賲兀賱賵賮貙 賱賰賳 兀睾賱亘賴丕 賲賲鬲毓 賵賲丐孬乇. 賱丕 兀匕賰乇 兀賷賳 乇兀賷鬲 賴匕丕 丕賱丨卮丿 賲賳 丕賱卮禺氐賷丕鬲 丕賱乇丕卅毓丞 賮賷 賰鬲丕亘 賵丕丨丿.
禺丕鬲賲丞: 乇賵丕賷丞 丨賷賾丞 賰丕賱丨賷丕丞 賳賮爻賴丕 賵乇亘賲丕 兀賰亘乇. 賱賲 鬲睾亘 毓賳 亘丕賱賷 賴匕賴 丕賱賲賯胤賵毓丞 丕賱賲賵爻賷賯賷丞 胤賵丕賱 賮鬲乇丞 賯乇丕卅鬲賷 賱賱乇賵丕賷丞. 賴賷 賮毓賱丕 鬲氐賵乇 賲夭丕噩賴丕 亘丿賯丞.
March 11, 2018
丨乇亘 賳賴丕賷丞 丕賱毓丕賱賲 鈥�..賲丕乇賷賵 亘丕乇睾丕爻 賷賵爻丕
廿賳賰賲 毓賱賶 丨丕賱賰賲 賱廿賳賴 賱賷爻 賱丿賷賰賲 賲丕 鬲兀賰賱賵賳賴貙賱賷爻 賱丿賷賰賲 兀胤亘丕亍 兀賵 丿賵丕亍貙 賵 賱丕賳 賱丕 兀丨丿 賷乇毓丕賰賲 貙 賵賱廿賳賰賲 賮賯乇丕亍.
廿賳 毓賱鬲賰賲 賱賷爻鬲 賵噩賵賴賰賲 丕賱賰丕賱丨丞 丕賱鬲賷 亘賴丕 亘賯丕賷丕 賲乇囟 丕賱噩丿乇賷貙 亘賱 毓賱鬲賰賲 鬲爻賲賶 丕賱馗賱賲貙 賵 兀爻丕亍丞 丕賱賲毓丕賲賱丞賵 丕賱丕爻鬲睾賱丕賱貙 賱丕 鬲爻鬲爻賱賲賵丕 賷丕 兀禺賵丕賳賷貙 賲賳 兀毓賲丕賯 卮賯丕卅賰賲 孬賵乇賵丕.
賲丕乇賷賵 亘丕乇睾丕爻 賷賵爻丕 :賵丕丨丿 賲賳 兀賴賲 丕賱乇賵丕卅賷賷賳 賮賷 丕賱毓丕賱賲 賵兀賰孬乇賴賲 鬲胤賵乇賸丕貙賵兀丨丿 兀賴賲 毓卮乇丞 賰鬲丕亘 賮丕夭賵丕 亘噩丕卅夭丞 賳賵亘賱貙賵賱賷爻 亘睾乇賷亘 兀賳 賳賯賵賱 毓賳賴 兀賳賴 丌禺乇 賲賳 賮丕夭 亘賴丕 賲賳 丕賱毓馗賲丕亍貙賵兀丨丿 兀賴賲 禺賲爻 賰鬲丕亘 賱丕鬲賷賳貙爻胤賾乇 丕爻賲賴 亘丨乇賵賮 賲賳 賳賵乇 賮賷 鬲丕乇賷禺 賮賳 丕賱乇賵丕賷丞 丕賱毓馗賷賲丞貙廿囟丕賮丕鬲賴 賱賴匕丕 丕賱賮賳 賱丕 賷賳賰乇賴丕 廿賱丕 噩丕丨丿貙賵賲賱賰 賯賱賵亘 賲賱丕賷賷賳 賲賳 毓卮丕賯賴 毓亘乇 丕賱毓丕賱賲 兀噩賲毓 亘賲禺鬲賱賮 賱睾丕鬲賴 賵賲噩鬲賲毓丕鬲賴 賵孬賯丕賮丕鬲賴.
賴匕賴 丕賱乇賵丕賷丞 賴賷 賲賱丨賲丞 賷賵爻丕 丕賱禺丕氐丞貙 賵賱賷爻 亘睾乇賷亘 兀賳賴 賷毓鬲亘乇賴丕 兀毓馗賲 賰鬲丕亘丕鬲賴貙 賮賮賷賴丕 賳乇賶 賵噩賴 丌禺乇 賱賷賵爻丕 睾賷乇 丕賱匕賷 乇兀賷賳丕賴貙 賮賮賷 丨賮賱丞 丕賱鬲賷爻 乇兀賷賳丕 鬲賯丿賷賲 賮匕 賱賱丿賷賰鬲丕鬲賵乇 賵兀孬乇賴 毓賱賶 卮毓亘賴 賵丕賱賲丨賷胤賷賳 亘賴 賵鬲兀孬賷乇賴 毓賱賷賴賲貙 賵賮賷 丕賲鬲丿丕丨 丕賱禺丕賱丞 乇兀賷賳丕 丕賱卮賷胤丕賳 丕賱丨賷 丕賱賲鬲賲孬賱 賮賷 胤賮賱 氐睾賷乇 丕丨鬲乇賮 丕賱睾賵丕賷丞 亘賮胤乇丞 賲乇賷亘丞貙 賵毓亘乇 賰賱 乇賵丕賷丞 賱賷賵爻丕 乇兀賷賳丕 賵噩賴 禺賮賷 賱賱丨賷丕丞貙賵氐乇丞 賲禺鬲賱賮丞 賱賴丕貙 賵賱賰賳 賴賳丕 賳乇賶 賷賵爻丕 丌禺乇貙賷賵爻丕 丕賱賲丐乇禺 賵丕賱賲賮賰乇 賵丕賱孬丕卅乇貙賳乇賶 丕賱噩賲賴賵乇賷 賵丕賱賲賱賰賷貙賳乇賶 丕賱賲鬲丿賷賳 賵丕賱賲賱丨丿貙賳乇賶 丕賱鬲賯賱賷丿賷 賵丕賱賲鬲丨乇乇貙賱賳賰鬲卮賮 賮賷 丕賱賲賴丕賷丞 毓丕賱賲 丌禺乇 賳噩丨 賷賵爻丕 賮賷 禺賱賯賴 賵噩匕亘 丕賱賯丕乇卅 賱賴.
