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賮氐賱 賲賴丕噩乇鬲 亘賴 卮賲丕賱
賲乇丿 噩賵丕賳蹖 倬爻 丕夭 爻丕賱鈥屬囏� 鬲丨氐蹖賱 丿乇 丕乇賵倬丕 亘賴 丿賴 夭丕丿诏丕賴卮 丿乇 爻賵丿丕賳 亘丕夭 賲蹖鈥屭必� 賵 丿乇 賲蹖丕賳 趩賴乇賴鈥屬囏й� 丌卮賳丕貙 睾乇蹖亘賴鈥屫й� 乇丕 賲蹖鈥屫ㄛ屬嗀� - 賲氐胤賮蹖 爻毓蹖丿 丕爻乇丕乇丌賲蹖夭. 囟賲賳 丿賵爻鬲蹖 亘丕 賴賲貙 賲氐胤賮蹖 丿丕爻鬲丕賳 亘乇丌卮賵亘賳丿賴 夭賳丿诏蹖 禺賵丿 丿乇 賱賳丿賳 倬爻 丕夭 噩賳诏 噩賴丕賳蹖 丕賵賱 乇丕 亘乇丕蹖 賲乇丿 噩賵丕賳 丨讴丕蹖鬲 賲蹖鈥屭┵嗀� ...
105 pages, Paperback
First published January 1, 1966
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About the author
Tayeb Salih
29听books871听followersThe Sudanese writer al-Tayyib Salih (Arabic: 丕賱胤賷亘 氐丕賱丨)has been described as the "genius of the modern Arabic novel." He has lived abroad for most of his life, yet his fiction is firmly rooted in the village in which he spent his early years. His most well-known work is the modern classic Mawsim al-hijra ila鈥檒-shamal (1967; Season of Migration to the North), which received great critical attention and brought new vitality to the Arab novel.
Salih has not been a prolific writer; his early work, including Season of Migration to the North, remains the best of his oeuvre. He has received critical acclaim in both the west and the east. In Sudan he is without rival, and his writing has played a considerable part in drawing attention to Sudanese literature. Arabic literature has been dominated by social criticism, social realism, and committed literature depicting the bitter realities of life; Salih managed to break with this trend and return to the roots of his culture, capturing the mystery, magic, humor, sorrows, and celebrations of rural life and popular religion.
丕賱胤賷亘 氐丕賱丨 兀丿賷亘 毓乇亘賷 賲賳 丕賱爻賵丿丕賳 賵賱丿 毓丕賲 (1348賴賭 - 1929賲 ) 賮賷 廿賯賱賷賲 賲乇賵賷 卮賲丕賱賷 丕賱爻賵丿丕賳 亘賯乇賷丞 賰賻乇賿賲賻賰賵賿賱 亘丕賱賯乇亘 賲賳 賯乇賷丞 丿亘丞 丕賱賮賯乇丕亍 賵賴賷 廿丨丿賶 賯乇賶 賯亘賷賱丞 丕賱乇賰丕亘賷丞 丕賱鬲賷 賷賳鬲爻亘 廿賱賷賴丕. 毓丕卮 賲胤賱毓 丨賷丕鬲賴 賵胤賮賵賱鬲賴 賮賷 匕賱賰 丕賱廿賯賱賷賲, 賵賮賷 卮亘丕亘賴 丕賳鬲賯賱 廿賱賶 丕賱禺乇胤賵賲 賱廿賰賲丕賱 丿乇丕爻鬲賴 賮丨氐賱 賲賳 噩丕賲毓鬲賴丕 毓賱賶 丿乇噩丞 丕賱亘賰丕賱賵乇賷賵爻 賮賷 丕賱毓賱賵賲. 爻丕賮乇 廿賱賶 廿賳噩賱鬲乇丕 丨賷孬 賵丕氐賱 丿乇丕爻鬲賴, 賵睾賷賾乇 鬲禺氐氐賴 廿賱賶 丿乇丕爻丞 丕賱卮丐賵賳 丕賱丿賵賱賷丞.
鬲賳賯賱 丕賱胤賷亘 氐丕賱丨 亘賷賳 毓丿丞 賲賵丕賯毓 賲賴賳賷丞 賮毓丿丕 毓賳 禺亘乇丞 賯氐賷乇丞 賮賷 廿丿丕乇丞 賲丿乇爻丞貙 毓賲賱 丕賱胤賷亘 氐丕賱丨 賱爻賳賵丕鬲 胤賵賷賱丞 賲賳 丨賷丕鬲賴 賮賷 丕賱賯爻賲 丕賱毓乇亘賷 賱賴賷卅丞 丕賱廿匕丕毓丞 丕賱亘乇賷胤丕賳賷丞, 賵鬲乇賯賶 亘賴丕 丨鬲賶 賵氐賱 廿賱賶 賲賳氐亘 賲丿賷乇 賯爻賲 丕賱丿乇丕賲丕, 賵亘毓丿 丕爻鬲賯丕賱鬲賴 賲賳 丕賱亘賷 亘賷 爻賷 毓丕丿 廿賱賶 丕賱爻賵丿丕賳 賵毓賲賱 賱賮鬲乇丞 賮賷 丕賱廿匕丕毓丞 丕賱爻賵丿丕賳賷丞, 孬賲 賴丕噩乇 廿賱賶 丿賵賱丞 賯胤乇 賵毓賲賱 賮賷 賵夭丕乇丞 廿毓賱丕賲賴丕 賵賰賷賱丕賸 賵賲卮乇賮丕賸 毓賱賶 兀噩賴夭鬲賴丕. 毓賲賱 亘毓丿 匕賱賰 賲丿賷乇丕賸 廿賯賱賷賲賷丕賸 亘賲賳馗賲丞 丕賱賷賵賳賷爻賰賵 賮賷 亘丕乇賷爻, 賵毓賲賱 賲賲孬賱丕賸 賱賴匕賴 丕賱賲賳馗賲丞 賮賷 丕賱禺賱賷噩 丕賱毓乇亘賷. 賵賷賲賰賳 丕賱賯賵賱 兀賳 丨丕賱丞 丕賱鬲乇丨丕賱 賵丕賱鬲賳賯賱 亘賷賳 丕賱卮乇賯 賵丕賱睾乇亘 賵丕賱卮賲丕賱 賵丕賱噩賳賵亘 兀賰爻亘鬲賴 禺亘乇丞 賵丕爻毓丞 亘兀丨賵丕賱 丕賱丨賷丕丞 賵丕賱毓丕賱賲 賵兀賴賲 賲賳 匕賱賰 兀丨賵丕賱 兀賲鬲賴 賵賯囟丕賷丕賴丕 賵賴賵 賲丕 賵馗賮賴 賮賷 賰鬲丕亘丕鬲賴 賵兀毓賲丕賱賴 丕賱乇賵丕卅賷丞 賵禺丕氐丞 乇賵丕賷鬲賴 丕賱毓丕賱賲賷丞 "賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱".
賰鬲亘 丕賱毓丿賷丿 賲賳 丕賱乇賵丕賷丕鬲 丕賱鬲賷 鬲乇噩賲鬲 廿賱賶 兀賰孬乇 賲賳 孬賱丕孬賷賳 賱睾丞 賵賴賷 芦 賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱禄 賵芦毓乇爻 丕賱夭賷賳禄 賵芦賲乇賷賵丿禄 賵芦囟賵 丕賱亘賷鬲禄 賵芦丿賵賲丞 賵丿 丨丕賲丿禄 賵芦賲賳爻賶禄.. 鬲毓鬲亘乇 乇賵丕賷鬲賴 "賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱" 賵丕丨丿丞 賲賳 兀賮囟賱 賲丕卅丞 乇賵丕賷丞 賮賷 丕賱毓丕賱賲 .. 賵賯丿 丨氐賱鬲 毓賱賶 丕賱毓丿賷丿 賲賳 丕賱噩賵丕卅夭 .. 賵賯丿 賳卮乇鬲 賱兀賵賱 賲乇丞 賮賷 丕賵丕禺乇 丕賱爻鬲賷賳丕鬲 賲賳 丕賱賯乇賳 丕賱-20 賮賷 亘賷乇賵鬲 賵鬲賲 鬲鬲賵賷噩賴 賰"毓亘賯乇賷 丕賱丕丿亘 丕賱毓乇亘賷". 賮賷 毓丕賲 2001 鬲賲 丕賱丕毓鬲乇丕賮 亘賰鬲丕亘賴 毓賱賶 賷丿 丕賱丕賰丕丿賷賲賷丕 丕賱毓乇亘賷丞 賮賷 丿賲卮賯 毓賱賶 丕賳賴 "丕賱乇賵丕賷丞 丕賱毓乇亘賷丞 丕賱兀賮囟賱 賮賷 丕賱賯乇賳 丕賱-20.) 兀氐丿乇 丕賱胤賷亘 氐丕賱丨 孬賱丕孬 乇賵丕賷丕鬲 賵毓丿丞 賲噩賲賵毓丕鬲 賯氐氐賷丞 賯氐賷乇
Salih has not been a prolific writer; his early work, including Season of Migration to the North, remains the best of his oeuvre. He has received critical acclaim in both the west and the east. In Sudan he is without rival, and his writing has played a considerable part in drawing attention to Sudanese literature. Arabic literature has been dominated by social criticism, social realism, and committed literature depicting the bitter realities of life; Salih managed to break with this trend and return to the roots of his culture, capturing the mystery, magic, humor, sorrows, and celebrations of rural life and popular religion.
丕賱胤賷亘 氐丕賱丨 兀丿賷亘 毓乇亘賷 賲賳 丕賱爻賵丿丕賳 賵賱丿 毓丕賲 (1348賴賭 - 1929賲 ) 賮賷 廿賯賱賷賲 賲乇賵賷 卮賲丕賱賷 丕賱爻賵丿丕賳 亘賯乇賷丞 賰賻乇賿賲賻賰賵賿賱 亘丕賱賯乇亘 賲賳 賯乇賷丞 丿亘丞 丕賱賮賯乇丕亍 賵賴賷 廿丨丿賶 賯乇賶 賯亘賷賱丞 丕賱乇賰丕亘賷丞 丕賱鬲賷 賷賳鬲爻亘 廿賱賷賴丕. 毓丕卮 賲胤賱毓 丨賷丕鬲賴 賵胤賮賵賱鬲賴 賮賷 匕賱賰 丕賱廿賯賱賷賲, 賵賮賷 卮亘丕亘賴 丕賳鬲賯賱 廿賱賶 丕賱禺乇胤賵賲 賱廿賰賲丕賱 丿乇丕爻鬲賴 賮丨氐賱 賲賳 噩丕賲毓鬲賴丕 毓賱賶 丿乇噩丞 丕賱亘賰丕賱賵乇賷賵爻 賮賷 丕賱毓賱賵賲. 爻丕賮乇 廿賱賶 廿賳噩賱鬲乇丕 丨賷孬 賵丕氐賱 丿乇丕爻鬲賴, 賵睾賷賾乇 鬲禺氐氐賴 廿賱賶 丿乇丕爻丞 丕賱卮丐賵賳 丕賱丿賵賱賷丞.
鬲賳賯賱 丕賱胤賷亘 氐丕賱丨 亘賷賳 毓丿丞 賲賵丕賯毓 賲賴賳賷丞 賮毓丿丕 毓賳 禺亘乇丞 賯氐賷乇丞 賮賷 廿丿丕乇丞 賲丿乇爻丞貙 毓賲賱 丕賱胤賷亘 氐丕賱丨 賱爻賳賵丕鬲 胤賵賷賱丞 賲賳 丨賷丕鬲賴 賮賷 丕賱賯爻賲 丕賱毓乇亘賷 賱賴賷卅丞 丕賱廿匕丕毓丞 丕賱亘乇賷胤丕賳賷丞, 賵鬲乇賯賶 亘賴丕 丨鬲賶 賵氐賱 廿賱賶 賲賳氐亘 賲丿賷乇 賯爻賲 丕賱丿乇丕賲丕, 賵亘毓丿 丕爻鬲賯丕賱鬲賴 賲賳 丕賱亘賷 亘賷 爻賷 毓丕丿 廿賱賶 丕賱爻賵丿丕賳 賵毓賲賱 賱賮鬲乇丞 賮賷 丕賱廿匕丕毓丞 丕賱爻賵丿丕賳賷丞, 孬賲 賴丕噩乇 廿賱賶 丿賵賱丞 賯胤乇 賵毓賲賱 賮賷 賵夭丕乇丞 廿毓賱丕賲賴丕 賵賰賷賱丕賸 賵賲卮乇賮丕賸 毓賱賶 兀噩賴夭鬲賴丕. 毓賲賱 亘毓丿 匕賱賰 賲丿賷乇丕賸 廿賯賱賷賲賷丕賸 亘賲賳馗賲丞 丕賱賷賵賳賷爻賰賵 賮賷 亘丕乇賷爻, 賵毓賲賱 賲賲孬賱丕賸 賱賴匕賴 丕賱賲賳馗賲丞 賮賷 丕賱禺賱賷噩 丕賱毓乇亘賷. 賵賷賲賰賳 丕賱賯賵賱 兀賳 丨丕賱丞 丕賱鬲乇丨丕賱 賵丕賱鬲賳賯賱 亘賷賳 丕賱卮乇賯 賵丕賱睾乇亘 賵丕賱卮賲丕賱 賵丕賱噩賳賵亘 兀賰爻亘鬲賴 禺亘乇丞 賵丕爻毓丞 亘兀丨賵丕賱 丕賱丨賷丕丞 賵丕賱毓丕賱賲 賵兀賴賲 賲賳 匕賱賰 兀丨賵丕賱 兀賲鬲賴 賵賯囟丕賷丕賴丕 賵賴賵 賲丕 賵馗賮賴 賮賷 賰鬲丕亘丕鬲賴 賵兀毓賲丕賱賴 丕賱乇賵丕卅賷丞 賵禺丕氐丞 乇賵丕賷鬲賴 丕賱毓丕賱賲賷丞 "賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱".
賰鬲亘 丕賱毓丿賷丿 賲賳 丕賱乇賵丕賷丕鬲 丕賱鬲賷 鬲乇噩賲鬲 廿賱賶 兀賰孬乇 賲賳 孬賱丕孬賷賳 賱睾丞 賵賴賷 芦 賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱禄 賵芦毓乇爻 丕賱夭賷賳禄 賵芦賲乇賷賵丿禄 賵芦囟賵 丕賱亘賷鬲禄 賵芦丿賵賲丞 賵丿 丨丕賲丿禄 賵芦賲賳爻賶禄.. 鬲毓鬲亘乇 乇賵丕賷鬲賴 "賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱" 賵丕丨丿丞 賲賳 兀賮囟賱 賲丕卅丞 乇賵丕賷丞 賮賷 丕賱毓丕賱賲 .. 賵賯丿 丨氐賱鬲 毓賱賶 丕賱毓丿賷丿 賲賳 丕賱噩賵丕卅夭 .. 賵賯丿 賳卮乇鬲 賱兀賵賱 賲乇丞 賮賷 丕賵丕禺乇 丕賱爻鬲賷賳丕鬲 賲賳 丕賱賯乇賳 丕賱-20 賮賷 亘賷乇賵鬲 賵鬲賲 鬲鬲賵賷噩賴 賰"毓亘賯乇賷 丕賱丕丿亘 丕賱毓乇亘賷". 賮賷 毓丕賲 2001 鬲賲 丕賱丕毓鬲乇丕賮 亘賰鬲丕亘賴 毓賱賶 賷丿 丕賱丕賰丕丿賷賲賷丕 丕賱毓乇亘賷丞 賮賷 丿賲卮賯 毓賱賶 丕賳賴 "丕賱乇賵丕賷丞 丕賱毓乇亘賷丞 丕賱兀賮囟賱 賮賷 丕賱賯乇賳 丕賱-20.) 兀氐丿乇 丕賱胤賷亘 氐丕賱丨 孬賱丕孬 乇賵丕賷丕鬲 賵毓丿丞 賲噩賲賵毓丕鬲 賯氐氐賷丞 賯氐賷乇
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爻丕毓丕鬲 亘毓丿 賯乇丕亍丞 賰鬲丕亘 丨賱賵 兀賵賷 賵 賷賰賵賳 丕賱賰丕鬲亘 兀賵賱 賲乇丞 兀賯乇兀 賱賴 亘亘賯賷 毓丕賵夭 兀鬲禺丕賳賯 賲毓 賳賮爻賷 賵 兀夭毓賯 賱賴丕 廿賳賴丕 廿夭丕賷 兀鬲兀禺乇鬲 賰丿丞 賱賱賯乇丕亍丞 賱賴匕丕 丕賱賰丕鬲亘..
賴賵 丿丞 丕賱賱賷 丨氐賱 賱賷 亘毓丿 兀賵賱 賯乇丕亍丞 賱賱胤賷亘 氐丕賱丨:)
賲賵爻賲 丕賱賴噩乇丞 廿賱賷 丕賱卮賲丕賱..丕賱乇賵丕賷丞 丕賱鬲賷 鬲氐賳賮 賲賳 兀賮囟賱 賲丕卅丞 乇賵丕賷丞 賮賷 丕賱賯乇賳 丕賱毓卮乇賷賳 毓賱賷 賲爻鬲賵賷 丕賱賵胤賳 賱賱毓乇亘賷 賱賱賰丕鬲亘 丕賱爻賵丿丕賳賷 丕賱胤賷亘 氐丕賱丨 丕賱匕賷 兀胤賱賯 毓賱賷賴 丕賱賳賯丕丿 毓亘賯乇賷 丕賱乇賵丕賷丞 丕賱毓乇亘賷丞...
丕賱乇賵丕賷丞 鬲賳丕賯卮 賮賰乇丞 丕賱氐丿丕賲 亘賷賳 丕賱卮乇賯 賵丕賱睾乇亘 賲賳 賲賳 禺賱丕賱 卮禺氐賷丞 亘胤賱賴丕 丕賱爻賵丿丕賳賷 賲氐胤賮賷 爻毓賷丿 丕賱匕賷 賷匕賴亘 廿賱賷 賱賳丿賳 賱賷賰賲賱 丿乇丕爻鬲賴 賮賷賴丕 賵丕爻鬲胤丕毓 兀賳 賷賰賵賳 丕亘賳 丕賱丕賳噩賱賷夭 丕賱賲丿賱賱 賵 丕爻鬲賵毓亘 毓賯賱賴 丨囟丕乇丞 丕賱睾乇亘貙 賵賰丕賳 賷爻鬲睾賱 亘匕賰丕亍 兀氐賵賱賴 丕賱卮乇賯賷丞 賵賷丨丕賵賱 兀賳 賷毓胤賷 氐賵乇丞 爻丕丨乇丞 毓賳 丕賱丨賷丕丞 賮賷 丕賱賲噩鬲賲毓 丕賱乇賷賮賷 丕賱爻賵丿丕賳賷 賱賰賷 賷孬賷乇 廿毓噩丕亘 丕賱賳爻丕亍..
"兀賯乇兀 丕賱卮毓乇貙 賵兀鬲丨丿孬 賮賷 丕賱丿賷賳 賵丕賱賮賱爻賮丞. 賵兀賳賯丿 丕賱乇爻賲貙 賵兀賯賵賱 賰賱丕賲賸丕 毓賳 乇賵丨丕賳賷丕鬲 丕賱卮乇賯. 兀賮毓賱 賰賱 卮賷亍 丨鬲賶 兀丿禺賱 丕賱賲乇兀丞 賮賷 賮乇丕卮賷..."
丕賱乇賵丕賷丞 兀毓賲賯 亘賰孬賷乇 賲賲丕 鬲亘丿賵...毓賱丕賯丕鬲 賲氐胤賮賷 丕賱毓丿賷丿丞 亘丕賱賳爻丕亍 賵鬲丨胤賷賲賴 賱丨賷丕鬲賴賳 賲丕 賴賷 廿賱丕 賲丨丕賵賱丞 賲賳賴 亘胤乇賷賯丞 睾賷乇 賲亘丕卮乇丞 賱賱廿賳鬲賯丕賲 賲賳 丕賳噩賱鬲乇丕 丕賱鬲賷 丕丨鬲賱鬲 亘賱丕丿賴 賵 賲睾丕賲乇丕鬲賴 丕賱毓丿賷丿丞 賲丕 賴賷 廿賱丕 賵爻賷賱丞 賱兀孬亘丕鬲 鬲賮賵賯賴 毓賱賷賴賲 丨鬲賷 賱賵 毓賳 胤乇賷賯 廿馗賴丕乇 賮丨賵賱鬲賴 丕賱噩賳爻賷丞!
賰丕賳 賷賳馗乇 賱賰賱 兀賲乇兀丞 賰賮乇賷爻丞 賵 賰丕賳 賷睾夭賵賴丕 噩賳爻賷丕賸 賵賱賰賳 賮賷 毓賯賱賴 丕賱亘丕胤賳 賴賵 賷丨丕賵賱 兀賳 賷睾夭賵賴丕 賵賷丿賲乇賴丕 毓爻賰乇賷丕賸!
廿爻賱賵亘 丕賱爻乇丿 賮賷 丕賱乇賵丕賷丞 賰丕賳 賲賲鬲毓 賱兀賯氐賷 丕賱丿乇噩丞 賵 丕賱賰丕鬲亘 賰丕賳 賷乇賵賶 噩夭卅丕賸 賲賳 丕賱丨丿孬 亘囟賲賷乇 丕賱賲鬲賰賱賲 賵賷乇賵賶 噩夭亍 鬲丕賳賷 亘囟賲賷乇 丕賱睾丕卅亘 賵丕賱乇賵丕賷 賮賷 丕賱乇賵丕賷丞 兀賱鬲賯賷 亘賴 賲氐胤賮賷 賮賷 丕賱爻賵丿丕賳 亘毓丿 毓賵丿鬲賴 廿賱賷 亘賱丕丿賴 ..
丕賱賱睾丞 賲賲鬲丕夭丞... 丕賱丨賵丕乇丕鬲 鬲禺亘賱 賵賷賲賰賳 鬲賰賵賳 賲賳 兀賰鬲乇 丕賱丨丕噩丕鬲 丕賱賲賲賷夭丞 賮賷 丕賱乇賵丕賷丞..鬲鬲賲賷夭 亘毓賮賵賷丞 賵鬲賱賯丕卅賷丞 賵 禺賮丞 丿賲 賰賲丕賳 賵鬲毓賰爻 丕賱賰孬賷乇 毓賳 胤亘賷毓丞 賵 卮禺氐賷丞 丕賱乇噩賱 賮賷 丕賱乇賷賮 丕賱爻賵丿丕賳賷...
乇賵丕賷丞 乇丕卅毓丞..賰丕鬲亘 賲鬲賲賰賳 賲賳 兀丿賵丕鬲賴..賲賳 丕賱賰鬲亘 丕賱賱賷 賱賲丕 鬲禺賱氐賴丕 鬲亘賯賷 賲卮 毓丕乇賮 兀賷賳 鬲賰賲賳 毓亘賯乇賷鬲賴丕..
賮賷 丕賱丨賵丕乇 賵賱丕 丕賱兀爻賱賵亘 賵賱丕 丕賱賱睾丞 賵賱丕 丕賱賮賰乇丞 賵賱丕 賰賱賴賲 毓賱賷 亘毓囟...
賲卮 賲賴賲 禺丕賱氐 丕賷賴 兀丨賱賷 丨丕噩丞 賮賷賴丕..丕賱賲賴賲 廿賳 賰賱賴丕 毓賱賷 亘毓囟賴丕 丨賱賵丞..賱兀...丨賱賵丞 兀賵賷:)
"廿賳賳賷 兀乇賷丿 兀賳 丌禺匕 丨賯賷 賲賳 丕賱丨賷丕丞 毓賳賵丞..孬賲丞 丌賮丕賯 賰孬賷乇丞 賱丕 亘丿 兀賳 鬲購夭丕乇貙 孬賲丞 孬賲丕乇 賷噩亘 兀賳 鬲賯胤賮貙 賰鬲亘 賰孬賷乇丞 鬲賯乇兀貙 賵氐賮丨丕鬲 亘賷囟丕亍 賮賷 爻噩賱 丕賱毓賲乇 爻兀賰鬲亘 賮賷賴丕 噩賲賱丕賸 賵丕囟丨丞 亘禺胤 噩乇賷亍..."
賴賵 丿丞 丕賱賱賷 丨氐賱 賱賷 亘毓丿 兀賵賱 賯乇丕亍丞 賱賱胤賷亘 氐丕賱丨:)
賲賵爻賲 丕賱賴噩乇丞 廿賱賷 丕賱卮賲丕賱..丕賱乇賵丕賷丞 丕賱鬲賷 鬲氐賳賮 賲賳 兀賮囟賱 賲丕卅丞 乇賵丕賷丞 賮賷 丕賱賯乇賳 丕賱毓卮乇賷賳 毓賱賷 賲爻鬲賵賷 丕賱賵胤賳 賱賱毓乇亘賷 賱賱賰丕鬲亘 丕賱爻賵丿丕賳賷 丕賱胤賷亘 氐丕賱丨 丕賱匕賷 兀胤賱賯 毓賱賷賴 丕賱賳賯丕丿 毓亘賯乇賷 丕賱乇賵丕賷丞 丕賱毓乇亘賷丞...
丕賱乇賵丕賷丞 鬲賳丕賯卮 賮賰乇丞 丕賱氐丿丕賲 亘賷賳 丕賱卮乇賯 賵丕賱睾乇亘 賲賳 賲賳 禺賱丕賱 卮禺氐賷丞 亘胤賱賴丕 丕賱爻賵丿丕賳賷 賲氐胤賮賷 爻毓賷丿 丕賱匕賷 賷匕賴亘 廿賱賷 賱賳丿賳 賱賷賰賲賱 丿乇丕爻鬲賴 賮賷賴丕 賵丕爻鬲胤丕毓 兀賳 賷賰賵賳 丕亘賳 丕賱丕賳噩賱賷夭 丕賱賲丿賱賱 賵 丕爻鬲賵毓亘 毓賯賱賴 丨囟丕乇丞 丕賱睾乇亘貙 賵賰丕賳 賷爻鬲睾賱 亘匕賰丕亍 兀氐賵賱賴 丕賱卮乇賯賷丞 賵賷丨丕賵賱 兀賳 賷毓胤賷 氐賵乇丞 爻丕丨乇丞 毓賳 丕賱丨賷丕丞 賮賷 丕賱賲噩鬲賲毓 丕賱乇賷賮賷 丕賱爻賵丿丕賳賷 賱賰賷 賷孬賷乇 廿毓噩丕亘 丕賱賳爻丕亍..
"兀賯乇兀 丕賱卮毓乇貙 賵兀鬲丨丿孬 賮賷 丕賱丿賷賳 賵丕賱賮賱爻賮丞. 賵兀賳賯丿 丕賱乇爻賲貙 賵兀賯賵賱 賰賱丕賲賸丕 毓賳 乇賵丨丕賳賷丕鬲 丕賱卮乇賯. 兀賮毓賱 賰賱 卮賷亍 丨鬲賶 兀丿禺賱 丕賱賲乇兀丞 賮賷 賮乇丕卮賷..."
丕賱乇賵丕賷丞 兀毓賲賯 亘賰孬賷乇 賲賲丕 鬲亘丿賵...毓賱丕賯丕鬲 賲氐胤賮賷 丕賱毓丿賷丿丞 亘丕賱賳爻丕亍 賵鬲丨胤賷賲賴 賱丨賷丕鬲賴賳 賲丕 賴賷 廿賱丕 賲丨丕賵賱丞 賲賳賴 亘胤乇賷賯丞 睾賷乇 賲亘丕卮乇丞 賱賱廿賳鬲賯丕賲 賲賳 丕賳噩賱鬲乇丕 丕賱鬲賷 丕丨鬲賱鬲 亘賱丕丿賴 賵 賲睾丕賲乇丕鬲賴 丕賱毓丿賷丿丞 賲丕 賴賷 廿賱丕 賵爻賷賱丞 賱兀孬亘丕鬲 鬲賮賵賯賴 毓賱賷賴賲 丨鬲賷 賱賵 毓賳 胤乇賷賯 廿馗賴丕乇 賮丨賵賱鬲賴 丕賱噩賳爻賷丞!
賰丕賳 賷賳馗乇 賱賰賱 兀賲乇兀丞 賰賮乇賷爻丞 賵 賰丕賳 賷睾夭賵賴丕 噩賳爻賷丕賸 賵賱賰賳 賮賷 毓賯賱賴 丕賱亘丕胤賳 賴賵 賷丨丕賵賱 兀賳 賷睾夭賵賴丕 賵賷丿賲乇賴丕 毓爻賰乇賷丕賸!
廿爻賱賵亘 丕賱爻乇丿 賮賷 丕賱乇賵丕賷丞 賰丕賳 賲賲鬲毓 賱兀賯氐賷 丕賱丿乇噩丞 賵 丕賱賰丕鬲亘 賰丕賳 賷乇賵賶 噩夭卅丕賸 賲賳 丕賱丨丿孬 亘囟賲賷乇 丕賱賲鬲賰賱賲 賵賷乇賵賶 噩夭亍 鬲丕賳賷 亘囟賲賷乇 丕賱睾丕卅亘 賵丕賱乇賵丕賷 賮賷 丕賱乇賵丕賷丞 兀賱鬲賯賷 亘賴 賲氐胤賮賷 賮賷 丕賱爻賵丿丕賳 亘毓丿 毓賵丿鬲賴 廿賱賷 亘賱丕丿賴 ..
丕賱賱睾丞 賲賲鬲丕夭丞... 丕賱丨賵丕乇丕鬲 鬲禺亘賱 賵賷賲賰賳 鬲賰賵賳 賲賳 兀賰鬲乇 丕賱丨丕噩丕鬲 丕賱賲賲賷夭丞 賮賷 丕賱乇賵丕賷丞..鬲鬲賲賷夭 亘毓賮賵賷丞 賵鬲賱賯丕卅賷丞 賵 禺賮丞 丿賲 賰賲丕賳 賵鬲毓賰爻 丕賱賰孬賷乇 毓賳 胤亘賷毓丞 賵 卮禺氐賷丞 丕賱乇噩賱 賮賷 丕賱乇賷賮 丕賱爻賵丿丕賳賷...
乇賵丕賷丞 乇丕卅毓丞..賰丕鬲亘 賲鬲賲賰賳 賲賳 兀丿賵丕鬲賴..賲賳 丕賱賰鬲亘 丕賱賱賷 賱賲丕 鬲禺賱氐賴丕 鬲亘賯賷 賲卮 毓丕乇賮 兀賷賳 鬲賰賲賳 毓亘賯乇賷鬲賴丕..
賮賷 丕賱丨賵丕乇 賵賱丕 丕賱兀爻賱賵亘 賵賱丕 丕賱賱睾丞 賵賱丕 丕賱賮賰乇丞 賵賱丕 賰賱賴賲 毓賱賷 亘毓囟...
賲卮 賲賴賲 禺丕賱氐 丕賷賴 兀丨賱賷 丨丕噩丞 賮賷賴丕..丕賱賲賴賲 廿賳 賰賱賴丕 毓賱賷 亘毓囟賴丕 丨賱賵丞..賱兀...丨賱賵丞 兀賵賷:)
"廿賳賳賷 兀乇賷丿 兀賳 丌禺匕 丨賯賷 賲賳 丕賱丨賷丕丞 毓賳賵丞..孬賲丞 丌賮丕賯 賰孬賷乇丞 賱丕 亘丿 兀賳 鬲購夭丕乇貙 孬賲丞 孬賲丕乇 賷噩亘 兀賳 鬲賯胤賮貙 賰鬲亘 賰孬賷乇丞 鬲賯乇兀貙 賵氐賮丨丕鬲 亘賷囟丕亍 賮賷 爻噩賱 丕賱毓賲乇 爻兀賰鬲亘 賮賷賴丕 噩賲賱丕賸 賵丕囟丨丞 亘禺胤 噩乇賷亍..."
July 13, 2018
I liked the book quite a lot. It's beautifully-written. But that is despite the misogynistic viewpoint that was probably true in the life of the village and the people in the countryside of Sudan. I disliked how that was amped up with racism when it came to the 'Northern' women. I don't want books to be written from a pc point of view but when half the world's worth is judged by looks, sexuality and their usefulness to men it doesn't enhance my enjoyment of it. Do African Americans like reading about the slaves in ?
I want to say two things, the first is to quote a GR author, : 鈥淚 asked them why when they persecute men, for religion or colour it was seen by the world as oppression and when they persecute women, it was dismissed as tradition.鈥�
Secondly, if the book had been written from any other point of view, it would have been dishonest. And this honest point of view didn't make me dislike the characters or the book or the author, but gave me more insight into where the Rotherham and other grooming gangs came from and why their communities didn't give them up.
We all share this tribal, wanting to protect our own, feeling, but hopefully we have moved on enough to out those whose who are criminally evil. That's my point of view. Perhaps another culture would give a different weight to that, or think of it in a different way. Books like this help me try and understand that, but I don't really understand it, not at all.
There are a lot of good reviews of this book. I only mentioned one aspect. Don't let it put you off just because the world view is one that I find difficult to pass over when reading. It's a very good read that made me think.
On advice I have had to rewrite a considerable part of this review so I remain pc and don't give offence to anyone who might misinterpret what I mean, so I did. I'm not really happy about this. I don't see why some cultures should get a free pass, and especially so when they are brought into and maintained in a country that does not support them. But I have to have some friends left to buy me drinks!
I want to say two things, the first is to quote a GR author, : 鈥淚 asked them why when they persecute men, for religion or colour it was seen by the world as oppression and when they persecute women, it was dismissed as tradition.鈥�
Secondly, if the book had been written from any other point of view, it would have been dishonest. And this honest point of view didn't make me dislike the characters or the book or the author, but gave me more insight into where the Rotherham and other grooming gangs came from and why their communities didn't give them up.
We all share this tribal, wanting to protect our own, feeling, but hopefully we have moved on enough to out those whose who are criminally evil. That's my point of view. Perhaps another culture would give a different weight to that, or think of it in a different way. Books like this help me try and understand that, but I don't really understand it, not at all.
There are a lot of good reviews of this book. I only mentioned one aspect. Don't let it put you off just because the world view is one that I find difficult to pass over when reading. It's a very good read that made me think.
On advice I have had to rewrite a considerable part of this review so I remain pc and don't give offence to anyone who might misinterpret what I mean, so I did. I'm not really happy about this. I don't see why some cultures should get a free pass, and especially so when they are brought into and maintained in a country that does not support them. But I have to have some friends left to buy me drinks!
October 29, 2018
The narrator of the novel is a young man returning from studies in the North (Europe) to his village near the Nile in Sudan. He periodically visits the village of his childhood, while working in Khartoum. The village did not change much since his departure, his family and his tribe are still there, the independence of Sudan and its modernization is slow to reach those parts although some progress was visible. When he first come back he discovers a new face, that of Mustafa Sa鈥檈ed, a stranger who moved to the village, married a local woman and settled for an agricultural life. Not much is known about the man鈥檚 past and our narrator becomes fascinated by the mystery surrounding this man and, one fateful night, manages to obtain a 鈥渃onfession鈥� from him which will haunt all his future life. Both the narrator and Mustafa share an education abroad and the need to return to their ruts. However, Mustafa鈥檚 time in London is dark and hides a terrible secret, including terrible treatment towards Northern women.
As the Introduction written by the translator says, Season of migration to the North is an African response to the terrible Heart of Darkness by Joseph Conrad. I was lucky to read that book a few years ago and I could spot the connections. For starters, they both involve a narrator who develops and obsession with another man with a dark soul. If in HoD the victims were the Congolese Africans, here they are replaced by European women who fall for Mustafa鈥檚 charms and are destroyed by the experience (for details I will let you read the short novel). Moreover, in both books, the writing is poetic although in this one I actually understood something. There is a fine border between real and surreal and sometimes it is difficult to distinguished between the two states.
There a few political statements as well, since the book was written after Sudan obtained independence and the white people were mostly still in power, corruption was high and progress was slow. Also, the author makes a case of the unjust treatment of women in Sudan and their lack of rights.
Tayeb Salih is considered one of the best Arabic authors and I can see why after reading his most known work. It might not be for everyone but I think it is worth trying,
As the Introduction written by the translator says, Season of migration to the North is an African response to the terrible Heart of Darkness by Joseph Conrad. I was lucky to read that book a few years ago and I could spot the connections. For starters, they both involve a narrator who develops and obsession with another man with a dark soul. If in HoD the victims were the Congolese Africans, here they are replaced by European women who fall for Mustafa鈥檚 charms and are destroyed by the experience (for details I will let you read the short novel). Moreover, in both books, the writing is poetic although in this one I actually understood something. There is a fine border between real and surreal and sometimes it is difficult to distinguished between the two states.
