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The Checquy Files #2
Stiletto
ŷ Choice Award
Nominee for Readers' Favorite Fantasy (2016)In this spirited sequel to the acclaimed The Rook, Myfanwy Thomas returns to clinch an alliance between deadly rivals and avert epic -- and slimy -- supernatural war.
When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers -- -and the bureaucratic finesse -- -to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries:
The Checquy -- -the centuries-old covert British organization that protects society from supernatural threats, and...
The Grafters -- -a centuries-old supernatural threat.
But as bizarre attacks sweep London, threatening to sabotage negotiations, old hatreds flare. Surrounded by spies, only the Rook and two women who absolutely hate each other, can seek out the culprits before they trigger a devastating otherworldly war.
Stiletto is a novel of preternatural diplomacy, paranoia, and snide remarks, from an author who "adroitly straddles the thin line between fantasy, thriller, and spoof "(Booklist).
When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers -- -and the bureaucratic finesse -- -to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries:
The Checquy -- -the centuries-old covert British organization that protects society from supernatural threats, and...
The Grafters -- -a centuries-old supernatural threat.
But as bizarre attacks sweep London, threatening to sabotage negotiations, old hatreds flare. Surrounded by spies, only the Rook and two women who absolutely hate each other, can seek out the culprits before they trigger a devastating otherworldly war.
Stiletto is a novel of preternatural diplomacy, paranoia, and snide remarks, from an author who "adroitly straddles the thin line between fantasy, thriller, and spoof "(Booklist).
585 pages, Kindle Edition
First published June 14, 2016
983 people are currently reading
16.4k people want to read
About the author
Daniel O'Malley
6books3,139followersDan O'Malley graduated from Michigan State University and earned a Master's Degree in medieval history from Ohio State University. He then returned to his childhood home, Australia. He now works for the Australian Transport Safety Bureau, writing press releases for government investigations of plane crashes and runaway boats.
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Displaying 1 - 30 of 2,344 reviews
June 24, 2016
I had a bit of a love/hate relationship with this novel. Unlike the previous one, which seemed slightly easy in comparison, this one had a lot of features that I've grown to hate over the years.
Such as? Action buildups that suddenly cut to long and unasked for history lessons and expositions that sometimes, eventually, bring out an aspect of the story that will, also eventually, fit right into the tale. Unfortunately for me, it kicks me right out of the telling and I've got to reign in all my enormous reserves of patience until the action starts back up again, which, unfortunately, takes a long ass time. And these were rather dull.
I won't say they were pointless, because we eventually get the wraparound and the bow on top, BUT at the time, I'm left wondering where the main characters are and what any of this has to do with the main story we've begun with. Which, by that point, I'd pretty much forgotten, anyway.
Sounds pretty damning, doesn't it?
Well wait a moment. I'd have perfectly loved the hell out of this book if all that extraneous stuff had been omitted or condensed into footnotes or incorporated in MUCH smaller or at least story-integrated ways, and not as hijackers on the plane of my enjoyment.
So honestly, whenever we got back to Myfanwy, Felicity, or Odette, I was fully enjoying the tale again. Hell, it was a very good tale, and not to give away story twists, it's very satisfying on the emotional, strategical, and diplomatic angles.
I really enjoyed learning all about the big bads of the previous book and enjoyed even more to sympathize and empathize with the Grafters. What first appeared to be a simple and weird exploration of biological scariness became a much more complicated and positive, if fantastic, set of expertise. I fully bought it by the end of the novel, which is great.
If it wasn't for the aspects of the writing that kept knocking me right out of my imagination, for all the times I discovered that I wished that I was doing just about anything else but reading, (which is freaking odd, for me,) or for the plain fact that the pacing was constantly in mortal jeopardy, I really would have given this book a five star rating. There's a ton to love, but the exposition WAS NOT IT.
(Even if what I'm calling exposition actually had a self-contained story or stories within it, that actually wrapped up like out-of-time tales, I'll be honest... they just didn't belong here. Maybe somewhere else as side short-stories for die-hard fans, or extras at the end of the novel. I know this is just my opinion, but cutting them right out of the main story would have made the book superior, if not quite as deep. We're not dealing with victorian classics, here. This has all the trappings of a modern UF save the crown secret organization of superheroes joining forces with masters of extreme and esoteric biology sciences, NOT an in-depth exploration of the histories of rather minor character parts that happen to have important but not large page-time.)