賱賵 賱賲 賷賰賳 廿爻賲 賷賵爻丕 毓賱賶 丕賱乇賵丕賷丞 賱丕毓鬲賯丿鬲 兀賳賴丕 乇賵丕賷丞 賱賰丕鬲亘 亘乇丕夭賷賱賷 賮賷 丕賱亘丿丕賷丞貙噩賵賾 丕賱乇賵丕賷丞 賵兀丨丿丕孬賴丕 賵卮禺氐賷丕鬲賴丕 亘乇丕夭賷賱賷丞 噩丿丕貙賵亘丕賱鬲丿乇賷噩 賷賳賯卮毓 丕賱睾賲丕賲 毓賳 禺丿毓丞 賷賵爻丕 丕賱賰亘乇賶.
賰丕賳 賲賳 丕賱賲禺胤胤 兀賳 賷賰鬲亘 賷賵爻丕 爻賷賳丕乇賷賵 毓賳 兀丨丿丕孬 丕賱丨乇亘 丕賱鬲賷 丕賳丿賱毓鬲 賮賷 丕賱亘乇丕夭賷賱 賮賷 兀賵丕禺乇 丕賱賯乇賳 丕賱19 賲毓鬲賲丿賸丕 毓賱賶 賰鬲丕亘 賱氐丨賮賷 亘乇鬲睾丕賱賷貙 賵毓賳丿賲丕 賮卮賱 賲卮乇賵毓 丕賱爻賷賳丕乇賷賵 (賵賴匕丕 賲賳 丨爻賳 丨馗賳丕) 賱賷爻胤乇 賲賳 禺賱丕賱 丕賱賰鬲丕亘 乇賵丕賷鬲賴 鬲賱賰 賵賲賱丨賲鬲賴 丕賱兀丿亘賷丞 丕賱禺丕氐丞貙賮賴賵 兀賷囟賸丕 賷賵爻丕貙 賱丕 賷賯賱 亘丨丕賱 毓賳 鬲賵賱爻鬲賵賷 賵賲丕乇賰賷夭 賵睾賷乇賴賲 賲賲賳 丕亘鬲丿毓賵丕 賲賱丕丨賲賴賲 丕賱囟禺賲丞.
賲賱丨賲丞 賷賵爻丕 丕賱囟禺賲丞 賵丕賱鬲賷 賲賱兀賴丕 亘毓卮乇丕鬲 丕賱卮禺氐賷丕鬲貙賵賱賰賳 賲賳 賴賲 賴丐賱丕亍 噩賲賷毓丕賸責 賵賲丕匕丕 賷賮毓賱賵賳 賴賳丕 毓賱賶 氐賮丨丕鬲 賴匕丕 丕賱賰鬲丕亘責 丕賳賴賲 亘乇丕夭賷賱賷賵 丕賱爻賳賵丕鬲 丕賱兀禺賷乇丞 賯亘賱 亘丿丕賷丞 丕賱賯乇賳 丕賱毓卮乇賷賳: 賲賳 賳丕丨賷丞 兀賳氐丕乇 丕賱噩賲賴賵乇賷丞 丕賱賵賱賷丿丞 賯亘賱 爻賳丞 賵丕丨丿丞 廿孬乇 廿賳賯賱丕亘 噩賲賴賵乇賷 兀胤丕丨 亘丕賱賲賱賰賷丞 貙亘賲丕 賮賷 匕賱賰 丕賱兀丨夭丕亘 丕賱賲鬲氐丕乇毓丞 賵爻賰丕賳 丕賱賲丿賳 賵丕賱鬲噩丕乇 賵丕賱賲孬賯賮賵賳. 賵賲賳 賳丕丨賷丞 孬丕賳賷丞 丕賳氐丕乇 賲爻賷丨 噩丿賷丿 兀鬲賶 賱賷亘卮乇賴賲 亘賳賴丕賷丞 賱毓丕賱賲賴賲 賮賷 丕賱毓丕賲 1900 賵 賷夭毓賲 丕賳賴 賲亘毓賵孬 丕賱毓賳丕賷丞 丕賱廿賱賴賷丞 賱禺賱丕氐 丕賱亘卮乇 賯亘賱 丨賱賵賱 丕賱賳賴丕賷丞貙 賵賱丕 賳毓乇賮 毓賳 賴匕丕 丕賱賲爻賷丨 廿賱丕 賰丕乇賷夭賲丕 胤丕睾賷丞 賵毓亘丕亍丞 兀乇噩賵丕賳賷丞 賵賳丨丕賮丞 卮丿賷丞 賵亘賱丕睾丞 鬲爻丨乇 賲賳 賷爻賲毓賴貙賵賲賳 鬲賱賰 丕賱兀爻賱丨丞 丕賱亘爻賷胤丞 丕爻鬲胤丕毓 兀賳 賷賲鬲賱賰 賯賱賵亘 鬲丕亘毓賷賳 丌賲賳賵丕 亘賴 賵亘亘乇賰鬲賴 賵亘氐丿賯 賰賱丕賲賴貙賵賲毓馗賲賴賲 賲賳 丨孬丕賱丞 丕賱亘卮乇 賵胤亘賯丕鬲賴賲 丕賱丿賳賷丕 賵丕賱賲噩乇賲賷賳 賵丕賱亘爻胤丕亍 貙賵馗賱 賷丿毓賵 賱爻賳賷賳 胤賵賷賱丞 賵賱丕 賷賱鬲賮鬲 賱賴 兀丨丿 貙賵賱賰賳 毓賳丿 丕賳丿賱丕毓 丕賱噩賲賴賵乇賷丞 兀賯賳毓 丕賱賳丕爻 兀賳 丕賱噩賲賴賵乇賷丞 賲丕賴賷 廿賱丕 賲丐丕賲乇丞 賰賵賳賷丞 賵丿賷賳賷丞 毓賱賷賴賲 賮丕賱鬲賮 丨賵賱賴 丕賱丌賱丕賮 賵爻毓賵丕 賲毓賴 賱鬲兀爻賷爻 賲賲賱賰丞 丕賱乇亘 毓賱賶 丕賱兀乇囟.