There a few political statements as well, since the book was written after Sudan obtained independence and the white people were mostly still in power, corruption was high and progress was slow. Also, the author makes a case of the unjust treatment of women in Sudan and their lack of rights.
Tayeb Salih is considered one of the best Arabic authors and I can see why after reading his most known work. It might not be for everyone but I think it is worth trying,
May 17, 2025
賵賴匕賴 丕賱賲乇丞 丨爻亘鬲 丨爻丕亘 鬲毓賱賷賯丕鬲 丕賱兀丿亘丕亍 丕賱鬲賷 賵囟毓賴丕 丕賱賳丕卮乇 賮賷 亘丿丕賷丞 丕賱賰鬲丕亘, 丨鬲賶 賱丕 兀馗賱賲 丕賱乇賵丕賷丞 亘賲賯丕乇賳鬲賴丕 亘賴匕賴 丕賱賲亘丕賱睾丕鬲 丕賱爻禺賷賮丞. 丨鬲賶 兀賳 兀丨丿賴賲 鈥撡堎娯ㄘ� 兀賳賴 賱賲 賷賯乇兀 丨乇賮丕賸 賱賱胤賷亘 氐丕賱丨- 賷賯丕乇賳 亘賷賳賴 賵亘賷賳 胤賴 丨爻賷賳 賵鬲賵賮賷賯 丕賱丨賰賷賲, 乇睾賲 兀賳 賰賱丕賸 賲賳賴賲 賱丿賷賴 賳賵毓 賲禺鬲賱賮 鬲賲丕賲丕賸 賲賳 丕賱兀丿亘.
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丕賱乇賵丕賷丞 丕賱兀賵賱賶 賱賱胤賷亘 氐丕賱丨, 賵賰兀賵賱 乇賵丕賷丞 賱兀賷 賰丕鬲亘, 賮賴賷 毓亘丕乇丞 毓賳 賯氐丞 賲爻鬲賲丿丞 兀亘毓丕丿賴丕 賰賱賴丕 賲賳 丨賷丕鬲賴 丕賱卮禺氐賷丞
廿賱賷賰賲 丕賱丨賷丕丞 亘賷賳 丕賱噩賳賵亘 賵丕賱卮賲丕賱, 亘賷賳 毓丕賱賲賷賳 丕賱賰丕鬲亘 毓丕氐乇賴賲 亘賳賮爻賴, 賵賵賻丕夭賻賳 亘賷賳 鬲賳丕賯囟丕鬲賴賲,
賵賲孬賱 乇賵丕賷丞 "毓乇爻 丕賱夭賷賳", 賷丨賰賷 賯賳丕毓丕鬲 賰賱 丕賱兀胤乇丕賮 賵賯賳丕毓丕鬲賴 丕賱禺丕氐丞 丿賵賳 兀賳 賷賳氐賾亘 賳賮爻賴 廿賱賴 丕賱兀禺賱丕賯 丕賱匕賷 賷丨賵賾賱 丨賷丕丞 賰賱 卮禺氐 賱丕 賷鬲亘毓 丿爻鬲賵乇賴 丕賱兀禺賱丕賯賷 廿賱賶 噩丨賷賲.
賵賲孬賱 乇賵丕賷丞 "毓乇爻 丕賱夭賷賳" 兀賷囟丕賸, 丕賳丿賲噩鬲 賮賷 丕賱賯乇丕亍丞, 賵禺乇噩鬲 賲賳 丕賱乇賵丕賷丞 丿賵賳 兀賳 兀爻鬲胤賷毓 鬲丨丿賷丿 兀賰孬乇 丕賱兀卮賷丕亍 鬲賲賷夭丕賸 賮賷賴丕. 賱賲 賷毓胤 丕賱胤賷亘 氐丕賱丨 賱賳丕 丕賱賮乇氐丞 賱賳禺乇噩 賲賳 兀噩賵丕卅賴丕 賱丨馗丞 賵丕丨丿丞.
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丕賱乇賵丕賷丞 丕賱兀賵賱賶 賱賱胤賷亘 氐丕賱丨, 賵賰兀賵賱 乇賵丕賷丞 賱兀賷 賰丕鬲亘, 賮賴賷 毓亘丕乇丞 毓賳 賯氐丞 賲爻鬲賲丿丞 兀亘毓丕丿賴丕 賰賱賴丕 賲賳 丨賷丕鬲賴 丕賱卮禺氐賷丞
"廿賱賶 丕賱匕賷賳 賷乇賵賳 亘毓賷賳 賵丕丨丿丞, 賵賷鬲賰賱賲賵賳 亘賱爻丕賳 賵丕丨丿 賵賷乇賵賳 丕賱兀卮賷丕亍 廿賲丕 爻賵丿丕亍 兀賵 亘賷囟丕亍, 廿賲丕 卮乇賯賷丞 兀賵 睾乇亘賷丞"
廿賱賷賰賲 丕賱丨賷丕丞 亘賷賳 丕賱噩賳賵亘 賵丕賱卮賲丕賱, 亘賷賳 毓丕賱賲賷賳 丕賱賰丕鬲亘 毓丕氐乇賴賲 亘賳賮爻賴, 賵賵賻丕夭賻賳 亘賷賳 鬲賳丕賯囟丕鬲賴賲,
賵賲孬賱 乇賵丕賷丞 "毓乇爻 丕賱夭賷賳", 賷丨賰賷 賯賳丕毓丕鬲 賰賱 丕賱兀胤乇丕賮 賵賯賳丕毓丕鬲賴 丕賱禺丕氐丞 丿賵賳 兀賳 賷賳氐賾亘 賳賮爻賴 廿賱賴 丕賱兀禺賱丕賯 丕賱匕賷 賷丨賵賾賱 丨賷丕丞 賰賱 卮禺氐 賱丕 賷鬲亘毓 丿爻鬲賵乇賴 丕賱兀禺賱丕賯賷 廿賱賶 噩丨賷賲.
賵賲孬賱 乇賵丕賷丞 "毓乇爻 丕賱夭賷賳" 兀賷囟丕賸, 丕賳丿賲噩鬲 賮賷 丕賱賯乇丕亍丞, 賵禺乇噩鬲 賲賳 丕賱乇賵丕賷丞 丿賵賳 兀賳 兀爻鬲胤賷毓 鬲丨丿賷丿 兀賰孬乇 丕賱兀卮賷丕亍 鬲賲賷夭丕賸 賮賷賴丕. 賱賲 賷毓胤 丕賱胤賷亘 氐丕賱丨 賱賳丕 丕賱賮乇氐丞 賱賳禺乇噩 賲賳 兀噩賵丕卅賴丕 賱丨馗丞 賵丕丨丿丞.
October 26, 2013
"賲賵爻賲 丕賱賲囟丕噩毓丞 賮賷 丕賱卮賲丕賱"! 賴匕丕 賴賵 丕賱毓賳賵丕賳 丕賱賲賳丕爻亘 賱賴丕 鬲賲丕賲丕!
賰賷賮 賷丨丿孬 兀賳 鬲賰賵賳 賴匕賴 丕賱乇賵丕賷丞 賲賳 兀賮囟賱 100 乇賵丕賷丞 毓乇亘賷丞 賮賷 丕賱鬲丕乇賷禺!責責 賱賵 賰丕賳鬲 賴匕賴 丨賯賷賯丞 賮廿賳 丕賱丕丿亘 丕賱毓乇亘賷 亘丕賱賮毓賱 賲噩賲賵毓丞 賲賳鬲賯丕丞 賲賳 丕賱賯匕丕乇丞!
賱賳鬲丨丿孬 毓賳 丕賱鬲乇丕亘胤 .. 丕賱兀丨丿丕孬 鬲亘丿賵 賱賷 賲賳賮氐賱丞 鬲賲丕賲丕 .. 賱丕 賷賵噩丿 兀賷 乇丕亘胤 亘賷賳賴丕 廿賱丕 兀賳 丕賱乇賵丕賷 賷鬲毓丕賲賱 賲毓 賴匕賴 丕賱卮禺氐賷丕鬲! 賮賯胤 賱丕 睾賷乇! 賮賷賲丕 毓丿丕 匕賱賰 賮廿賳 賰賱 噩夭亍 賲爻鬲賯賱 鬲賲丕賲丕 亘匕丕鬲賴.. 賮賴賳丕賰 賯氐丞 丕賱賳丕亘睾丞 丕賱爻賵丿丕賳賷 丕賱匕賷 爻丕賮乇 賱賱鬲毓賱賲 賮賷 亘賱丕丿 兀賵乇賵亘丕 賱兀賳 "丕賱爻賵丿丕賳 賱賲 賷毓丿 賱丿賷賴丕 賲丕 鬲毓胤賷賴" .. 賵 賴賳丕賰 賯氐丞 丕賱丕丿賷亘 丕賱爻賵丿丕賳賷 丕賱匕賷 毓丕丿 賱賯乇賷鬲賴 亘毓丿 賳賷賱 丕賱丿賰鬲賵乇丕丞.. 賵 賴賳丕賰 賯氐丞 丕賱爻賵丕丿賳賷 丕賱匕賷 賱丕 賷賮毓賱 兀賷 卮賷亍 賮賷 丨賷丕鬲賴 爻賵賶 丕賱夭賵丕噩 賵 丕賱胤賱丕賯.. 亘丕賱廿囟丕賮丞 賱毓丿丞 賯氐氐 賮乇毓賷丞... 賵 賰賱 賴匕丕 賱丕 乇丕亘胤 亘賷賳賴 毓賱賶 丕賱廿胤賱丕賯..
賱賲 兀毓賱賲 賲賳 丕賱亘胤賱 亘丕賱鬲丨丿賷丿. 丕賵 賲賳 賴賵 丕賱卮禺氐賷丞 丕賱乇卅賷爻賷丞! 賮賰賱 卮禺氐 賷亘丿賵 兀賳賴 賷馗賴乇 賱毓丿丞 氐賮丨丕鬲 孬賲 賷禺鬲賮賷.. 賱丕 賱賷爻鬲 亘胤賵賱丞 賲噩賲毓丞... 賱賰賳 丕賱賰丕鬲亘 賷亘丿賵 賱賶 兀賳賴 賱賲 賷毓乇賮 賲賳 丕賱卮禺氐 丕賱賲賱丕卅賲 賱賷賰賵賳 賲毓馗賲 丕賱鬲乇賰賷夭 毓賱賷賴 賵 亘丕賱鬲丕賱賷 賱賲 鬲兀禺匕 兀賷 卮禺氐賷丞 丨賯賴丕 賮賷 丕賱馗賴賵乇 ...
賱賳鬲丨丿孬 毓賳 丕賱兀丨丿丕孬.. 賰賱賴丕 鬲丿賵乇 賮賷 賲丨賵乇 賵丕丨丿 賵賵丨賷丿 "丕賱噩賳爻"! 賮賯胤 賱丕 睾賷乇... 丕賱賳丕亘睾丞 丕賱爻賵丿丕賳賷 賷匕賴亘 賱兀賵乇賵亘丕 賱賷睾夭賵賴丕 "亘賯囟賷亘賴" (賷丕賱鬲賴匕賷亘 丕賱胤賷亘 氐丕賱丨 丕賱匕賷 乇賮囟 兀賳 賷噩乇丨 賲卮丕毓乇 丕賱賯丕乇卅 亘丕賱鬲氐乇賷丨 亘丕賱賱賮馗丞 賮賵囟毓 賲賰丕賳賴丕 賯乇丕睾丕!!) .. 賴匕丕 丕賱賳丕亘睾丞 丕賱爻賵丕丿賳賷 賯乇乇 兀賳 賷丿丕賮毓 毓賳 丕賱賯囟賷丞 丕賱毓乇亘賷丞 賵 丕賱兀賮乇賷賯賷丞 亘兀賯氐賷 賲丕 賷爻鬲胤賷毓 賯囟賷亘賴! 賲丕 兀卮賯丕賴丕 賲賳 "孬賵乇賷丞"!!
賳噩丿 丕賱亘胤賱丕鬲 賷賯毓賳 賮賷 丨亘 丕賱賳丕亘睾丞 丕賱爻賵丿丕賳賷 賮賴賵 賮賷 賳馗乇賴賳 "丕賱廿賱賴 丕賱廿賮乇賷賯賷 丕賱兀爻賵丿" 丕賱匕賷 噩毓賱賴賳 賷賰賮乇賳 亘丌賱賴鬲賴賳 賵 賷丐賲賳賳 賮賯胤 亘賮丨賵賱鬲賴 賵 賷乇賰毓賳 鬲丨鬲 賯丿賲賷賴!!!! 賴賱 丕賱爻賵丿丕賳賷 兀氐亘丨 丕賱賲毓丕丿賱 賱賱賴責!! 賲丕 賴匕丕 丕賱賯乇賮!
賴賱 賴匕丕 賴賵 "丕賱氐乇丕毓 亘賷賳 丕賱卮乇賯 賵 丕賱睾乇亘"責 賴賱 賴匕賴 賴賶 丕賱賲賳丕賮爻丞 亘賷賳 丕賱卮賲丕賱 賵 丕賱噩賳賵亘責 丕賱賲賳丕賮爻丞 毓賱賶 賯賵丞 丕賱賮丨賵賱丞 丕賱噩賳爻賷丞責責!!!
賵賱丕 賷賳爻 丕賱胤賷亘 氐丕賱丨 兀賳 賷鬲丨賮賳丕 亘亘囟毓丞 "亘賴丕乇丕鬲" 賱毓賲賱賷丕鬲 丕賱賲囟丕噩毓丞.. 賮賴賶 賱賲 鬲賰賳 -賱丕 爻賲丨 丕賱賱賴- 噩賳爻丕 丨賷賵丕賳賷丕.. 賱賰賳賴丕 賰丕賳鬲 亘賳丕亍丕 毓賱賶 毓丕胤賮丞 丨亘 賯賵賷丞 ... 亘丕賱賮毓賱 "鬲乇丕賳賷 鬲兀孬乇鬲"!!!
兀丨丿丕孬 丕賱噩賳爻 賵 丕賱賲囟丕噩毓丞 賮賷 亘賱丕丿 丕賱卮賲丕賱 鬲賯乇賷亘丕 丕爻鬲賴賱賰鬲 孬賱孬 丕賱乇賵丕賷丞..
孬賱孬 丌禺乇 鬲賲 丕爻鬲賴賱丕賰賴 賮賷 丕賱丨丿賷孬 毓賳 賴匕丕 丕賱爻賵丿丕賳賷 丕賱賮丨賱 丕賱賲夭賵丕噩.. 丕賱匕賷 賷鬲夭賵噩 丕賱賲乇兀丞 賱毓丿丞 卮賴賵乇 孬賲 賷胤賱賯賴丕... 賷鬲禺賱賱 賴匕丕 丕賱孬賱孬 賲卮賴丕賷賳 賲赖賲丕賳 .. 丕賱賲卮賴丿 丕賱兀賵賱 丨賵丕乇 丿丕卅乇 亘賷賳 毓丿丞 爻賵丿丕賳賷賷賳 賮賷 賯毓丿丞 爻賲乇.. 賵 亘丕賱胤亘毓 丕賱丨賵丕乇 賱丕 鬲噩丿 賮賷賴 兀賷 賲賵囟賵毓 睾賷乇 賲賵囟賵毓 丕賱賮丨賵賱丞 丕賱噩賳爻賷丞!!! 賰賷賮賷丞 丕賱賲囟丕噩毓丞! 賰賷賮 賷賲丕乇爻 丕賱爻賵丿丕賳賷賵賳 丕賱噩賳爻! ... 賵氐賮 鬲丕賲 賱賱毓賲賱賷丞 丕賱噩賳爻賷丞 胤賵丕賱 丕賱丨賵丕乇 賱丿乇噩丞 鬲孬賷乇 丕賱賯賷亍... 賵 賱賰賳 丕賱胤賷亘 氐丕賱丨 賰賲丕 賯賱賳丕 乇噩賱丕 賲賴匕亘丕 賮賱丕 賷賳爻 兀賳 賷賳賴賷 丕賱丨賵丕乇 亘賰賱賲丞 "兀爻鬲睾賮乇 丕賱賱賴"... 亘丕賱賮毓賱 賵 賳毓賲 丕賱鬲賯賵賶 賵 丕賱廿賷賲丕賳!
兀賲丕 丕賱賲卮賴丿 丕賱孬丕賳賷 賮賴賵 賲卮賴丿 丕賱夭賵丕噩 丕賱禺丕氐 亘丕賱爻賵丿丕賳賷 丕賱賲夭賵丕噩 賲毓 丕賱兀乇賲賱丞.. 丨丿賷孬 胤賵賷賱 賵賲賲賱 毓賳 賲丿賶 賮馗丕毓丞 丕賱賲賵賯賮 賵 賲丕 丨丿孬.. 孬賲 毓丿丞 噩賲賱 亘賵賱賷爻賷丞 賰兀賳賴丕 賯氐丞 噩丕爻賵爻賷丞 賲賳 賳賵毓賷丞 "賱丕 賷賲賰賳賳賷 乇賵丕賷丞 賲丕 丨丿孬 賮賴賵 賮馗賷毓!" 賵 "賱丕 賷賲賰賳賰 兀賳 鬲毓乇賮 賴匕丕 兀亘丿丕" 賵 "廿匕丕 賯賱鬲 賱賰 賮賷噩亘 兀賳 鬲毓丿賳賷 兀賱丕 鬲禺亘乇 兀丨丿丕" 賱鬲噩毓賱 丕賱賯丕乇卅 賷鬲卮賵賯 廿賱賶 賲毓乇賮丞 賲丕 賴賶 賴匕賴 丕賱丨丕丿孬丞 丕賱噩亘丕乇丞 丕賱鬲賷 賱丕 鬲丨丿孬 賲孬賱賴丕 毓賱賶 賲乇 丕賱夭賲丕賳! 賱賳賮丕噩兀 兀賳 鬲賱賰 丕賱丨丕丿孬丞 賴賶 兀賳 鬲賯胤毓 廿賲乇兀丞 賯囟賷亘 乇噩賱!!!!!!!!! 賷丕賱賴丕 賲賳 賰丕乇孬丞 賱賲 鬲丨丿孬 賲賳 賯亘賱!
賴賱 亘丕賱賮毓賱 丕賱兀禺賵丞 丕賱爻賵丿丕賳賷賷賳 鬲鬲賲丨賵乇 丨賷丕鬲賴賲 丨賵賱 丕賱噩賳爻 亘賴匕賴 丕賱丿乇噩丞責責責 賴賱 賰賱 賲丕 賷賮賰乇賵賳 亘賴 賵 賷鬲丨丿孬賵賳 毓賳賴 賴賵 兀毓囟丕卅賴賲 丕賱鬲賳丕爻賱賷丞責!!!!!!賱丕 兀毓鬲賯丿 賴匕丕..
兀賲 賴賱 賱丿賶 丕賱賰丕鬲亘 毓賯丿丞 噩賳爻賷丞 賰亘乇賶 噩毓賱鬲賴 賷馗賱 胤賵丕賱 丕賱乇賵丕賷丞 賷鬲丨丿孬 毓賳 賲丿賶 賮丨賵賱丞 丕賱爻賵丿丕賳賷賷賳 鬲睾胤賷丞 賱毓噩夭賴 丕賱禺丕氐!責責責責賴匕丕 兀賯乇亘 賱鬲氐賵乇賷 賮毓賱丕
賰賱 賷賵賲 賷夭丿丕丿 丕賯鬲賳丕毓賷 兀賳 丕賱賯丕乇賷亍 丕賱毓乇亘賷 兀睾亘賷 丕賱賯乇丕亍 賱賷噩毓賱 鬲賱賰 丕賱乇賵丕賷丞 亘賴匕賴 丕賱卮賴乇丞 .. 兀睾亘賶 丨鬲賶 賲賳 丕賱兀賲乇賷賰丕賳!
賰賷賮 賷丨丿孬 兀賳 鬲賰賵賳 賴匕賴 丕賱乇賵丕賷丞 賲賳 兀賮囟賱 100 乇賵丕賷丞 毓乇亘賷丞 賮賷 丕賱鬲丕乇賷禺!責責 賱賵 賰丕賳鬲 賴匕賴 丨賯賷賯丞 賮廿賳 丕賱丕丿亘 丕賱毓乇亘賷 亘丕賱賮毓賱 賲噩賲賵毓丞 賲賳鬲賯丕丞 賲賳 丕賱賯匕丕乇丞!
賱賳鬲丨丿孬 毓賳 丕賱鬲乇丕亘胤 .. 丕賱兀丨丿丕孬 鬲亘丿賵 賱賷 賲賳賮氐賱丞 鬲賲丕賲丕 .. 賱丕 賷賵噩丿 兀賷 乇丕亘胤 亘賷賳賴丕 廿賱丕 兀賳 丕賱乇賵丕賷 賷鬲毓丕賲賱 賲毓 賴匕賴 丕賱卮禺氐賷丕鬲! 賮賯胤 賱丕 睾賷乇! 賮賷賲丕 毓丿丕 匕賱賰 賮廿賳 賰賱 噩夭亍 賲爻鬲賯賱 鬲賲丕賲丕 亘匕丕鬲賴.. 賮賴賳丕賰 賯氐丞 丕賱賳丕亘睾丞 丕賱爻賵丿丕賳賷 丕賱匕賷 爻丕賮乇 賱賱鬲毓賱賲 賮賷 亘賱丕丿 兀賵乇賵亘丕 賱兀賳 "丕賱爻賵丿丕賳 賱賲 賷毓丿 賱丿賷賴丕 賲丕 鬲毓胤賷賴" .. 賵 賴賳丕賰 賯氐丞 丕賱丕丿賷亘 丕賱爻賵丿丕賳賷 丕賱匕賷 毓丕丿 賱賯乇賷鬲賴 亘毓丿 賳賷賱 丕賱丿賰鬲賵乇丕丞.. 賵 賴賳丕賰 賯氐丞 丕賱爻賵丕丿賳賷 丕賱匕賷 賱丕 賷賮毓賱 兀賷 卮賷亍 賮賷 丨賷丕鬲賴 爻賵賶 丕賱夭賵丕噩 賵 丕賱胤賱丕賯.. 亘丕賱廿囟丕賮丞 賱毓丿丞 賯氐氐 賮乇毓賷丞... 賵 賰賱 賴匕丕 賱丕 乇丕亘胤 亘賷賳賴 毓賱賶 丕賱廿胤賱丕賯..
賱賲 兀毓賱賲 賲賳 丕賱亘胤賱 亘丕賱鬲丨丿賷丿. 丕賵 賲賳 賴賵 丕賱卮禺氐賷丞 丕賱乇卅賷爻賷丞! 賮賰賱 卮禺氐 賷亘丿賵 兀賳賴 賷馗賴乇 賱毓丿丞 氐賮丨丕鬲 孬賲 賷禺鬲賮賷.. 賱丕 賱賷爻鬲 亘胤賵賱丞 賲噩賲毓丞... 賱賰賳 丕賱賰丕鬲亘 賷亘丿賵 賱賶 兀賳賴 賱賲 賷毓乇賮 賲賳 丕賱卮禺氐 丕賱賲賱丕卅賲 賱賷賰賵賳 賲毓馗賲 丕賱鬲乇賰賷夭 毓賱賷賴 賵 亘丕賱鬲丕賱賷 賱賲 鬲兀禺匕 兀賷 卮禺氐賷丞 丨賯賴丕 賮賷 丕賱馗賴賵乇 ...
賱賳鬲丨丿孬 毓賳 丕賱兀丨丿丕孬.. 賰賱賴丕 鬲丿賵乇 賮賷 賲丨賵乇 賵丕丨丿 賵賵丨賷丿 "丕賱噩賳爻"! 賮賯胤 賱丕 睾賷乇... 丕賱賳丕亘睾丞 丕賱爻賵丿丕賳賷 賷匕賴亘 賱兀賵乇賵亘丕 賱賷睾夭賵賴丕 "亘賯囟賷亘賴" (賷丕賱鬲賴匕賷亘 丕賱胤賷亘 氐丕賱丨 丕賱匕賷 乇賮囟 兀賳 賷噩乇丨 賲卮丕毓乇 丕賱賯丕乇卅 亘丕賱鬲氐乇賷丨 亘丕賱賱賮馗丞 賮賵囟毓 賲賰丕賳賴丕 賯乇丕睾丕!!) .. 賴匕丕 丕賱賳丕亘睾丞 丕賱爻賵丕丿賳賷 賯乇乇 兀賳 賷丿丕賮毓 毓賳 丕賱賯囟賷丞 丕賱毓乇亘賷丞 賵 丕賱兀賮乇賷賯賷丞 亘兀賯氐賷 賲丕 賷爻鬲胤賷毓 賯囟賷亘賴! 賲丕 兀卮賯丕賴丕 賲賳 "孬賵乇賷丞"!!
賳噩丿 丕賱亘胤賱丕鬲 賷賯毓賳 賮賷 丨亘 丕賱賳丕亘睾丞 丕賱爻賵丿丕賳賷 賮賴賵 賮賷 賳馗乇賴賳 "丕賱廿賱賴 丕賱廿賮乇賷賯賷 丕賱兀爻賵丿" 丕賱匕賷 噩毓賱賴賳 賷賰賮乇賳 亘丌賱賴鬲賴賳 賵 賷丐賲賳賳 賮賯胤 亘賮丨賵賱鬲賴 賵 賷乇賰毓賳 鬲丨鬲 賯丿賲賷賴!!!! 賴賱 丕賱爻賵丿丕賳賷 兀氐亘丨 丕賱賲毓丕丿賱 賱賱賴責!! 賲丕 賴匕丕 丕賱賯乇賮!
賴賱 賴匕丕 賴賵 "丕賱氐乇丕毓 亘賷賳 丕賱卮乇賯 賵 丕賱睾乇亘"責 賴賱 賴匕賴 賴賶 丕賱賲賳丕賮爻丞 亘賷賳 丕賱卮賲丕賱 賵 丕賱噩賳賵亘責 丕賱賲賳丕賮爻丞 毓賱賶 賯賵丞 丕賱賮丨賵賱丞 丕賱噩賳爻賷丞責責!!!
賵賱丕 賷賳爻 丕賱胤賷亘 氐丕賱丨 兀賳 賷鬲丨賮賳丕 亘亘囟毓丞 "亘賴丕乇丕鬲" 賱毓賲賱賷丕鬲 丕賱賲囟丕噩毓丞.. 賮賴賶 賱賲 鬲賰賳 -賱丕 爻賲丨 丕賱賱賴- 噩賳爻丕 丨賷賵丕賳賷丕.. 賱賰賳賴丕 賰丕賳鬲 亘賳丕亍丕 毓賱賶 毓丕胤賮丞 丨亘 賯賵賷丞 ... 亘丕賱賮毓賱 "鬲乇丕賳賷 鬲兀孬乇鬲"!!!
兀丨丿丕孬 丕賱噩賳爻 賵 丕賱賲囟丕噩毓丞 賮賷 亘賱丕丿 丕賱卮賲丕賱 鬲賯乇賷亘丕 丕爻鬲賴賱賰鬲 孬賱孬 丕賱乇賵丕賷丞..
孬賱孬 丌禺乇 鬲賲 丕爻鬲賴賱丕賰賴 賮賷 丕賱丨丿賷孬 毓賳 賴匕丕 丕賱爻賵丿丕賳賷 丕賱賮丨賱 丕賱賲夭賵丕噩.. 丕賱匕賷 賷鬲夭賵噩 丕賱賲乇兀丞 賱毓丿丞 卮賴賵乇 孬賲 賷胤賱賯賴丕... 賷鬲禺賱賱 賴匕丕 丕賱孬賱孬 賲卮賴丕賷賳 賲赖賲丕賳 .. 丕賱賲卮賴丿 丕賱兀賵賱 丨賵丕乇 丿丕卅乇 亘賷賳 毓丿丞 爻賵丿丕賳賷賷賳 賮賷 賯毓丿丞 爻賲乇.. 賵 亘丕賱胤亘毓 丕賱丨賵丕乇 賱丕 鬲噩丿 賮賷賴 兀賷 賲賵囟賵毓 睾賷乇 賲賵囟賵毓 丕賱賮丨賵賱丞 丕賱噩賳爻賷丞!!! 賰賷賮賷丞 丕賱賲囟丕噩毓丞! 賰賷賮 賷賲丕乇爻 丕賱爻賵丿丕賳賷賵賳 丕賱噩賳爻! ... 賵氐賮 鬲丕賲 賱賱毓賲賱賷丞 丕賱噩賳爻賷丞 胤賵丕賱 丕賱丨賵丕乇 賱丿乇噩丞 鬲孬賷乇 丕賱賯賷亍... 賵 賱賰賳 丕賱胤賷亘 氐丕賱丨 賰賲丕 賯賱賳丕 乇噩賱丕 賲賴匕亘丕 賮賱丕 賷賳爻 兀賳 賷賳賴賷 丕賱丨賵丕乇 亘賰賱賲丞 "兀爻鬲睾賮乇 丕賱賱賴"... 亘丕賱賮毓賱 賵 賳毓賲 丕賱鬲賯賵賶 賵 丕賱廿賷賲丕賳!
兀賲丕 丕賱賲卮賴丿 丕賱孬丕賳賷 賮賴賵 賲卮賴丿 丕賱夭賵丕噩 丕賱禺丕氐 亘丕賱爻賵丿丕賳賷 丕賱賲夭賵丕噩 賲毓 丕賱兀乇賲賱丞.. 丨丿賷孬 胤賵賷賱 賵賲賲賱 毓賳 賲丿賶 賮馗丕毓丞 丕賱賲賵賯賮 賵 賲丕 丨丿孬.. 孬賲 毓丿丞 噩賲賱 亘賵賱賷爻賷丞 賰兀賳賴丕 賯氐丞 噩丕爻賵爻賷丞 賲賳 賳賵毓賷丞 "賱丕 賷賲賰賳賳賷 乇賵丕賷丞 賲丕 丨丿孬 賮賴賵 賮馗賷毓!" 賵 "賱丕 賷賲賰賳賰 兀賳 鬲毓乇賮 賴匕丕 兀亘丿丕" 賵 "廿匕丕 賯賱鬲 賱賰 賮賷噩亘 兀賳 鬲毓丿賳賷 兀賱丕 鬲禺亘乇 兀丨丿丕" 賱鬲噩毓賱 丕賱賯丕乇卅 賷鬲卮賵賯 廿賱賶 賲毓乇賮丞 賲丕 賴賶 賴匕賴 丕賱丨丕丿孬丞 丕賱噩亘丕乇丞 丕賱鬲賷 賱丕 鬲丨丿孬 賲孬賱賴丕 毓賱賶 賲乇 丕賱夭賲丕賳! 賱賳賮丕噩兀 兀賳 鬲賱賰 丕賱丨丕丿孬丞 賴賶 兀賳 鬲賯胤毓 廿賲乇兀丞 賯囟賷亘 乇噩賱!!!!!!!!! 賷丕賱賴丕 賲賳 賰丕乇孬丞 賱賲 鬲丨丿孬 賲賳 賯亘賱!
賴賱 亘丕賱賮毓賱 丕賱兀禺賵丞 丕賱爻賵丿丕賳賷賷賳 鬲鬲賲丨賵乇 丨賷丕鬲賴賲 丨賵賱 丕賱噩賳爻 亘賴匕賴 丕賱丿乇噩丞責責責 賴賱 賰賱 賲丕 賷賮賰乇賵賳 亘賴 賵 賷鬲丨丿孬賵賳 毓賳賴 賴賵 兀毓囟丕卅賴賲 丕賱鬲賳丕爻賱賷丞責!!!!!!賱丕 兀毓鬲賯丿 賴匕丕..
兀賲 賴賱 賱丿賶 丕賱賰丕鬲亘 毓賯丿丞 噩賳爻賷丞 賰亘乇賶 噩毓賱鬲賴 賷馗賱 胤賵丕賱 丕賱乇賵丕賷丞 賷鬲丨丿孬 毓賳 賲丿賶 賮丨賵賱丞 丕賱爻賵丿丕賳賷賷賳 鬲睾胤賷丞 賱毓噩夭賴 丕賱禺丕氐!責責責責賴匕丕 兀賯乇亘 賱鬲氐賵乇賷 賮毓賱丕
賰賱 賷賵賲 賷夭丿丕丿 丕賯鬲賳丕毓賷 兀賳 丕賱賯丕乇賷亍 丕賱毓乇亘賷 兀睾亘賷 丕賱賯乇丕亍 賱賷噩毓賱 鬲賱賰 丕賱乇賵丕賷丞 亘賴匕賴 丕賱卮賴乇丞 .. 兀睾亘賶 丨鬲賶 賲賳 丕賱兀賲乇賷賰丕賳!
February 9, 2022
賲鈥嵸堌斥€嵸呪€屸€� 丕賱鈥嵸団€嵷€嵷必� 丕賱鈥嵺屸€� 丕賱鈥嵷粹€嵸呪€嵷з勨€� = Mawsim al-Hijrah il芒 al-Sham芒l = Season of Migration to the North, Tayeb Salih
Season of Migration to the North is a classic post-colonial Arabic novel by the Sudanese novelist Tayeb Salih. In 1966, Salih published his novel, the one for which he is best known. It was first published in the Beirut journal Hiw芒r.
The main concern of the novel is with the impact of British colonialism and European modernity on rural African societies in general and Sudanese culture and identity in particular. His novel reflects the conflicts of modern Sudan and depicts the brutal history of European colonialism as shaping the reality of contemporary Sudanese society. Damascus-based Arab Literary Academy named it one of the best novels in Arabic of the twentieth century.
Mawsim al-Hijrah il芒 al-Sham芒l is considered to be an important turning point in the development of postcolonial narratives that focus on the encounter between East and West.
Mawsim al-Hijrah il芒 al-Sham芒l is a story told to an unspecified audience of the 鈥渢raveled man,鈥� the African who has returned from schooling abroad by an unnamed narrator. The narrator returns to his Sudanese village of Wad Hamid on the Nile in the 1950's after writing a PhD thesis on 鈥榯he life of an obscure English poet鈥�.
Mustafa Sa'eed, the main protagonist of the novel, is a child of British colonialism, and a fruit of colonial education. He is also a monstrous product of his time. The unnamed narrator is eager to make a contribution to the new postcolonial life of his country. On his arrival home, the Narrator encounters a new villager named Mustafa Sa'eed who exhibits none of the adulation for his achievements that most others do, and he displays an antagonistically aloof nature.
Mustafa betrays his past one drunken evening by wistfully reciting poetry in fluent English, leaving the narrator resolute to discover the stranger's identity. The Narrator later asks Mustafa about his past, and Mustafa tells the Narrator much of his story, often saying "I am no Othello, Othello was a lie," as well as "I am a lie.". ...