*sigh*
But again, I think the story was damn awesome if we got away from all that. :)
Such as? Action buildups that suddenly cut to long and unasked for history lessons and expositions that sometimes, eventually, bring out an aspect of the story that will, also eventually, fit right into the tale. Unfortunately for me, it kicks me right out of the telling and I've got to reign in all my enormous reserves of patience until the action starts back up again, which, unfortunately, takes a long ass time. And these were rather dull.
I won't say they were pointless, because we eventually get the wraparound and the bow on top, BUT at the time, I'm left wondering where the main characters are and what any of this has to do with the main story we've begun with. Which, by that point, I'd pretty much forgotten, anyway.
Sounds pretty damning, doesn't it?
Well wait a moment. I'd have perfectly loved the hell out of this book if all that extraneous stuff had been omitted or condensed into footnotes or incorporated in MUCH smaller or at least story-integrated ways, and not as hijackers on the plane of my enjoyment.
So honestly, whenever we got back to Myfanwy, Felicity, or Odette, I was fully enjoying the tale again. Hell, it was a very good tale, and not to give away story twists, it's very satisfying on the emotional, strategical, and diplomatic angles.
I really enjoyed learning all about the big bads of the previous book and enjoyed even more to sympathize and empathize with the Grafters. What first appeared to be a simple and weird exploration of biological scariness became a much more complicated and positive, if fantastic, set of expertise. I fully bought it by the end of the novel, which is great.
If it wasn't for the aspects of the writing that kept knocking me right out of my imagination, for all the times I discovered that I wished that I was doing just about anything else but reading, (which is freaking odd, for me,) or for the plain fact that the pacing was constantly in mortal jeopardy, I really would have given this book a five star rating. There's a ton to love, but the exposition WAS NOT IT.
(Even if what I'm calling exposition actually had a self-contained story or stories within it, that actually wrapped up like out-of-time tales, I'll be honest... they just didn't belong here. Maybe somewhere else as side short-stories for die-hard fans, or extras at the end of the novel. I know this is just my opinion, but cutting them right out of the main story would have made the book superior, if not quite as deep. We're not dealing with victorian classics, here. This has all the trappings of a modern UF save the crown secret organization of superheroes joining forces with masters of extreme and esoteric biology sciences, NOT an in-depth exploration of the histories of rather minor character parts that happen to have important but not large page-time.)
*sigh*
But again, I think the story was damn awesome if we got away from all that. :)
March 1, 2018
Well damn it. I was hoping this was going to be a 5 star sequel.
It still had some humor and bizzare stuff but it wasn't great to me. 😕 I liked well enough though.
Happy Reading!
Mel ❤️
It still had some humor and bizzare stuff but it wasn't great to me. 😕 I liked well enough though.
Felicity kept her gun and her eyes firmly pointed at the man. Unfortunately, that meant that she got a good look at his backside. It was hairless, but then, so was the rest of him. Or at least, the parts that she could see. There was no hair on his scalp, but was a set of curious bony ridges ringing his head. His skin was paper white and shone like glazed porcelain.
As she peered closer, she saw that he was actually covered in tiny, perfect, polished scales. He was tall and slim.
The man finished and took his foot off the pedal off the rubbish bin, sending the lid down with a clang. To Felicity's consternation, he then turned around. He didn't look over his shoulder, and he didn't cover himself up. Despite herself, she looked at his penis.
Okay, that's. . . unorthodox.
Instead of any form of genitalia with which Felicity was acquainted, the white man's groin sported a smooth skin of those tiny white scales that shivered and locked together seamlessly before her eyes.
Happy Reading!
Mel ❤️
December 15, 2016
Oh, Stiletto--
How I wanted to love you! How I wanted to immerse myself in your pages. I wanted laugh out loud at the Chequey's zany monster encounters, chuckle at the witty dialogue and zip along with an intriguing plot. I wanted to enjoy intriguing characters with bizarre talents running around London.
Instead, I have a young woman mourning a lost love and baffled by her inclusion into a diplomatic mission, the slow pace of the diplomatic mission interrupted by mysterious deaths, and the even slower pace of the generations of Grafter political activity. Critical eye-rolling junctures include an almost-rape scene that feels like it is meant to be empowering but isn't (once again, the male perspective, ugh), the ages old plot device of Keeping Very Big But Unimportant Secrets Until the Last Minute and the realization that the Lost Love is actually an important plot line, not just characterization.