賵毓亘乇 毓卮乇丕鬲 丕賱亘卮乇 賵賯氐氐賴賲貙賵賰孬賷乇 賲賳 丕賱兀丨丿丕孬 丕賱賲鬲乇丕亘胤丞 賲賳賴丕 賵丕賱睾賷乇 賲乇鬲亘胤丞貙賵鬲賵丕乇賷禺 毓丿賷丿丞貙賵賲毓丕乇賰 鬲賳鬲賴賷 亘爻賮賰 賰孬賷賮 賱賱丿賲丕亍貙兀賯丕賲 賷賵爻丕 丨乇亘賴 丕賱禺丕氐賴 賵賲毓乇賰鬲賴 丕賱禺丕氐丞 賵乇賲夭賷鬲賴 丕賱禺丕氐丞貙賮賲賳 賷賳鬲氐乇貙賵賲丕 鬲賱賰 丕賱賯爻賲丞 丕賱賲賳鬲卮乇丞 賮賷 丕賱毓丕賱賲貙賴賱 丕賱噩賴賱 賵丕賱鬲禺賱賮 賵丕賱丕毓鬲賯丕丿丕鬲 丕賱賲夭賷賮丞 賱賱丿賷賳貙賴賱 賰賱 賴匕丕 賱賱賮賯賷乇貙賮賷 丨賷賳 賷賲鬲賱賰 丕賱睾賳賷 爻賱丕丨 賵噩賳賵丿 賷賯鬲賱賵賳 亘賴 丕賱亘卮乇責
賰賷賮 鬲爻賷乇 丕賱兀賲賵乇 毓賱賶 賴匕賴 丕賱兀乇囟責 賵賰賷賮 爻鬲賳鬲賴賷責丕賱賲賳胤賯 賷賯賵賱 兀賳 賳賴丕賷丞 丕賱乇賵丕賷丞 賴賷 丕賱睾丕賱亘丞貙賵賱賰賳 賲丕匕丕 毓賳 賯賱賵亘 丕賱孬賵丕乇 賮賷 賲禺鬲賱賮 丕賱毓丕賱賲責賲丕匕丕 毓賳 丕賱賲丐賲賳賷賳 賵丕賱賲毓鬲賯丿賷賳 亘賲亘丕丿卅 爻丕賲賷丞 賵兀賴丿丕賮 賳亘賷賱丞貙賵賱賰賳賴賲 賱丕 賷賲鬲賱賰賵賳 丕賱亘賳丿賯賷丞貙賲丕匕丕 爻鬲賰賵賳 賳賴丕賷鬲賴賲責
丕賱乇賵丕賷丞 鬲賲孬賱 賵噩亘丞 丿爻賲丞貙鬲賮賯丿 丕賱賳胤賯 亘毓丿 賯乇丕卅鬲賴丕 賵爻鬲賯賮 賲賳亘賴乇 兀賲丕賲 亘丿賷毓 氐賳毓 丕賱賰丕鬲亘貙賲賳 兀賷賳 兀鬲賶 賱賴 賰賱 賴匕賴 丕賱禺賷丕賱 賱賷賰鬲亘 賰賱 鬲賱賰 丕賱兀丨丿丕孬 賵丕賱卮禺氐賷丕鬲 賵賷馗賱 賲鬲丨賰賲 亘夭賲丕賲 乇賵丕賷鬲賴 亘爻賱丕爻丞 賲爻鬲賮夭丞責賲賳 兀賷賳 賱賴 丕賱毓亘賯乇賷丞 賮賷 丕賱賰鬲丕亘丞 亘兀毓氐丕亘 亘丕乇丿丞 毓賳 丿賲 賷購爻賮賰 賵亘卮乇 賷購賯鬲賱賵丕 賵賲亘丕丿卅 鬲囟賷毓責
毓馗賲丞 丕賱兀丿亘 賮賷 亘賯丕亍賴 賵氐賱丕丨賴 賱賰賱 夭賲丕賳 賵賲賰丕賳貙賵賷賵爻丕 賳丕噩丨 賮賷 匕賱賰 亘丕賯鬲丿丕乇貙賮賯丿 賳噩丨 賮賷 鬲丨賵賷賱 丨乇亘 廿賯賱賷賲賷丞 賲賳匕 兀賰孬乇 賲賳 賯乇賳 賱賯囟賷丞 毓丕賱賲賷丞 亘賲夭賷丞 噩毓賱鬲賴丕 賯囟賷丞 賰賱 賲噩鬲賲毓.