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毓賳賵丕賳: 賲賵爻賲 賴噩乇鬲 亘賴 卮賲丕賱貨 賳賵蹖爻賳丿賴: 胤蹖亘 氐丕賱丨貨 賲鬲乇噩賲: 毓胤丕亍丕賱賱賴 賲賴丕噩乇丕賳蹖貨 鬲賴乇丕賳貙 丕賲蹖丿 丕蹖乇丕賳蹖丕賳貙 爻丕賱1394貙 丿乇170氐貨 卮丕亘讴9789648978292貨
乇賵丕賳卮丕丿 芦胤蹖亘 氐丕賱丨貙 蹖丕: 丕賱胤蹖亘 氐丕賱丨 (夭丕丿賴: 乇賵夭 丿賵丕夭丿賴賲 賲丕賴 跇賵卅蹖賴 爻丕賱1929賲蹖賱丕丿蹖貨 鈥� 丿乇诏匕卮鬲賴 乇賵夭 賴噩丿賴賲 賲丕賴 賮賵乇蹖賴 爻丕賱2009賲蹖賱丕丿蹖)禄貙 丕丿蹖亘 丕賴賱 讴卮賵乇 芦爻賵丿丕賳禄貙 賵 蹖讴蹖 丕夭 賳丕賲 丌卮賳丕鬲乇蹖賳 賳賵蹖爻賳丿诏丕賳 芦毓乇亘禄 亘賵丿賳丿貙 讴賴 賲賳鬲賯丿丕賳貙 丕蹖卮丕賳 乇丕 芦賳丕亘睾賴 蹖 乇賲丕賳 毓乇亘蹖禄 賳丕賲蹖丿賴 丕賳丿貨 丕蹖卮丕賳 丿乇 芦亘乇蹖鬲丕賳蹖丕禄貙 芦賯胤乇禄貙 賵 芦賮乇丕賳爻賴禄 賳蹖夭 夭賳丿诏蹖 讴乇丿賴 丕賳丿貨 芦丕賱胤蹖亘 氐丕賱丨禄 - 蹖丕 赖賲丕賳 芦賳丕亘睾賴 乇賲丕賳 毓乇亘蹖禄貙 讴賴 賳丕賲 賵 賳丕賲 禺丕賳賵丕丿诏蹖 丕蹖卮丕賳 芦胤蹖亘 賲丨賲丿 氐丕賱丨 丕丨賲丿禄 亘賵丿賴鈥� 丕爻鬲貙 丿乇 卮賲丕賱 芦爻賵丿丕賳禄貙 丿乇 賲賳胤賯賴 蹖 芦賲乇賵蹖禄貙 丿乇 乇賵爻鬲丕蹖 芦讴乇賲讴賵賱禄貙 亘賴 丿賳蹖丕 丌賲丿賳丿貙 賵 丿乇 蹖讴 亘蹖賲丕乇爻鬲丕賳 丿乇 卮賴乇 芦賱賳丿賳禄 倬丕蹖鬲禺鬲 芦亘乇蹖鬲丕賳蹖丕禄貙 丿乇 卮亘 趩賴丕乇卮賳亘賴貙 乇賵夭 賴噩丿賴賲 賲丕賴 賮賵乇蹖賴 爻丕賱2009賲蹖賱丕丿蹖貙 丕夭 丕蹖賳 爻乇丕蹖 丿乇诏匕卮鬲賳丿
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 15/12/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 19/11/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Season of Migration to the North is a classic post-colonial Arabic novel by the Sudanese novelist Tayeb Salih. In 1966, Salih published his novel, the one for which he is best known. It was first published in the Beirut journal Hiw芒r.
The main concern of the novel is with the impact of British colonialism and European modernity on rural African societies in general and Sudanese culture and identity in particular. His novel reflects the conflicts of modern Sudan and depicts the brutal history of European colonialism as shaping the reality of contemporary Sudanese society. Damascus-based Arab Literary Academy named it one of the best novels in Arabic of the twentieth century.
Mawsim al-Hijrah il芒 al-Sham芒l is considered to be an important turning point in the development of postcolonial narratives that focus on the encounter between East and West.
Mawsim al-Hijrah il芒 al-Sham芒l is a story told to an unspecified audience of the 鈥渢raveled man,鈥� the African who has returned from schooling abroad by an unnamed narrator. The narrator returns to his Sudanese village of Wad Hamid on the Nile in the 1950's after writing a PhD thesis on 鈥榯he life of an obscure English poet鈥�.
Mustafa Sa'eed, the main protagonist of the novel, is a child of British colonialism, and a fruit of colonial education. He is also a monstrous product of his time. The unnamed narrator is eager to make a contribution to the new postcolonial life of his country. On his arrival home, the Narrator encounters a new villager named Mustafa Sa'eed who exhibits none of the adulation for his achievements that most others do, and he displays an antagonistically aloof nature.
Mustafa betrays his past one drunken evening by wistfully reciting poetry in fluent English, leaving the narrator resolute to discover the stranger's identity. The Narrator later asks Mustafa about his past, and Mustafa tells the Narrator much of his story, often saying "I am no Othello, Othello was a lie," as well as "I am a lie.". ...
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦賮氐賱 賴噩乇鬲 亘賴 卮賲丕賱禄貨 芦賲賵爻賲 賴噩乇鬲 亘賴 卮賲丕賱禄貨 賳賵蹖爻賳丿賴: 胤蹖亘 氐丕賱丨貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 倬賳噩賲 賲丕賴 跇賵卅賳 爻丕賱2012賲蹖賱丕丿蹖
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毓賳賵丕賳: 賲賵爻賲 賴噩乇鬲 亘賴 卮賲丕賱貨 賳賵蹖爻賳丿賴: 胤蹖亘 氐丕賱丨貨 賲鬲乇噩賲: 毓胤丕亍丕賱賱賴 賲賴丕噩乇丕賳蹖貨 鬲賴乇丕賳貙 丕賲蹖丿 丕蹖乇丕賳蹖丕賳貙 爻丕賱1394貙 丿乇170氐貨 卮丕亘讴9789648978292貨
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 15/12/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 19/11/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
September 10, 2023
- "賲賵爻賲 丕賱賴噩乇丞 丕賱賶 丕賱卮賲丕賱"貙 賲賳 丕亘乇夭 乇賵丕賷丕鬲 兀丿亘 賲丕 亘毓丿 丕賱廿爻鬲毓賲丕乇貙 賯丕賲 丕賱胤賷亘 氐丕賱丨 亘賳爻噩賴丕 賲乇鬲賰夭丕賸 毓賱賶 亘胤賱賷賳貙 鬲爻賷乇 亘卮賰賱 賲鬲賵丕夭賺 亘賷賳赖賲丕 賵毓賳赖賲丕貙 丕賱乇丕賵賷 丕賱亘爻賷胤 賵賲氐胤賮賶 爻毓賷丿貙 賵丕賱賮乇賯 亘賷賳赖賲丕 賮賷 丕賱賳馗乇丞 丕賱賶 "丕賱卮賲丕賱"(丕賷 丕賱睾乇亘) 賵胤乇賷賯丞 鬲氐乇賮赖賲丕 亘毓丿 丕賳 毓丕丿丕 丕賱賶 丕賱賵胤賳 賵鬲兀孬賷乇赖賲丕 亘賲賳 丨賵賱賴賲.
- 鬲丿賵乇 兀丨丿丕孬 丕賱乇賵丕賷丞 賮賷 賯乇賷丞 爻賵丿丕賳賷丞 毓賱賶 噩丕賳亘 丕賱賳賷賱貙 丕賱賳賷賱 丕賱匕賷 賷鬲噩賴 卮賲丕賱丕賸! 賲孬賱 亘胤賱 丕賱賯氐丞 丕賱匕賷 賷賴丕噩乇 卮賲丕賱丕賸.. 丕賱賶 丕賱亘毓賷丿. 鬲賳賵毓鬲 丕賱鬲賯賳賷丕鬲 丕賱乇賵丕卅賷丞 亘賷賳 丕賱爻乇丿 (丕賳丕 / 賴賵) 賵丕賱賵氐賮 賵丕賱丨賵丕乇丕鬲 賵丕爻鬲毓賲賱鬲 鬲賯賳賷丞 丕賱賮賱丕卮 亘丕賰.
- 賲氐胤賮賶 爻毓賷丿貙 "丕賱睾丕夭賷" 賱賱卮賲丕賱貙 丕賱胤賮賱 丕賱匕賰賷 丕賱匕賷 賱賲 鬲爻毓賴 丕賱爻賵丿丕賳 賵賱丕 丕賱賯丕賴乇丞 賮爻丕賮乇 丕賱賶 亘乇賷胤丕賳賷丕 賵毓賲賱 賮賷 丕丨丿賶 噩丕賲毓丕鬲賴丕 賵丕爻鬲睾賱 匕賰丕亍賴 賮賷 丕賱廿賷賯丕毓 亘毓丿丞 賳爻丕亍貙 賵賴賵 匕丕鬲賴 丕賱匕賷 丕賱賾賮 丕賱毓丿賷丿 賲賳 丕賱賰鬲亘 (賰賲丕 鬲亘賷賾賳 賲毓 丕賱乇丕賵賷 毓鬲丿 噩賱賵爻賴 賮賷 丕賱睾乇賮丞 丕賱賲賯賮賱丞) 賵丨丕賵賱 鬲胤亘賷賯 賲丕 賷毓賱賲賴 賮賷 丕賱賵丕賯毓 丕賱乇賷賮賷 丕賱匕賷 毓丕丿 丕賱賷賴 亘廿乇丕丿鬲賴 賮胤賵賾乇 亘丕賱夭乇丕毓丞 賵亘丕賱鬲噩丕乇丞 賰賲丕 丕賳賴 胤賵賾乇 賮賷 毓賯賱賷丞 夭賵噩鬲賴 賵丕賱鬲賷 丕賳鬲丨乇鬲 賮賷賲丕 亘毓丿 乇賮囟丕賸 賱夭賵丕噩 鬲賯賱賷丿賷 賷賲賱賷賴 毓賱賷賴丕 賵丕賱丿賴丕 賵賱丨賷丕丞 鬲賯賱賷丿賷丞 丕氐亘丨鬲 貙賵賱賵 乇賵丨賷丕賸貙 亘毓賷丿丞 毓賳賴丕.
- 丨丕賵賱 丕賱胤賷亘 氐丕賱丨 鬲亘賷丕賳 丕賱氐丿丕賲 丕賱丨囟丕乇賷 丕賵 賳馗乇丞 丕賱丌禺乇 賱賱賴賵賷丕鬲貙 賮亘賷賳賲丕 賷乇賶 丕賱卮乇賯賷 丕賳 丕賱睾乇亘 賴賵 毓亘丕乇丞 毓賳 丕賱鬲胤賵乇 賵丕賱廿賳賮鬲丕丨 賵丕賱賳爻丕亍 丕賱卮賯乇丕賵丕鬲貙 賷乇賶 丕賱睾乇亘賷 丕賳 丕賱卮乇賯 氐丨乇丕亍 賷毓賷卮 丕賱賳丕爻 賮賷賴丕 丕賱賶 噩丕賳亘 丕賱噩賲丕賱 賵賱丕 鬲禺鬲賱賮 丕賱毓賱丕賯丞 毓賳 賰鬲丕亘丕鬲 丕賱賮 賱賷賱丞 賵賱賷賱丞 賵丕賱噩賵丕乇賷 賵丕賱毓亘賷丿.
- 毓賱賶 丕賱賳丕丨賷丞 丕賱兀禺乇賶 賮丕賱乇丕賵賷 丕賱亘爻賷胤 丕賱匕賷 賵氐賮 丕賱廿賳賰賱賷夭 "丕賳賴賲 賲孬賱賳丕 賷毓賲賱賵賳 賵賷鬲夭賵噩賵賳 賵賷賳噩亘賵賳 丕賱兀胤賮丕賱"貙 賵丕賱匕賷 賷馗賳 賳賮爻賴 丕賱賲孬賯賮 丕賱賵丨賷丿 賱丕 賮賷 丕賱賯乇賷丞 亘賱 乇亘賲丕 賮賷 丕賱爻賵丿丕賳 賵丕賱匕賷 丕睾鬲丕馗 毓賳丿 爻賲丕毓 賲氐胤賮賶 爻毓賷丿 賷乇丿丿 卮毓乇丕賸 亘丕賱廿賳賰賱賷夭貙 賱賲 賷兀禺匕 賲賳 丕賱睾乇亘 爻賵賶 賯卮乇鬲賴 亘賱 丕賳 毓賱賲賴 賱賲 賷賳賮毓 亘賴 賯乇賷鬲賴 亘丿賱賷賱 鬲賵丕噩丿賴 賮賷 丕賱毓丕氐賲丞 賵賱賲 賷賳賮毓 亘賴 丿賵賱鬲賴 亘丿賱賷賱 丕賳賴 睾賷乇 賲丐孬乇 賮賷 丕賷 賯乇丕乇 (賲卮賴丿 丕賱賲丐鬲賲乇)
- 丕賱禺丕鬲賲丞 賰丕賳鬲 賲賮鬲賵丨丞 毓賱賶 丕賱毓丿賷丿 賲賳 丕賱廿丨鬲賲丕賱丕鬲 賲孬賱賴丕 賲孬賱 賲賵鬲 賲氐胤賮賷 爻毓賷丿 丕賱匕賷 賯丿 賷賰賵賳 睾乇賯 賵賯丿 賷賰賵賳 賴丕噩乇 賲噩丿丿丕賸 丕賱賶 丨賷孬 賷賳鬲賲賷!!
- 丕賱乇賵丕賷丞 賲賲鬲毓丞 鬲賯乇兀 毓賱賶 毓丿丞 胤亘賯丕鬲貙 亘毓囟 賲賯丕胤毓賴丕 匕賰乇賳賷 亘兀賵爻賰丕乇 賵丕賷賱丿 賵亘毓囟賴丕 丕賱丌禺乇 亘爻禺乇賷丞 亘乇賳丕乇丿 卮賵
- 鬲丿賵乇 兀丨丿丕孬 丕賱乇賵丕賷丞 賮賷 賯乇賷丞 爻賵丿丕賳賷丞 毓賱賶 噩丕賳亘 丕賱賳賷賱貙 丕賱賳賷賱 丕賱匕賷 賷鬲噩賴 卮賲丕賱丕賸! 賲孬賱 亘胤賱 丕賱賯氐丞 丕賱匕賷 賷賴丕噩乇 卮賲丕賱丕賸.. 丕賱賶 丕賱亘毓賷丿. 鬲賳賵毓鬲 丕賱鬲賯賳賷丕鬲 丕賱乇賵丕卅賷丞 亘賷賳 丕賱爻乇丿 (丕賳丕 / 賴賵) 賵丕賱賵氐賮 賵丕賱丨賵丕乇丕鬲 賵丕爻鬲毓賲賱鬲 鬲賯賳賷丞 丕賱賮賱丕卮 亘丕賰.
- 賲氐胤賮賶 爻毓賷丿貙 "丕賱睾丕夭賷" 賱賱卮賲丕賱貙 丕賱胤賮賱 丕賱匕賰賷 丕賱匕賷 賱賲 鬲爻毓賴 丕賱爻賵丿丕賳 賵賱丕 丕賱賯丕賴乇丞 賮爻丕賮乇 丕賱賶 亘乇賷胤丕賳賷丕 賵毓賲賱 賮賷 丕丨丿賶 噩丕賲毓丕鬲賴丕 賵丕爻鬲睾賱 匕賰丕亍賴 賮賷 丕賱廿賷賯丕毓 亘毓丿丞 賳爻丕亍貙 賵賴賵 匕丕鬲賴 丕賱匕賷 丕賱賾賮 丕賱毓丿賷丿 賲賳 丕賱賰鬲亘 (賰賲丕 鬲亘賷賾賳 賲毓 丕賱乇丕賵賷 毓鬲丿 噩賱賵爻賴 賮賷 丕賱睾乇賮丞 丕賱賲賯賮賱丞) 賵丨丕賵賱 鬲胤亘賷賯 賲丕 賷毓賱賲賴 賮賷 丕賱賵丕賯毓 丕賱乇賷賮賷 丕賱匕賷 毓丕丿 丕賱賷賴 亘廿乇丕丿鬲賴 賮胤賵賾乇 亘丕賱夭乇丕毓丞 賵亘丕賱鬲噩丕乇丞 賰賲丕 丕賳賴 胤賵賾乇 賮賷 毓賯賱賷丞 夭賵噩鬲賴 賵丕賱鬲賷 丕賳鬲丨乇鬲 賮賷賲丕 亘毓丿 乇賮囟丕賸 賱夭賵丕噩 鬲賯賱賷丿賷 賷賲賱賷賴 毓賱賷賴丕 賵丕賱丿賴丕 賵賱丨賷丕丞 鬲賯賱賷丿賷丞 丕氐亘丨鬲 貙賵賱賵 乇賵丨賷丕賸貙 亘毓賷丿丞 毓賳賴丕.
- 丨丕賵賱 丕賱胤賷亘 氐丕賱丨 鬲亘賷丕賳 丕賱氐丿丕賲 丕賱丨囟丕乇賷 丕賵 賳馗乇丞 丕賱丌禺乇 賱賱賴賵賷丕鬲貙 賮亘賷賳賲丕 賷乇賶 丕賱卮乇賯賷 丕賳 丕賱睾乇亘 賴賵 毓亘丕乇丞 毓賳 丕賱鬲胤賵乇 賵丕賱廿賳賮鬲丕丨 賵丕賱賳爻丕亍 丕賱卮賯乇丕賵丕鬲貙 賷乇賶 丕賱睾乇亘賷 丕賳 丕賱卮乇賯 氐丨乇丕亍 賷毓賷卮 丕賱賳丕爻 賮賷賴丕 丕賱賶 噩丕賳亘 丕賱噩賲丕賱 賵賱丕 鬲禺鬲賱賮 丕賱毓賱丕賯丞 毓賳 賰鬲丕亘丕鬲 丕賱賮 賱賷賱丞 賵賱賷賱丞 賵丕賱噩賵丕乇賷 賵丕賱毓亘賷丿.
賷丕 賱賱爻禺乇賷丞貙 丕賱廿賳爻丕賳 賱賲噩乇丿 兀賳賴 禺購賱賽賯 毓賳丿 禺胤 丕賱丕爻鬲賵丕亍貙 亘毓囟購 丕賱賲噩丕賳賷賳 賷毓鬲亘乇賵賳賴 毓亘丿丕賸貙 賵亘毓囟購賴賲 賷毓鬲亘乇賴 廿賱賴丕賸貙 兀賷賳 丕賱丕毓鬲丿丕賱責 兀賷賳 丕賱丕爻鬲賵丕亍責
- 毓賱賶 丕賱賳丕丨賷丞 丕賱兀禺乇賶 賮丕賱乇丕賵賷 丕賱亘爻賷胤 丕賱匕賷 賵氐賮 丕賱廿賳賰賱賷夭 "丕賳賴賲 賲孬賱賳丕 賷毓賲賱賵賳 賵賷鬲夭賵噩賵賳 賵賷賳噩亘賵賳 丕賱兀胤賮丕賱"貙 賵丕賱匕賷 賷馗賳 賳賮爻賴 丕賱賲孬賯賮 丕賱賵丨賷丿 賱丕 賮賷 丕賱賯乇賷丞 亘賱 乇亘賲丕 賮賷 丕賱爻賵丿丕賳 賵丕賱匕賷 丕睾鬲丕馗 毓賳丿 爻賲丕毓 賲氐胤賮賶 爻毓賷丿 賷乇丿丿 卮毓乇丕賸 亘丕賱廿賳賰賱賷夭貙 賱賲 賷兀禺匕 賲賳 丕賱睾乇亘 爻賵賶 賯卮乇鬲賴 亘賱 丕賳 毓賱賲賴 賱賲 賷賳賮毓 亘賴 賯乇賷鬲賴 亘丿賱賷賱 鬲賵丕噩丿賴 賮賷 丕賱毓丕氐賲丞 賵賱賲 賷賳賮毓 亘賴 丿賵賱鬲賴 亘丿賱賷賱 丕賳賴 睾賷乇 賲丐孬乇 賮賷 丕賷 賯乇丕乇 (賲卮賴丿 丕賱賲丐鬲賲乇)
- 丕賱禺丕鬲賲丞 賰丕賳鬲 賲賮鬲賵丨丞 毓賱賶 丕賱毓丿賷丿 賲賳 丕賱廿丨鬲賲丕賱丕鬲 賲孬賱賴丕 賲孬賱 賲賵鬲 賲氐胤賮賷 爻毓賷丿 丕賱匕賷 賯丿 賷賰賵賳 睾乇賯 賵賯丿 賷賰賵賳 賴丕噩乇 賲噩丿丿丕賸 丕賱賶 丨賷孬 賷賳鬲賲賷!!
賱丕 賷毓賳賷賳賷 丕匕丕 賰丕賳 賱賱丨賷丕丞 賲毓賳賶 丕賵 賱賲 賷賰賳 賱賴丕 賲毓賳賶. 賵丕匕丕 賰賳鬲 賱丕 丕爻鬲胤賷毓 丕賳 丕睾賮乇 賮爻兀丨丕賵賱 丕賳 丕賳爻賶. 爻兀丨賷丕 亘丕賱賯賵丞 賵丕賱賲賰乇
- 丕賱乇賵丕賷丞 賲賲鬲毓丞 鬲賯乇兀 毓賱賶 毓丿丞 胤亘賯丕鬲貙 亘毓囟 賲賯丕胤毓賴丕 匕賰乇賳賷 亘兀賵爻賰丕乇 賵丕賷賱丿 賵亘毓囟賴丕 丕賱丌禺乇 亘爻禺乇賷丞 亘乇賳丕乇丿 卮賵
July 13, 2020
Salih is an astonishing prose stylist (it's comforting to know that he worked closely with the translator), and his ability is on full display here, using a mix of mediums that tell a seemingly classic story in a modern way. The plot occurs obliquely - wonderful to have a passive lead and an incredibly active, handsome subject - and the retold stories of Mustafa's sexual escapades in London are, as many have pointed out, a conscious subversion of Othello and HEART OF DARKNESS. But I'm more interested in the conscious overlap with DON QUIXOTE, which I haven't seen written about anywhere.
The narrator is much like Cervantes's Cide Hamete Benegeli, an involuntary transcriber of someone else's epic story, and the plot takes a very similar turn. Toward the end of the book, we have a wonderful scene with Mustafa's library, and the narrator is disappointed to see that all the books are in English - they are listed in catalogue, as in QUIXOTE. Mustafa temporarily lost his mind and morality in an attempt to perpetuate the western perception of him as Othello, before, finally, after a long journey, regaining sanity and enjoying a homecoming and a brief, intentional return to normalcy. That is very much the Quixote move, and Salih's conscious choice to write in Arabic, not English, feels like a rebuke of countrymen who only read in English, much like Cervantes was taking on the ghastly chivalric novels of his time.
The problem with indirect books is that sometimes one gets the sense that plot is being withheld for no reason than to withhold it. The outermost frame is written in direct address, and I would be frustrated listening to this storyteller. "Why did you wait 60 pages to tell me that critical plot point?" But there are long descriptive passages here that are as good as anything:
"I lingered by the door as I savoured that agreeable sensation which precedes the moment of meeting my grandfather whenever I return from a journey: a sensation of pure astonishment that that ancient being is still in actual existence upon the earth's surface. When I embrace him I breathe in his unique smell which is a combination of the smell of the large mausoleum in the cemetery and the smell of an infant child. And that thin tranquil voice sets up a bridge between me and the anxious moment that has not yet been formed, and between the moments the events of which have been assimilated and have passed on, have become bricks in an edifice with perspectives and dimensions. By the standards of the European industrial world we are poor peasants, but when I embrace my grandfather I experience a sense of richness as though I am a note in the heartbeats of the very universe."
The narrator is much like Cervantes's Cide Hamete Benegeli, an involuntary transcriber of someone else's epic story, and the plot takes a very similar turn. Toward the end of the book, we have a wonderful scene with Mustafa's library, and the narrator is disappointed to see that all the books are in English - they are listed in catalogue, as in QUIXOTE. Mustafa temporarily lost his mind and morality in an attempt to perpetuate the western perception of him as Othello, before, finally, after a long journey, regaining sanity and enjoying a homecoming and a brief, intentional return to normalcy. That is very much the Quixote move, and Salih's conscious choice to write in Arabic, not English, feels like a rebuke of countrymen who only read in English, much like Cervantes was taking on the ghastly chivalric novels of his time.
The problem with indirect books is that sometimes one gets the sense that plot is being withheld for no reason than to withhold it. The outermost frame is written in direct address, and I would be frustrated listening to this storyteller. "Why did you wait 60 pages to tell me that critical plot point?" But there are long descriptive passages here that are as good as anything:
"I lingered by the door as I savoured that agreeable sensation which precedes the moment of meeting my grandfather whenever I return from a journey: a sensation of pure astonishment that that ancient being is still in actual existence upon the earth's surface. When I embrace him I breathe in his unique smell which is a combination of the smell of the large mausoleum in the cemetery and the smell of an infant child. And that thin tranquil voice sets up a bridge between me and the anxious moment that has not yet been formed, and between the moments the events of which have been assimilated and have passed on, have become bricks in an edifice with perspectives and dimensions. By the standards of the European industrial world we are poor peasants, but when I embrace my grandfather I experience a sense of richness as though I am a note in the heartbeats of the very universe."
October 25, 2010
鬲毓丿 賲賵爻賲 丕賱賴噩乇丞 丕賱賷 丕賱卮賲丕賱 賴賷 丕賱乇賵丕賷丞 丕賱丕賵賱賶 賮賷 丨賷丕鬲賷 丕賱鬲賷 賯乇兀鬲 毓賳賴丕 賯亘賱 兀賳 兀禺匕 賯乇丕乇賷 亘賯乇丕亍鬲賴丕 ...賵賴賷 鬲鬲賮賯 亘匕賱賰 賲毓 丕賱胤賷亘 氐丕賱丨 (賰丕鬲亘賴丕) 丕賱匕賷 爻賲毓鬲 毓賳賴 賯亘賱 兀賳 丕賯乇兀 賱賴 兀賷 賲賳 乇賵丕賷丕鬲賴 賮兀丨亘亘鬲 兀賳爻丕賳賷丕鬲賴 賯亘賱 兀賳 兀噩丿 賮賷 賳賮爻賷 賴賵賶 賱賰鬲丕亘丕鬲賴 ...
""賳毓賲 賷丕 爻丕丿鬲賷貙 廿賳賳賷 噩卅鬲賰賲 睾丕夭賷丕 賮賷 毓賯乇 丿丕乇賰賲. 賯胤乇丞 賲賳 丕賱爻賲 丕賱匕賷 丨賯賳鬲賲 亘賴 卮乇丕賷賷賳 丕賱鬲丕乇賷禺""
匕丕賰 賰丕賳 亘胤賱 丕賱乇賵丕賷丞 ...賲氐胤賮賶 爻毓賷丿 ...匕賱賰 丕賱賳丕亘睾 丕賱匕賷 囟丕賯鬲 兀乇囟 丕賱爻賵丿丕賳 亘賳亘賵睾賴 賮兀乇爻賱 丕賱賷 賲氐乇 賱毓賱賴 賷噩丿 賮賷 丌賮丕賯賴丕 丕賱毓賱賲賷賴 賲鬲爻毓丕賸 賱賳賴賲賴 賵賱賰賳賴丕 爻乇毓丕賳 賲丕 囟丕賯鬲 亘賴 賮兀乇爻賱 丕賱賷 賲丕 賴賵 兀亘毓丿 賲賳賴丕 賱賷賳賮匕 賲禺胤胤丞 賮賷 丕賱孬兀乇 賱賱兀氐丕賱丞 賲賳 賵丨卮賷丞 丕賱丨丿丕孬丞 ...
賱賯丿 孬兀乇 賱鬲乇丕孬賴 賵孬賯丕賮鬲賴 亘胤乇賷賯丞 賯賲丞 賮賷 丕賱丕賱鬲賵丕亍 丕賱匕賷 賷賯乇亘 丕賱賶 丕賱卮匕賵匕 ...賱賲 賷噩賳丨 賱丨賵丕乇 丕賱孬賯丕賮丕鬲 賵丕賱丨囟丕乇丕鬲
賰丕賳 丕賱鬲乇丕孬 丕賱賲孬兀賵乇 賱賴 賴賵 丕賱胤毓賲 丕賱匕賷 兀噩鬲匕亘 亘賴 丕賱囟丨丕賷丕 ...賵丕賱丨亘 丕賱匕賷 賴賵 鬲乇賷丕賯 丕賱賯賱賵亘 氐賳毓 賲賳賴 丿丕亍 賵爻賲丕賸 ...賵 睾賱賮丞 亘丨賱賵 丕賱賰賱丕賲 賵 賲毓爻賵賱 丕賱乇睾亘丞 ...賵 兀賱賯賲賴丕 賱囟丨丕賷丕賴 賵丕丨丿丞 鬲賱賵 丕賱兀禺乇賷
賵馗賱鬲 賴匕賴 胤乇賷賯鬲賴
""..廿賱賶 兀賳 賷乇孬 丕賱賲爻鬲囟毓賮賵賳 丕賱兀乇囟貙 賵鬲購爻賻乇賾丨 丕賱噩賷賵卮貙 賵賷乇毓賶 丕賱丨賻賲賻賱 丌賲賳丕賸 亘噩賵丕乇 丕賱匕卅亘貙 賵賷賱毓亘 丕賱氐亘賷 賰乇丞 丕賱賲丕亍 賲毓 丕賱鬲賲爻丕丨 賮賷 丕賱賳賴乇貙 廿賱賶 兀賳 賷兀鬲賷 夭賲賳 丕賱爻毓丕丿丞 賴匕丕貙 爻兀馗賱賾 兀毓亘賾乇 毓賳 賳賮爻賷 亘賴匕賴 丕賱胤乇賯 丕賱賲賱鬲賵賷丞"".
..丨鬲賶 兀賱鬲賮鬲 兀丨丿賶 丕賱囟丨丕賷丕 丨賵賱 乇賯亘鬲賴 賰丕賱兀賮毓賷 賵 亘丿賱丕 兀賳 賷胤毓賲賴丕 爻賲丞 噩乇毓鬲賴 爻賲賴丕...
毓丕丿 亘胤賱賳丕 丕賱賶 兀乇囟 賵胤賳賴 禺丕賱毓丕 噩賱丿賴 丕賱賯丿賷賲 亘毓丿 兀賳 兀丿乇賰 (賮賷 鬲賯賷賲賷 丕賱卮禺氐賷) 毓丿賲 噩丿賵賶 賰賱 賲丕 賮毓賱 賵 兀賷賯賳 兀賳 丕賱賯鬲丕賱 丕賱丨賯賷賯賷 賱賱丨賮丕馗 毓賱賶 丕賱鬲乇丕孬 賵丕賱丕氐丕賱丞 賷亘丿兀 賮賷 丕賱丿丕禺賱 ..賰賲丕 兀賳 賲毓乇賰丞 丕賱兀氐賱丕丨 鬲亘丿兀 賲賳 丕賱丿丕禺賱 ""賳丨賳 賴賳丕 賱丕 丨丕噩丞 賱賳丕 亘丕賱卮毓乇 .賱賵 兀賳賰 丿乇爻鬲 毓賱賲 丕賱夭乇丕毓丞 丕賵 丕賱賴賳丿爻丞 丕賵 丕賱胤亘 ,賱賰丕賳 禺賷乇丕""
賵賱賱賲乇丞 丕賱兀賱賮 兀爻鬲丨囟乇 賲賯賵賱丞 鬲賵賱爻鬲賵賷 毓賳丿 兀丨鬲囟丕乇賴 ""兀賷 廿爻賰丕賮賷 兀賳賮毓 賱賱丨賷丕丞 賵丕賱廿賳爻丕賳賷丞 賲賳 卮賰爻亘賷乇""
賵賰丕賳鬲 鬲賱賰 兀丨丿賶 毓賱丕鬲 丕賱乇賵丕賷丞 賵丕爻兀賱鬲賴丕 丕賱賲胤乇賵丨丞 ...
賱賲 賷賰賳 氐乇丕毓 丕賱卮乇賯 賵丕賱睾乇亘 丕賱兀夭賱賷 丕賱賲毓鬲丕丿 賴賵 丕賱丨丿賷孬 丕賱賵丨賷丿 賮賷 丕賱乇賵丕賷丞 ...亘賱 鬲賯丕賱賷丿賳丕 丕賱亘丕賱賷丞 賰丕賳 賱賴丕 賳氐賷亘
賮賷賱賯賷 丕賱賰丕鬲亘 丕賱囟賵亍 毓賳 賲賰丕賳丞 丕賱賲乇兀丞 賮賷 丕賱賲噩鬲賲毓 丕賱爻賵丿丕賳賷 毓賳 胤乇賷賯 卮禺氐賷鬲賷賳 賳爻丕亍賷鬲賷賳 乇卅爻賷鬲賷賳
赖賲丕
亘賳鬲 賲噩匕賵亘 :鬲賱賰 丕賱賲乇兀賴 丕賱賲爻鬲乇噩賱丞 丕賱噩乇賷卅丞 賮賷 賵賯丕丨丞 ,丕賱鬲賷 賱丕鬲丿乇賷 兀賱兀賳賴丕 鬲賲鬲賱賰 鬲賱賰 丕賱氐賮丕鬲 賵噩丿鬲 賱賴丕 賲賰丕賳 賮賷 賲噩丕賱爻 丕賱乇噩丕賱 兀賲 兀賳 賲噩丕賱爻 丕賱乇噩丕賱 賴賷 丕賱鬲賷 兀賰爻亘鬲賴丕 鬲賱賰 丕賱氐賮丕鬲 ...
丨爻賳賴 (兀乇賲賱丞 賲氐胤賮賷) :丕賱鬲賷 乇賮囟鬲 丕賱夭賵丕噩 亘毓丿 賵賮丕鬲賴 賮賲丕 賰丕賳 賲賳 兀賴賱賴丕 廿賱丕 兀賳 夭賵噩賵賴丕 丿賵賳 乇睾亘鬲賴丕 ""賱丌賳賳丕 賱丕夭賱賳丕 賳毓賷卮 賮賷 亘賱丿 丕賱乇噩丕賱 賮賷賴丕 賯賵丕賲賵賳 毓賱賶 丕賱賳爻丕亍"" 賵 賷賲賱賰賵賳 賳賵丕氐賷賴賲 丨鬲賶 賮賷賲丕 賷禺丕賱賮 卮乇毓 丕賱賱賴 兀丨賷丕賳丕 ...
鬲胤乇賯 丕賱胤賷亘 丕賱氐丕賱丨 賱亘毓囟 丕賱兀夭賲丕鬲 丕賱爻賷丕爻賷丞 丕賱丨丿賷孬丞 賲賳匕 丕賱賯丿賲 ...
賵爻禺乇 亘卮丿丞 賲賳 毓賱丕賯鬲賳丕 亘丕賱爻賱胤丞 ""賴賱 賴丐賱丕亍 賴賲 賲賳 賷胤賱賯賵賳 毓賱賷賴賲 丕賱賮賱丕丨賵賳 ,賱賵 賯賱鬲 賱噩丿賷 兀賳 丕賱孬賵乇丕鬲 鬲氐賳毓 亘兀爻賲賴 賵 丕賱丨賰賵賲丕鬲 鬲賯賵賲 賵鬲賯毓丿 賲賳 兀噩賱賴 ...賱囟丨賰 ""
賵爻禺乇 兀賷囟丕 賲賳 賮賰乇鬲賳丕 毓賳 丕賱賲氐賱丨賷賳 丕賱爻賷丕爻賷賷賳 賵乇丐賷鬲賳丕 賮賷 丕賱鬲睾賷賷乇 賵 廿賷賲丕賳賳丕 兀賳賴 賮賷 賷賵賲 賲丕 爻賷馗賴乇 卮禺氐 賲丕 賷賯賱亘 賲賵丕夭賷賳 丕賱鬲丕乇賷禺 賵賷氐賱丨 賱賳丕 丕賱丕丨賵丕賱 ...賵丨丿賴
賲丕 兀賮賯丿 丕賱乇賵丕賷丞 丕賱賳噩賲丞 丕賱禺丕賲爻丞 賴賵 鬲賰乇丕乇 丕賱賲卮丕賴丿 丕賱噩賳爻賷丞 亘丿賵賳 賲亘乇乇 賮賳賷 丨賷孬 兀賳 丕賱睾乇囟 賲賳 賵噩賵丿賴丕 賯丿 鬲丨賯賯 賮毓賱賷丕 賲毓 兀賵賱 賲卮賴丿賷賳 賮賱賲丕匕丕 丕賱鬲賰乇丕乇 責責責
賮賷 毓丕賲 2009 賰丕賳 兀爻賲 丕賱胤賷亘 毓賱賶 賯賵丕卅賲 丕賱賲乇卮丨賷賷賳 賱噩丕卅夭丞 賳賵亘賱 賱賱兀丿亘 毓賳 鬲賱賰 丕賱乇賵丕賷丞 ..賵賱賰賳賴 鬲賵賮賷 賯亘賱 兀毓賱丕賳 丕賱賳鬲丕卅噩..賵賳賵亘賱 賱丕 鬲賲賳丨 賱賱賲鬲賵賮賷賷賳 ...丨賯丕賸
""廿匕丕 賰賳鬲 賱丕 兀爻鬲胤賷毓 兀賳 兀睾賮乇 賮爻兀丨丕賵賱 兀賳 兀賳爻賶""
乇丨賲 丕賱賱賴 丕賱胤賷亘 丕賱毓亘賯乇賷 氐丕賱丨 丕賱賮賰乇 ....
""賳毓賲 賷丕 爻丕丿鬲賷貙 廿賳賳賷 噩卅鬲賰賲 睾丕夭賷丕 賮賷 毓賯乇 丿丕乇賰賲. 賯胤乇丞 賲賳 丕賱爻賲 丕賱匕賷 丨賯賳鬲賲 亘賴 卮乇丕賷賷賳 丕賱鬲丕乇賷禺""
匕丕賰 賰丕賳 亘胤賱 丕賱乇賵丕賷丞 ...賲氐胤賮賶 爻毓賷丿 ...匕賱賰 丕賱賳丕亘睾 丕賱匕賷 囟丕賯鬲 兀乇囟 丕賱爻賵丿丕賳 亘賳亘賵睾賴 賮兀乇爻賱 丕賱賷 賲氐乇 賱毓賱賴 賷噩丿 賮賷 丌賮丕賯賴丕 丕賱毓賱賲賷賴 賲鬲爻毓丕賸 賱賳賴賲賴 賵賱賰賳賴丕 爻乇毓丕賳 賲丕 囟丕賯鬲 亘賴 賮兀乇爻賱 丕賱賷 賲丕 賴賵 兀亘毓丿 賲賳賴丕 賱賷賳賮匕 賲禺胤胤丞 賮賷 丕賱孬兀乇 賱賱兀氐丕賱丞 賲賳 賵丨卮賷丞 丕賱丨丿丕孬丞 ...
賱賯丿 孬兀乇 賱鬲乇丕孬賴 賵孬賯丕賮鬲賴 亘胤乇賷賯丞 賯賲丞 賮賷 丕賱丕賱鬲賵丕亍 丕賱匕賷 賷賯乇亘 丕賱賶 丕賱卮匕賵匕 ...賱賲 賷噩賳丨 賱丨賵丕乇 丕賱孬賯丕賮丕鬲 賵丕賱丨囟丕乇丕鬲
賰丕賳 丕賱鬲乇丕孬 丕賱賲孬兀賵乇 賱賴 賴賵 丕賱胤毓賲 丕賱匕賷 兀噩鬲匕亘 亘賴 丕賱囟丨丕賷丕 ...賵丕賱丨亘 丕賱匕賷 賴賵 鬲乇賷丕賯 丕賱賯賱賵亘 氐賳毓 賲賳賴 丿丕亍 賵爻賲丕賸 ...賵 睾賱賮丞 亘丨賱賵 丕賱賰賱丕賲 賵 賲毓爻賵賱 丕賱乇睾亘丞 ...賵 兀賱賯賲賴丕 賱囟丨丕賷丕賴 賵丕丨丿丞 鬲賱賵 丕賱兀禺乇賷
賵馗賱鬲 賴匕賴 胤乇賷賯鬲賴
""..廿賱賶 兀賳 賷乇孬 丕賱賲爻鬲囟毓賮賵賳 丕賱兀乇囟貙 賵鬲購爻賻乇賾丨 丕賱噩賷賵卮貙 賵賷乇毓賶 丕賱丨賻賲賻賱 丌賲賳丕賸 亘噩賵丕乇 丕賱匕卅亘貙 賵賷賱毓亘 丕賱氐亘賷 賰乇丞 丕賱賲丕亍 賲毓 丕賱鬲賲爻丕丨 賮賷 丕賱賳賴乇貙 廿賱賶 兀賳 賷兀鬲賷 夭賲賳 丕賱爻毓丕丿丞 賴匕丕貙 爻兀馗賱賾 兀毓亘賾乇 毓賳 賳賮爻賷 亘賴匕賴 丕賱胤乇賯 丕賱賲賱鬲賵賷丞"".
..丨鬲賶 兀賱鬲賮鬲 兀丨丿賶 丕賱囟丨丕賷丕 丨賵賱 乇賯亘鬲賴 賰丕賱兀賮毓賷 賵 亘丿賱丕 兀賳 賷胤毓賲賴丕 爻賲丞 噩乇毓鬲賴 爻賲賴丕...
毓丕丿 亘胤賱賳丕 丕賱賶 兀乇囟 賵胤賳賴 禺丕賱毓丕 噩賱丿賴 丕賱賯丿賷賲 亘毓丿 兀賳 兀丿乇賰 (賮賷 鬲賯賷賲賷 丕賱卮禺氐賷) 毓丿賲 噩丿賵賶 賰賱 賲丕 賮毓賱 賵 兀賷賯賳 兀賳 丕賱賯鬲丕賱 丕賱丨賯賷賯賷 賱賱丨賮丕馗 毓賱賶 丕賱鬲乇丕孬 賵丕賱丕氐丕賱丞 賷亘丿兀 賮賷 丕賱丿丕禺賱 ..賰賲丕 兀賳 賲毓乇賰丞 丕賱兀氐賱丕丨 鬲亘丿兀 賲賳 丕賱丿丕禺賱 ""賳丨賳 賴賳丕 賱丕 丨丕噩丞 賱賳丕 亘丕賱卮毓乇 .賱賵 兀賳賰 丿乇爻鬲 毓賱賲 丕賱夭乇丕毓丞 丕賵 丕賱賴賳丿爻丞 丕賵 丕賱胤亘 ,賱賰丕賳 禺賷乇丕""
賵賱賱賲乇丞 丕賱兀賱賮 兀爻鬲丨囟乇 賲賯賵賱丞 鬲賵賱爻鬲賵賷 毓賳丿 兀丨鬲囟丕乇賴 ""兀賷 廿爻賰丕賮賷 兀賳賮毓 賱賱丨賷丕丞 賵丕賱廿賳爻丕賳賷丞 賲賳 卮賰爻亘賷乇""
賵賰丕賳鬲 鬲賱賰 兀丨丿賶 毓賱丕鬲 丕賱乇賵丕賷丞 賵丕爻兀賱鬲賴丕 丕賱賲胤乇賵丨丞 ...
賱賲 賷賰賳 氐乇丕毓 丕賱卮乇賯 賵丕賱睾乇亘 丕賱兀夭賱賷 丕賱賲毓鬲丕丿 賴賵 丕賱丨丿賷孬 丕賱賵丨賷丿 賮賷 丕賱乇賵丕賷丞 ...亘賱 鬲賯丕賱賷丿賳丕 丕賱亘丕賱賷丞 賰丕賳 賱賴丕 賳氐賷亘
賮賷賱賯賷 丕賱賰丕鬲亘 丕賱囟賵亍 毓賳 賲賰丕賳丞 丕賱賲乇兀丞 賮賷 丕賱賲噩鬲賲毓 丕賱爻賵丿丕賳賷 毓賳 胤乇賷賯 卮禺氐賷鬲賷賳 賳爻丕亍賷鬲賷賳 乇卅爻賷鬲賷賳
赖賲丕
亘賳鬲 賲噩匕賵亘 :鬲賱賰 丕賱賲乇兀賴 丕賱賲爻鬲乇噩賱丞 丕賱噩乇賷卅丞 賮賷 賵賯丕丨丞 ,丕賱鬲賷 賱丕鬲丿乇賷 兀賱兀賳賴丕 鬲賲鬲賱賰 鬲賱賰 丕賱氐賮丕鬲 賵噩丿鬲 賱賴丕 賲賰丕賳 賮賷 賲噩丕賱爻 丕賱乇噩丕賱 兀賲 兀賳 賲噩丕賱爻 丕賱乇噩丕賱 賴賷 丕賱鬲賷 兀賰爻亘鬲賴丕 鬲賱賰 丕賱氐賮丕鬲 ...
丨爻賳賴 (兀乇賲賱丞 賲氐胤賮賷) :丕賱鬲賷 乇賮囟鬲 丕賱夭賵丕噩 亘毓丿 賵賮丕鬲賴 賮賲丕 賰丕賳 賲賳 兀賴賱賴丕 廿賱丕 兀賳 夭賵噩賵賴丕 丿賵賳 乇睾亘鬲賴丕 ""賱丌賳賳丕 賱丕夭賱賳丕 賳毓賷卮 賮賷 亘賱丿 丕賱乇噩丕賱 賮賷賴丕 賯賵丕賲賵賳 毓賱賶 丕賱賳爻丕亍"" 賵 賷賲賱賰賵賳 賳賵丕氐賷賴賲 丨鬲賶 賮賷賲丕 賷禺丕賱賮 卮乇毓 丕賱賱賴 兀丨賷丕賳丕 ...
鬲胤乇賯 丕賱胤賷亘 丕賱氐丕賱丨 賱亘毓囟 丕賱兀夭賲丕鬲 丕賱爻賷丕爻賷丞 丕賱丨丿賷孬丞 賲賳匕 丕賱賯丿賲 ...
賵爻禺乇 亘卮丿丞 賲賳 毓賱丕賯鬲賳丕 亘丕賱爻賱胤丞 ""賴賱 賴丐賱丕亍 賴賲 賲賳 賷胤賱賯賵賳 毓賱賷賴賲 丕賱賮賱丕丨賵賳 ,賱賵 賯賱鬲 賱噩丿賷 兀賳 丕賱孬賵乇丕鬲 鬲氐賳毓 亘兀爻賲賴 賵 丕賱丨賰賵賲丕鬲 鬲賯賵賲 賵鬲賯毓丿 賲賳 兀噩賱賴 ...賱囟丨賰 ""
賵爻禺乇 兀賷囟丕 賲賳 賮賰乇鬲賳丕 毓賳 丕賱賲氐賱丨賷賳 丕賱爻賷丕爻賷賷賳 賵乇丐賷鬲賳丕 賮賷 丕賱鬲睾賷賷乇 賵 廿賷賲丕賳賳丕 兀賳賴 賮賷 賷賵賲 賲丕 爻賷馗賴乇 卮禺氐 賲丕 賷賯賱亘 賲賵丕夭賷賳 丕賱鬲丕乇賷禺 賵賷氐賱丨 賱賳丕 丕賱丕丨賵丕賱 ...賵丨丿賴
賲丕 兀賮賯丿 丕賱乇賵丕賷丞 丕賱賳噩賲丞 丕賱禺丕賲爻丞 賴賵 鬲賰乇丕乇 丕賱賲卮丕賴丿 丕賱噩賳爻賷丞 亘丿賵賳 賲亘乇乇 賮賳賷 丨賷孬 兀賳 丕賱睾乇囟 賲賳 賵噩賵丿賴丕 賯丿 鬲丨賯賯 賮毓賱賷丕 賲毓 兀賵賱 賲卮賴丿賷賳 賮賱賲丕匕丕 丕賱鬲賰乇丕乇 責責責
賮賷 毓丕賲 2009 賰丕賳 兀爻賲 丕賱胤賷亘 毓賱賶 賯賵丕卅賲 丕賱賲乇卮丨賷賷賳 賱噩丕卅夭丞 賳賵亘賱 賱賱兀丿亘 毓賳 鬲賱賰 丕賱乇賵丕賷丞 ..賵賱賰賳賴 鬲賵賮賷 賯亘賱 兀毓賱丕賳 丕賱賳鬲丕卅噩..賵賳賵亘賱 賱丕 鬲賲賳丨 賱賱賲鬲賵賮賷賷賳 ...丨賯丕賸
""廿匕丕 賰賳鬲 賱丕 兀爻鬲胤賷毓 兀賳 兀睾賮乇 賮爻兀丨丕賵賱 兀賳 兀賳爻賶""
乇丨賲 丕賱賱賴 丕賱胤賷亘 丕賱毓亘賯乇賷 氐丕賱丨 丕賱賮賰乇 ....
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May 30, 2016
A while ago I was in heated conversation with a man, a British man, upon the subject of immigration and asylum, and at the end of this conversation he said something like 鈥榦bviously coming here is better for you lot.鈥� It became clear to me at that point that he was under the impression that I wasn鈥檛 English. It is better for me and my kind? Better in what way, sir? 鈥楴icer, not like where you came from.鈥� Putting aside the insignificant detail that I am actually English, the suggestion was that uprooting yourself and moving to a different country, a superior and more civilised country[!], is always an entirely positive endeavour. It is the unfortunate locals who have to put up with us 鈥� and our weird rituals, food, smell, etc. 鈥� and whose jobs we steal 鈥� that one ought to consider and sympathise with.
Perspective is a strange thing. There are some that appear incapable of seeing things through the eyes of others, who seemingly cannot comprehend that one鈥檚 cultural practices and values 鈥� i.e. what seems right and normal to you 鈥� are subjective, are related to your upbringing and experiences; and that to someone else, who has had a different upbringing and experiences, your practices and values may seem equally absurd or immoral. It strikes me that were I to have told this man 鈥� who, I am sure, wasn鈥檛 trying to offend me 鈥� that actually many people who come to England prefer their home countries, and in some cases did not want to come here at all, and that for them this 鈥� being in England 鈥� is not akin to winning the lottery, but often a sad, yet necessary event, he would not have believed me. Because, well, being a foreigner, my word is hardly the most reliable, is it?
Tayeb Salih鈥檚 The Season of Migration to the North begins with a return, with the unnamed narrator, or partial narrator, discussing his arrival in the 鈥檕bscure鈥� village of his birth after seven years abroad, in England. He returned, he says, with 鈥榓 great yearning鈥� for his people; he had 鈥榣onged for them, had dreamed of them.鈥� At home, he re-familiarises himself with 鈥檛he room whose walls had witnessed the trivial incidents of my childhood and the onset of adolescence鈥� and the unique sound of the wind as it passes through palm trees. There are so many novels written from the European perspective, that focus on what it is like, as a European, to visit such a place, and the majority of them accentuate the hostility or strangeness of the landscape and people, and so it is refreshing to read something that provides an alternative point of view, one that is positive and loving. For the narrator this is where he has his roots, and where he feels once again as though he has 鈥榓 purpose.鈥�
While there is much in the village that is familiar, there is one thing, a man, that is new and unknown, and, perhaps because he stands out in this way, the narrator is excessively curious about who he is and why or how he came to be there. I use the word excessively, because, at least initially, Mustafa Sa鈥檈ed does nothing to raise suspicion; he, we鈥檙e told, 鈥榢ept himself to himself,鈥� and always showed extreme politeness, as one would naturally expect of someone who has moved to a new place. In this way, Salih subtly probes the concept of 鈥檛he outsider,鈥� for even in a village of men of the same race, religion, etc, Mustafa Sa鈥檈ed is viewed as not quite 鈥榦ne of them.鈥� However, one day he mentions that he has a secret, and it is this secret that provides Season of Migration to the North with one of its two compelling central storylines.
When the two men get together to discuss the secret, Mustafa Sa鈥檈ed begins by relating some details of his childhood, details that, I think, say much about his character and give strong hints as to his future behaviour. He was, he says, essentially given the freedom to do as he pleased; he had no father, and his mother was emotionally distant. Of more significance, he describes himself as emotionally distant also. When he is given a place at a school in Cairo he leaves home with little more than a shrug of the shoulders and later admits to feeling no gratitude towards those who help him. Indeed, the more the highly intelligent, but strangely cold Mustafa Sa鈥檈ed says, the more it becomes clear, long before the big reveal, that he is at least a sociopath, but probably a psychopath. In this way, the novel could have become simply another in a seemingly endless line of existential dramas focussing on intense, disturbed loners 鈥� such as Camus鈥� Mersault or Sabato鈥檚 Juan Pablo Castel 鈥� and their terrible crimes, and on the most basic level it is one of those, but it is also much more besides.
I flippantly said to someone the other day that Tayeb Salih must have sold his soul to the devil in exchange for magic literary powers. This, I joked, was the only explanation for what he was able to achieve in Season of Migration to the North in approximately 130 pages. However, I am going to overlook, or only briefly touch upon, many of the complex and challenging themes and ideas present in the novel, not because I am not interested in them, but simply because I have to maintain control over my work and not allow it, as I said in a previous review, to mutate into a dissertation. Therefore, although colonisation, and the effect upon those who are subjected to it, certainly underpins much of the action I am going to leave it for others to tackle, aware that this is generally what reviewers focus upon. I, on the other hand, prefer to look at the more controversial, or uncomfortable, elements of the book.
For large parts of Season of Migration to the North Tayeb Salih investigates and challenges liberal and conservative, Eastern and Western, attitudes towards sex and race; indeed, the nature of Mustafa Sa鈥檈ed鈥檚 鈥榲illainy鈥� is both sexual and racial, and even political [but, as stated, I am not going to linger over that]. When he moved to England his chief aim was to bed as many white women as possible, in the process playing up to the stereotype, and playing upon the fear of conservative white Europeans, of the savage, sex-obsessed invading African black male. Yet Salih takes this one stage further, for the women who succumb to his charms do so with his race, and the accompanying stereotypes, at the forefront of their minds, even when they believe that they are dismissing it or 鈥榓ccepting鈥� of it.
For example, one woman appears to be under the impression that Mustafa has just crawled out of the jungle, wearing a loincloth and smelling of mangoes. For her, this fantasy, which he encourages, adds an exotic flavour, an alien quality, something quixotic, to the proceedings. Another of the women imagines herself, and calls herself, Sa鈥檈ed鈥檚 slave, a woman who wants to be dominated, of course, and who clearly associates the subjugation of women with Arab culture. Words and phrases such as 鈥榮avage bull鈥� and 鈥榗annibal鈥� are thrown around; and Jean Morris outright calls this 鈥榮howpiece black man鈥� ugly. Yet, once again, Salih wasn鈥檛 satisfied with presenting only one side, for he makes it clear that Sa鈥檈ed also finds the novelty of these kind of couplings exciting [he comments on their bronze skin and the intoxicating but strange 鈥楨uropean smell鈥橾. All sexes, all cultures, all races can experience the allure of 鈥榯he other.鈥� This is fascinating, thrilling stuff.
The only criticism I have to make of the novel, which is as beautifully written as it is brave, is in relation to the murder of Jean Morris, which is preposterously melodramatic, although I guess it is purposely reminiscent of the conclusion of Othello. Regardless, this act is not, for me, the most heinous in the novel, nor is this death [or Sa鈥檈ed鈥檚 fate] the most tragic. Throughout Season of Migration to the North one is led to believe that the European women, with their sexual rights and freedom to choose [even a black man], are a symbol of modernity or modern attitudes. In contrast, when the aged lothario Wad Reyyes falls in 鈥榣ove鈥� [which for him is the same as lust] with Hosna Bint Mahmoud, who outright refuses him, he declares, 鈥楽he will marry me no matter what you or she says.鈥� In this village, he continues, men make the decisions. In short, Reyyes wants to fuck the woman, and so she will be fucked. However, when he, with great violence, attempts to take her by force, and Bint Mahmoud follows through on her promise to kill Reyyes and herself, one comes to realise that it is she who is the modern woman, not the so-called liberal, free Europeans. Why? Because Bint Mahmoud kills to make a statement, to say no when no is not permitted.
Perspective is a strange thing. There are some that appear incapable of seeing things through the eyes of others, who seemingly cannot comprehend that one鈥檚 cultural practices and values 鈥� i.e. what seems right and normal to you 鈥� are subjective, are related to your upbringing and experiences; and that to someone else, who has had a different upbringing and experiences, your practices and values may seem equally absurd or immoral. It strikes me that were I to have told this man 鈥� who, I am sure, wasn鈥檛 trying to offend me 鈥� that actually many people who come to England prefer their home countries, and in some cases did not want to come here at all, and that for them this 鈥� being in England 鈥� is not akin to winning the lottery, but often a sad, yet necessary event, he would not have believed me. Because, well, being a foreigner, my word is hardly the most reliable, is it?
Tayeb Salih鈥檚 The Season of Migration to the North begins with a return, with the unnamed narrator, or partial narrator, discussing his arrival in the 鈥檕bscure鈥� village of his birth after seven years abroad, in England. He returned, he says, with 鈥榓 great yearning鈥� for his people; he had 鈥榣onged for them, had dreamed of them.鈥� At home, he re-familiarises himself with 鈥檛he room whose walls had witnessed the trivial incidents of my childhood and the onset of adolescence鈥� and the unique sound of the wind as it passes through palm trees. There are so many novels written from the European perspective, that focus on what it is like, as a European, to visit such a place, and the majority of them accentuate the hostility or strangeness of the landscape and people, and so it is refreshing to read something that provides an alternative point of view, one that is positive and loving. For the narrator this is where he has his roots, and where he feels once again as though he has 鈥榓 purpose.鈥�
While there is much in the village that is familiar, there is one thing, a man, that is new and unknown, and, perhaps because he stands out in this way, the narrator is excessively curious about who he is and why or how he came to be there. I use the word excessively, because, at least initially, Mustafa Sa鈥檈ed does nothing to raise suspicion; he, we鈥檙e told, 鈥榢ept himself to himself,鈥� and always showed extreme politeness, as one would naturally expect of someone who has moved to a new place. In this way, Salih subtly probes the concept of 鈥檛he outsider,鈥� for even in a village of men of the same race, religion, etc, Mustafa Sa鈥檈ed is viewed as not quite 鈥榦ne of them.鈥� However, one day he mentions that he has a secret, and it is this secret that provides Season of Migration to the North with one of its two compelling central storylines.
When the two men get together to discuss the secret, Mustafa Sa鈥檈ed begins by relating some details of his childhood, details that, I think, say much about his character and give strong hints as to his future behaviour. He was, he says, essentially given the freedom to do as he pleased; he had no father, and his mother was emotionally distant. Of more significance, he describes himself as emotionally distant also. When he is given a place at a school in Cairo he leaves home with little more than a shrug of the shoulders and later admits to feeling no gratitude towards those who help him. Indeed, the more the highly intelligent, but strangely cold Mustafa Sa鈥檈ed says, the more it becomes clear, long before the big reveal, that he is at least a sociopath, but probably a psychopath. In this way, the novel could have become simply another in a seemingly endless line of existential dramas focussing on intense, disturbed loners 鈥� such as Camus鈥� Mersault or Sabato鈥檚 Juan Pablo Castel 鈥� and their terrible crimes, and on the most basic level it is one of those, but it is also much more besides.
I flippantly said to someone the other day that Tayeb Salih must have sold his soul to the devil in exchange for magic literary powers. This, I joked, was the only explanation for what he was able to achieve in Season of Migration to the North in approximately 130 pages. However, I am going to overlook, or only briefly touch upon, many of the complex and challenging themes and ideas present in the novel, not because I am not interested in them, but simply because I have to maintain control over my work and not allow it, as I said in a previous review, to mutate into a dissertation. Therefore, although colonisation, and the effect upon those who are subjected to it, certainly underpins much of the action I am going to leave it for others to tackle, aware that this is generally what reviewers focus upon. I, on the other hand, prefer to look at the more controversial, or uncomfortable, elements of the book.
For large parts of Season of Migration to the North Tayeb Salih investigates and challenges liberal and conservative, Eastern and Western, attitudes towards sex and race; indeed, the nature of Mustafa Sa鈥檈ed鈥檚 鈥榲illainy鈥� is both sexual and racial, and even political [but, as stated, I am not going to linger over that]. When he moved to England his chief aim was to bed as many white women as possible, in the process playing up to the stereotype, and playing upon the fear of conservative white Europeans, of the savage, sex-obsessed invading African black male. Yet Salih takes this one stage further, for the women who succumb to his charms do so with his race, and the accompanying stereotypes, at the forefront of their minds, even when they believe that they are dismissing it or 鈥榓ccepting鈥� of it.
For example, one woman appears to be under the impression that Mustafa has just crawled out of the jungle, wearing a loincloth and smelling of mangoes. For her, this fantasy, which he encourages, adds an exotic flavour, an alien quality, something quixotic, to the proceedings. Another of the women imagines herself, and calls herself, Sa鈥檈ed鈥檚 slave, a woman who wants to be dominated, of course, and who clearly associates the subjugation of women with Arab culture. Words and phrases such as 鈥榮avage bull鈥� and 鈥榗annibal鈥� are thrown around; and Jean Morris outright calls this 鈥榮howpiece black man鈥� ugly. Yet, once again, Salih wasn鈥檛 satisfied with presenting only one side, for he makes it clear that Sa鈥檈ed also finds the novelty of these kind of couplings exciting [he comments on their bronze skin and the intoxicating but strange 鈥楨uropean smell鈥橾. All sexes, all cultures, all races can experience the allure of 鈥榯he other.鈥� This is fascinating, thrilling stuff.
The only criticism I have to make of the novel, which is as beautifully written as it is brave, is in relation to the murder of Jean Morris, which is preposterously melodramatic, although I guess it is purposely reminiscent of the conclusion of Othello. Regardless, this act is not, for me, the most heinous in the novel, nor is this death [or Sa鈥檈ed鈥檚 fate] the most tragic. Throughout Season of Migration to the North one is led to believe that the European women, with their sexual rights and freedom to choose [even a black man], are a symbol of modernity or modern attitudes. In contrast, when the aged lothario Wad Reyyes falls in 鈥榣ove鈥� [which for him is the same as lust] with Hosna Bint Mahmoud, who outright refuses him, he declares, 鈥楽he will marry me no matter what you or she says.鈥� In this village, he continues, men make the decisions. In short, Reyyes wants to fuck the woman, and so she will be fucked. However, when he, with great violence, attempts to take her by force, and Bint Mahmoud follows through on her promise to kill Reyyes and herself, one comes to realise that it is she who is the modern woman, not the so-called liberal, free Europeans. Why? Because Bint Mahmoud kills to make a statement, to say no when no is not permitted.
February 12, 2017
3.75
"廿賳賾賳賷 兀乇賷丿 兀賳賾 丌禺匕 丨賯賾賷 賲賳 丕賱丨賷丕丞 毓購賳賵丞. 兀乇賷丿 兀賳賾 兀購毓胤賷 亘爻禺丕亍貙 兀乇賷丿 兀賳賾 賷賮賷囟 丕賱丨購亘 賲賳 賯賱亘賷 賮賷賳亘毓 賵賷購孬賲乇 .孬賲賾丞 丌賮丕賯 賰孬賷乇丞 賱丕 亘購丿賾 兀賳賾 鬲購夭丕乇貙 孬賲賾丞 孬賲丕乇 賷噩亘 兀賳賾 鬲購賯胤賮貙 賰鬲亘 賰孬賷乇丞 鬲購賯乇兀貙 賵氐賮丨丕鬲 亘賷囟丕亍 賮賷 爻噩賱賾 丕賱毓購賲乇貙 爻兀賰鬲亘 賮賷賴丕 噩購賲賱丕賸 賵丕囟丨丞 亘禺胤 噩乇賷亍."
賰賳鬲 賯丿 賯乇兀鬲 賴匕賴 丕賱乇賵丕賷丞 賲賳匕 3 兀毓賵丕賲 鬲賯乇賷亘丕賸 賵兀匕賰乇 亘兀賳賳賷 賱賲 兀購丨亘賾賴丕. 賵賯丿 丿賮毓賳賷 賱廿毓丕丿丞 賯乇丕卅鬲賴丕貙 賴賵 賰鬲丕亘 卮禺氐賷丕鬲 賱賴丕 鬲丕乇賷禺 賱噩賱丕賱 兀賲賷賳貙 賵丨丿賷孬賴 毓賳 丕賱胤賷賾亘 氐丕賱丨 賵賳馗乇鬲賴 丕賱賲購睾丕賷乇丞 賱賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱貙 賵兀賷囟丕賸貙 丨賷賳 鬲氐賮賾丨鬲 賰鬲丕亘 丕賱賱睾丞 丕賱毓乇亘賷丞 賱兀禺鬲賷貙 賵噩丿鬲 賳氐賾丕賸 賲兀禺賵匕丕賸 賲賳 賳賮爻 丕賱乇賵丕賷丞貙 賵賯丿 賵賯賮鬲 毓賳丿賴 賰孬賷乇丕賸. 賵賯乇乇鬲 亘毓丿賴丕 廿毓丕丿丞 丕賱賳馗乇 賮賷賴丕.
鬲丿賵乇 丕賱乇賵丕賷丞 毓賳 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿貙 丕賱胤賮賱 丕賱爻賵丿丕賳賷 丕賱匕賰賷貙 丕賱匕賷 丕亘鬲購毓孬 賱賱丿乇丕爻丞 賮賷 廿賳噩賱鬲乇丕 亘丿丕賷丞 丕賱賯乇賳 丕賱毓卮乇賷賳貙 賵賯丿 賳亘睾 賮賷 丿乇丕爻鬲賴 賵兀氐亘丨 賲購丿乇賾爻丕賸 賮賷 丕賱噩丕賲毓丕鬲 賵兀賱賾賮 丕賱賰鬲亘 賵丕賱兀亘丨丕孬 賵丕鬲爻毓鬲 丿丕卅乇丞 賲毓丕乇賮賴貙 賵兀睾賵賶 丕賱賮鬲賷丕鬲 賵丕賱爻賷丿丕鬲. 賱鬲囟毓 丕賱兀賯丿丕乇 賮賷 丕賱賳賴丕賷丞 丨丿賾丕賸 "賱睾夭賵丕鬲" 賴匕丕 丕賱乇噩賱 丕賱廿賮乇賷賯賷 丕賱睾丕賲囟貙 賵賷毓賵丿 廿賱賶 亘賱丕丿賴 賱賷亘丿兀 丿賵乇丞 丨賷丕丞 噩丿賷丿丞.
鬲購毓鬲亘乇 賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱 賲賳 兀購賵賱賶 丕賱乇賵丕賷丕鬲 丕賱毓乇亘賷丞 丕賱鬲賷 鬲胤乇賾賯鬲 賱賲賵囟賵毓 丕賱毓賱丕賯丞 亘賷賳 丕賱卮乇賯 賵丕賱睾乇亘貙 亘賷賳 丕賱卮賲丕賱 賵丕賱噩賳賵亘. 賮禺胤 丕賱丕爻鬲賵丕亍 賴賵 丕賱賮丕氐賱 亘賷賳 毓丕賱賲賷賳 賲禺鬲賱賮賷賳貙 亘賷賳 兀購賳丕爻 賲禺鬲賱賮賷賳. 賮賷賳馗乇 兀賴賱 賱賱睾乇亘/ 丕賱卮賲丕賱 賱賱卮乇賯/ 賱賱噩賳賵亘 賳馗乇丞 毓丕賱賲 睾乇賷亘貙 毓丕賱賲 丕賱氐丨丕乇賷 賵丕賱睾丕亘丕鬲 丕賱丕爻鬲賵丕卅賷丞貙 賵賯氐氐 丕賱爻賱丕胤賷賳 賵丕賱噩賵丕乇賷貙 賵丕賱亘禺賵乇 賵丕賱亘賴丕乇丕鬲貙 賵丕賱卮賲賵爻 丕賱丨丕乇丞 賵兀賳賴丕乇 賲賱賷卅丞 亘丕賱鬲賲丕爻賷丨 賵丕賱賯賵丕乇亘貙 賵丕賱亘卮乇 丕賱爻賵丿 匕賵賷 丕賱毓丕丿丕鬲 丕賱睾乇賷亘丞 賮賷 賰賱 卮賷亍. 賷乇爻賲 賮賷 賲禺賷賱鬲賴 毓丕賱賲丕賸 爻丨乇賷丕賸貙 賵賷鬲賳丕爻賶 亘兀賳賴 睾夭丕 賵丕爻鬲毓賲乇 賴匕丕 丕賱毓丕賱賲 賵丕爻鬲毓亘丿 卮毓亘賴貙 賵賳賴亘 禺賷乇丕鬲 亘賱丿丕賳賴 賵賯賲毓 毓賯賵賱 卮亘丕亘賴. 賵賲氐胤賮賶 爻毓賷丿 賲孬丕賱 毓賱賶 丕賱卮乇禺 賵丕賱氐丿毓 丕賱賯丕卅賲 亘賷賳 賴匕賷賳 丕賱毓丕賱賲賷賳 丕賱賲鬲賳丕賯囟賷賳. 賮亘丕賱乇睾賲 賲賳 賵氐賵賱賴 廿賱賶 賲乇丕鬲亘 毓丕賱賷丞 賮賷 "丕賱卮賲丕賱" 亘賯賷 睾乇賷亘丕賸 毓賳 匕賱賰 丕賱毓丕賱賲貙 賳亘鬲丞 氐亘丕乇 氐丨乇丕賵賷丞 賮賷 丨賯賱 噩賱賷丿賷! 賮賱賲 鬲爻鬲胤毓 鬲賱賰 丕賱氐亘賾丕乇丞 兀賳 鬲鬲賰賷賾賮 賲毓 賲賵胤賳 噩丿賷丿貙 賮毓丕丿鬲 廿賱賶 氐丨乇丕卅賴丕 丕賱兀氐賷賱丞.
兀毓噩亘賳賷 噩丿丕賸 兀爻賱賵亘 丕賱爻乇丿 賮賷 丕賱乇賵丕賷丞貙 賮賰賱 丕賱丨丿賷孬 賷丿賵乇 毓賳 賲氐胤賮賶 爻毓賷丿 爻賵丕亍 兀賰丕賳 毓賱賶 賱爻丕賳賴 兀賲 毓賱賶 賱爻丕賳 丕賱乇賵丕賷 丕賱賲噩賴賵賱 丕賱匕賷 亘乇兀賷賷 賴賵 丕賱賳賯賷囟 賱賲氐胤賮賶 爻毓賷丿 丕賱睾丕賲囟. 賯丿 鬲賰賵賳 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 賲賳 兀睾賳賶 丕賱卮禺氐賷丕鬲 賮賷 丕賱乇賵丕賷丕鬲 丕賱毓乇亘賷丞貙 賮鬲卮毓乇 賰兀賳賰 兀賲丕賲 賱睾夭 睾丕賲囟 賲購丨賷賾乇貙 賷爻鬲丨賷賱 賮賰 胤賱丕賲爻賴 賵賮賲賴賴. 賵毓賱丕賯鬲賴 亘丕賱賳爻丕亍 賵亘丕賱兀乇囟 賵亘丕賱睾賷乇.
賵兀賳丕 丕賯乇兀 賴匕賴 丕賱乇賵丕賷丞 卮毓乇鬲 亘兀賳賳賷 賮鬲丨鬲 氐賳丿賵賯丕賸 賲購睾賱賯丕賸貙 氐賳丿賵賯丕賸 賲賱賷卅丕賸 亘丕賱兀爻乇丕乇 賵丕賱兀賱睾丕夭 賵丕賱爻丨乇貙 爻丨乇 廿賮乇賷賯賷丕 賵爻丨乇 丕賱賳賷賱 賵爻丨乇 丕賱爻賵丿丕賳. 丕爻鬲賲鬲毓鬲 噩丿丕賸 亘丕賱噩賲賱 丕賱乇丕卅毓丞 丕賱賲購毓亘賾乇丞貙 賵亘賲卮丕賴丿 丕賱乇賷賮 丕賱爻賵丿丕賳賷 賵卮禺氐賷丕鬲 亘賳鬲 賲噩匕賵亘 賵噩丿 丕賱乇賵丕賷. 賱丕 兀丿乇賷 賱賲丕 賱賲 兀爻鬲胤毓 丕賰卮鬲丕賮 賰賱 匕賱賰 賲賳 丕賱賲乇丞 丕賱兀賵賱賶!
丕賱孬丕亘鬲 賮賷 賴匕賴 丕賱乇賵丕賷丞 兀賳賴丕 鬲亘賯賶 賮賷 丕賱匕丕賰乇丞貙 乇丕爻禺丞貙 賰卮噩乇丞 賳禺賷賱 賰亘賷乇丞 毓賱賶 囟賮丕睾 丕賱賳賷賱 丕賱爻賵丿丕賳賷
賯丿 兀毓賵丿 賱賯乇丕卅鬲賴丕 賲噩丿丿丕賸 亘毓丿 毓丿丞 兀毓賵丕賲貙 賵賯丿 丕賰鬲卮賮 爻丨乇丕賸 噩丿賷丿丕賸.
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"廿賳賾賳賷 兀乇賷丿 兀賳賾 丌禺匕 丨賯賾賷 賲賳 丕賱丨賷丕丞 毓購賳賵丞. 兀乇賷丿 兀賳賾 兀購毓胤賷 亘爻禺丕亍貙 兀乇賷丿 兀賳賾 賷賮賷囟 丕賱丨購亘 賲賳 賯賱亘賷 賮賷賳亘毓 賵賷購孬賲乇 .孬賲賾丞 丌賮丕賯 賰孬賷乇丞 賱丕 亘購丿賾 兀賳賾 鬲購夭丕乇貙 孬賲賾丞 孬賲丕乇 賷噩亘 兀賳賾 鬲購賯胤賮貙 賰鬲亘 賰孬賷乇丞 鬲購賯乇兀貙 賵氐賮丨丕鬲 亘賷囟丕亍 賮賷 爻噩賱賾 丕賱毓購賲乇貙 爻兀賰鬲亘 賮賷賴丕 噩購賲賱丕賸 賵丕囟丨丞 亘禺胤 噩乇賷亍."