January 14, 2023
I had read a couple of Vargas Llosa books years ago, in Spanish, when I lived in South America and my Spanish was still OK, and I remembered him as a witty, sexy, playful writer. I'm not sure if I have changed, he has changed, my memory is bad, or if this is just a very different book from the ones I read previously. In any case, the overall tone here is as far removed from those three adjectives as possible 鈥� relentless oppressiveness is the keynote instead.
Which perhaps is appropriate, since the subject is the War of Canudos, an obscure civil conflict in backlands Brazil at the end of the nineteenth century. Gathered around the enigmatic figure of Ant么nio Conselheiro 鈥� 鈥榯he Counselor鈥� 鈥� a group of rural villagers, outcasts and former bandits form a breakaway religious community, which holds out against the state before being, inevitably, crushed by the weight of the country's military.
How do you tell a story like this? And for that matter, why do you want to? The two questions are related, I think. I was waiting to discover Vargas Llosa's thoughts on the wider significance of Canudos, or perhaps his exploration of the mindset that led people to join such a movement. But in fact, neither of these things feature much in the book. There are hints that the conflict was interpreted as a struggle 鈥榦f the seacoast against the interior鈥f the new Brazil against traditional Brazil鈥�, but these hints are not developed very far. Similarly, near the end, one character wonders (as well he might),
And nor do I! But we ain't going to get anything else. The point, perhaps, is that there are no easy explanations, but if so, this is a rather banal point to labour 680 pages on.
Instead, Vargas Llosa's intention seems to be simply to narrate the events of the conflict, in what I'm going to call punishing detail. In the absence of any clear thematic guidance, one event succeeds another in a kind of narrative wasteland where sexual rivalry, rape, violence and military logistics repeat themselves over and over again. There were four military expeditions against Canudos. You could imagine a book which just told the story of the final one, with perhaps some decisive flashbacks to earlier events. But here we get all four of them, with a level of granularity and repetition that 鈥� admittedly 鈥� does have a kind of cumulative power, but it's the slow power of glaciers, or continental drift.
The cast is very large, as Vargas Llosa tells the story by means of a Tolstoyan cross-section of society, ranging across professions, classes and backgrounds. Yet where in Tolstoy this makes everything feel orchestral, polyphonic, here by contrast the effect is frustratingly monotone. Everyone, whoever they are, seems to be in the grip of the same degradation, confusion, and stultifying machismo. Female characters are introduced with throwaway comments like, 鈥楽he had cut all her hair off herself after being raped for the fourth time鈥�, and indeed sexual victimisation is the prime characteristic of all the women here 鈥� which doubtless has its historical accuracy, but it would have been nice to see these attitudes examined a bit more.
The translation, by Helen R Lane, is really good for the most part, though I found it a bit annoying that the character of El Beatito (a workable handle in Spanish) is translated as 鈥榯he Little Blessed One鈥�, which sounds deeply unlikely in English. There is a nice scattering of Brazilian vocabulary throughout the novel 鈥� mostly details of the local flora and fauna 鈥� yet the writing in general is quite utilitarian, and scorns the playful prose that I had remembered from other Vargas Llosa books. There is a sense that he is writing every line with an awareness of his subject's importance, and although this helps maintain a serious tone, it also feels laborious at times.
What is this book for? I kept asking myself. It's based heavily on the non-fictional account Os 厂别谤迟玫别蝉 by Euclides da Cunha, a journalist who accompanied the army on the Canudos campaign, and da Cunha is (I'm assuming) immortalised here in the character of the unnamed 鈥榥earsighted journalist鈥�, who's the closest thing the novel has to a hero. I would really like to read his book and get a feel for how far Vargas Llosa has deviated from the source material; maybe then I would have a clearer sense of what he hopes the novel should achieve. As it is, though the conclusion has an undeniable power, it feels like it's a hell of a long time coming.
Which perhaps is appropriate, since the subject is the War of Canudos, an obscure civil conflict in backlands Brazil at the end of the nineteenth century. Gathered around the enigmatic figure of Ant么nio Conselheiro 鈥� 鈥榯he Counselor鈥� 鈥� a group of rural villagers, outcasts and former bandits form a breakaway religious community, which holds out against the state before being, inevitably, crushed by the weight of the country's military.
How do you tell a story like this? And for that matter, why do you want to? The two questions are related, I think. I was waiting to discover Vargas Llosa's thoughts on the wider significance of Canudos, or perhaps his exploration of the mindset that led people to join such a movement. But in fact, neither of these things feature much in the book. There are hints that the conflict was interpreted as a struggle 鈥榦f the seacoast against the interior鈥f the new Brazil against traditional Brazil鈥�, but these hints are not developed very far. Similarly, near the end, one character wonders (as well he might),
What is the explanation of Canudos? Hereditary defects of people of mixed blood? Lack of education? A predisposition toward barbarism on the part of men who are accustomed to violence and who resist civilization out of atavism? Something to do with religion, with God? He finds none of these explanations satisfactory.
And nor do I! But we ain't going to get anything else. The point, perhaps, is that there are no easy explanations, but if so, this is a rather banal point to labour 680 pages on.
Instead, Vargas Llosa's intention seems to be simply to narrate the events of the conflict, in what I'm going to call punishing detail. In the absence of any clear thematic guidance, one event succeeds another in a kind of narrative wasteland where sexual rivalry, rape, violence and military logistics repeat themselves over and over again. There were four military expeditions against Canudos. You could imagine a book which just told the story of the final one, with perhaps some decisive flashbacks to earlier events. But here we get all four of them, with a level of granularity and repetition that 鈥� admittedly 鈥� does have a kind of cumulative power, but it's the slow power of glaciers, or continental drift.
The cast is very large, as Vargas Llosa tells the story by means of a Tolstoyan cross-section of society, ranging across professions, classes and backgrounds. Yet where in Tolstoy this makes everything feel orchestral, polyphonic, here by contrast the effect is frustratingly monotone. Everyone, whoever they are, seems to be in the grip of the same degradation, confusion, and stultifying machismo. Female characters are introduced with throwaway comments like, 鈥楽he had cut all her hair off herself after being raped for the fourth time鈥�, and indeed sexual victimisation is the prime characteristic of all the women here 鈥� which doubtless has its historical accuracy, but it would have been nice to see these attitudes examined a bit more.
The translation, by Helen R Lane, is really good for the most part, though I found it a bit annoying that the character of El Beatito (a workable handle in Spanish) is translated as 鈥榯he Little Blessed One鈥�, which sounds deeply unlikely in English. There is a nice scattering of Brazilian vocabulary throughout the novel 鈥� mostly details of the local flora and fauna 鈥� yet the writing in general is quite utilitarian, and scorns the playful prose that I had remembered from other Vargas Llosa books. There is a sense that he is writing every line with an awareness of his subject's importance, and although this helps maintain a serious tone, it also feels laborious at times.
What is this book for? I kept asking myself. It's based heavily on the non-fictional account Os 厂别谤迟玫别蝉 by Euclides da Cunha, a journalist who accompanied the army on the Canudos campaign, and da Cunha is (I'm assuming) immortalised here in the character of the unnamed 鈥榥earsighted journalist鈥�, who's the closest thing the novel has to a hero. I would really like to read his book and get a feel for how far Vargas Llosa has deviated from the source material; maybe then I would have a clearer sense of what he hopes the novel should achieve. As it is, though the conclusion has an undeniable power, it feels like it's a hell of a long time coming.
September 1, 2023
I loved Russian novels when I was young and read and reread every Tolstoy and Dostoevsky and other 18th and 19th century novelists I could get my hands on (in English). When I was in my late twenties, I remembered being so thrilled to have found a "major" Tolstoy that I hadn't read or even known (Resurrection, which actually turned out to be sort of mediocre). I think I might even have called in sick to stay home and read it, straight through, twice. Finding this book was similar, except better - I've discovered a book that has rocketed right to the top of my most cherished works. It's like an earthquake has changed my mental landscape, making room for the places and people of this book, the story and the issues Vargas Llosa covers, the humanity and heart, spirit and community, good and bad that he packs into the pages. I'm overwhelmed.
June 15, 2024
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April 22, 2018
螌蟿伪谓 尉蔚魏委谓畏蟽伪 谓伪 蟿慰 未喂伪尾维味蠅 未蔚谓 蔚委蠂伪 魏伪蟿伪位维尾蔚喂 慰蟿喂 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 魏伪喂 未蔚谓 蔚委蠂伪 尉伪谓伪魏慰蠉蟽蔚喂 蟺慰蟿苇 纬喂伪 蟿慰 螝伪谓慰蠉未慰蟼 蟿畏蟼 螔蟻伪味喂位委伪蟼.螇蟿伪谓 渭喂伪 蔚谓蟿蔚位蠋蟼 维纬谓蠅蟽蟿畏 蟽蔚 渭苇谓伪 喂蟽蟿慰蟻委伪 魏伪喂 蟽蟿畏谓 伪蟻蠂萎 蟿慰 未喂维尾伪味伪 位委纬慰 伪未喂维蠁慰蟻伪 伪位位维 蟺慰位蠉 纬蟻萎纬慰蟻伪 渭蔚 蟿蟻维尾畏尉蔚 渭苇蟽伪 蟿畏蟼 魏伪喂 尾蟻苇胃畏魏伪 谓伪 蠄维蠂谓蠅 蟺位畏蟻慰蠁慰蟻委蔚蟼 魏伪喂 蠁蠅蟿慰纬蟻伪蠁委蔚蟼 蟽蟿慰 google.