賰賳鬲 賯丿 賯乇兀鬲 賴匕賴 丕賱乇賵丕賷丞 賲賳匕 3 兀毓賵丕賲 鬲賯乇賷亘丕賸 賵兀匕賰乇 亘兀賳賳賷 賱賲 兀購丨亘賾賴丕. 賵賯丿 丿賮毓賳賷 賱廿毓丕丿丞 賯乇丕卅鬲賴丕貙 賴賵 賰鬲丕亘 卮禺氐賷丕鬲 賱賴丕 鬲丕乇賷禺 賱噩賱丕賱 兀賲賷賳貙 賵丨丿賷孬賴 毓賳 丕賱胤賷賾亘 氐丕賱丨 賵賳馗乇鬲賴 丕賱賲購睾丕賷乇丞 賱賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱貙 賵兀賷囟丕賸貙 丨賷賳 鬲氐賮賾丨鬲 賰鬲丕亘 丕賱賱睾丞 丕賱毓乇亘賷丞 賱兀禺鬲賷貙 賵噩丿鬲 賳氐賾丕賸 賲兀禺賵匕丕賸 賲賳 賳賮爻 丕賱乇賵丕賷丞貙 賵賯丿 賵賯賮鬲 毓賳丿賴 賰孬賷乇丕賸. 賵賯乇乇鬲 亘毓丿賴丕 廿毓丕丿丞 丕賱賳馗乇 賮賷賴丕.
鬲丿賵乇 丕賱乇賵丕賷丞 毓賳 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿貙 丕賱胤賮賱 丕賱爻賵丿丕賳賷 丕賱匕賰賷貙 丕賱匕賷 丕亘鬲購毓孬 賱賱丿乇丕爻丞 賮賷 廿賳噩賱鬲乇丕 亘丿丕賷丞 丕賱賯乇賳 丕賱毓卮乇賷賳貙 賵賯丿 賳亘睾 賮賷 丿乇丕爻鬲賴 賵兀氐亘丨 賲購丿乇賾爻丕賸 賮賷 丕賱噩丕賲毓丕鬲 賵兀賱賾賮 丕賱賰鬲亘 賵丕賱兀亘丨丕孬 賵丕鬲爻毓鬲 丿丕卅乇丞 賲毓丕乇賮賴貙 賵兀睾賵賶 丕賱賮鬲賷丕鬲 賵丕賱爻賷丿丕鬲. 賱鬲囟毓 丕賱兀賯丿丕乇 賮賷 丕賱賳賴丕賷丞 丨丿賾丕賸 "賱睾夭賵丕鬲" 賴匕丕 丕賱乇噩賱 丕賱廿賮乇賷賯賷 丕賱睾丕賲囟貙 賵賷毓賵丿 廿賱賶 亘賱丕丿賴 賱賷亘丿兀 丿賵乇丞 丨賷丕丞 噩丿賷丿丞.
鬲購毓鬲亘乇 賲賵爻賲 丕賱賴噩乇丞 廿賱賶 丕賱卮賲丕賱 賲賳 兀購賵賱賶 丕賱乇賵丕賷丕鬲 丕賱毓乇亘賷丞 丕賱鬲賷 鬲胤乇賾賯鬲 賱賲賵囟賵毓 丕賱毓賱丕賯丞 亘賷賳 丕賱卮乇賯 賵丕賱睾乇亘貙 亘賷賳 丕賱卮賲丕賱 賵丕賱噩賳賵亘. 賮禺胤 丕賱丕爻鬲賵丕亍 賴賵 丕賱賮丕氐賱 亘賷賳 毓丕賱賲賷賳 賲禺鬲賱賮賷賳貙 亘賷賳 兀購賳丕爻 賲禺鬲賱賮賷賳. 賮賷賳馗乇 兀賴賱 賱賱睾乇亘/ 丕賱卮賲丕賱 賱賱卮乇賯/ 賱賱噩賳賵亘 賳馗乇丞 毓丕賱賲 睾乇賷亘貙 毓丕賱賲 丕賱氐丨丕乇賷 賵丕賱睾丕亘丕鬲 丕賱丕爻鬲賵丕卅賷丞貙 賵賯氐氐 丕賱爻賱丕胤賷賳 賵丕賱噩賵丕乇賷貙 賵丕賱亘禺賵乇 賵丕賱亘賴丕乇丕鬲貙 賵丕賱卮賲賵爻 丕賱丨丕乇丞 賵兀賳賴丕乇 賲賱賷卅丞 亘丕賱鬲賲丕爻賷丨 賵丕賱賯賵丕乇亘貙 賵丕賱亘卮乇 丕賱爻賵丿 匕賵賷 丕賱毓丕丿丕鬲 丕賱睾乇賷亘丞 賮賷 賰賱 卮賷亍. 賷乇爻賲 賮賷 賲禺賷賱鬲賴 毓丕賱賲丕賸 爻丨乇賷丕賸貙 賵賷鬲賳丕爻賶 亘兀賳賴 睾夭丕 賵丕爻鬲毓賲乇 賴匕丕 丕賱毓丕賱賲 賵丕爻鬲毓亘丿 卮毓亘賴貙 賵賳賴亘 禺賷乇丕鬲 亘賱丿丕賳賴 賵賯賲毓 毓賯賵賱 卮亘丕亘賴. 賵賲氐胤賮賶 爻毓賷丿 賲孬丕賱 毓賱賶 丕賱卮乇禺 賵丕賱氐丿毓 丕賱賯丕卅賲 亘賷賳 賴匕賷賳 丕賱毓丕賱賲賷賳 丕賱賲鬲賳丕賯囟賷賳. 賮亘丕賱乇睾賲 賲賳 賵氐賵賱賴 廿賱賶 賲乇丕鬲亘 毓丕賱賷丞 賮賷 "丕賱卮賲丕賱" 亘賯賷 睾乇賷亘丕賸 毓賳 匕賱賰 丕賱毓丕賱賲貙 賳亘鬲丞 氐亘丕乇 氐丨乇丕賵賷丞 賮賷 丨賯賱 噩賱賷丿賷! 賮賱賲 鬲爻鬲胤毓 鬲賱賰 丕賱氐亘賾丕乇丞 兀賳 鬲鬲賰賷賾賮 賲毓 賲賵胤賳 噩丿賷丿貙 賮毓丕丿鬲 廿賱賶 氐丨乇丕卅賴丕 丕賱兀氐賷賱丞.
兀毓噩亘賳賷 噩丿丕賸 兀爻賱賵亘 丕賱爻乇丿 賮賷 丕賱乇賵丕賷丞貙 賮賰賱 丕賱丨丿賷孬 賷丿賵乇 毓賳 賲氐胤賮賶 爻毓賷丿 爻賵丕亍 兀賰丕賳 毓賱賶 賱爻丕賳賴 兀賲 毓賱賶 賱爻丕賳 丕賱乇賵丕賷 丕賱賲噩賴賵賱 丕賱匕賷 亘乇兀賷賷 賴賵 丕賱賳賯賷囟 賱賲氐胤賮賶 爻毓賷丿 丕賱睾丕賲囟. 賯丿 鬲賰賵賳 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 賲賳 兀睾賳賶 丕賱卮禺氐賷丕鬲 賮賷 丕賱乇賵丕賷丕鬲 丕賱毓乇亘賷丞貙 賮鬲卮毓乇 賰兀賳賰 兀賲丕賲 賱睾夭 睾丕賲囟 賲購丨賷賾乇貙 賷爻鬲丨賷賱 賮賰 胤賱丕賲爻賴 賵賮賲賴賴. 賵毓賱丕賯鬲賴 亘丕賱賳爻丕亍 賵亘丕賱兀乇囟 賵亘丕賱睾賷乇.
賵兀賳丕 丕賯乇兀 賴匕賴 丕賱乇賵丕賷丞 卮毓乇鬲 亘兀賳賳賷 賮鬲丨鬲 氐賳丿賵賯丕賸 賲購睾賱賯丕賸貙 氐賳丿賵賯丕賸 賲賱賷卅丕賸 亘丕賱兀爻乇丕乇 賵丕賱兀賱睾丕夭 賵丕賱爻丨乇貙 爻丨乇 廿賮乇賷賯賷丕 賵爻丨乇 丕賱賳賷賱 賵爻丨乇 丕賱爻賵丿丕賳. 丕爻鬲賲鬲毓鬲 噩丿丕賸 亘丕賱噩賲賱 丕賱乇丕卅毓丞 丕賱賲購毓亘賾乇丞貙 賵亘賲卮丕賴丿 丕賱乇賷賮 丕賱爻賵丿丕賳賷 賵卮禺氐賷丕鬲 亘賳鬲 賲噩匕賵亘 賵噩丿 丕賱乇賵丕賷. 賱丕 兀丿乇賷 賱賲丕 賱賲 兀爻鬲胤毓 丕賰卮鬲丕賮 賰賱 匕賱賰 賲賳 丕賱賲乇丞 丕賱兀賵賱賶!
丕賱孬丕亘鬲 賮賷 賴匕賴 丕賱乇賵丕賷丞 兀賳賴丕 鬲亘賯賶 賮賷 丕賱匕丕賰乇丞貙 乇丕爻禺丞貙 賰卮噩乇丞 賳禺賷賱 賰亘賷乇丞 毓賱賶 囟賮丕睾 丕賱賳賷賱 丕賱爻賵丿丕賳賷
賯丿 兀毓賵丿 賱賯乇丕卅鬲賴丕 賲噩丿丿丕賸 亘毓丿 毓丿丞 兀毓賵丕賲貙 賵賯丿 丕賰鬲卮賮 爻丨乇丕賸 噩丿賷丿丕賸.
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November 20, 2017
賲丕 賰賱 賴匕丕 丕賱氐禺亘責
賲賳匕 賮鬲乇丞 賱賲 兀賯乇兀 乇賵丕賷丞 鬲丨賲賱 賴匕丕 丕賱賰賲 賲賳 丕賱鬲兀賵賷賱丕鬲貙 亘賱 乇亘賲丕 賱賲 兀賯乇兀 乇賵丕賷丞 賰賴匕賴 賲爻亘賯賸丕. 丕乇賴賯鬲賳賷 賮賷 鬲鬲亘毓 賲爻丕乇賴丕 賵丕賱爻毓賶 禺賱賮 鬲丨賱賷賱賴丕 賵丕賱賵賯賵賮 毓賱賶 丕賱賲毓賳賶 丕賱賲乇丕丿 賲賳賴丕.
鬲亘丿兀 丕賱乇賵丕賷丞 兀丨丿丕孬賴丕 賲鬲賲乇賰夭丞 毓賱賶 丕賱乇丕賵賷 賵毓賵丿鬲賴 亘毓丿 爻亘毓 爻賳賷賳 賲賳 丕賱丿乇丕爻丞 亘兀賵乇賵亘丕貙 孬賲 賷購爻丨亘 丕賱亘購爻丕胤 賲賳 鬲丨鬲賴 廿賱賶 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 賱鬲氐亘丨 賴賷 賲丨賵乇 丕賱乇賵丕賷丞貙 賱賰賳 賴匕丕 賱賲 賷爻丨亘 丕賱爻乇丿 賲賳賴貙 亘賱 馗賱 賴賵 丕賱乇丕賵賷 廿賱賶 丌禺乇 丕賱乇賵丕賷丞.
爻購賱胤鬲 丕賱兀囟賵丕亍 毓賱賶 賲氐胤賮賶 爻毓賷丿 丕賱卮禺氐賷丞 丕賱鬲賷 賲丕 賱亘孬鬲 兀賳 賮乇囟鬲 賳賮爻賴丕 毓賱賶 丕賱乇賵丕賷丞 賵丕爻鬲丨賵匕鬲 毓賱賶 丕賱乇丕賵賷 賵丕賱賯丕乇卅 賳賮爻賴.. 鬲鬲睾賷乇 丕賱卮禺氐賷丞 丕賱乇賷賮賷丞 丕賱鬲賷 乇兀賷賳丕賴丕 賮賷 丕賱亘丿丕賷丞 賵賳賰鬲卮賮 卮禺氐賸丕 睾夭丕 兀賵乇賵亘丕 亘睾夭賵 兀噩爻丕丿 賳爻丕卅賴賲貙 鬲購丨賱 丕賱毓賯丿丞 亘丕賱鬲丿乇賷禺 賮賷 丕賱賳賴丕賷丞 賲購禺賱賮丞 賵乇丕亍賴丕 毓卮乇丕鬲 丕賱鬲丨賱賷賱丕鬲.
胤賵丕賱 丕賱乇賵丕賷丞 賳賰鬲卮賮 賱賲丨丕鬲 賲賳 賯氐丞 丨賷丕鬲賴 賲賳 禺賱丕賱 鬲賳賯賱丕鬲 丕賱乇丕賵賷.. 賵賲毓 丕賱賵賯鬲 鬲鬲賲丕賴賶 卮禺氐賷丞 丕賱乇丕賵賷 賲毓 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 丨鬲賶 馗賳賳鬲 兀賳赖賲丕 賵丕丨丿.
賲毓 丕賰鬲卮丕賮賳丕 賱卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 賳噩丿 兀賳賴 爻購噩賳 爻亘毓 爻賳賵丕鬲 賮賷 丕賱睾乇亘丞 賱兀賳賴 賯鬲賱 夭賵噩鬲賴貙 賳賮爻 毓丿丿 丕賱爻賳賵丕鬲 丕賱賱賷 賯囟丕賴賲 丕賱乇丕賵賷 賮賷 丕賱丿乇丕爻丞 賮賷 丕賱睾乇亘. 賰丕賳 賲氐胤賮賶 爻毓賷丿 睾乇賷亘賸丕 毓賳 丕賱亘賱丿丞 賵賱丕 兀丨丿 賷毓乇賮 丨賰丕賷鬲賴 賵賱丕 兀氐賱賴貙 噩丕亍賴賲 賮丕乇賸賾丕 賲賳 賳賮爻賴.. 賵丕賱乇丕賵賷 賷賰鬲卮賮 賲毓 丕賱賵賯鬲 兀賳賴 睾乇賷亘 毓賳 兀賴賱 賴匕賴 丕賱亘賱丿丞 賲毓 兀賳賴 賷毓賷卮 賵爻胤賴賲貙 賴賵 賱賲 賷毓乇賮賴賲 賵賱賲 賷丨亘 毓丕丿丕鬲賴賲. 賰賲丕 兀賳 賲賵鬲 賲氐胤賮賶 爻毓賷丿 丕賱睾丕賲囟 丕賱匕賷 賱丕 賳毓乇賮 賴賱 賲丕鬲 亘丕賱賮毓賱 兀賲 賱丕貙 賳乇丕賴 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞 賮賷 噩夭卅賷丞 丿禺賵賱 丕賱乇丕賵賷 賱賱亘丨乇 賵丕爻鬲爻賱丕賲賴 賱賱賲賵噩貙 乇亘賲丕 賷毓胤賷賳丕 賴匕丕 賱賲丨丞 兀賳 賴匕賴 賴賷 胤乇賷賯丞 賲賵鬲 賲氐胤賮賶貙 賵乇亘賲丕 賷乇賷賳丕 兀賳 賲氐胤賮賶 賱賲 賷賲鬲 賵賮毓賱 賲孬賱 賲丕 賮毓賱 丕賱乇丕賵賷 賮賷 丕賱賳賴丕賷丞 亘丕禺鬲賷丕乇賴 丕賱丕鬲噩丕賴 賱賱卮賲丕賱貙 亘丕禺鬲賷丕乇賴 丕賱丨賷丕丞 賲賳 兀噩賱 賲賳 賷丨亘.
賲丕 兀乇丕賴 賮賷 丕賱賳賴丕賷丞 兀賳 丕賱乇丕賵賷 賵賲氐胤賮賶 爻毓賷丿 賵丕丨丿貙 兀賵 赖賲丕 賲賰賲賱丕賳 賱亘毓囟赖賲丕貙 卮乇亘 丕賱乇丕賵賷 卮禺氐賷丞 賲氐胤賮賶 丨鬲賶 鬲賲丕賴賶 賮賷賴貙 賮賱賲 賳毓丿 賳爻鬲胤賷毓 鬲賮爻賷乇 賲丕 丨丿孬.
賴賷 乇賵丕賷丞 毓賳 丕賱賴賵賷丞 賵丕睾鬲乇丕亘 丕賱廿賳爻丕賳 丕賱丿丕卅賲.
亘毓丿 兀賳 丕賳賴賷鬲 丕賱乇賵丕賷丞 賯乇兀鬲 賲賯丕賱 賱賱賳丕賯丿 賮禺乇賷 氐丕賱丨 毓賳 丕賱乇賵丕賷丞貙 賵賴賵 卮賷亍 賱丕 兀賮毓賱賴 毓丕丿丞貙 賱賰賳 賴匕賴 丕賱乇賵丕賷丞 兀毓賯丿 賲賲丕 賷噩亘.. 賵賲賳 兀賵賱 氐賮丨丞 賵囟賾丨 賮禺乇賷 氐丕賱丨 兀賳 丕賱乇賵丕賷丞 賲賳 兀賰孬乇 丕賱乇賵丕賷丕鬲 廿孬丕乇丞 賱賱噩丿賱 賵丕賱鬲爻丕丐賱丕鬲 賵丕賱鬲丨賱賷賱丕鬲 亘丕賱賮毓賱貙 賵賵噩丿鬲 兀賳 丕賱賲賯丕賱 噩賷丿 賱賰賳 賱賲 賷囟賮 賱賷 丕賱賰孬賷乇貙 賴賵 丿毓賾賲 乇丐賷鬲賷 賱亘毓囟 賲丕 鬲丨丿孬鬲 毓賳賴貙 賵賮鬲丨 賱賷賴 丌賮丕賯 兀禺乇賶 賱賲 賷鬲賳丕賵賱賴丕 賴賵 賮賷 賲賯丕賱賴 毓賳 賲賵鬲 賲氐胤賮賶 爻毓賷丿.
賵亘毓丿 賲丕 賮賴賲鬲賴 賲賳賴丕 賲丕 夭丕賱鬲 兀乇賶 兀賳賳賷 賱賲 丕爻鬲胤毓 丕賱廿賲爻丕賰 亘賱噩丕賲 賴匕丕 丕賱賳氐貙 兀賵 亘賲毓賳賶 兀氐丨 賱賷爻 賱賴 賱噩丕賲.
賲賳匕 賮鬲乇丞 賱賲 兀賯乇兀 乇賵丕賷丞 鬲丨賲賱 賴匕丕 丕賱賰賲 賲賳 丕賱鬲兀賵賷賱丕鬲貙 亘賱 乇亘賲丕 賱賲 兀賯乇兀 乇賵丕賷丞 賰賴匕賴 賲爻亘賯賸丕. 丕乇賴賯鬲賳賷 賮賷 鬲鬲亘毓 賲爻丕乇賴丕 賵丕賱爻毓賶 禺賱賮 鬲丨賱賷賱賴丕 賵丕賱賵賯賵賮 毓賱賶 丕賱賲毓賳賶 丕賱賲乇丕丿 賲賳賴丕.
鬲亘丿兀 丕賱乇賵丕賷丞 兀丨丿丕孬賴丕 賲鬲賲乇賰夭丞 毓賱賶 丕賱乇丕賵賷 賵毓賵丿鬲賴 亘毓丿 爻亘毓 爻賳賷賳 賲賳 丕賱丿乇丕爻丞 亘兀賵乇賵亘丕貙 孬賲 賷購爻丨亘 丕賱亘購爻丕胤 賲賳 鬲丨鬲賴 廿賱賶 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 賱鬲氐亘丨 賴賷 賲丨賵乇 丕賱乇賵丕賷丞貙 賱賰賳 賴匕丕 賱賲 賷爻丨亘 丕賱爻乇丿 賲賳賴貙 亘賱 馗賱 賴賵 丕賱乇丕賵賷 廿賱賶 丌禺乇 丕賱乇賵丕賷丞.
爻購賱胤鬲 丕賱兀囟賵丕亍 毓賱賶 賲氐胤賮賶 爻毓賷丿 丕賱卮禺氐賷丞 丕賱鬲賷 賲丕 賱亘孬鬲 兀賳 賮乇囟鬲 賳賮爻賴丕 毓賱賶 丕賱乇賵丕賷丞 賵丕爻鬲丨賵匕鬲 毓賱賶 丕賱乇丕賵賷 賵丕賱賯丕乇卅 賳賮爻賴.. 鬲鬲睾賷乇 丕賱卮禺氐賷丞 丕賱乇賷賮賷丞 丕賱鬲賷 乇兀賷賳丕賴丕 賮賷 丕賱亘丿丕賷丞 賵賳賰鬲卮賮 卮禺氐賸丕 睾夭丕 兀賵乇賵亘丕 亘睾夭賵 兀噩爻丕丿 賳爻丕卅賴賲貙 鬲購丨賱 丕賱毓賯丿丞 亘丕賱鬲丿乇賷禺 賮賷 丕賱賳賴丕賷丞 賲購禺賱賮丞 賵乇丕亍賴丕 毓卮乇丕鬲 丕賱鬲丨賱賷賱丕鬲.
胤賵丕賱 丕賱乇賵丕賷丞 賳賰鬲卮賮 賱賲丨丕鬲 賲賳 賯氐丞 丨賷丕鬲賴 賲賳 禺賱丕賱 鬲賳賯賱丕鬲 丕賱乇丕賵賷.. 賵賲毓 丕賱賵賯鬲 鬲鬲賲丕賴賶 卮禺氐賷丞 丕賱乇丕賵賷 賲毓 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 丨鬲賶 馗賳賳鬲 兀賳赖賲丕 賵丕丨丿.
賲毓 丕賰鬲卮丕賮賳丕 賱卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 賳噩丿 兀賳賴 爻購噩賳 爻亘毓 爻賳賵丕鬲 賮賷 丕賱睾乇亘丞 賱兀賳賴 賯鬲賱 夭賵噩鬲賴貙 賳賮爻 毓丿丿 丕賱爻賳賵丕鬲 丕賱賱賷 賯囟丕賴賲 丕賱乇丕賵賷 賮賷 丕賱丿乇丕爻丞 賮賷 丕賱睾乇亘. 賰丕賳 賲氐胤賮賶 爻毓賷丿 睾乇賷亘賸丕 毓賳 丕賱亘賱丿丞 賵賱丕 兀丨丿 賷毓乇賮 丨賰丕賷鬲賴 賵賱丕 兀氐賱賴貙 噩丕亍賴賲 賮丕乇賸賾丕 賲賳 賳賮爻賴.. 賵丕賱乇丕賵賷 賷賰鬲卮賮 賲毓 丕賱賵賯鬲 兀賳賴 睾乇賷亘 毓賳 兀賴賱 賴匕賴 丕賱亘賱丿丞 賲毓 兀賳賴 賷毓賷卮 賵爻胤賴賲貙 賴賵 賱賲 賷毓乇賮賴賲 賵賱賲 賷丨亘 毓丕丿丕鬲賴賲. 賰賲丕 兀賳 賲賵鬲 賲氐胤賮賶 爻毓賷丿 丕賱睾丕賲囟 丕賱匕賷 賱丕 賳毓乇賮 賴賱 賲丕鬲 亘丕賱賮毓賱 兀賲 賱丕貙 賳乇丕賴 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞 賮賷 噩夭卅賷丞 丿禺賵賱 丕賱乇丕賵賷 賱賱亘丨乇 賵丕爻鬲爻賱丕賲賴 賱賱賲賵噩貙 乇亘賲丕 賷毓胤賷賳丕 賴匕丕 賱賲丨丞 兀賳 賴匕賴 賴賷 胤乇賷賯丞 賲賵鬲 賲氐胤賮賶貙 賵乇亘賲丕 賷乇賷賳丕 兀賳 賲氐胤賮賶 賱賲 賷賲鬲 賵賮毓賱 賲孬賱 賲丕 賮毓賱 丕賱乇丕賵賷 賮賷 丕賱賳賴丕賷丞 亘丕禺鬲賷丕乇賴 丕賱丕鬲噩丕賴 賱賱卮賲丕賱貙 亘丕禺鬲賷丕乇賴 丕賱丨賷丕丞 賲賳 兀噩賱 賲賳 賷丨亘.
賲丕 兀乇丕賴 賮賷 丕賱賳賴丕賷丞 兀賳 丕賱乇丕賵賷 賵賲氐胤賮賶 爻毓賷丿 賵丕丨丿貙 兀賵 赖賲丕 賲賰賲賱丕賳 賱亘毓囟赖賲丕貙 卮乇亘 丕賱乇丕賵賷 卮禺氐賷丞 賲氐胤賮賶 丨鬲賶 鬲賲丕賴賶 賮賷賴貙 賮賱賲 賳毓丿 賳爻鬲胤賷毓 鬲賮爻賷乇 賲丕 丨丿孬.
賴賷 乇賵丕賷丞 毓賳 丕賱賴賵賷丞 賵丕睾鬲乇丕亘 丕賱廿賳爻丕賳 丕賱丿丕卅賲.
亘毓丿 兀賳 丕賳賴賷鬲 丕賱乇賵丕賷丞 賯乇兀鬲 賲賯丕賱 賱賱賳丕賯丿 賮禺乇賷 氐丕賱丨 毓賳 丕賱乇賵丕賷丞貙 賵賴賵 卮賷亍 賱丕 兀賮毓賱賴 毓丕丿丞貙 賱賰賳 賴匕賴 丕賱乇賵丕賷丞 兀毓賯丿 賲賲丕 賷噩亘.. 賵賲賳 兀賵賱 氐賮丨丞 賵囟賾丨 賮禺乇賷 氐丕賱丨 兀賳 丕賱乇賵丕賷丞 賲賳 兀賰孬乇 丕賱乇賵丕賷丕鬲 廿孬丕乇丞 賱賱噩丿賱 賵丕賱鬲爻丕丐賱丕鬲 賵丕賱鬲丨賱賷賱丕鬲 亘丕賱賮毓賱貙 賵賵噩丿鬲 兀賳 丕賱賲賯丕賱 噩賷丿 賱賰賳 賱賲 賷囟賮 賱賷 丕賱賰孬賷乇貙 賴賵 丿毓賾賲 乇丐賷鬲賷 賱亘毓囟 賲丕 鬲丨丿孬鬲 毓賳賴貙 賵賮鬲丨 賱賷賴 丌賮丕賯 兀禺乇賶 賱賲 賷鬲賳丕賵賱賴丕 賴賵 賮賷 賲賯丕賱賴 毓賳 賲賵鬲 賲氐胤賮賶 爻毓賷丿.
賵亘毓丿 賲丕 賮賴賲鬲賴 賲賳賴丕 賲丕 夭丕賱鬲 兀乇賶 兀賳賳賷 賱賲 丕爻鬲胤毓 丕賱廿賲爻丕賰 亘賱噩丕賲 賴匕丕 丕賱賳氐貙 兀賵 亘賲毓賳賶 兀氐丨 賱賷爻 賱賴 賱噩丕賲.
May 17, 2017
賰丕賳 賳賮爻賷 丕賯乇丕 丕賱乇賵丕賷丞 賲賳 夭賲丕賳 賲賳 賰鬲乇 賲丕 丕賱賳丕爻 賲丕 卮賰乇鬲 賮賷賴丕 賵丕賳賴丕 丕丨爻賳 乇賵丕賷丞 亘鬲丕乇賷禺 丕賱丕丿亘 丕賱毓乇亘賷
賱賰賳 胤賱毓鬲 爻賷卅丞 賱賱兀爻賮
乇賵丕賷丞 兀亘丕丨賷丞 亘丕賲鬲賷丕夭
賴賱 賴賷 丕賱爻賵丿丕賳 丕賱鬲賷 賷氐賮 丕賱賰丕鬲亘 丕賳 丕賰鬲乇 胤賮賱 毓亘賯乇賷 亘丕賱爻賵丿丕賳 爻丕賮乇 丕賱賷 丕賱禺丕乇噩 賱賷氐亘丨 睾丕夭賶 賱丕賳噩賱鬲乇丕 亘丕賱噩賳爻 ....賷氐賮 賱賳丕 賲噩賱爻 賲賳 賰亘丕乇 乇噩丕賱 丕賱賯乇賷丞 丕賱匕賷 賷鬲毓丿賶 毓賲乇賴賲 丕賱爻亘毓賵賳 賵賰賱 賰賱丕賲賴賲 毓賳 丕夭丕賷 赖賲丕 亘賷丨亘賵丕 丕賱噩賳爻 賵賰賷賮 賷賲丕乇爻賵賴 ...
賰賱丕賲 賷賯丕賱 賮賶 噩賱爻丞 丨卮賷卮 賲卮 賰亘丕乇 丕賱賯乇賷丞.. 賳爻丕亍 賵乇噩丕賱 賵禺賲乇丕 賵賱丕 丨賷丕亍 賵賱丕 丨丕噩丞 賵賮賷 丕賱丕禺乇 賷賯賵賱賵賳 丕爻鬲賮睾乇 丕賱賱賴 賰兀賳賴賲 賰丕賳賵丕 亘賷鬲賰賱賲賵丕 毓賱賷 丨丿 賲孬賱丕 .丿賵賱丕 丕賱卮賷賵禺 丕賲丕賱 丕賱卮亘丕亘 亘賷鬲爻丕賲乇賵丕 賮賷 丕賷賴 賮賷 賲丕鬲卮 丕賱賲乇賷禺 丕賱爻賵丿丕賳賷 賲孬賱丕
賵禺賱丕賱 乇丨賱鬲賴 丕賱賷 亘賱丿賴 丨賮賱丞 毓丕丿賷 賮賷 丕賱卮丕乇毓 賲卮 賲卮賰賱丞 ..爻賲乇 賵賰丿丕 賵賷賯賵賱賰 氐賱賵丕 丕賱毓卮丕亍 賵亘毓丿 丕賱氐賱丕丞 爻賰乇賵丕 賵乇賯氐 丕賷賴 丿賴 賮賷 丕賱爻賵丿丕賳
丿賴 賲賷丨氐賱卮 丨鬲賶 賮賷 卮丕乇毓 丕賱爻賵丿丕賳..
賵亘毓丿賷賳 賱賲丕 噩賵夭賵丕 丕賱亘賳鬲 丨爻賳丞 睾氐亘丕賸 毓賳賴丕 賲賳 乇噩賱 丕賱賯乇賷丞 丕賱毓噩賵夭
賮賯丕賲鬲 丨爻賳丞 亘賯鬲賱賴.. 賵賲卮 毓丕賷夭賷賳 賷賯賵賱賵丕 賯鬲賱鬲賴 賵囟乇亘鬲賴 賮賷賳 丕賱丕 賮賶 丕賱丕禺乇
賲乇丕毓丕丞 賷毓賳賶 丕賳 丕賱賰賱丕賲 毓賷亘
賮賰兀賳 丕賱丨賵丕乇 毓丕賲賱 賰丿丕
卮賮鬲 丨爻賳丞 毓賲賱鬲 丕賷賴 賮賶 丕賱賭賭賭
丕氐賱 丕賱乇噩賱 賲丕鬲 賲賳 丕賱賭賭賭
胤賷亘 毓賲賱賵丕 丕賷賴 亘毓丿 丕賱賭賭賭
兀賵賱 賲乇丞 賷丨氐賱 丕賱賭賭賭賭
賷丕 毓賲 賵丕賱賱賴 賮賴賲賳丕 賯鬲賱鬲賴 丕夭丕賷 賵賮賷賳 賲鬲夭賴賯賳丕卮 賵鬲毓賲賱 賮賷賴丕 賲賰爻賵賮 賱丨丿 丕禺乇 丕賱乇賵丕賷丞
丕賱乇賵丕賷丞 丕睾賱亘賴丕 毓賳 丕賱噩賳爻
賮賲鬲毓賲賱卮 賮賷賴丕 賲鬲賮丕噩兀
丿賴 睾賷乇 胤亘毓丕 丕賳 丕賱丕丨丿丕孬 賲鬲賯胤毓丞 乇賵丕賷丞 爻賷卅丞
丕賳丕 賲賳 乇兀賷賷 丕賳 丕賱賰丕鬲亘 丨丕賵賱 賷賯丕乇賳 亘丕賱卮賲丕賱 賮賷 鬲賯丿賲賴 賵丕賱噩賳賵亘 亘鬲禺賱賮賴 丕賱賲鬲賲孬賱 亘丕賱賯乇賷丞 毓賳丿賲丕 賯丕賱 賱賴賲 丕賳 丨爻賳丞 亘賳鬲 賲丨賲賵丿 丕匕賰賷 賵丕丨丿丞 賮賷賴賲 賵丕賳賴賲 賲鬲禺賱賮賷賳 賵賵丕賯賮 賴賵 丨丕卅乇丕 亘賷賳 亘賱丕丿賴 賵亘賱丕丿 丕賱卮賲丕賱 丨丕卅乇 亘賷賳 賲噩賵賳 賲氐胤賮賶 爻毓賷丿 賵亘賷賳 鬲禺賱賮 丕賱賯乇賷丞 賮賰丕賳鬲 丕賱賳賴丕賷丞 丕賱睾乇賯 亘丕賱亘胤賱 賮賶 丕賱賳賷賱
賵賳氐賷丨丞 賱賲賳 賷乇賷丿 賲孬賱 賴匕 丕賱賲賯丕乇賳丞 丕賳 賷賯乇兀 賲丨丕賵賱丞 賱賱禺乇賵噩 賱毓亘丿 丕賱丨賰賷賲 賯丕爻賲 丕丨爻賳 亘賰鬲賷乇
賱賰賳 胤賱毓鬲 爻賷卅丞 賱賱兀爻賮
乇賵丕賷丞 兀亘丕丨賷丞 亘丕賲鬲賷丕夭
賴賱 賴賷 丕賱爻賵丿丕賳 丕賱鬲賷 賷氐賮 丕賱賰丕鬲亘 丕賳 丕賰鬲乇 胤賮賱 毓亘賯乇賷 亘丕賱爻賵丿丕賳 爻丕賮乇 丕賱賷 丕賱禺丕乇噩 賱賷氐亘丨 睾丕夭賶 賱丕賳噩賱鬲乇丕 亘丕賱噩賳爻 ....賷氐賮 賱賳丕 賲噩賱爻 賲賳 賰亘丕乇 乇噩丕賱 丕賱賯乇賷丞 丕賱匕賷 賷鬲毓丿賶 毓賲乇賴賲 丕賱爻亘毓賵賳 賵賰賱 賰賱丕賲賴賲 毓賳 丕夭丕賷 赖賲丕 亘賷丨亘賵丕 丕賱噩賳爻 賵賰賷賮 賷賲丕乇爻賵賴 ...
賰賱丕賲 賷賯丕賱 賮賶 噩賱爻丞 丨卮賷卮 賲卮 賰亘丕乇 丕賱賯乇賷丞.. 賳爻丕亍 賵乇噩丕賱 賵禺賲乇丕 賵賱丕 丨賷丕亍 賵賱丕 丨丕噩丞 賵賮賷 丕賱丕禺乇 賷賯賵賱賵賳 丕爻鬲賮睾乇 丕賱賱賴 賰兀賳賴賲 賰丕賳賵丕 亘賷鬲賰賱賲賵丕 毓賱賷 丨丿 賲孬賱丕 .丿賵賱丕 丕賱卮賷賵禺 丕賲丕賱 丕賱卮亘丕亘 亘賷鬲爻丕賲乇賵丕 賮賷 丕賷賴 賮賷 賲丕鬲卮 丕賱賲乇賷禺 丕賱爻賵丿丕賳賷 賲孬賱丕
賵禺賱丕賱 乇丨賱鬲賴 丕賱賷 亘賱丿賴 丨賮賱丞 毓丕丿賷 賮賷 丕賱卮丕乇毓 賲卮 賲卮賰賱丞 ..爻賲乇 賵賰丿丕 賵賷賯賵賱賰 氐賱賵丕 丕賱毓卮丕亍 賵亘毓丿 丕賱氐賱丕丞 爻賰乇賵丕 賵乇賯氐 丕賷賴 丿賴 賮賷 丕賱爻賵丿丕賳
丿賴 賲賷丨氐賱卮 丨鬲賶 賮賷 卮丕乇毓 丕賱爻賵丿丕賳..