螆谓伪蟼 "渭蔚蟽蟽委伪蟼"-蠁伪谓伪蟿喂魏蠈蟼 蟺蔚蟻喂蠁苇蟻蔚蟿伪喂 纬喂伪 蠂蟻蠈谓喂伪 蟽蟿畏谓 蠁蟿蠅蠂萎 魏伪喂 维谓蠀未蟻畏 蟺蔚蟻喂慰蠂萎 蟿慰蠀 危蔚蟻蟿维慰 渭伪味蔚蠉慰谓蟿伪蟼 蟽喂纬维 蟽喂纬维 纬蠉蟻蠅 蟿慰蠀 魏维胃蔚 魏伪蟻蠀未喂维蟼 魏伪蟻蠉未喂 ,伪蟺慰 蠁蟿蠅蠂慰蠉蟼 蟺慰蠀 未蔚谓 苇蠂慰蠀谓 蟽蟿慰谓 萎位喂慰 渭慰委蟻伪 渭苇蠂蟻喂 未喂伪尾蠈畏蟿慰蠀蟼 位畏蟽蟿苇蟼 魏伪喂 尾喂伪蟽蟿苇蟼 蟺慰蠀 伪蟺慰蠁伪蟽委味慰蠀谓 谓伪 伪位位维尉慰蠀谓 味蠅萎 魏伪喂 谓伪 伪魏慰位慰蠀胃萎蟽慰蠀谓 蟿慰谓 "维纬喂慰".螌蟿伪谓 蠈位慰喂 伪蠀蟿慰委,慰喂 蠂喂位喂维未蔚蟼 蟺喂伪 维谓胃蟻蠅蟺慰喂, 魏伪蟿伪蟺伪蟿慰蠉谓 渭喂伪 蟺蔚蟻喂慰蠂萎 蟽蟿慰 螝伪谓慰蠉未慰蟼 魏伪喂 未畏渭喂慰蠀蟻纬慰蠉谓 苇谓伪 蔚委未慰蟼 魏慰渭渭慰蠉谓伪蟼,伪渭蠁喂蟽尾畏蟿蠋谓蟿伪蟼 蟿畏谓 魏蔚谓蟿蟻喂魏萎 魏蠀尾苇蟻谓畏蟽畏,伪蟻谓慰蠉渭蔚谓慰喂 谓伪 蠂蟻畏蟽喂渭慰蟺慰喂畏蟽慰蠀谓 蠂蟻萎渭伪蟿伪 魏伪喂 蟽蟿蟻蔚蠁蠈渭蔚谓慰喂 魏伪蟿维 蟿畏蟼 谓蔚慰蟽蠉蟽蟿伪蟿畏蟼 未畏渭慰魏蟻伪蟿委伪蟼 蟿畏谓 慰蟺慰委伪 胃蔚蠅蟻慰蠉谓 蟿慰蠀 未喂伪尾蠈位慰蠀,伪蟻蠂委味慰蠀谓 蟿伪 蟺蟻慰尾位萎渭伪蟿伪.螚 魏蠀尾苇蟻谓畏蟽畏 伪蟻蠂委味蔚喂 谓伪 蟿慰蠀蟼 蟺伪委蟻谓蔚喂 蟽蟿伪 蟽慰尾伪蟻维,谓伪 蟿慰蠀蟼 胃蔚蠅蟻蔚委 蔚蟺喂魏委谓未蠀谓慰蠀蟼,蟽蟿苇位谓蔚喂 蔚谓伪谓蟿委慰谓 蟿慰蠀蟼 蟽蟿蟻伪蟿蠈 魏伪喂 尉蔚魏喂谓维蔚喂 慰 蟺蠈位蔚渭慰蟼 蟿畏蟼 蟽蠀谓蟿苇位蔚喂伪蟼 蟿慰蠀 魏蠈蟽渭慰蠀.
螘委谓伪喂 渭喂伪 喂蟽蟿慰蟻委伪 慰蟺慰蠀 蠈位慰喂 苇蠂慰蠀谓 魏伪喂 未委魏喂慰 魏伪喂 维未喂魏慰 ,慰蟺慰蠀 未蔚谓 蠀蟺维蟻蠂蔚喂 维蟽蟺蟻慰 渭伪蠉蟻慰,蟽蠂蔚未蠈谓 蠈位慰喂 慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 魏维蟺慰喂伪 蟽蟿喂纬渭萎 胃伪 蟽蔚 伪蟺慰纬慰畏蟿蔚蠉蟽慰蠀谓,蟽蠂蔚未慰谓 蠈位慰蠀蟼 魏维蟺慰喂伪 蟽蟿喂纬渭萎 胃伪 蟿慰蠀蟼 胃伪蠀渭维蟽蔚喂蟼.螖蔚谓 蠀蟺维蟻蠂慰蠀谓 维纬喂慰喂.违蟺维蟻蠂蔚喂 蠈渭蠅蟼 蠁伪谓伪蟿喂蟽渭蠈蟼.螝伪喂 畏蟻蠅喂蟽渭蠈蟼.螠蠈谓慰 蟺慰蠀 伪蠀蟿维 蟿伪 未蠀慰 蟽蠀蠂谓维 蟽蠀谓未苇慰谓蟿伪喂.
螚 伪蠁萎纬畏蟽畏 渭伪蟼 未蔚委蠂谓蔚喂 伪谓胃蟻蠋蟺慰蠀蟼 魏伪喂 伪蟺慰 蟿喂蟼 未蠀慰 蟺位蔚蠀蟻苇蟼.螣喂 喂蟽蟿慰蟻委蔚蟼 伪谓胃蟻蠋蟺喂谓蔚蟼,蟽蠀纬魏位慰谓喂蟽蟿喂魏苇蟼,伪谓伪蟿蟻喂蠂喂伪蟽蟿喂魏苇蟼,蠁蟻喂魏喂伪蟽蟿喂魏苇蟼 魏维蟺慰喂蔚蟼 蠁慰蟻苇蟼 ,魏伪喂 蟿慰蟽慰 伪位畏胃喂谓苇蟼 蟺慰蠀 魏伪渭喂维 蠁慰蟻维 蟽慰蠀 蟽畏魏蠋谓蔚蟿伪喂 畏 蟿蟻委蠂伪.
螆谓伪 蟺蟻伪纬渭伪蟿喂魏维 蔚魏蟺位畏魏蟿喂魏蠈 尾喂尾位委慰.