賵亘毓丿賷賳 賱賲丕 噩賵夭賵丕 丕賱亘賳鬲 丨爻賳丞 睾氐亘丕賸 毓賳賴丕 賲賳 乇噩賱 丕賱賯乇賷丞 丕賱毓噩賵夭
賮賯丕賲鬲 丨爻賳丞 亘賯鬲賱賴.. 賵賲卮 毓丕賷夭賷賳 賷賯賵賱賵丕 賯鬲賱鬲賴 賵囟乇亘鬲賴 賮賷賳 丕賱丕 賮賶 丕賱丕禺乇
賲乇丕毓丕丞 賷毓賳賶 丕賳 丕賱賰賱丕賲 毓賷亘
賮賰兀賳 丕賱丨賵丕乇 毓丕賲賱 賰丿丕
卮賮鬲 丨爻賳丞 毓賲賱鬲 丕賷賴 賮賶 丕賱賭賭賭
丕氐賱 丕賱乇噩賱 賲丕鬲 賲賳 丕賱賭賭賭
胤賷亘 毓賲賱賵丕 丕賷賴 亘毓丿 丕賱賭賭賭
兀賵賱 賲乇丞 賷丨氐賱 丕賱賭賭賭賭
賷丕 毓賲 賵丕賱賱賴 賮賴賲賳丕 賯鬲賱鬲賴 丕夭丕賷 賵賮賷賳 賲鬲夭賴賯賳丕卮 賵鬲毓賲賱 賮賷賴丕 賲賰爻賵賮 賱丨丿 丕禺乇 丕賱乇賵丕賷丞
丕賱乇賵丕賷丞 丕睾賱亘賴丕 毓賳 丕賱噩賳爻
賮賲鬲毓賲賱卮 賮賷賴丕 賲鬲賮丕噩兀
丿賴 睾賷乇 胤亘毓丕 丕賳 丕賱丕丨丿丕孬 賲鬲賯胤毓丞 乇賵丕賷丞 爻賷卅丞
丕賳丕 賲賳 乇兀賷賷 丕賳 丕賱賰丕鬲亘 丨丕賵賱 賷賯丕乇賳 亘丕賱卮賲丕賱 賮賷 鬲賯丿賲賴 賵丕賱噩賳賵亘 亘鬲禺賱賮賴 丕賱賲鬲賲孬賱 亘丕賱賯乇賷丞 毓賳丿賲丕 賯丕賱 賱賴賲 丕賳 丨爻賳丞 亘賳鬲 賲丨賲賵丿 丕匕賰賷 賵丕丨丿丞 賮賷賴賲 賵丕賳賴賲 賲鬲禺賱賮賷賳 賵賵丕賯賮 賴賵 丨丕卅乇丕 亘賷賳 亘賱丕丿賴 賵亘賱丕丿 丕賱卮賲丕賱 丨丕卅乇 亘賷賳 賲噩賵賳 賲氐胤賮賶 爻毓賷丿 賵亘賷賳 鬲禺賱賮 丕賱賯乇賷丞 賮賰丕賳鬲 丕賱賳賴丕賷丞 丕賱睾乇賯 亘丕賱亘胤賱 賮賶 丕賱賳賷賱
賵賳氐賷丨丞 賱賲賳 賷乇賷丿 賲孬賱 賴匕 丕賱賲賯丕乇賳丞 丕賳 賷賯乇兀 賲丨丕賵賱丞 賱賱禺乇賵噩 賱毓亘丿 丕賱丨賰賷賲 賯丕爻賲 丕丨爻賳 亘賰鬲賷乇
June 8, 2008
heart of darkness backwards. one of my favorite books ever. just try doing better than "i want to liberate africa with my penis". just try.
September 17, 2012
賴匕丕 丕賱兀丿賷亘 丕賱胤賷亘 氐丕賱丨 賲鬲賲賰賳 賲賳 兀丿賵丕鬲 丕賱乇賵丕賷丞貙 賱丕 卮賷亍 睾乇賷亘 兀賵 賲禺鬲賱賮貙 丕賱毓亘賯乇賷丞 鬲賰賲賳 賮賷 丕賱丕鬲賯丕賳. 賵 賱賯丿 兀鬲賯賳賻 丨賯丕賸 乇丨賲賴 丕賱賱賴
賴匕賴 丕賯鬲亘丕爻丕鬲 兀賵賯賮鬲賳賷 兀孬賳丕亍 賯乇丕卅鬲賷 賵 兀噩亘乇鬲賳賷 毓賱賶 賰鬲丕亘鬲賴丕 賮賷 丕賱賲賵賯毓 賱賯賵鬲賴丕:
"" 賷丕 賱賱爻禺乇賷丞. 丕賱廿賳爻丕賳 賱賲噩乇丿 兀賳賴 賵賱锟斤拷 毓賳丿 禺胤 丕賱丕爻鬲賵丕亍 亘毓囟 丕賱賲噩丕賳賷賳 賷毓鬲亘乇賵賳賴 毓亘丿丕賸 賵 亘毓囟賴賲 賷毓鬲亘乇賴 廿賱賴丕賸. 兀賷賳賻 丕賱丕毓鬲丿丕賱責 兀賷賳 丕賱丕爻鬲賵丕亍責 ""
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""丕賳賴賲 噩賱亘賵丕 廿賱賷賳丕 噩乇孬賵賲丞 丕賱毓賳賮 丕賱兀賵乇賵亘賷 丕賱兀賰亘乇 丕賱匕賷 賱賲 賷卮賴丿 丕賱毓丕賱賲 賲孬賷賱賴 賲賳 賯亘賱 賮賷 丕賱爻賵賲 賵 賮賷 賮乇丿丕賳 貙 噩乇孬賵賲丞 賲乇囟 賮鬲丕賰 兀氐丕亘賴賲 賲賳匕購 兀賰孬乇 賲賳 兀賱賮 毓丕賲. 賳毓賲 賷丕 爻丕丿鬲賷貙 廿賳賷 噩卅鬲賰賲 睾丕夭賷丕賸 賮賷 毓賯乇 丿丕乇賰賲. 賯胤乇丞 賲賳 丕賱爻賲賽 丕賱匕賷 丨賯賳鬲賲 亘賴 卮乇丕賷賷賳 丕賱鬲丕乇賷禺"
賲賯胤毓 乇丕卅毓 賷噩爻賾丿 禺胤丕亘 丕賱乇賵丕賷丞 賲丕 亘毓丿 丕賱丕爻鬲毓賲丕乇賷丞貙 賵 賳亘乇鬲賴丕 丕賱賲乇賷乇丞 賵 丕賱爻丕毓賷丞 賱賱賯氐丕氐 賲賳 丕賱賲爻鬲毓賲乇.
禄 兀爻鬲睾乇亘 賲賳 兀爻鬲丕匕 丕賱兀丿亘 丕賱賲賯丕乇賳 丕賱匕賷 賷乇賮購囟 兀賳 賳毓鬲亘乇 卮禺氐賷丞 賲氐胤賮賶 爻毓賷丿 鬲噩爻賷丿丕賸 賱賮賰乇丞 丕賱丕賳鬲賯丕賲 賲賳 丕賱賲購爻鬲毓賲乇貙
毓賲賵賲丕賸 賴匕賴 丕賱乇賵丕賷丞 乇賵丕賷丞 賲購賯乇乇丞 毓賱賷 賮賷 賲賳賴噩 丿乇丕爻鬲賷貙 賵 賱賰賲 賷丕 爻丕丿鬲賷 兀賳 鬲鬲禺賷賱賵丕 賲賯丿丕乇 丕賱賳賮賵乇 賲賳 乇賵丕賷丞 賱賲 鬲購鬲丨 賱賷 丕賱賮購乇氐丞 賱賱鬲氐賵賷鬲 亘賯亘賵賱賴丕 兀賲 鬲睾賷賷乇賴丕
賵 賲毓 匕賱賰 兀丨亘亘鬲賴丕 噩丿丕賸 噩丿丕賸貙 賮賷 賴匕賴 丕賱乇賵丕賷丞 賵賲囟丞 噩賲賷賱丞 鬲購卮毓乇賰 亘噩賲丕賱 丕賱兀丿亘貙 兀賯賳毓鬲賳賷 兀賳 丕賱兀丿亘 賰囟賵亍 丕賱賯賲乇貙 賷兀鬲賷 賲賳 亘毓賷丿貙 賱賰賳賴購 賷賯鬲乇亘 賲賳 丨賷丕鬲賰 亘鬲賮丕氐賷賱賴丕 賵 亘鬲賵丕囟毓賴丕貙 毓丕賰爻丕賸 匕賰丕亍 丕賱乇賵丕卅賷 賵 賮賰乇賴.
March 2, 2012
A powerful and unusual contrast of carnality and pastoralism. Not two key themes you might often find in your common or garden novel but this book is neither common nor domestic. A powerful description of the life and death of the mysterious Mustafa Sa'eed who despite being an outsider to the village he currently inhabits and seemingly little known in the area, has wielded a great and mysterious skill... women kill themselves for the love of him.
Mustafa Sa'eed journeyed north to England as a scholar and returns south under the shadow of scandal. During his time in England he portrays himself as the physical embodiment of eastern exoticism and decks himself with the trappings and trinkets of popular romantic misconceptions surrounding the east. A collision of chilled Occident and heated Orient lead to the deaths of all his lovers, either at his own hand or through his actions and suggestions. He is unapologetic and unrepentant for the most part and seeks only to return home and start a family under the unquestioning empty Sudanese sky where he is not regarded as exotic or rare but simply as man amongst many others. His wanderlust was a disease he reasons and the deaths only a by-product of an illness contracted during the colonial regime. The descriptions of sex and death under the dreary skies of London, in bedsits and student digs stand in stark contrast to the rich descriptions of the ponderous Nile and the agricultural and riverine landscape dominating the Sudanese village to which Sa'eed returns.
This book is startling, powerful and quite brilliant in its writing style, technique and subject matter and in a way it surprised me because it was not what I expected. Whether you regard it simply as an excellent fictional novella, a partly biographical work (the author was a scholarship student who spent time in Europe and studied and lived in London and you cannot help but wonder how many opinions expressed or situations rendered are ones which he himself experienced although presumably not the murdering bit of the student tourist experience ) or a telling narrative of the corrupting influence of colonialism, you will be intrigued.
Mustafa Sa'eed journeyed north to England as a scholar and returns south under the shadow of scandal. During his time in England he portrays himself as the physical embodiment of eastern exoticism and decks himself with the trappings and trinkets of popular romantic misconceptions surrounding the east. A collision of chilled Occident and heated Orient lead to the deaths of all his lovers, either at his own hand or through his actions and suggestions. He is unapologetic and unrepentant for the most part and seeks only to return home and start a family under the unquestioning empty Sudanese sky where he is not regarded as exotic or rare but simply as man amongst many others. His wanderlust was a disease he reasons and the deaths only a by-product of an illness contracted during the colonial regime. The descriptions of sex and death under the dreary skies of London, in bedsits and student digs stand in stark contrast to the rich descriptions of the ponderous Nile and the agricultural and riverine landscape dominating the Sudanese village to which Sa'eed returns.
This book is startling, powerful and quite brilliant in its writing style, technique and subject matter and in a way it surprised me because it was not what I expected. Whether you regard it simply as an excellent fictional novella, a partly biographical work (the author was a scholarship student who spent time in Europe and studied and lived in London and you cannot help but wonder how many opinions expressed or situations rendered are ones which he himself experienced although presumably not the murdering bit of the student tourist experience ) or a telling narrative of the corrupting influence of colonialism, you will be intrigued.
November 17, 2018
乇賵丕賷丞 賲亘丿毓丞 賵賲鬲噩丿丿丞 貙貙貙 丕賱胤賷亘 賲鬲賲賰賳 亘賲毓賳賶 丕賱賰賱賲丞 賲賳 丕丿賵丕鬲賴 丕賱賱睾賵賷丞 賵丕丿賵丕鬲 丕賱乇賵丕賷丞 賷鬲丨賰賲 亘丕賱賯丕乇卅 賷噩毓賱賴 賷鬲賵賯賮 賲鬲兀賲賱丕賸 兀丨賷丕賳丕賸 賵兀禺乇賶 賱丕賴孬丕賸 賵乇丕亍 丕賱丕丨丿丕孬 賵賷噩毓賱賰 賱丕 鬲賲賱 賲賳 丕賱賯乇丕亍丞.
賵兀賯鬲亘爻 丕賱鬲丕賱賶 賲賳 丕丨丿 丕賱賲乇丕噩毓丕鬲貙貙貙貙貙 毓賳 丕賱氐乇丕毓 亘賷賳 丕賱卮賲丕賱 賵丕賱噩賳賵亘 丕賵 丕賱卮乇賯 賵丕賱睾乇亘 丕賵 丕賱賲爻鬲毓賲賽乇 賵丕賱賲爻鬲毓賲贀乇
賴匕丕 丕賱氐乇丕毓 亘賷賳 丕賱賮賰乇 丕賱鬲賳丕爻賱賷 ( 丕賱賲鬲賲孬賱 賮賷 賲噩鬲賲毓 丕賱卮禺氐賷丞: 賲噩鬲賲毓 匕賰賵乇賷 賷鬲賮丕禺乇 賮賷賴 丕賱乇噩丕賱 亘丕賳鬲氐丕乇丕鬲賴賲 丕賱噩賳爻賷丞 賰賲丕 賴賵 賵丕囟丨 賮賷 賲噩丕賱爻 丕賱丕賳爻 賱賵丕丿 丕賱乇賷爻貙 亘賳鬲 賲噩匕賵亘....).
賵丕賱賮賰乇 丕賱亘賵乇噩賵丕夭賷 丕賱賲鬲賲孬賱 賮賷 丕孬乇 丕賱睾乇亘 毓賱賶 丕賱卮禺氐賷丞( 丕賱睾乇賮丞 丕賱賲馗賱賲丞 丕賱鬲賷 賷丿禺賱賴丕 丕賱乇丕賵賷).
賰賲丕 賳乇賶 丕賱亘毓丿 丕賱爻賷丕爻賷 賱賱卮禺氐賷丞 " 賳毓賲 賷丕 爻丕丿鬲賷 丕賳賷 噩卅鬲賰賲 睾丕夭賷丕賸 賮賷 毓賯乇 丿丕乇賰賲.. 賯胤乇丞 賲賳 丕賱爻賲 丕賱匕賷 丨賯賳鬲賲 亘賴 卮乇丕賷賷賳 丕賱鬲丕乇賷禺" 賮賴賵 賷乇賷丿 丕賳 賷爻鬲亘賷丨 亘乇賷胤丕賳賷丕 賲孬賱賲丕 丕爻鬲亘丕丨鬲 卮毓亘賴 賵 賲噩鬲賲毓賴 賵丕賳 賷賱丨賯 丕賱毓丕乇 賵丕賱賴夭賷賲丞 亘賴丕 賰賲丕 丕賱丨賯鬲 丕賱毓丕乇 賵丕賱賴夭賷賲丞 亘賵胤賳賴貙 賴匕丕 丕賱丕丨爻丕爻 亘賲乇丕乇丞 丕賱賴夭賷賲丞 賵丕賱賯賴乇 丕賱丕爻鬲毓賲丕乇賷 賵賱丿 賱丿賷賴 賰乇丕賴賷丞 賲丿賲乇丞..
賵兀賯鬲亘爻 丕賱鬲丕賱賶 賲賳 丕丨丿 丕賱賲乇丕噩毓丕鬲貙貙貙貙貙 毓賳 丕賱氐乇丕毓 亘賷賳 丕賱卮賲丕賱 賵丕賱噩賳賵亘 丕賵 丕賱卮乇賯 賵丕賱睾乇亘 丕賵 丕賱賲爻鬲毓賲賽乇 賵丕賱賲爻鬲毓賲贀乇
賴匕丕 丕賱氐乇丕毓 亘賷賳 丕賱賮賰乇 丕賱鬲賳丕爻賱賷 ( 丕賱賲鬲賲孬賱 賮賷 賲噩鬲賲毓 丕賱卮禺氐賷丞: 賲噩鬲賲毓 匕賰賵乇賷 賷鬲賮丕禺乇 賮賷賴 丕賱乇噩丕賱 亘丕賳鬲氐丕乇丕鬲賴賲 丕賱噩賳爻賷丞 賰賲丕 賴賵 賵丕囟丨 賮賷 賲噩丕賱爻 丕賱丕賳爻 賱賵丕丿 丕賱乇賷爻貙 亘賳鬲 賲噩匕賵亘....).
賵丕賱賮賰乇 丕賱亘賵乇噩賵丕夭賷 丕賱賲鬲賲孬賱 賮賷 丕孬乇 丕賱睾乇亘 毓賱賶 丕賱卮禺氐賷丞( 丕賱睾乇賮丞 丕賱賲馗賱賲丞 丕賱鬲賷 賷丿禺賱賴丕 丕賱乇丕賵賷).
賰賲丕 賳乇賶 丕賱亘毓丿 丕賱爻賷丕爻賷 賱賱卮禺氐賷丞 " 賳毓賲 賷丕 爻丕丿鬲賷 丕賳賷 噩卅鬲賰賲 睾丕夭賷丕賸 賮賷 毓賯乇 丿丕乇賰賲.. 賯胤乇丞 賲賳 丕賱爻賲 丕賱匕賷 丨賯賳鬲賲 亘賴 卮乇丕賷賷賳 丕賱鬲丕乇賷禺" 賮賴賵 賷乇賷丿 丕賳 賷爻鬲亘賷丨 亘乇賷胤丕賳賷丕 賲孬賱賲丕 丕爻鬲亘丕丨鬲 卮毓亘賴 賵 賲噩鬲賲毓賴 賵丕賳 賷賱丨賯 丕賱毓丕乇 賵丕賱賴夭賷賲丞 亘賴丕 賰賲丕 丕賱丨賯鬲 丕賱毓丕乇 賵丕賱賴夭賷賲丞 亘賵胤賳賴貙 賴匕丕 丕賱丕丨爻丕爻 亘賲乇丕乇丞 丕賱賴夭賷賲丞 賵丕賱賯賴乇 丕賱丕爻鬲毓賲丕乇賷 賵賱丿 賱丿賷賴 賰乇丕賴賷丞 賲丿賲乇丞..
October 29, 2023
胤蹖亘 氐丕賱丨 賳賵蹖爻賳丿賴 蹖 爻賵丿丕賳蹖 讴賴 丿乇 爻丕賱 郾酃鄄酃 亘賴 丿賳蹖丕 丌賲丿. 丿賵乇丕賳 讴賵丿讴蹖 賵蹖 丿乇 乇賵爻鬲丕蹖蹖 讴賵趩讴 爻倬乇蹖 卮丿 賵 丌蹖賳丿賴 蹖蹖 讴賴 賵蹖 賴賲賵丕乇賴 亘乇丕蹖 卮睾賱 禺賵丿 鬲氐賵乇 賲蹖 讴乇丿 讴卮丕賵乇夭蹖 亘賵丿. 丕賲丕 氐丕賱丨 亘乇丕蹖 丕丿丕賲賴 鬲丨氐蹖賱 亘賴 丿丕賳卮诏丕賴 賱賳丿賳 乇賮鬲 賵 亘賴 賳賵蹖爻賳丿诏蹖 乇賵蹖 丌賵乇丿.
亘賱丕賮丕氐賱賴 亘毓丿 丕夭 丕賳鬲卮丕乇 賲賵爻賲 賴噩乇鬲 亘賴 卮賲丕賱 乇賲丕賳 丕賵 亘丕 丕爻鬲賯亘丕賱 乇賵亘乇賵 卮丿 賵 丿乇 賲丿鬲 讴賲蹖 鬲乇噩賲賴 丕賳诏賱蹖爻蹖 丌賳 賳蹖夭 亘賴 趩丕倬 乇爻蹖丿. 賴賲趩賳蹖賳 芦丌讴丕丿賲蹖 丕丿亘蹖 毓乇亘禄 丿乇 爻丕賱 鄄郯郯郾 丕蹖賳 乇賲丕賳 乇丕 賲賴賲 鬲乇蹖賳 乇賲丕賳 毓乇亘蹖 賯乇賳 亘蹖爻鬲賲 賲毓乇賮蹖 讴乇丿. 丿乇 丕蹖賳 乇賲丕賳 讴賴 鬲丕讴賳賵賳 亘賴 亘蹖卮 丕夭 鄢郯 夭亘丕賳 鬲乇噩賲賴 卮丿賴貙 乇丕賵蹖 亘蹖 賳丕賲 丿丕爻鬲丕賳貙 亘毓丿 丕夭 賴賮鬲 爻丕賱 夭賳丿诏蹖 賵 鬲丨氐蹖賱 丿乇 丕賳诏賱爻鬲丕賳 亘賴 夭丕丿诏丕賴 禺賵丿 丿乇 爻賵丿丕賳 亘丕夭賲蹖 诏乇丿丿.丕蹖賳 丿丕爻鬲丕賳 爻丕丿賴 丕夭 丌賳噩丕蹖蹖 倬蹖趩蹖丿賴 賲蹖 卮賵丿 讴賴 乇丕賵蹖 丿乇 乇丕賴 亘丕夭诏卮鬲 亘賴 禺丕賳賴 亘丕 賮乇丿蹖 睾乇蹖亘賴 亘賴 賳丕賲 賲氐胤賮蹖 爻毓蹖丿 丌卮賳丕 賲蹖 卮賵丿 賵 丿乇氐丿丿 讴卮賮 賴賵蹖鬲 賵蹖 亘乇賲蹖 丌蹖丿. 賲氐胤賮蹖 賳蹖夭 丿丕賳卮 丌賲賵禺鬲賴 蹖讴蹖 丕夭 丿丕賳卮诏丕賴 賴丕蹖 睾乇亘蹖 丕爻鬲 賵 讴賲 讴賲 丿丕爻鬲丕賳 夭賳丿诏蹖 倬乇丿睾丿睾賴 丕賵 丿乇 睾乇亘 賵 乇賵丕亘胤 毓丕胤賮蹖 丕卮 亘賴 賲丨賵乇 丕氐賱蹖 丿丕爻鬲丕賳 鬲亘丿蹖賱 賲蹖 卮賵丿. 卮禺氐蹖鬲蹖 亘丕 噩匕丕亘蹖鬲 賮乇丕賵丕賳 讴賴 賲丕噩乇丕賴丕蹖 夭賳丿诏蹖 禺賵丿 乇丕 亘賴 乇丕賵蹖 丿丕爻鬲丕賳 鬲丨賲蹖賱 賲蹖 讴賳丿 賵 亘賴 卮禺氐蹖鬲 丕賵賱 丿丕爻鬲丕賳 鬲亘丿蹖賱 賲蹖 卮賵丿. 賴乇 趩賴 丿丕爻鬲丕賳 倬蹖卮 賲蹖 乇賵丿 賲禺丕胤亘 亘蹖卮鬲乇 亘賴 丕蹖賳 賳鬲蹖噩賴 賲蹖 乇爻丿 讴賴 賲氐胤賮蹖 賵 乇丕賵蹖 丿丕爻鬲丕賳 丿賵 乇丕賵蹖貙 卮禺氐蹖鬲 蹖讴 丕賳爻丕賳 賵丕丨丿 賴爻鬲賳丿 讴賴 丕賱亘鬲賴 亘蹖 卮亘丕賴鬲 亘賴 胤蹖亘 氐丕賱丨 賳蹖爻鬲
亘賱丕賮丕氐賱賴 亘毓丿 丕夭 丕賳鬲卮丕乇 賲賵爻賲 賴噩乇鬲 亘賴 卮賲丕賱 乇賲丕賳 丕賵 亘丕 丕爻鬲賯亘丕賱 乇賵亘乇賵 卮丿 賵 丿乇 賲丿鬲 讴賲蹖 鬲乇噩賲賴 丕賳诏賱蹖爻蹖 丌賳 賳蹖夭 亘賴 趩丕倬 乇爻蹖丿. 賴賲趩賳蹖賳 芦丌讴丕丿賲蹖 丕丿亘蹖 毓乇亘禄 丿乇 爻丕賱 鄄郯郯郾 丕蹖賳 乇賲丕賳 乇丕 賲賴賲 鬲乇蹖賳 乇賲丕賳 毓乇亘蹖 賯乇賳 亘蹖爻鬲賲 賲毓乇賮蹖 讴乇丿. 丿乇 丕蹖賳 乇賲丕賳 讴賴 鬲丕讴賳賵賳 亘賴 亘蹖卮 丕夭 鄢郯 夭亘丕賳 鬲乇噩賲賴 卮丿賴貙 乇丕賵蹖 亘蹖 賳丕賲 丿丕爻鬲丕賳貙 亘毓丿 丕夭 賴賮鬲 爻丕賱 夭賳丿诏蹖 賵 鬲丨氐蹖賱 丿乇 丕賳诏賱爻鬲丕賳 亘賴 夭丕丿诏丕賴 禺賵丿 丿乇 爻賵丿丕賳 亘丕夭賲蹖 诏乇丿丿.丕蹖賳 丿丕爻鬲丕賳 爻丕丿賴 丕夭 丌賳噩丕蹖蹖 倬蹖趩蹖丿賴 賲蹖 卮賵丿 讴賴 乇丕賵蹖 丿乇 乇丕賴 亘丕夭诏卮鬲 亘賴 禺丕賳賴 亘丕 賮乇丿蹖 睾乇蹖亘賴 亘賴 賳丕賲 賲氐胤賮蹖 爻毓蹖丿 丌卮賳丕 賲蹖 卮賵丿 賵 丿乇氐丿丿 讴卮賮 賴賵蹖鬲 賵蹖 亘乇賲蹖 丌蹖丿. 賲氐胤賮蹖 賳蹖夭 丿丕賳卮 丌賲賵禺鬲賴 蹖讴蹖 丕夭 丿丕賳卮诏丕賴 賴丕蹖 睾乇亘蹖 丕爻鬲 賵 讴賲 讴賲 丿丕爻鬲丕賳 夭賳丿诏蹖 倬乇丿睾丿睾賴 丕賵 丿乇 睾乇亘 賵 乇賵丕亘胤 毓丕胤賮蹖 丕卮 亘賴 賲丨賵乇 丕氐賱蹖 丿丕爻鬲丕賳 鬲亘丿蹖賱 賲蹖 卮賵丿. 卮禺氐蹖鬲蹖 亘丕 噩匕丕亘蹖鬲 賮乇丕賵丕賳 讴賴 賲丕噩乇丕賴丕蹖 夭賳丿诏蹖 禺賵丿 乇丕 亘賴 乇丕賵蹖 丿丕爻鬲丕賳 鬲丨賲蹖賱 賲蹖 讴賳丿 賵 亘賴 卮禺氐蹖鬲 丕賵賱 丿丕爻鬲丕賳 鬲亘丿蹖賱 賲蹖 卮賵丿. 賴乇 趩賴 丿丕爻鬲丕賳 倬蹖卮 賲蹖 乇賵丿 賲禺丕胤亘 亘蹖卮鬲乇 亘賴 丕蹖賳 賳鬲蹖噩賴 賲蹖 乇爻丿 讴賴 賲氐胤賮蹖 賵 乇丕賵蹖 丿丕爻鬲丕賳 丿賵 乇丕賵蹖貙 卮禺氐蹖鬲 蹖讴 丕賳爻丕賳 賵丕丨丿 賴爻鬲賳丿 讴賴 丕賱亘鬲賴 亘蹖 卮亘丕賴鬲 亘賴 胤蹖亘 氐丕賱丨 賳蹖爻鬲
June 8, 2022
賳丨賳 亘賲賯丕賷賷爻 丕賱毓丕賱賲 丕賱毓丕賱賲 丕賱氐賳丕毓賷 丕賱兀賵乇賵亘賷 賮賱丕丨賵賳 賮賯乇丕亍..
賵賱賰賳賳賷 丨賷賳 兀毓丕賳賯 噩丿賷 兀丨爻 亘丕賱睾賳賷..
賰兀賳賷 賳睾賲丞 賲賳 丿賯丕鬲 賯賱亘 丕賱賰賵賳 賳賮爻賴..
廿賳賴 賱賷爻 卮噩乇丞 爻賳丿賷丕賳 卮丕賲禺丞 賵丕乇賮丞 丕賱賮乇賵毓 賮賷 兀乇囟 賲賳鬲 毓賱賷賴丕 丕賱胤亘賷毓丞 亘丕賱賲丕亍 賵丕賱禺氐亘..
賵賱賰賳賴 賰卮噩賷乇丕鬲 丕賱爻賷丕賱 賮賷 氐丨丕乇賷 丕賱爻賵丿丕賳..
爻賲賰賷丞 丕賱賱丨賶..
丨丕丿丞 丕賱兀卮賵丕賰..
鬲賯賴乇 丕賱賲賵鬲 賱兀賳賴丕 賱丕 鬲爻乇賮 賮賷 丕賱丨賷丕丞.
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乇賵丕賷丞 亘丿賷毓丞.. 毓賳 丕賱乇噩賱 丕賱毓乇亘賷 賮賷 毓氐賵乇 廿囟賲丨丕賱丕賱賳丕.. 丕賱鬲賷 亘丿兀鬲 賲賳匕 賯乇賵賳 賵賲丕 夭賱賳丕 賳乇夭丨 鬲丨鬲賴丕.. 廿囟賲丨賱丕賱 賮賰乇賷 賵孬賯丕賮賷 賵賰賱 卮賷亍.. 丨鬲賶 賲賳 賷鬲賮賵賯 賵賷鬲賲賷夭 賱丕 賷夭丕賱 毓乇囟丞 賱兀賳 賷賰賵賳 賲爻禺丕.. 兀賵 賳氐賮 廿賳爻丕賳.. 賮賷 賰賵賰亘 賷丨賰賲賴 兀賳氐丕賮 賲毓丕鬲賷賴 賵兀賳氐丕賮 毓亘丕賯乇丞.. 賲賳賴賲 賲賳 賷丿賲乇 丕賱毓丕賱賲 賱賷丨賷丕 兀亘賳丕亍 賵胤賳賴 賮賷 乇賮丕賴賷丞.. 賵賲賳賴賲 賲賳 賷丿賲乇 兀亘賳丕亍 賵胤賳賴 賱賷賰賵賳 賱賴 丕賱丨賰賲 賵丕賱爻賷丕丿丞.. 賵亘賷賳 乇丨丕賴賲 賳毓賷卮!
乇亘賲丕 賲賳 賯乇兀 丕賱乇賵丕賷丞 賷鬲毓噩亘 賲賳 賴匕丕 丕賱胤乇丨 丕賱匕賷 胤乇丨鬲賴.. 賵賱賰賳 賴匕丕 賴賵 丕賱兀丿亘.. 賷賳賰兀 賮賷 賰賱 賵丕丨丿賺 賲賳丕 噩乇丨 賲禺鬲賱賮.. 賵賷賮鬲丨 毓賷賳 賰賱 賵丕丨丿賺 賲賳丕 毓賱賶 丌賮丕賯 賱丕 鬲鬲亘丿賶 賱睾賷乇賴.. 賵賴匕丕 噩夭亍 賲賳 毓亘賯乇賷丞 鬲賱賰 丕賱乇賵丕賷丞 匕丕鬲 丕賱兀賵噩賴 丕賱賲鬲毓丿丿丞
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兀毓噩亘鬲賳賷 丕賱乇賵丕賷丞 亘卮丿丞.. 賵乇睾賲 兀賳 丕賱兀丨丕丿賷孬 丕賱噩賳爻賷丞 乇亘賲丕 賷乇丕賴丕 丕賱亘毓囟 兀賲乇賸丕 夭丕卅丿丕 毓賳 丕賱丨丿.. 廿賱丕 兀賳 賴匕賴 丕賱乇賵丕賷丞 賲禺鬲賱賮丞.. 賱賲 賷賰賳 賴賳丕賰 丕亘鬲匕丕賱 賵賰賱丕賲 賮賷 睾賷乇 賲丨賱賴.. 亘賱 乇丐賷丞 孬丕賯亘丞 賵賵丕賯毓 賲毓丕卮..
鬲賲鬲 亘丨賲丿賱賱賴
賵賱賰賳賳賷 丨賷賳 兀毓丕賳賯 噩丿賷 兀丨爻 亘丕賱睾賳賷..
賰兀賳賷 賳睾賲丞 賲賳 丿賯丕鬲 賯賱亘 丕賱賰賵賳 賳賮爻賴..
廿賳賴 賱賷爻 卮噩乇丞 爻賳丿賷丕賳 卮丕賲禺丞 賵丕乇賮丞 丕賱賮乇賵毓 賮賷 兀乇囟 賲賳鬲 毓賱賷賴丕 丕賱胤亘賷毓丞 亘丕賱賲丕亍 賵丕賱禺氐亘..
賵賱賰賳賴 賰卮噩賷乇丕鬲 丕賱爻賷丕賱 賮賷 氐丨丕乇賷 丕賱爻賵丿丕賳..
爻賲賰賷丞 丕賱賱丨賶..
丨丕丿丞 丕賱兀卮賵丕賰..
鬲賯賴乇 丕賱賲賵鬲 賱兀賳賴丕 賱丕 鬲爻乇賮 賮賷 丕賱丨賷丕丞.
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乇賵丕賷丞 亘丿賷毓丞.. 毓賳 丕賱乇噩賱 丕賱毓乇亘賷 賮賷 毓氐賵乇 廿囟賲丨丕賱丕賱賳丕.. 丕賱鬲賷 亘丿兀鬲 賲賳匕 賯乇賵賳 賵賲丕 夭賱賳丕 賳乇夭丨 鬲丨鬲賴丕.. 廿囟賲丨賱丕賱 賮賰乇賷 賵孬賯丕賮賷 賵賰賱 卮賷亍.. 丨鬲賶 賲賳 賷鬲賮賵賯 賵賷鬲賲賷夭 賱丕 賷夭丕賱 毓乇囟丞 賱兀賳 賷賰賵賳 賲爻禺丕.. 兀賵 賳氐賮 廿賳爻丕賳.. 賮賷 賰賵賰亘 賷丨賰賲賴 兀賳氐丕賮 賲毓丕鬲賷賴 賵兀賳氐丕賮 毓亘丕賯乇丞.. 賲賳賴賲 賲賳 賷丿賲乇 丕賱毓丕賱賲 賱賷丨賷丕 兀亘賳丕亍 賵胤賳賴 賮賷 乇賮丕賴賷丞.. 賵賲賳賴賲 賲賳 賷丿賲乇 兀亘賳丕亍 賵胤賳賴 賱賷賰賵賳 賱賴 丕賱丨賰賲 賵丕賱爻賷丕丿丞.. 賵亘賷賳 乇丨丕賴賲 賳毓賷卮!
乇亘賲丕 賲賳 賯乇兀 丕賱乇賵丕賷丞 賷鬲毓噩亘 賲賳 賴匕丕 丕賱胤乇丨 丕賱匕賷 胤乇丨鬲賴.. 賵賱賰賳 賴匕丕 賴賵 丕賱兀丿亘.. 賷賳賰兀 賮賷 賰賱 賵丕丨丿賺 賲賳丕 噩乇丨 賲禺鬲賱賮.. 賵賷賮鬲丨 毓賷賳 賰賱 賵丕丨丿賺 賲賳丕 毓賱賶 丌賮丕賯 賱丕 鬲鬲亘丿賶 賱睾賷乇賴.. 賵賴匕丕 噩夭亍 賲賳 毓亘賯乇賷丞 鬲賱賰 丕賱乇賵丕賷丞 匕丕鬲 丕賱兀賵噩賴 丕賱賲鬲毓丿丿丞
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兀毓噩亘鬲賳賷 丕賱乇賵丕賷丞 亘卮丿丞.. 賵乇睾賲 兀賳 丕賱兀丨丕丿賷孬 丕賱噩賳爻賷丞 乇亘賲丕 賷乇丕賴丕 丕賱亘毓囟 兀賲乇賸丕 夭丕卅丿丕 毓賳 丕賱丨丿.. 廿賱丕 兀賳 賴匕賴 丕賱乇賵丕賷丞 賲禺鬲賱賮丞.. 賱賲 賷賰賳 賴賳丕賰 丕亘鬲匕丕賱 賵賰賱丕賲 賮賷 睾賷乇 賲丨賱賴.. 亘賱 乇丐賷丞 孬丕賯亘丞 賵賵丕賯毓 賲毓丕卮..
鬲賲鬲 亘丨賲丿賱賱賴
April 2, 2015
( My review, in English first, then in Arabic-賲乇丕噩毓丞 亘丕賱丕賳噩賱賷夭賷丞 鬲賱賷賴丕 丕禺乇賶 亘丕賱毓乇亘賷丞 )
Mustafa in the novel represents intellectual alienation that we have experienced all of us, which uprooted us from our roots and made us cadaver which jostling it identities and cultures .. like Mustafa in his loneliness when Masonic and the Communist jostling him, .. Everyone were wanted to issue guardianship on him for different purposes ..