螆谓伪蟼 "渭蔚蟽蟽委伪蟼"-蠁伪谓伪蟿喂魏蠈蟼 蟺蔚蟻喂蠁苇蟻蔚蟿伪喂 纬喂伪 蠂蟻蠈谓喂伪 蟽蟿畏谓 蠁蟿蠅蠂萎 魏伪喂 维谓蠀未蟻畏 蟺蔚蟻喂慰蠂萎 蟿慰蠀 危蔚蟻蟿维慰 渭伪味蔚蠉慰谓蟿伪蟼 蟽喂纬维 蟽喂纬维 纬蠉蟻蠅 蟿慰蠀 魏维胃蔚 魏伪蟻蠀未喂维蟼 魏伪蟻蠉未喂 ,伪蟺慰 蠁蟿蠅蠂慰蠉蟼 蟺慰蠀 未蔚谓 苇蠂慰蠀谓 蟽蟿慰谓 萎位喂慰 渭慰委蟻伪 渭苇蠂蟻喂 未喂伪尾蠈畏蟿慰蠀蟼 位畏蟽蟿苇蟼 魏伪喂 尾喂伪蟽蟿苇蟼 蟺慰蠀 伪蟺慰蠁伪蟽委味慰蠀谓 谓伪 伪位位维尉慰蠀谓 味蠅萎 魏伪喂 谓伪 伪魏慰位慰蠀胃萎蟽慰蠀谓 蟿慰谓 "维纬喂慰".螌蟿伪谓 蠈位慰喂 伪蠀蟿慰委,慰喂 蠂喂位喂维未蔚蟼 蟺喂伪 维谓胃蟻蠅蟺慰喂, 魏伪蟿伪蟺伪蟿慰蠉谓 渭喂伪 蟺蔚蟻喂慰蠂萎 蟽蟿慰 螝伪谓慰蠉未慰蟼 魏伪喂 未畏渭喂慰蠀蟻纬慰蠉谓 苇谓伪 蔚委未慰蟼 魏慰渭渭慰蠉谓伪蟼,伪渭蠁喂蟽尾畏蟿蠋谓蟿伪蟼 蟿畏谓 魏蔚谓蟿蟻喂魏萎 魏蠀尾苇蟻谓畏蟽畏,伪蟻谓慰蠉渭蔚谓慰喂 谓伪 蠂蟻畏蟽喂渭慰蟺慰喂畏蟽慰蠀谓 蠂蟻萎渭伪蟿伪 魏伪喂 蟽蟿蟻蔚蠁蠈渭蔚谓慰喂 魏伪蟿维 蟿畏蟼 谓蔚慰蟽蠉蟽蟿伪蟿畏蟼 未畏渭慰魏蟻伪蟿委伪蟼 蟿畏谓 慰蟺慰委伪 胃蔚蠅蟻慰蠉谓 蟿慰蠀 未喂伪尾蠈位慰蠀,伪蟻蠂委味慰蠀谓 蟿伪 蟺蟻慰尾位萎渭伪蟿伪.螚 魏蠀尾苇蟻谓畏蟽畏 伪蟻蠂委味蔚喂 谓伪 蟿慰蠀蟼 蟺伪委蟻谓蔚喂 蟽蟿伪 蟽慰尾伪蟻维,谓伪 蟿慰蠀蟼 胃蔚蠅蟻蔚委 蔚蟺喂魏委谓未蠀谓慰蠀蟼,蟽蟿苇位谓蔚喂 蔚谓伪谓蟿委慰谓 蟿慰蠀蟼 蟽蟿蟻伪蟿蠈 魏伪喂 尉蔚魏喂谓维蔚喂 慰 蟺蠈位蔚渭慰蟼 蟿畏蟼 蟽蠀谓蟿苇位蔚喂伪蟼 蟿慰蠀 魏蠈蟽渭慰蠀.
螘委谓伪喂 渭喂伪 喂蟽蟿慰蟻委伪 慰蟺慰蠀 蠈位慰喂 苇蠂慰蠀谓 魏伪喂 未委魏喂慰 魏伪喂 维未喂魏慰 ,慰蟺慰蠀 未蔚谓 蠀蟺维蟻蠂蔚喂 维蟽蟺蟻慰 渭伪蠉蟻慰,蟽蠂蔚未蠈谓 蠈位慰喂 慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 魏维蟺慰喂伪 蟽蟿喂纬渭萎 胃伪 蟽蔚 伪蟺慰纬慰畏蟿蔚蠉蟽慰蠀谓,蟽蠂蔚未慰谓 蠈位慰蠀蟼 魏维蟺慰喂伪 蟽蟿喂纬渭萎 胃伪 蟿慰蠀蟼 胃伪蠀渭维蟽蔚喂蟼.螖蔚谓 蠀蟺维蟻蠂慰蠀谓 维纬喂慰喂.违蟺维蟻蠂蔚喂 蠈渭蠅蟼 蠁伪谓伪蟿喂蟽渭蠈蟼.螝伪喂 畏蟻蠅喂蟽渭蠈蟼.螠蠈谓慰 蟺慰蠀 伪蠀蟿维 蟿伪 未蠀慰 蟽蠀蠂谓维 蟽蠀谓未苇慰谓蟿伪喂.
螚 伪蠁萎纬畏蟽畏 渭伪蟼 未蔚委蠂谓蔚喂 伪谓胃蟻蠋蟺慰蠀蟼 魏伪喂 伪蟺慰 蟿喂蟼 未蠀慰 蟺位蔚蠀蟻苇蟼.螣喂 喂蟽蟿慰蟻委蔚蟼 伪谓胃蟻蠋蟺喂谓蔚蟼,蟽蠀纬魏位慰谓喂蟽蟿喂魏苇蟼,伪谓伪蟿蟻喂蠂喂伪蟽蟿喂魏苇蟼,蠁蟻喂魏喂伪蟽蟿喂魏苇蟼 魏维蟺慰喂蔚蟼 蠁慰蟻苇蟼 ,魏伪喂 蟿慰蟽慰 伪位畏胃喂谓苇蟼 蟺慰蠀 魏伪渭喂维 蠁慰蟻维 蟽慰蠀 蟽畏魏蠋谓蔚蟿伪喂 畏 蟿蟻委蠂伪.
螆谓伪 蟺蟻伪纬渭伪蟿喂魏维 蔚魏蟺位畏魏蟿喂魏蠈 尾喂尾位委慰.