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And there was a scene when Jane Morse burned (Almslah) and intermittently Arabic manuscript, That represents how we needed to waive the Arab Islamic identity in order to find a place for us on the map of secularism, with our new identity as a Middle Eastern people, this identity which have been added on us by the imperialist powers instead of our Arab and Islamic identity
賲氐胤賮賶 賮賷 丕賱乇賵丕賷丞 亘賷賲孬賱 丕賱鬲睾乇賷亘丞 丕賱賮賰乇賷丞 丕賱鬲賶 鬲毓乇囟賳丕 賱賴丕 噩賲賷毓丕 貙 賵 丕賱鬲賶 丕賯鬲賱毓鬲賳丕 賲賳 噩匕賵乇賳丕 賵 噩毓賱鬲賳丕 噩賷賮丞 亘鬲鬲氐丕乇毓 毓賱賷賴丕 丕賱賴賵賷丕鬲 賵 丕賱孬賯丕賮丕鬲 .. 夭賷 賲丕 丕鬲氐丕乇毓 毓賱賶 賲氐胤賮賶 賮賷 睾乇亘鬲賴 丕賱賲丕爻賵賳賶 賵 丕賱卮賷賵毓賷 .. 丕賱賰賱 乇睾亘 賮賷 鬲氐丿乇 丕賱賵氐丕賷丞 毓賱賷賴 賱睾丕賷丕鬲 賲禺鬲賱賮丞 ..
賲氐胤賮賶 賰賲丕賳 亘賷賲孬賱 乇賲夭 賱丨賱賲 丕賲鬲賳丕 亘丕賱鬲賳賲賷丞 賵 丕賱鬲賵爻毓 貙 賱賰賳 丨賱賲賴 賰丕賳 賲卮賵賴 亘爻亘亘 鬲睾乇賷亘鬲賴 丿賶 賵 丕賱氐乇丕毓 丕賱賳賮爻賷 丕賱賱賶 賯丕賲 噩賵丕賴 亘爻亘亘賴丕
丕賱丨賰丕賷丞 賰賱賴丕 亘鬲鬲賰賱賲 毓賳 丕賱鬲睾乇賷亘 丕賱賱賶 亘毓丿賳丕 亘賷賴 毓賳 丕賱噩匕賵乇 賵 賲丕賵氐賱賳丕卮 丕賱丕 賱爻乇丕亘 賮賷 丕賱賳賴丕賷丞 .. 毓賳 賲賵乇賵孬 丕賱毓賳賮 丕賱丕賵乇賵亘賶 賮賷 賲噩鬲賲毓賳丕 夭賷 賲丕 丨賱賶 賱賱賰丕鬲亘 丕賳 賷爻賲賷賴 .. 賵 丕賱賱賶 丕鬲賳賯賱鬲 丕賱賷賳丕 毓丿賵丕賴
..
丕賱鬲賳丕夭賱 毓賳 賴賵賷鬲賳丕 丕賱毓乇亘賷丞 丕賱丕爻賱丕賲賷丞 賮賷 爻亘賷賱 丕賷噩丕丿 賲賰丕賳 賱賳丕 毓賱賶 禺乇賷胤丞 丕賱毓賱賲丕賳賷丞 亘氐賮鬲賳丕 丕賱卮乇賯 丕賵爻胤賷丞 丕賱賱賶 丕囟賮鬲賴丕 丕賱賯賵賶 丕賱丕賲亘乇賷丕賱賷丞 毓賱賷賳丕 亘丿賱丕 賲賳 氐賮鬲賳丕 丕賱毓乇亘賷丞 丕賱丕爻賱丕賲賷丞 賵 丕賱賱賷 丕鬲氐賵乇 賮賷 賲卮賴丿 噩賷賳 賲賵乇爻 賵 賴賷 亘鬲丨乇賯 丕賱賲氐賱賷丞 賵 亘鬲賯胤毓 丕賱賲禺胤賵胤賴 丕賱毓乇亘賷丞
..
賵 丕賱賰丕鬲亘 賲賳 丕賱噩賷賱 丕賱賱賶 爻賯賵賴 丕賱乇賵丨丕賳賷丕鬲 賵賷丕 孬賯丕賮丞 丕賱卮乇賯 賵 丕賱毓乇賵亘丞 賲毓 賲亘丕丿卅 丕賱丕卮鬲乇丕 賰賷丞 賵 丕賱賯賵賲賷丞 丕賱毓乇亘賷丞 噩賲賱丞 賵丕丨丿賴 賰丿賴 賮賷 賰丕爻 賵丕丨丿 ! 丕賱噩賷賱 丕賱賱賶 丕鬲氐丿賲 賮賷 丕賱賮卮賱 丕賱匕乇賷毓 丕賱賱賶 丕賱禺賱胤丞 丿賶 丕賵丿鬲 賱賲噩鬲賲毓丕鬲賳丕 丕賱賷賴 賮亘丿兀 賷鬲賲乇丿 毓賱賷賴 賱賲噩乇丿 丕賱鬲賲乇丿 賲賳 睾賷乇 賲乇丕噩毓丞 兀賲賷賳丞 賵 賲賵囟賵毓賷丞 賱孬賯丕賮鬲賴 賵 噩匕賵乇賴
賵 乇睾賲 賰丿賴 賮丕賱乇丕亘胤 丕賱賵丕囟丨 賮賷 乇賵丕賷鬲賴 賵 丕賱賱賶 賵氐賱 賱丨丿 毓丿賲 丕賱賯丕亘賱賷丞 賱賱丕賳賮氐丕賱 亘賷賳 丕賱賮賱爻賮丞 丕賱卮乇賯賷丞 賵 亘賷賳 丕賱賮賱爻賮丞 丕賱丕卮鬲乇丕賰賷丞 丕賱賯賵賲賷丞 (丕賱賱賶 亘賷丨丕賵賱 賷鬲賲乇丿 毓賱賷賴賲 丕氐賱丕) 亘賷毓賵丿 丕賱賰丕鬲亘 賵 賷賮氐賲 賵孬丕賯賴 賮賷 兀丨丕賷賷賳 賰孬賷乇丞 夭賷 賮賷 鬲爻丕丐賱賴 丕賱賱賶 毓乇囟賴 毓賱賶 賱爻丕賳 亘胤賱 丕賱乇賵丕賷丞 丕孬賳丕亍 毓賵丿鬲賴 賲賳 丕賱禺乇胤賵賲 丕賱賶 亘賱丿鬲賴 賮賷 丕賱賮氐賱 丕賱乇丕亘毓 賱賲丕 賯丕賱
賵 夭賷 賰賱丕賲賴 賲毓 賲丨噩賵亘 賵 賲毓 賳賮爻賴 亘毓丿賴丕 丨賵丕賱賷賳 賲丐鬲賲乇 丕賱鬲毓賱賷賲
賱賰賳 乇睾賲 丿丕 丕賱乇賵丕賷賴 賮賷 丕賱賳賴丕賷丞 亘鬲馗賱 賲乇噩毓 丕丿亘賷 賴丕賲 賮賷 鬲兀氐賷賱 丕賱賮賰乇 丕賱賯賵賲賶 夭賷 賲丕 賴賵 賵丕囟丨 賲賳 卮賴乇鬲賴丕 賵 丕賱囟噩賴 丕賱賱賶 賲乇爻賵賲丞 丨賵丕賱賷賴丕 賵 丕賱賱賶 爻亘亘賴丕 賮賷 乇兀賷賷 丕賱鬲兀氐賷賱 丕賱賱賶 賯丕賲鬲 亘賷賴 賱賱孬賯丕賮賴 丕賱賯賵賲賷賴 貙 賵 賱賷爻 丕賱丨賵丕乇丕鬲 丕賱噩賳爻賷賴 丕賱賲賯丨賲賴 貙 賵 丕賱賱賶 賯氐丿 亘賷賴丕 毓賱賶 丕丨爻賳 丕賱丕丨賵丕賱 賵 丕賱賳賵丕賷丕 鬲氐賵賷乇 丕賳毓賰丕爻 丕賱賯賲毓 毓賲賵賲丕 毓賱賶 丕賱賲噩鬲賲毓 亘賲丕 賮賷賴 丕賱賯賲毓 丕賱噩賳爻賷
賵 賮賰乇丞 丕賯丨丕賲 丕賱氐賵乇 賵 丕賱丨賵丕乇丕鬲 丕賱噩賳爻賷丞 賮賷 兀丿亘 丕賱毓賴丿 丿丕 賰丕賳鬲 賲賳鬲卮乇丞 噩丿丕 賵 爻亘賯 賵 毓賲賱鬲 乇賷賮賷賵 毓賱賶 賰鬲丕亘 (兀乇禺氐 賱賷丕賱賷) 賱賷賵爻賮 丕丿乇賷爻 賯賱鬲 賮賷賲丕 賲毓賳丕賴 丕賳 丕賱噩賷賱 丿丕 丕鬲乇亘賶 毓賱賶 賳馗乇賷丕鬲 賮乇賵賷丿 丨賵丕賱賷賳 丕賱丨丕賮夭 丕賱噩賳爻賷 賵 丕鬲兀孬乇 亘賷賴丕 卮丿賷丿 丕賱鬲兀孬乇 賵 丌賲賳 亘賷賴丕 卮丿賷丿 丕賱丕賷賲丕賳貙 賵 丨丕噩賴 賲賳 丕鬲賳賷賳 丿丕賷賲丕 亘賷乇噩毓 丕賱賷賴丕 丕賯丨丕賲 丕賱丨賵丕乇丕鬲 賵 丕賱氐賵乇 丿賶 貙 丕賲丕 丕賳 丕賱賰丕鬲亘 丕亘鬲丿賶 賷亘丨孬 賵 賷乇噩毓 賳鬲賷噩丞 丕亘丨丕孬賴 毓賱賶 丕賱賲噩鬲賲毓 賵 丕賱賳丕爻 丕賱賷賴丕 賳鬲賷噩丞 鬲兀孬乇賴 亘丕賱賳馗乇賷丕鬲 丿賶 賮毓賱丕 貙 丕賵 丕賳賴 亘賷爻鬲禺丿賲賴丕 亘亘乇丕噩賲丕鬲賷賴 賱賰賵賳賴 賷毓賱賲 賲丿賶 鬲兀孬賷乇賴丕 毓賱賶 丕賱賳丕爻 賮賶 賲噩鬲賲毓丕鬲賳丕 貙 毓卮丕賳 賷夭賷丿 賲賳 卮賴乇丞 乇賵丕賷丕鬲賴 賵 鬲兀孬賷乇賴丕 貙 亘丕爻賱賵亘 乇禺賷氐 賵 賲亘鬲匕賱 胤亘毓丕 ! 賱賰賳 賮賷 丕賱乇賵丕賷賴 賴賳丕 賲丕 賷賳賮毓卮 賳亘氐 毓賱賶 丕賱賲賵囟賵毓 賲賳 丕賱賳丕丨賷丞 丿賷 賵 亘爻 賵 賳賳爻賷 丕賱賲賳馗賵乇 丕賱卮毓亘賷 賮賷 孬賯丕賮丞 丕賮乇賷賯賷丕 賱賱賲賵丕囟賷毓 丿賷 .. 丕賮乇賷賯賷丕 丕賱丨丕乇丞 丕賱賵孬賳賷丞 .. 丕賱賱賶 丕賱賳爻丕亍 賮賷賴丕 賰丕賳鬲 賲卮丕毓 賵 丕賱賲賵囟賵毓 丿丕 賮賷 賲賵乇賵孬賴丕 賰丕賳 毓丕丿賶 夭賷 卮乇亘 丕賱賲丕亍 賲孬賱丕 !
賮亘賳賱丕賯賶 賮賷 丕賱丌禺乇 賲孬賱丕 丕賳 亘賳鬲 賲噩匕賵亘 丕賱賱賶 賲丕鬲毓乇賮卮 丕賱毓賷亘 亘賲賳胤賯賳丕 賯丕賱鬲 毓賱賶 丕賱丨賰賷 賮賷 賲賵囟賵毓 丕賱丨丕丿孬丞 賵 馗乇賵賮賴丕 毓賷亘 ! .. 賮賷 丨賷賳 丕賳賴丕 賲賵卮 卮丕賷賮賴 丕賷 毓賷亘 賮賷 丨賵丕乇丕鬲賴丕 丕賱賲亘鬲匕賱賴 賲毓 丕賱乇噩丕賱 毓賱賶 賲丕 賷亘丿賵 ! 兀
賵 亘賲賳丕爻亘丞 匕賰乇 丕賱賲賳馗賵乇 丿丕 賲丕賳賳爻丕卮 賰賲丕賳 丕賳 丕賱賰丕鬲亘 丕爻鬲禺丿賲 丕賱賲賳馗賵乇 丿丕 賮賶 丕爻賯丕胤丕鬲賴 胤賵賱 丕賱乇賵丕賷賴 夭賷 丕爻鬲禺丿丕賲賴 丕爻賯丕胤丕鬲 毓賳 丕賱卮乇賯 賵 丕賱睾乇亘 賵 丕賱卮賲丕賱 賵 丕賱噩賳賵亘 賱鬲氐賵賷乇 丨丕賱丞 丕賱囟賷丕毓 丕賱賱賶 丕丨賳丕 賮賷賴丕 亘爻亘亘 鬲乇賰賳丕 賱噩匕賵乇賳丕 賮賷 爻亘賷賱 丕賱爻毓賷 賵乇丕亍 (丕賱爻乇丕亘) .. 夭賷 賵氐賮賴 賱胤乇賷賯 丕賱亘丨乇 丕賱賶 亘賱丿鬲賴 亘賭(丕賱卮乇賯賷 丕賱丕賰孬乇 毓賲賯丕 賵 丕鬲爻丕毓丕)兀
賵 丕賱丕爻賯丕胤 丿丕 亘賷亘丕賳 禺氐賵氐丕 賵 亘氐賵乇丞 賵丕囟丨丞 賮賷 賲卮賴丿 丕賱賳賴丕賷丞
賵 亘賷丿賷賳丕 氐賵乇丞 賱賱賶 丨氐賱 賱賲氐胤賮賶 貙 賷毓賳賷 丕賳丕 卮賮鬲 賵賯鬲賴丕 賲氐胤賮賶 賮賷 賳賮爻 賲賰丕賳賴 賵 賯丿乇鬲 丕鬲禺賷賱賴 賲爻鬲爻賱賲 賵 鬲亘丕賷賳 賲賵賯賮賴賲 .. 丕賱賱賶 乇噩毓 .. 賵 丕賱賱賶 爻丕亘 賳賮爻賴 賱賱鬲賷丕乇 亘賷賵囟丨 丕賰鬲乇 丕賱乇賵丕賷丞 賵 亘賷亘賷賳 噩賵賴乇賴丕
毓賲賵賲丕 乇賵丕賷丞 睾賳賷丞 鬲賳丕賵賱鬲 賲賵丕囟賷毓 鬲丕乇賷禺賷丞 賵 爻賷丕爻賷丞 賵 賮賱爻賮賷丞 賵 丕丿亘賷丞 賲賴賲賴 賱賱睾丕賷丞
.. railway originally established to transport troops, and have established schools to teach us how to say 'yes' in their own language ..
Mustafa in the novel represents intellectual alienation that we have experienced all of us, which uprooted us from our roots and made us cadaver which jostling it identities and cultures .. like Mustafa in his loneliness when Masonic and the Communist jostling him, .. Everyone were wanted to issue guardianship on him for different purposes ..
***
And there was a scene when Jane Morse burned (Almslah) and intermittently Arabic manuscript, That represents how we needed to waive the Arab Islamic identity in order to find a place for us on the map of secularism, with our new identity as a Middle Eastern people, this identity which have been added on us by the imperialist powers instead of our Arab and Islamic identity
.. 爻賰賰 丕賱丨丿賷丿 兀賳卮兀鬲 丕氐賱丕 賱賳賯賱 丕賱噩賳賵丿 貙 賵 賯丿 兀賳卮兀賵丕 丕賱賲丿丕乇爻 賱賷毓賱賲賵賳丕 賰賷賮 賳賯賵賱 (賳毓賲) 亘賱睾鬲賴賲 ..
賲氐胤賮賶 賮賷 丕賱乇賵丕賷丞 亘賷賲孬賱 丕賱鬲睾乇賷亘丞 丕賱賮賰乇賷丞 丕賱鬲賶 鬲毓乇囟賳丕 賱賴丕 噩賲賷毓丕 貙 賵 丕賱鬲賶 丕賯鬲賱毓鬲賳丕 賲賳 噩匕賵乇賳丕 賵 噩毓賱鬲賳丕 噩賷賮丞 亘鬲鬲氐丕乇毓 毓賱賷賴丕 丕賱賴賵賷丕鬲 賵 丕賱孬賯丕賮丕鬲 .. 夭賷 賲丕 丕鬲氐丕乇毓 毓賱賶 賲氐胤賮賶 賮賷 睾乇亘鬲賴 丕賱賲丕爻賵賳賶 賵 丕賱卮賷賵毓賷 .. 丕賱賰賱 乇睾亘 賮賷 鬲氐丿乇 丕賱賵氐丕賷丞 毓賱賷賴 賱睾丕賷丕鬲 賲禺鬲賱賮丞 ..
賲氐胤賮賶 賰賲丕賳 亘賷賲孬賱 乇賲夭 賱丨賱賲 丕賲鬲賳丕 亘丕賱鬲賳賲賷丞 賵 丕賱鬲賵爻毓 貙 賱賰賳 丨賱賲賴 賰丕賳 賲卮賵賴 亘爻亘亘 鬲睾乇賷亘鬲賴 丿賶 賵 丕賱氐乇丕毓 丕賱賳賮爻賷 丕賱賱賶 賯丕賲 噩賵丕賴 亘爻亘亘賴丕
丕賱丨賰丕賷丞 賰賱賴丕 亘鬲鬲賰賱賲 毓賳 丕賱鬲睾乇賷亘 丕賱賱賶 亘毓丿賳丕 亘賷賴 毓賳 丕賱噩匕賵乇 賵 賲丕賵氐賱賳丕卮 丕賱丕 賱爻乇丕亘 賮賷 丕賱賳賴丕賷丞 .. 毓賳 賲賵乇賵孬 丕賱毓賳賮 丕賱丕賵乇賵亘賶 賮賷 賲噩鬲賲毓賳丕 夭賷 賲丕 丨賱賶 賱賱賰丕鬲亘 丕賳 賷爻賲賷賴 .. 賵 丕賱賱賶 丕鬲賳賯賱鬲 丕賱賷賳丕 毓丿賵丕賴
..
丕賱鬲賳丕夭賱 毓賳 賴賵賷鬲賳丕 丕賱毓乇亘賷丞 丕賱丕爻賱丕賲賷丞 賮賷 爻亘賷賱 丕賷噩丕丿 賲賰丕賳 賱賳丕 毓賱賶 禺乇賷胤丞 丕賱毓賱賲丕賳賷丞 亘氐賮鬲賳丕 丕賱卮乇賯 丕賵爻胤賷丞 丕賱賱賶 丕囟賮鬲賴丕 丕賱賯賵賶 丕賱丕賲亘乇賷丕賱賷丞 毓賱賷賳丕 亘丿賱丕 賲賳 氐賮鬲賳丕 丕賱毓乇亘賷丞 丕賱丕爻賱丕賲賷丞 賵 丕賱賱賷 丕鬲氐賵乇 賮賷 賲卮賴丿 噩賷賳 賲賵乇爻 賵 賴賷 亘鬲丨乇賯 丕賱賲氐賱賷丞 賵 亘鬲賯胤毓 丕賱賲禺胤賵胤賴 丕賱毓乇亘賷丞
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賵 丕賱賰丕鬲亘 賲賳 丕賱噩賷賱 丕賱賱賶 爻賯賵賴 丕賱乇賵丨丕賳賷丕鬲 賵賷丕 孬賯丕賮丞 丕賱卮乇賯 賵 丕賱毓乇賵亘丞 賲毓 賲亘丕丿卅 丕賱丕卮鬲乇丕 賰賷丞 賵 丕賱賯賵賲賷丞 丕賱毓乇亘賷丞 噩賲賱丞 賵丕丨丿賴 賰丿賴 賮賷 賰丕爻 賵丕丨丿 ! 丕賱噩賷賱 丕賱賱賶 丕鬲氐丿賲 賮賷 丕賱賮卮賱 丕賱匕乇賷毓 丕賱賱賶 丕賱禺賱胤丞 丿賶 丕賵丿鬲 賱賲噩鬲賲毓丕鬲賳丕 丕賱賷賴 賮亘丿兀 賷鬲賲乇丿 毓賱賷賴 賱賲噩乇丿 丕賱鬲賲乇丿 賲賳 睾賷乇 賲乇丕噩毓丞 兀賲賷賳丞 賵 賲賵囟賵毓賷丞 賱孬賯丕賮鬲賴 賵 噩匕賵乇賴
賵 乇睾賲 賰丿賴 賮丕賱乇丕亘胤 丕賱賵丕囟丨 賮賷 乇賵丕賷鬲賴 賵 丕賱賱賶 賵氐賱 賱丨丿 毓丿賲 丕賱賯丕亘賱賷丞 賱賱丕賳賮氐丕賱 亘賷賳 丕賱賮賱爻賮丞 丕賱卮乇賯賷丞 賵 亘賷賳 丕賱賮賱爻賮丞 丕賱丕卮鬲乇丕賰賷丞 丕賱賯賵賲賷丞 (丕賱賱賶 亘賷丨丕賵賱 賷鬲賲乇丿 毓賱賷賴賲 丕氐賱丕) 亘賷毓賵丿 丕賱賰丕鬲亘 賵 賷賮氐賲 賵孬丕賯賴 賮賷 兀丨丕賷賷賳 賰孬賷乇丞 夭賷 賮賷 鬲爻丕丐賱賴 丕賱賱賶 毓乇囟賴 毓賱賶 賱爻丕賳 亘胤賱 丕賱乇賵丕賷丞 丕孬賳丕亍 毓賵丿鬲賴 賲賳 丕賱禺乇胤賵賲 丕賱賶 亘賱丿鬲賴 賮賷 丕賱賮氐賱 丕賱乇丕亘毓 賱賲丕 賯丕賱
賴賱 賴丐賱丕亍 丕賱賳丕爻 丕賱匕賷賳 賷胤賱賯 毓賱賷賴賲 "丕賱賮賱丕丨賵賳" 賮賷 丕賱賰鬲亘 責 賱賵 賯賱鬲 賱噩丿賶 丕賳 丕賱孬賵乇丕鬲 鬲氐賳毓 亘丕爻賲賴 貙 賵 丕賱丨賰賵賲丕鬲 鬲賯賵賲 賵 鬲賯毓丿 賲賳 兀噩賱賴 賱囟丨賰 ....
賵 夭賷 賰賱丕賲賴 賲毓 賲丨噩賵亘 賵 賲毓 賳賮爻賴 亘毓丿賴丕 丨賵丕賱賷賳 賲丐鬲賲乇 丕賱鬲毓賱賷賲
賱賰賳 乇睾賲 丿丕 丕賱乇賵丕賷賴 賮賷 丕賱賳賴丕賷丞 亘鬲馗賱 賲乇噩毓 丕丿亘賷 賴丕賲 賮賷 鬲兀氐賷賱 丕賱賮賰乇 丕賱賯賵賲賶 夭賷 賲丕 賴賵 賵丕囟丨 賲賳 卮賴乇鬲賴丕 賵 丕賱囟噩賴 丕賱賱賶 賲乇爻賵賲丞 丨賵丕賱賷賴丕 賵 丕賱賱賶 爻亘亘賴丕 賮賷 乇兀賷賷 丕賱鬲兀氐賷賱 丕賱賱賶 賯丕賲鬲 亘賷賴 賱賱孬賯丕賮賴 丕賱賯賵賲賷賴 貙 賵 賱賷爻 丕賱丨賵丕乇丕鬲 丕賱噩賳爻賷賴 丕賱賲賯丨賲賴 貙 賵 丕賱賱賶 賯氐丿 亘賷賴丕 毓賱賶 丕丨爻賳 丕賱丕丨賵丕賱 賵 丕賱賳賵丕賷丕 鬲氐賵賷乇 丕賳毓賰丕爻 丕賱賯賲毓 毓賲賵賲丕 毓賱賶 丕賱賲噩鬲賲毓 亘賲丕 賮賷賴 丕賱賯賲毓 丕賱噩賳爻賷
賵 賮賰乇丞 丕賯丨丕賲 丕賱氐賵乇 賵 丕賱丨賵丕乇丕鬲 丕賱噩賳爻賷丞 賮賷 兀丿亘 丕賱毓賴丿 丿丕 賰丕賳鬲 賲賳鬲卮乇丞 噩丿丕 賵 爻亘賯 賵 毓賲賱鬲 乇賷賮賷賵 毓賱賶 賰鬲丕亘 (兀乇禺氐 賱賷丕賱賷) 賱賷賵爻賮 丕丿乇賷爻 賯賱鬲 賮賷賲丕 賲毓賳丕賴 丕賳 丕賱噩賷賱 丿丕 丕鬲乇亘賶 毓賱賶 賳馗乇賷丕鬲 賮乇賵賷丿 丨賵丕賱賷賳 丕賱丨丕賮夭 丕賱噩賳爻賷 賵 丕鬲兀孬乇 亘賷賴丕 卮丿賷丿 丕賱鬲兀孬乇 賵 丌賲賳 亘賷賴丕 卮丿賷丿 丕賱丕賷賲丕賳貙 賵 丨丕噩賴 賲賳 丕鬲賳賷賳 丿丕賷賲丕 亘賷乇噩毓 丕賱賷賴丕 丕賯丨丕賲 丕賱丨賵丕乇丕鬲 賵 丕賱氐賵乇 丿賶 貙 丕賲丕 丕賳 丕賱賰丕鬲亘 丕亘鬲丿賶 賷亘丨孬 賵 賷乇噩毓 賳鬲賷噩丞 丕亘丨丕孬賴 毓賱賶 丕賱賲噩鬲賲毓 賵 丕賱賳丕爻 丕賱賷賴丕 賳鬲賷噩丞 鬲兀孬乇賴 亘丕賱賳馗乇賷丕鬲 丿賶 賮毓賱丕 貙 丕賵 丕賳賴 亘賷爻鬲禺丿賲賴丕 亘亘乇丕噩賲丕鬲賷賴 賱賰賵賳賴 賷毓賱賲 賲丿賶 鬲兀孬賷乇賴丕 毓賱賶 丕賱賳丕爻 賮賶 賲噩鬲賲毓丕鬲賳丕 貙 毓卮丕賳 賷夭賷丿 賲賳 卮賴乇丞 乇賵丕賷丕鬲賴 賵 鬲兀孬賷乇賴丕 貙 亘丕爻賱賵亘 乇禺賷氐 賵 賲亘鬲匕賱 胤亘毓丕 ! 賱賰賳 賮賷 丕賱乇賵丕賷賴 賴賳丕 賲丕 賷賳賮毓卮 賳亘氐 毓賱賶 丕賱賲賵囟賵毓 賲賳 丕賱賳丕丨賷丞 丿賷 賵 亘爻 賵 賳賳爻賷 丕賱賲賳馗賵乇 丕賱卮毓亘賷 賮賷 孬賯丕賮丞 丕賮乇賷賯賷丕 賱賱賲賵丕囟賷毓 丿賷 .. 丕賮乇賷賯賷丕 丕賱丨丕乇丞 丕賱賵孬賳賷丞 .. 丕賱賱賶 丕賱賳爻丕亍 賮賷賴丕 賰丕賳鬲 賲卮丕毓 賵 丕賱賲賵囟賵毓 丿丕 賮賷 賲賵乇賵孬賴丕 賰丕賳 毓丕丿賶 夭賷 卮乇亘 丕賱賲丕亍 賲孬賱丕 !
賮亘賳賱丕賯賶 賮賷 丕賱丌禺乇 賲孬賱丕 丕賳 亘賳鬲 賲噩匕賵亘 丕賱賱賶 賲丕鬲毓乇賮卮 丕賱毓賷亘 亘賲賳胤賯賳丕 賯丕賱鬲 毓賱賶 丕賱丨賰賷 賮賷 賲賵囟賵毓 丕賱丨丕丿孬丞 賵 馗乇賵賮賴丕 毓賷亘 ! .. 賮賷 丨賷賳 丕賳賴丕 賲賵卮 卮丕賷賮賴 丕賷 毓賷亘 賮賷 丨賵丕乇丕鬲賴丕 丕賱賲亘鬲匕賱賴 賲毓 丕賱乇噩丕賱 毓賱賶 賲丕 賷亘丿賵 ! 兀
賵 亘賲賳丕爻亘丞 匕賰乇 丕賱賲賳馗賵乇 丿丕 賲丕賳賳爻丕卮 賰賲丕賳 丕賳 丕賱賰丕鬲亘 丕爻鬲禺丿賲 丕賱賲賳馗賵乇 丿丕 賮賶 丕爻賯丕胤丕鬲賴 胤賵賱 丕賱乇賵丕賷賴 夭賷 丕爻鬲禺丿丕賲賴 丕爻賯丕胤丕鬲 毓賳 丕賱卮乇賯 賵 丕賱睾乇亘 賵 丕賱卮賲丕賱 賵 丕賱噩賳賵亘 賱鬲氐賵賷乇 丨丕賱丞 丕賱囟賷丕毓 丕賱賱賶 丕丨賳丕 賮賷賴丕 亘爻亘亘 鬲乇賰賳丕 賱噩匕賵乇賳丕 賮賷 爻亘賷賱 丕賱爻毓賷 賵乇丕亍 (丕賱爻乇丕亘) .. 夭賷 賵氐賮賴 賱胤乇賷賯 丕賱亘丨乇 丕賱賶 亘賱丿鬲賴 亘賭(丕賱卮乇賯賷 丕賱丕賰孬乇 毓賲賯丕 賵 丕鬲爻丕毓丕)兀
賵 丕賱丕爻賯丕胤 丿丕 亘賷亘丕賳 禺氐賵氐丕 賵 亘氐賵乇丞 賵丕囟丨丞 賮賷 賲卮賴丿 丕賱賳賴丕賷丞
賵 亘賷丿賷賳丕 氐賵乇丞 賱賱賶 丨氐賱 賱賲氐胤賮賶 貙 賷毓賳賷 丕賳丕 卮賮鬲 賵賯鬲賴丕 賲氐胤賮賶 賮賷 賳賮爻 賲賰丕賳賴 賵 賯丿乇鬲 丕鬲禺賷賱賴 賲爻鬲爻賱賲 賵 鬲亘丕賷賳 賲賵賯賮賴賲 .. 丕賱賱賶 乇噩毓 .. 賵 丕賱賱賶 爻丕亘 賳賮爻賴 賱賱鬲賷丕乇 亘賷賵囟丨 丕賰鬲乇 丕賱乇賵丕賷丞 賵 亘賷亘賷賳 噩賵賴乇賴丕
毓賲賵賲丕 乇賵丕賷丞 睾賳賷丞 鬲賳丕賵賱鬲 賲賵丕囟賷毓 鬲丕乇賷禺賷丞 賵 爻賷丕爻賷丞 賵 賮賱爻賮賷丞 賵 丕丿亘賷丞 賲賴賲賴 賱賱睾丕賷丞
May 26, 2024
鬲賱賰 丕賱賮賵囟賶 丕賱亘丕賴乇丞!
October 12, 2014
I listened intently to the wind: that indeed was a sound well known to me, a sound which in our village possessed a merry whispering 鈥� the sound of wind passing through palm trees is different from when it passes through fields of corn. I heard the cooing of the turtle-dove, and I looked through the window at the palm tree standing in the courtyard of our house and I knew all was still well with life. I looked at its strong straight trunk, at its roots that strike down into the ground, at the green branches hanging down loosely over its top, and I experienced a feeling of assurance.
'Season of Migration to the North' begins with a beautiful, lyrical evocation of the comfort of the homeland that is soon lost with the chasing of mirages and being adrift in the ideological conflicts and uncertainty of the time. It is a whole circle traversed. Dislocation from one鈥檚 home and finding shelter once again in its rootedness and the ensuing existential angst and frustration of being the cultural misfit. Of being altered and recasted in a form that is nameless, unacceptable, in the strongly woven matrix of past, tradition and its beliefs. Where is the assurance that one longs for when there has been a fundamental shift and change in one鈥檚 own self and identity? And there is the alleged incapacity and helplessness in the whole scheme of things. The unnamed narrator returns to his land after his stay in the West to find himself utterly in limbo. The past seems to be chafed like the worn out colors of a hard-wearing monument. That feeling of assurance is lost in the unruly wilderness of a colonized history, with the chaos which refuses to subserve in the wake modernization.
He is no towering oak tree with luxuriant branches growing in a land on which Nature has bestowed water and fertility; rather he is like the sayal bushes in the deserts of the Sudan, thick of bark and sharp of thorn, defeating death because they ask so little of life.
Hajj Ahmed, the narrator鈥檚 grandfather and Bint Majzoub, are forbearing presences; shadows of a night falling in a land in which the day is nothing but a blistering pause. The events of their lives are like recurring waves. There is the unusual, the bizarre, but in firmly etched, stony contours. Mustafa Sa鈥檈ed, Hosna, the narrator; everyone who is caught in a flux, are elusive, mirage like, luminous but elfin figures, perpetually undiscovered, and doused in mystery. Either the silhouettes are still coming to life or there is a perpetual taunt of a phantasm in the aridity of the desert. The narrator鈥檚 chase of the phantasm that is Mustafa becomes the chasing of possibilities. Some which have escaped like smoke out of the chambers of the past. Some which are still there, locked and documented. These are haunting reflections of what he could have been. What he could still become. And it is inextricably linked with the egoism of Mustafa. Mustafa Sa鈥檈ed is the product of the colonial past. He has imagined himself as nothing less than a precious artifact. Like some historical object of value. He has cautiously laid down the map for his discovery. His tale is evoked through poetry, suggestions, symbols, allusions, metaphorical non-linearity. It navigates continents, history, past, present and transports itself in a highly burlesqued, tragic-comic narrative of his amorous exploits in England.
She would tell me that in my eyes she saw the shimmer of mirages in hot deserts, that in my voice she heard the screams of ferocious beasts in the jungles. And I would tell her that in the blueness of her eyes I saw the faraway shoreless seas of the North.
This is not love. This is hate. And a curious mix of fascination and contempt. A mock-adventure injected in the staleness of existence. There is the ever going farcical chase in which sometimes the hunter becomes the quarry, conquerors get vanquished. Egos are bruised. More destruction, more violence erupts in turn. There is the element of precision, theatricality, madness, in this quest. The man and the woman become the empty, farcical caricatures of their own selves. It is a mock exoticized rebirth of Mustafa garbed in the essentialized, stereotypical fantasies of the West. He lavishes in them. His conquests have strong undertones of power, domination, and self-loathing. And his preys languish for their black God, amidst Arabic poetry, Eastern perfumes, and Persian rugs. They not only draw attention to their own wretchedness but also to the pitiable ineffectualness of Mustafa Sa鈥檈ed. But his escapades have that sense of romance and melodrama which make the narrator think of his own life as an unimaginative simulation of Mustafa鈥檚.
Another fire would not have done any good. I left him talking and went out. I did not let him complete the story鈥�
Mustafa leaves his tale to the narrator to be discovered and completed. One occasion of futility implodes into another. It is with these parallels that the phantasmagoric tale takes the tone of lament at the collapse of the possibility of change and mutability in a present which is muddled with the debris of the past. The rigid boundaries of tradition refuse to merge in harmony with a more compassionate, humane worldview and let go of such essentialized notions of the East and the West. It is a dense predicament in which the narrator finds himself when he struggles with his obsession with Mustafa. Where are the shores to be found while drifting in such existential loss and meaninglessness? Where is the consolation for this rootlessness? What is the course of human action and where lies the hope in a world which is hostile to a synthesis between the old and the new? And from where to continue and where to return? Myriad questions assail him and Salih鈥檚 book becomes beautiful, wounded, poetic confluence of this dilemma and deliverance.
May 23, 2020
賱賯丿 爻兀賲 丕賱賳丕爻 賴匕賴 丕賱乇賵丕賷丞 賵兀氐丕亘賴賲 丕賱囟噩乇 賵丕賱賲賱賱 賵丕賱賷兀爻 賵丕賱廿丨亘丕胤 賱賲丕 賯乇兀賵賴丕 亘毓丿 賲丕 鬲鬲賲鬲毓 亘賴 賲賳 卮賴乇丞 賵鬲兀孬賷乇 賮賷 丕賱毓丕賱賲 丕賱毓乇亘賷 貙 賮禺乇噩賵丕 賲賳賴丕 賵賯丿 兀賲賳賵丕 兀賳賴賲 賱賲 賷賯乇兀賵賴丕 賮賲鬲賷 亘丿兀鬲 賵賲鬲賷 兀賳鬲賴鬲 兀氐賱丕賸 責
賵賱賰賳 卮乇丨 丕賱乇賵丕賷丞 亘亘爻丕胤丞 噩丕亍 賮賷 兀禺乇 氐賮丨丞 賮賴賷 乇賵丕賷丞 毓賳 丕賱丨賷丕丞 賵賴丕賴賷 丕賱丨賷丕丞 :
賱丕 賷毓賳賷賳賷 廿賳 賰丕賳 賱賱丨賷丕丞 賲毓賳賷 兀賵 賱賲 賷賰賳 賱賴丕 賲毓賳賷 . 賵廿匕丕 賰賳鬲 賱丕 兀爻鬲胤賷毓 兀賳 兀睾賮乇 賮爻兀丨丕賵賱 兀賳 兀賳爻賷 貙 爻兀丨賷丕 亘丕賱賯賵丞 賵丕賱賲賰乇
賱丕 賷賴賲 廿賳 賰丕賳 賱賱丨賷丕丞 賲毓賳賷 賵賰匕賱賰 丕賱乇賵丕賷丞 賮賴賷 乇賵丕賷丞 賲賰鬲賵亘 賲賳 卮丕毓乇 貙 賵丕賱卮毓乇 賱丕 賷乇賷 卮卅 爻賵賷 毓卮賵丕卅賷丞 丕賱丨賷丕丞
貙
毓賱賷 丕賱爻胤丨 :
廿賳 丕賱乇賵丕賷丞 鬲鬲丨丿孬 毓賳 丨賷丕丞 卮禺氐 廿賮乇賷賯賷 爻賵丿丕賳賷 賮賷 丨賷丕丞 丕賱兀賵乇賵亘賷賷賳 貙 兀鬲丕賴賲 睾丕夭賷丕賸 貙 賵鬲鬲丨丿孬 毓賳 丨賷丕丞 丕賱賯乇賷丞 丕賱亘爻賷胤丞 賮賷 丕賱爻賵丿丕賳 賵毓丕丿丕鬲 丕賱賯乇賷丞 賵鬲賯丕賱賷丿賴丕 丕賱鬲賷 賱丕 鬲鬲睾賷乇 賲赖賲丕 鬲睾賷乇 丕賱丨賷丕丞 賵卮賰賱賴丕 賲賳 丨賵賱賴丕 賰賲丕 賯丕賱 賲丨噩賵亘 貙 賵毓乇囟 賱亘毓囟 丕賱賲卮丕賰賱 丕賱廿噩鬲賲丕毓賷丞 丕賱鬲賷 鬲孬賵乇 賮賷 丕賱賯乇賷丞 貙 賵丕賱鬲賷 賰丕賳鬲 鬲丨丿孬 賮賷 丕賱賲丨賷胤 丕賱毓乇亘賷 賵丕賱廿賮乇賷賯賷 賮賷 匕丕賰 丕賱賵賯鬲 亘毓丿 廿爻鬲賯賱丕賱 廿賮乇賷賯賷丕 賵丕賱乇丕亘胤丞 丕賱賯賵賲賷丞 丕賱毓乇亘賷丞 丕賱廿賮乇賷賯賷丞 賵丕賱賳夭毓丞 丕賱廿卮鬲乇丕賰賷丞 貙 賵鬲賵噩賷賴 亘毓囟 丕賱廿爻賯丕胤丕鬲 貙 賰賱 匕賱賰 賷鬲賯丕胤毓 賲毓 賯氐丞 乇噩賱 賲噩賴賵賱 丕賱廿爻賲 賷鬲賵賱賷 爻乇丿 賯氐丞 乇噩賱 兀禺乇 賵賴賵 丕賱亘胤賱 賲氐胤賮賷 爻毓賷丿 貙 廿匕賳 賱丕 賵噩賵丿 賱賱亘丿丕賷丞 賵賱丕 丕賱賳賴丕賷丞 賵賱丕 丕賱兀夭賲丞 賵丕賱廿賳賮乇丕噩丞
賮賴賷 乇賵丕賷丞 賲鬲丨乇乇丞 賲賳 丕賱亘賳丕亍 丕賱乇賵丕卅賷 賵賴匕丕 賵丕囟丨
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丕賱賲睾夭賷 賰賲丕 兀乇丕賴 :
賵賱賰賳 賲毓 鬲賯賱賷亘 丕賱氐賮丨丕鬲 亘丿兀鬲 兀賳 兀丿乇賰 賲睾夭賷 丕賱乇賵丕賷丞 丕賱賮賱爻賮賷 丕賱匕賷 賰鬲亘 亘賱睾丞 卮毓乇賷丞 貙 賮賴賷 兀爻丕爻丕賸 鬲鬲丨丿孬 毓賳 丕賱禺賱賱 丕賱匕賷 賷氐賷亘 丕賱廿賳爻丕賳 賮賷 丨賷丕鬲賴 賮賷丐孬乇 毓賱賷 卮禺氐賷鬲賴 貙賮賲丕 亘賷賳 卮禺氐 賷鬲賷賲 賵廿賲乇兀丞 賲氐丕亘丞 丕賱爻乇胤丕賳 賵廿賲乇兀丞 賱賯賷胤丞 賵兀爻乇丞 賱丕 鬲賳噩亘 丕賱兀胤賮丕賱 賵卮丕亘丞 賲賵賱毓丞 亘丕賱丨賷丕丞 丕賱卮乇賯賷丞 貙 賳噩丿 兀賳 賰賱 賴匕丕 賷鬲賯丕胤毓 賲賰賵賳丕賸 賱賳丕 禺賷乇 鬲毓亘賷乇 毓賳 賳賵丕賯氐 賰賱 卮禺氐賷丞 貙 賮賲氐胤賮賷 爻毓賷丿 丕賱乇噩賱 丕賱匕賷 賵噩丿 丕賱丨賷丕丞 賲賲賴丿丞 兀賲丕賲賴 亘爻賴賵賱丞 賲毓卮賵賯 丕賱賳爻丕亍 貙 廿賱賴 丕賱噩賳爻 丕賱廿賮乇賷賯賷 貙 賱丕 賷爻鬲胤賷毓 兀賳 賷賵賯毓 賮賷 卮亘丕賰賴 廿賲乇兀丞 兀賴丕賳鬲 貙 賵賰丕賳 賲爻鬲毓丿 賰賱 丕賱廿爻鬲毓丿丕丿 賱賱鬲禺賱賷 毓賳 賰賱 賲丕 賷卮賰賱 丨賷丕鬲賴 賲賯亘賱 丕賱丨氐賵賱 毓賱賷 鬲賱賰 丕賱賲乇兀丞 貙 賵賴匕丕 賴賵 丕賱廿賳爻丕賳 賮賷 賲卮賰賱丞 賵賮賷 氐乇丕毓 賲丕 亘賷賳 乇睾亘丕鬲賴 賵賲丕 賷乇賷丿 賵亘賷賳 賲丕 賷賲賱賰 兀爻丕爻丕賸 賵亘兀賷赖賲丕 爻賷囟丨賷 貙 賵廿賳爻丕賳賳丕 賮賷 賳馗乇 丕賱胤賷亘 賲爻鬲毓丿 賱賱鬲囟丨賷丞 亘賰賱 賲丕 賷賲賱賰 乇睾亘丞賸 賮賷 鬲丨賯賷賯 賳夭賵丞 貙 賵賲爻鬲毓丿 賱賱鬲囟丨賷丞 兀賷囟丕賸 亘賰賱 賲丕 賷賲賱賰 賱鬲毓賵賷囟 賰乇丕賲丞 賵丕賱丨賮丕馗 毓賱賷 賲丕 鬲亘賯賷 賲賳賴丕 .
廿匕賳 賮賴賷 乇賵丕賷丞 噩賲賷賱丞 貙 賮賱爻賮丞 毓馗賷賲丞 賮賷 毓乇囟 乇丐賷鬲賴丕 賱賱廿賳爻丕賳 貙 鬲鬲丨丿孬 毓賳 丕賱賳賯氐 丕賱賰丕賲賳 賮賷 卮禺賵氐 兀亘胤丕賱賴丕 貙 丕賱匕賷賳 賷賰鬲馗 亘賴賲 丕賱賵丕賯毓 亘丕賱賮毓賱
賵兀賳賴 賱賲賳 丕賱氐毓亘 鬲氐賵乇 兀賳 乇賵丕賷丞 毓賲賷賯丞 賰賱 賴匕丕 丕賱毓賲賯 貙 亘賱賷睾丞 賮賷 賱睾鬲賴丕 貙 乇丕卅毓丞 賮賷 鬲氐賵賷乇賴丕 賵鬲卮禺氐賷賴丕 賵鬲噩爻賷丿賴丕
賰丕賳鬲 賲噩乇丿 亘丿丕賷丞 賱賰丕鬲亘 毓馗賷賲 賲孬賱 丕賱胤賷亘 氐丕賱丨
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丨賯賷賯丞 賱賲 兀賳丿賲 毓賱賷 賯乇丕卅鬲賴丕 賲孬賱賲丕 賰賳鬲 賲鬲賵賯毓 貙 兀賰賱鬲賴丕 兀賰賱丕賸 賵丕賳賴賷鬲賴丕 賮賷 爻丕毓鬲賷賳
賵賱賰賳 卮乇丨 丕賱乇賵丕賷丞 亘亘爻丕胤丞 噩丕亍 賮賷 兀禺乇 氐賮丨丞 賮賴賷 乇賵丕賷丞 毓賳 丕賱丨賷丕丞 賵賴丕賴賷 丕賱丨賷丕丞 :
賱丕 賷毓賳賷賳賷 廿賳 賰丕賳 賱賱丨賷丕丞 賲毓賳賷 兀賵 賱賲 賷賰賳 賱賴丕 賲毓賳賷 . 賵廿匕丕 賰賳鬲 賱丕 兀爻鬲胤賷毓 兀賳 兀睾賮乇 賮爻兀丨丕賵賱 兀賳 兀賳爻賷 貙 爻兀丨賷丕 亘丕賱賯賵丞 賵丕賱賲賰乇
賱丕 賷賴賲 廿賳 賰丕賳 賱賱丨賷丕丞 賲毓賳賷 賵賰匕賱賰 丕賱乇賵丕賷丞 賮賴賷 乇賵丕賷丞 賲賰鬲賵亘 賲賳 卮丕毓乇 貙 賵丕賱卮毓乇 賱丕 賷乇賷 卮卅 爻賵賷 毓卮賵丕卅賷丞 丕賱丨賷丕丞
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毓賱賷 丕賱爻胤丨 :
廿賳 丕賱乇賵丕賷丞 鬲鬲丨丿孬 毓賳 丨賷丕丞 卮禺氐 廿賮乇賷賯賷 爻賵丿丕賳賷 賮賷 丨賷丕丞 丕賱兀賵乇賵亘賷賷賳 貙 兀鬲丕賴賲 睾丕夭賷丕賸 貙 賵鬲鬲丨丿孬 毓賳 丨賷丕丞 丕賱賯乇賷丞 丕賱亘爻賷胤丞 賮賷 丕賱爻賵丿丕賳 賵毓丕丿丕鬲 丕賱賯乇賷丞 賵鬲賯丕賱賷丿賴丕 丕賱鬲賷 賱丕 鬲鬲睾賷乇 賲赖賲丕 鬲睾賷乇 丕賱丨賷丕丞 賵卮賰賱賴丕 賲賳 丨賵賱賴丕 賰賲丕 賯丕賱 賲丨噩賵亘 貙 賵毓乇囟 賱亘毓囟 丕賱賲卮丕賰賱 丕賱廿噩鬲賲丕毓賷丞 丕賱鬲賷 鬲孬賵乇 賮賷 丕賱賯乇賷丞 貙 賵丕賱鬲賷 賰丕賳鬲 鬲丨丿孬 賮賷 丕賱賲丨賷胤 丕賱毓乇亘賷 賵丕賱廿賮乇賷賯賷 賮賷 匕丕賰 丕賱賵賯鬲 亘毓丿 廿爻鬲賯賱丕賱 廿賮乇賷賯賷丕 賵丕賱乇丕亘胤丞 丕賱賯賵賲賷丞 丕賱毓乇亘賷丞 丕賱廿賮乇賷賯賷丞 賵丕賱賳夭毓丞 丕賱廿卮鬲乇丕賰賷丞 貙 賵鬲賵噩賷賴 亘毓囟 丕賱廿爻賯丕胤丕鬲 貙 賰賱 匕賱賰 賷鬲賯丕胤毓 賲毓 賯氐丞 乇噩賱 賲噩賴賵賱 丕賱廿爻賲 賷鬲賵賱賷 爻乇丿 賯氐丞 乇噩賱 兀禺乇 賵賴賵 丕賱亘胤賱 賲氐胤賮賷 爻毓賷丿 貙 廿匕賳 賱丕 賵噩賵丿 賱賱亘丿丕賷丞 賵賱丕 丕賱賳賴丕賷丞 賵賱丕 丕賱兀夭賲丞 賵丕賱廿賳賮乇丕噩丞
賮賴賷 乇賵丕賷丞 賲鬲丨乇乇丞 賲賳 丕賱亘賳丕亍 丕賱乇賵丕卅賷 賵賴匕丕 賵丕囟丨
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丕賱賲睾夭賷 賰賲丕 兀乇丕賴 :
賵賱賰賳 賲毓 鬲賯賱賷亘 丕賱氐賮丨丕鬲 亘丿兀鬲 兀賳 兀丿乇賰 賲睾夭賷 丕賱乇賵丕賷丞 丕賱賮賱爻賮賷 丕賱匕賷 賰鬲亘 亘賱睾丞 卮毓乇賷丞 貙 賮賴賷 兀爻丕爻丕賸 鬲鬲丨丿孬 毓賳 丕賱禺賱賱 丕賱匕賷 賷氐賷亘 丕賱廿賳爻丕賳 賮賷 丨賷丕鬲賴 賮賷丐孬乇 毓賱賷 卮禺氐賷鬲賴 貙賮賲丕 亘賷賳 卮禺氐 賷鬲賷賲 賵廿賲乇兀丞 賲氐丕亘丞 丕賱爻乇胤丕賳 賵廿賲乇兀丞 賱賯賷胤丞 賵兀爻乇丞 賱丕 鬲賳噩亘 丕賱兀胤賮丕賱 賵卮丕亘丞 賲賵賱毓丞 亘丕賱丨賷丕丞 丕賱卮乇賯賷丞 貙 賳噩丿 兀賳 賰賱 賴匕丕 賷鬲賯丕胤毓 賲賰賵賳丕賸 賱賳丕 禺賷乇 鬲毓亘賷乇 毓賳 賳賵丕賯氐 賰賱 卮禺氐賷丞 貙 賮賲氐胤賮賷 爻毓賷丿 丕賱乇噩賱 丕賱匕賷 賵噩丿 丕賱丨賷丕丞 賲賲賴丿丞 兀賲丕賲賴 亘爻賴賵賱丞 賲毓卮賵賯 丕賱賳爻丕亍 貙 廿賱賴 丕賱噩賳爻 丕賱廿賮乇賷賯賷 貙 賱丕 賷爻鬲胤賷毓 兀賳 賷賵賯毓 賮賷 卮亘丕賰賴 廿賲乇兀丞 兀賴丕賳鬲 貙 賵賰丕賳 賲爻鬲毓丿 賰賱 丕賱廿爻鬲毓丿丕丿 賱賱鬲禺賱賷 毓賳 賰賱 賲丕 賷卮賰賱 丨賷丕鬲賴 賲賯亘賱 丕賱丨氐賵賱 毓賱賷 鬲賱賰 丕賱賲乇兀丞 貙 賵賴匕丕 賴賵 丕賱廿賳爻丕賳 賮賷 賲卮賰賱丞 賵賮賷 氐乇丕毓 賲丕 亘賷賳 乇睾亘丕鬲賴 賵賲丕 賷乇賷丿 賵亘賷賳 賲丕 賷賲賱賰 兀爻丕爻丕賸 賵亘兀賷赖賲丕 爻賷囟丨賷 貙 賵廿賳爻丕賳賳丕 賮賷 賳馗乇 丕賱胤賷亘 賲爻鬲毓丿 賱賱鬲囟丨賷丞 亘賰賱 賲丕 賷賲賱賰 乇睾亘丞賸 賮賷 鬲丨賯賷賯 賳夭賵丞 貙 賵賲爻鬲毓丿 賱賱鬲囟丨賷丞 兀賷囟丕賸 亘賰賱 賲丕 賷賲賱賰 賱鬲毓賵賷囟 賰乇丕賲丞 賵丕賱丨賮丕馗 毓賱賷 賲丕 鬲亘賯賷 賲賳賴丕 .
廿匕賳 賮賴賷 乇賵丕賷丞 噩賲賷賱丞 貙 賮賱爻賮丞 毓馗賷賲丞 賮賷 毓乇囟 乇丐賷鬲賴丕 賱賱廿賳爻丕賳 貙 鬲鬲丨丿孬 毓賳 丕賱賳賯氐 丕賱賰丕賲賳 賮賷 卮禺賵氐 兀亘胤丕賱賴丕 貙 丕賱匕賷賳 賷賰鬲馗 亘賴賲 丕賱賵丕賯毓 亘丕賱賮毓賱
賵兀賳賴 賱賲賳 丕賱氐毓亘 鬲氐賵乇 兀賳 乇賵丕賷丞 毓賲賷賯丞 賰賱 賴匕丕 丕賱毓賲賯 貙 亘賱賷睾丞 賮賷 賱睾鬲賴丕 貙 乇丕卅毓丞 賮賷 鬲氐賵賷乇賴丕 賵鬲卮禺氐賷賴丕 賵鬲噩爻賷丿賴丕
賰丕賳鬲 賲噩乇丿 亘丿丕賷丞 賱賰丕鬲亘 毓馗賷賲 賲孬賱 丕賱胤賷亘 氐丕賱丨
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丨賯賷賯丞 賱賲 兀賳丿賲 毓賱賷 賯乇丕卅鬲賴丕 賲孬賱賲丕 賰賳鬲 賲鬲賵賯毓 貙 兀賰賱鬲賴丕 兀賰賱丕賸 賵丕賳賴賷鬲賴丕 賮賷 爻丕毓鬲賷賳
September 16, 2022
4.5 鈥淏y the standards of the European industrial world we are poor peasants, but when I embrace my grandfather I experience a sense of richness as though I am a note in the heartbeats of the very universe"
I am a sucker for short books that are jam-packed with brilliance, and this was no exception! Season of Migration to the North is an incredibly important novel that acts almost as a challenging response or counter-narrative to major works of western literature. So much excellent commentary on the impact of European colonialism, racial fetishization, and gender violence, lie within these pages and should be required reading!
鈥淓verything which happened before my meeting her was a premonition; everything I did after I killed her was an apology; not for killing her, but for the lie that was my life.鈥�
Salih鈥檚 prose is beautiful and haunting, every line drew me further and further into the darkness of the story and I ended up having annotations on nearly every page. To be clear this isn鈥檛 a book to be read lightly, for there is quite a bit of violence and disturbing imagery throughout it that did affect me during my experience; but that鈥檚 a quality I search for in books, so I guess this was perfect for me! It鈥檚 honestly one of those novels that makes me legitimately sad because 1. I wish there was more of it and 2. I鈥檒l never be able to read it in its original language. Ultimately I think everyone should make time to read this; it is one of the most celebrated Arabic classics and is still relevant to this day. I鈥檒l definitely be thinking about it for awhile, and can鈥檛 wait to reread and thoroughly study it one day!
鈥淲ad Rayyes, you're a man who talks rubbish. Your whole brain's in the head of your penis and the head of your penis is as small as your brain.鈥�
Books around the globe: Sudan
I am a sucker for short books that are jam-packed with brilliance, and this was no exception! Season of Migration to the North is an incredibly important novel that acts almost as a challenging response or counter-narrative to major works of western literature. So much excellent commentary on the impact of European colonialism, racial fetishization, and gender violence, lie within these pages and should be required reading!
鈥淓verything which happened before my meeting her was a premonition; everything I did after I killed her was an apology; not for killing her, but for the lie that was my life.鈥�
Salih鈥檚 prose is beautiful and haunting, every line drew me further and further into the darkness of the story and I ended up having annotations on nearly every page. To be clear this isn鈥檛 a book to be read lightly, for there is quite a bit of violence and disturbing imagery throughout it that did affect me during my experience; but that鈥檚 a quality I search for in books, so I guess this was perfect for me! It鈥檚 honestly one of those novels that makes me legitimately sad because 1. I wish there was more of it and 2. I鈥檒l never be able to read it in its original language. Ultimately I think everyone should make time to read this; it is one of the most celebrated Arabic classics and is still relevant to this day. I鈥檒l definitely be thinking about it for awhile, and can鈥檛 wait to reread and thoroughly study it one day!
鈥淲ad Rayyes, you're a man who talks rubbish. Your whole brain's in the head of your penis and the head of your penis is as small as your brain.鈥�
Books around the globe: Sudan
March 29, 2016
This novel is one of comparisons: colonial vs post-colonial; youth vs age; male vs female; agrarian vs the culture of the city; but it is also a lyrical story of people living by the Nile as their forefathers had for centuries. So many influences at play here.
Mustafa Sa'eed used the education provided by the British to leave for England and conquer--he wrote books, taught the British young, captivated British women, but ultimately returned to the Sudan. The Narrator follows a similar route but "indulges" in more esoteric education--poetry--while in England. He does not cut the huge swath through England that Sa'eed does but also returns home to become a civil servant. Which man is the migrant who has truly come home, I wonder?
Was it likely that what had happened to Mustafa Sa'eed could
have happened to me? He had said that he was a lie, so was I also
a lie? I am from here---is not this reality enough? I too had
lived with them. But I had lived with them superficially, neither
loving nor hating them. I used to treasure within me the image
of this little village, seeing it wherever I went with the eye of my
imagination. (p. 41)
One of my fellow GR readers has said this book should be read twice to really feel what is or has happened. I think she is correct and I believe I will read this book again someday to see what new secrets, feelings, insights unfold. Certainly the experience of reading it was excellent, though not always easy. But that is one of the pluses of cross-cultural (and time) exploration. We may not always approve of every detail but we may learn.
There's so much here and so many possible meanings colored by our own individual cultural influences.
Mustafa Sa'eed used the education provided by the British to leave for England and conquer--he wrote books, taught the British young, captivated British women, but ultimately returned to the Sudan. The Narrator follows a similar route but "indulges" in more esoteric education--poetry--while in England. He does not cut the huge swath through England that Sa'eed does but also returns home to become a civil servant. Which man is the migrant who has truly come home, I wonder?
Was it likely that what had happened to Mustafa Sa'eed could
have happened to me? He had said that he was a lie, so was I also
a lie? I am from here---is not this reality enough? I too had
lived with them. But I had lived with them superficially, neither
loving nor hating them. I used to treasure within me the image
of this little village, seeing it wherever I went with the eye of my
imagination. (p. 41)
One of my fellow GR readers has said this book should be read twice to really feel what is or has happened. I think she is correct and I believe I will read this book again someday to see what new secrets, feelings, insights unfold. Certainly the experience of reading it was excellent, though not always easy. But that is one of the pluses of cross-cultural (and time) exploration. We may not always approve of every detail but we may learn.
There's so much here and so many possible meanings colored by our own individual cultural influences.
December 21, 2012
賲丕 丿賮毓賳賶 賱賯乇丕亍丞 丕賱乇賵丕賷丞 賲毓乇賮鬲賶 兀賳賴賲 賷胤賱賯賵賳 毓賱賶 丕賱胤賷亘 氐丕賱丨 ( 毓亘賯乇賶 丕賱乇賵丕賷丞 丕賱毓乇亘賷丞)
鬲賵噩賴鬲 賮賵乇丕賸 丕賱賶 丕賱賲賰鬲亘賴 賵丕卮鬲乇賷鬲 兀賵賱 乇賵丕賷丞 賱賴 兀噩丿賴丕 兀賲丕賲賶 賵賰丕賳鬲 賴匕賴 丕賱乇賵丕賷丞
賵丕賱丌賳 賷賲賰賳賳賶 賰賲乇賷賲 兀賳 兀丐賰丿 兀賳賴 賮毓賱丕賸 毓亘賯乇賶..
賰賳鬲 爻毓賷丿丞 賮賶 亘丿丕賷丞 丕賱乇賵丕賷丞 賵賱賰賳 賰賱賲丕 丕賯鬲乇亘鬲 賲賳 丕賱賳賴丕賷丞 卮毓乇鬲 亘卮賶亍 爻賷賶亍 !
兀爻賱賵亘賴 乇丕卅毓 賵( 賷賻卮賮購胤 ) 賮毓賱丕 賵賯乇兀鬲賴丕 賮賶 夭賲賳 賯賷丕爻賶 丨賷孬 賰賳鬲 兀囟毓 毓賷賳賶 賮賶 氐賮丨丕鬲賴丕 賵賱丕 兀乇賮毓賴丕 丕賱丕 亘毓丿 兀賳 鬲兀鬲賶 賲丨胤丞 丕賱賲鬲乇賵 丕賱鬲賶 賷賮鬲乇囟 兀賳 兀賳夭賱 亘賴丕 .
賵賱賰賳 丿毓賵賳賶 兀鬲賰賱賲 毓賳 丕賱卮賶亍 丕賱爻賷賶亍.. 乇亘賲丕 賮馗丕馗丞 亘毓囟 丕賱鬲毓亘賷乇丕鬲 丕賵 ( 賯賱丞 兀丿亘賴丕 ) 貙 賱丕 兀毓賱賲 貙賵賱賰賳賳賶 賱賲 兀賰賳 爻毓賷丿丞 噩丿丕賸 賮賶 丕賱賳賴丕賷丞 貙 賱丕 賷賳賮賶 匕賱賰 毓亘賯乇賷鬲丞 貙 兀鬲賲賳賶 兀賳 鬲爻毓丿賳賶 丕賱乇賵丕賷丞 丕賱孬丕賳賷賴 丕賱鬲賶 爻兀賯乇丐賴丕 賱賴 丕賳 卮丕亍 丕賱賱賴 !
鬲賵噩賴鬲 賮賵乇丕賸 丕賱賶 丕賱賲賰鬲亘賴 賵丕卮鬲乇賷鬲 兀賵賱 乇賵丕賷丞 賱賴 兀噩丿賴丕 兀賲丕賲賶 賵賰丕賳鬲 賴匕賴 丕賱乇賵丕賷丞
賵丕賱丌賳 賷賲賰賳賳賶 賰賲乇賷賲 兀賳 兀丐賰丿 兀賳賴 賮毓賱丕賸 毓亘賯乇賶..
賰賳鬲 爻毓賷丿丞 賮賶 亘丿丕賷丞 丕賱乇賵丕賷丞 賵賱賰賳 賰賱賲丕 丕賯鬲乇亘鬲 賲賳 丕賱賳賴丕賷丞 卮毓乇鬲 亘卮賶亍 爻賷賶亍 !
兀爻賱賵亘賴 乇丕卅毓 賵( 賷賻卮賮購胤 ) 賮毓賱丕 賵賯乇兀鬲賴丕 賮賶 夭賲賳 賯賷丕爻賶 丨賷孬 賰賳鬲 兀囟毓 毓賷賳賶 賮賶 氐賮丨丕鬲賴丕 賵賱丕 兀乇賮毓賴丕 丕賱丕 亘毓丿 兀賳 鬲兀鬲賶 賲丨胤丞 丕賱賲鬲乇賵 丕賱鬲賶 賷賮鬲乇囟 兀賳 兀賳夭賱 亘賴丕 .
賵賱賰賳 丿毓賵賳賶 兀鬲賰賱賲 毓賳 丕賱卮賶亍 丕賱爻賷賶亍.. 乇亘賲丕 賮馗丕馗丞 亘毓囟 丕賱鬲毓亘賷乇丕鬲 丕賵 ( 賯賱丞 兀丿亘賴丕 ) 貙 賱丕 兀毓賱賲 貙賵賱賰賳賳賶 賱賲 兀賰賳 爻毓賷丿丞 噩丿丕賸 賮賶 丕賱賳賴丕賷丞 貙 賱丕 賷賳賮賶 匕賱賰 毓亘賯乇賷鬲丞 貙 兀鬲賲賳賶 兀賳 鬲爻毓丿賳賶 丕賱乇賵丕賷丞 丕賱孬丕賳賷賴 丕賱鬲賶 爻兀賯乇丐賴丕 賱賴 丕賳 卮丕亍 丕賱賱賴 !
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February 7, 2017
Tayeb Salih (1929-2009)
I pursued her for three years. Every day the string of the bow became more taut. It was with air that my waterskins were distended; my caravans were thirsty, and the mirage shimmered before me in the wilderness of longing; the arrow's target had been fixed and it was inevitable that the tragedy would take place.
Though Tayeb Salih spent his working life in London, Doha and Paris (primarily in broadcasting) he clearly never forgot that he was born in a northern Sudanese village on the Nile, for such a village - Wad Hamid - is the setting of most of his texts, including the most famous: Mawsim al-Hijra ila al-Shamal (1966) available in English translation under the title Season of Migration to the North. Like Salih himself, both the unnamed narrator and the mysterious Mustafa received their university education in England; but they, unlike their author, returned to the Nile's banks where they inevitably meet and Mustafa's story is importuned by the narrator, a story that goes well beyond the expected tale of prejudice against "wogs" in post World War I London.
For while he was a brilliant student of economics at Oxford and then a vaunted academic economist, Mustafa was also a hardened and successful manipulator of women; nothing was out of bounds for him as long as he had his nightly bed partner. He spun for them a web of glances, caresses and words, turning their preconceptions of the "exotic" against them. And, oh, the words! Cataracts of lies and labored figures of speech, but exactly what the women wanted to hear. For some of these women the relationship was fatal, particularly when he met his match and more. This fatality accompanies Mustafa back to quiet Wad Hamid, where clitoral circumcision, forced marriage and silent obedience are already the lot of women.
Bakri Bilal, 1984
And what of the narrator? He had lived in London "superficially, neither loving nor hating them," mentally hastening back to his little Nile village to touch base with reality again. When he is back in Wad Hamid it is with a certain desperation that he re-communes with the sights, sounds and odors of home (which become very present to the reader). The moments when he has the sense that he is floating in a haze of unreality he assures us (and himself) are fleeting, insignificant. In this as in other important matters he is deluding himself.
In only 140 pages Salih makes this northern Sudanese village real to us and populates it with colorful characters we quickly come to care about. More remarkably, this is no simple-minded anticolonialist tract, for every thrust is immediately countered and the political and ideological gives way to the human, the sadly and movingly human, recounted in Salih's quiet but mesmerizing voice.
The world in that instant, brief as the blinking of an eyelid, is made up of countless probabilities, as though Adam and Eve had just fallen from Paradise.
February 27, 2022
鈥淗e had seduced her with presents, honeyed words, and an unfaltering way of seeing things as they really are.鈥� The sentence describes one of a tangle of cross-cultural relationships at the center of Season of Migration to the North, between a brilliant Sudanese economist and an English 鈥渃ountry girl from the outskirts of Hull,鈥� but it could as easily describe the novel itself. Violent, seductive, endlessly surprising, Tayeb Salih鈥檚 slender volume, first published in Arabic in 1966, presents such sophisticated and multi-layered ideas, that at times it seems, effortlessly, to be doing the work of a history textbook and two or three polemics at once beneath the surface, and how any author could possibly have pulled off such economy of expression and clarity of thought in prose this lyrical, this symbolically charged, is almost beyond my comprehension as a reader and writer.
January 13, 2023
噩賳賵丨 兀賲賵丕噩 丕賱亘丨乇貙 賵賮賷囟丕賳 丕賱賳賷賱 丕賱毓馗賷賲 廿賳毓賰爻 兀賷囟丕賸 毓賱賶 胤賯爻 賱睾丞 丕賱胤賷亘 氐丕賱丨 賴賳丕貙 賱賯丿 賰丕賳鬲 毓馗賷賲丞 賰毓丕丿鬲賴丕.
賱賵賱丕 廿睾乇丕亍 噩賳賷丕鬲 丕賱卮賴賵丞 貙 賵鬲賱亘爻 賲丕乇丿 丕賱賮丨卮 賱丿賷賵丕賳 毓賯賱 丕賱胤賷亘 丕賱匕賷 廿爻鬲囟丕賮 賮賷賴 乇噩丕賱 丕賱賯乇賷丞 賵賳爻丕丐賴丕 賵禺丕氐丞 亘賳鬲 丕賱賲噩匕賵亘 丕賱爻亘毓賷賳賷丞 丕賱賲丕噩賳丞貙 賱兀賰鬲賲賱 丕賱賳賯卮 丕賱賲鬲賯賳 丕賱匕賷 賱丕賷噩賷丿賴 廿賱丕 毓亘賯乇賷丞 丕賱胤賷亘 氐丕賱丨.
賳氐 賱賱鬲丿乇賷爻 賵賱丕 兀賯賱.
賱賵賱丕 廿睾乇丕亍 噩賳賷丕鬲 丕賱卮賴賵丞 貙 賵鬲賱亘爻 賲丕乇丿 丕賱賮丨卮 賱丿賷賵丕賳 毓賯賱 丕賱胤賷亘 丕賱匕賷 廿爻鬲囟丕賮 賮賷賴 乇噩丕賱 丕賱賯乇賷丞 賵賳爻丕丐賴丕 賵禺丕氐丞 亘賳鬲 丕賱賲噩匕賵亘 丕賱爻亘毓賷賳賷丞 丕賱賲丕噩賳丞貙 賱兀賰鬲賲賱 丕賱賳賯卮 丕賱賲鬲賯賳 丕賱匕賷 賱丕賷噩賷丿賴 廿賱丕 毓亘賯乇賷丞 丕賱胤賷亘 氐丕賱丨.
賳氐 賱賱鬲丿乇賷爻 賵賱丕 兀賯賱.
May 6, 2018
胤賵賱 丨賷丕鬲賷 賱賲 兀禺鬲乇 賵賱賲 兀賯乇乇.
廿賳賳賷 兀賯乇乇 丕賱丌賳 兀賳賳賷 兀禺鬲丕乇 丕賱丨賷丕丞.
爻兀丨賷丕 賱兀賳 孬賲丞 兀賳丕爻 賯賱賷賱賷賳 兀丨亘 兀賳 兀亘賯賶 賲毓賴賲 兀胤賵賱 賵賯鬲 賲賲賰賳貙 賵賱兀賳 毓賱賷 賵丕噩亘丕鬲 賷噩亘 兀賳 兀丐丿賷賴丕
賱丕 賷毓賳賷賳賷 廿賳 賰丕賳 賱賱丨賷丕丞 賲毓賳賶 兀賵 賱賲 賷賰賳 賱賴丕 賲毓賳賶.
賵廿匕丕 賰賳鬲 賱丕 兀爻鬲胤賷毓 兀賳 兀睾賮乇 賮爻兀丨丕賵賱 兀賳 兀賳爻賶.
爻兀丨賷丕 亘丕賱賯賵丞 賵丕賱賲賰乇.
廿賳賳賷 兀賯乇乇 丕賱丌賳 兀賳賳賷 兀禺鬲丕乇 丕賱丨賷丕丞.
爻兀丨賷丕 賱兀賳 孬賲丞 兀賳丕爻 賯賱賷賱賷賳 兀丨亘 兀賳 兀亘賯賶 賲毓賴賲 兀胤賵賱 賵賯鬲 賲賲賰賳貙 賵賱兀賳 毓賱賷 賵丕噩亘丕鬲 賷噩亘 兀賳 兀丐丿賷賴丕
賱丕 賷毓賳賷賳賷 廿賳 賰丕賳 賱賱丨賷丕丞 賲毓賳賶 兀賵 賱賲 賷賰賳 賱賴丕 賲毓賳賶.
賵廿匕丕 賰賳鬲 賱丕 兀爻鬲胤賷毓 兀賳 兀睾賮乇 賮爻兀丨丕賵賱 兀賳 兀賳爻賶.
爻兀丨賷丕 亘丕賱賯賵丞 賵丕賱賲賰乇.
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