February 17, 2022
Ger莽ek bir olaydan yola 莽谋k谋larak yaz谋lm谋艧 bir roman. 19. y眉zy谋lda Brezilya鈥檔谋n i莽 kesimlerinde Bahia eyaletinde ya艧anan bir sava艧谋, 1897鈥檇eki Canudos Sava艧谋鈥檔谋 anlat谋yor yazar Llosa. Di臒er romanlar谋nda oldu臒u gibi G眉ney Amerika鈥檔谋n tarihinden belki de k枚t眉 talihinden sahneler aktar谋yor.
Bir din adam谋 (Vaiz) etraf谋nda toplanan ve dinsel birlikteli臒in 枚zg眉rl眉k ve e艧itli臒e evrildi臒i bir kom眉n眉n, d枚nemin y枚netimi Cumhuriyet鈥檈 kar艧谋 ba艧kald谋r谋s谋n谋n ve buna kar艧谋 ordunun m眉dahalesinin hikayesi. Hikayenin sonunu kitaba ba艧lad谋ktan sonra tahmin ediyorsunuz ancak o kadar g眉zel 枚r眉lm眉艧 ki hikaye, soluksuz okuyorsunuz.
D眉nya Sonu Sava艧谋, iktidar bask谋s谋, fakirlik, cehalet ve dinsel fanatizmin y谋k谋c谋 sonu莽lar谋n谋 anlat谋rken, devrim idealiyle otoriteye kar艧谋 ba艧kald谋rman谋n 艧a艧谋rt谋c谋 benzerliklerini de 莽ok cesurca dile getiriyor. Anlat谋lan hi莽bir 艧ey mant谋kd谋艧谋 de臒il ve ger莽ek hayatta ya艧anabilecek olaylar, 枚rne臒in yak谋n tarihte kendini Ba臒dat Halifesi ilan eden bir mezcupun arkas谋nda toplananlar gibi.
Kurgu m眉kemmel, anlat谋m abart谋s谋z ve sade ama 莽ok vurucu. Ba艧larda 莽ok say谋da isim olmas谋 kitab谋 takibi g眉莽le艧tirse de k谋sa zamanda romana hakim olunuyor. Mario Vargas Llosa鈥檇an okudu臒um 眉莽眉nc眉 kitap (Teke 艦enli臒i, Hikaye Anlat谋c谋s谋). 脺莽眉 de tarihi 枚臒eler ta艧谋yor, 眉莽眉 de 莽ok farkl谋 tarz ve kurguyla yaz谋lm谋艧, 眉莽眉 de farkl谋 G眉ney Amerika 眉lkesinde ge莽iyor. Latin Amerikal谋 yazarlar aras谋nda Roberto Bolano ile ayr谋 bir yere koyuyorum Llosa鈥櫮�.
Hacimli bir kitap, 850 sayfa, ancak 莽ok rahat ve tempolu okunuyor, ayr谋ca S眉leyman Do臒ru鈥檔un 莽evirisi 枚vg眉ye de臒er. Okunmas谋n谋 枚nerece臒im bir 鈥渙pus magnus鈥�.
Bir din adam谋 (Vaiz) etraf谋nda toplanan ve dinsel birlikteli臒in 枚zg眉rl眉k ve e艧itli臒e evrildi臒i bir kom眉n眉n, d枚nemin y枚netimi Cumhuriyet鈥檈 kar艧谋 ba艧kald谋r谋s谋n谋n ve buna kar艧谋 ordunun m眉dahalesinin hikayesi. Hikayenin sonunu kitaba ba艧lad谋ktan sonra tahmin ediyorsunuz ancak o kadar g眉zel 枚r眉lm眉艧 ki hikaye, soluksuz okuyorsunuz.
D眉nya Sonu Sava艧谋, iktidar bask谋s谋, fakirlik, cehalet ve dinsel fanatizmin y谋k谋c谋 sonu莽lar谋n谋 anlat谋rken, devrim idealiyle otoriteye kar艧谋 ba艧kald谋rman谋n 艧a艧谋rt谋c谋 benzerliklerini de 莽ok cesurca dile getiriyor. Anlat谋lan hi莽bir 艧ey mant谋kd谋艧谋 de臒il ve ger莽ek hayatta ya艧anabilecek olaylar, 枚rne臒in yak谋n tarihte kendini Ba臒dat Halifesi ilan eden bir mezcupun arkas谋nda toplananlar gibi.
Kurgu m眉kemmel, anlat谋m abart谋s谋z ve sade ama 莽ok vurucu. Ba艧larda 莽ok say谋da isim olmas谋 kitab谋 takibi g眉莽le艧tirse de k谋sa zamanda romana hakim olunuyor. Mario Vargas Llosa鈥檇an okudu臒um 眉莽眉nc眉 kitap (Teke 艦enli臒i, Hikaye Anlat谋c谋s谋). 脺莽眉 de tarihi 枚臒eler ta艧谋yor, 眉莽眉 de 莽ok farkl谋 tarz ve kurguyla yaz谋lm谋艧, 眉莽眉 de farkl谋 G眉ney Amerika 眉lkesinde ge莽iyor. Latin Amerikal谋 yazarlar aras谋nda Roberto Bolano ile ayr谋 bir yere koyuyorum Llosa鈥櫮�.
Hacimli bir kitap, 850 sayfa, ancak 莽ok rahat ve tempolu okunuyor, ayr谋ca S眉leyman Do臒ru鈥檔un 莽evirisi 枚vg眉ye de臒er. Okunmas谋n谋 枚nerece臒im bir 鈥渙pus magnus鈥�.
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