This could have benefited with some heavy editing and some reflection, not necessarily in that order. The aforementioned rape scene was off in tone, and my co-reader Naomi also noticed it right away. It sets the tone in a weird male-perspective way, much like in The Rook when Mufawny was staring at the mirror and examining her boobs (or however that played out; I remember it as a pivot point for some readers). When Something Big happens to that team, the tone of frivolity is lost. It was a serious plotting mistake, as it suddenly made much of the asides, the silliness, and even other characters' actions seem thoughtless and callous. I think O'Malley might have been looking for a story parallel to the whiz-bang opening of The Rook, but in this case it failed.
I kept this book around for weeks, hoping to re-read it and convince myself otherwise, but I just lack the will. Too many of its weak point play into areas unimportant to me, so your mileage may vary. It turns out that this was the longest book I read in 2016; telling, I think, that it should have been shorter. Sometimes, More is Just More, publishing industry! Maybe one day I'll give it another shot, but it seems unlikely. The overall structure with a particular story-line ending proved too disappointing.
How I wanted to love you! How I wanted to immerse myself in your pages. I wanted laugh out loud at the Chequey's zany monster encounters, chuckle at the witty dialogue and zip along with an intriguing plot. I wanted to enjoy intriguing characters with bizarre talents running around London.
Instead, I have a young woman mourning a lost love and baffled by her inclusion into a diplomatic mission, the slow pace of the diplomatic mission interrupted by mysterious deaths, and the even slower pace of the generations of Grafter political activity. Critical eye-rolling junctures include an almost-rape scene that feels like it is meant to be empowering but isn't (once again, the male perspective, ugh), the ages old plot device of Keeping Very Big But Unimportant Secrets Until the Last Minute and the realization that the Lost Love is actually an important plot line, not just characterization.
This could have benefited with some heavy editing and some reflection, not necessarily in that order. The aforementioned rape scene was off in tone, and my co-reader Naomi also noticed it right away. It sets the tone in a weird male-perspective way, much like in The Rook when Mufawny was staring at the mirror and examining her boobs (or however that played out; I remember it as a pivot point for some readers). When Something Big happens to that team, the tone of frivolity is lost. It was a serious plotting mistake, as it suddenly made much of the asides, the silliness, and even other characters' actions seem thoughtless and callous. I think O'Malley might have been looking for a story parallel to the whiz-bang opening of The Rook, but in this case it failed.
I kept this book around for weeks, hoping to re-read it and convince myself otherwise, but I just lack the will. Too many of its weak point play into areas unimportant to me, so your mileage may vary. It turns out that this was the longest book I read in 2016; telling, I think, that it should have been shorter. Sometimes, More is Just More, publishing industry! Maybe one day I'll give it another shot, but it seems unlikely. The overall structure with a particular story-line ending proved too disappointing.
March 15, 2018
3.5 stars. Final review, first posted on . This review contains some minor spoilers for , the first book in THE CHECQUY FILES series:
The Checquy, a top secret British agency of people with supernatural powers, are contemplating a peace accord and merger with their hereditary enemies, the Belgian Wetenschappelijk Broederschap van Natuurkundigen (the “Scientific Brotherhood of Physicists�), whom the Checquy dismissively call the “Grafters.� While Checquy members are born with superpowers (some of them very odd, like the ability to implode another person until their whole body is about the size of a head, a process that is invariably fatal), the Grafters get their superpowers through wildly advanced surgical modifications.
In the seventeenth century, the Grafters, on orders of the government, invaded the Isle of Wight with an eye to taking over the British Isles, and had a horrific war there with the Checquy. The Checquy eventually prevailed, but the dreadful toll of the battles and the aftermath, when the British did their best to permanently dismantle the Brotherhood, left each group with a profound hatred and horror for the other that has survived the centuries.
Now the leadership of both groups is pushing for a merger, with Myfanwy Thomas, who was the main character in The Rook, as one of the chief proponents of the merger. A group of Grafters is visiting Britain to meet and discuss the terms under which they will join with the Checquy, but the rank-and-file members by and large are still deeply antagonistic toward each other, and find the other group’s powers repugnant and its members abominations, barely (if at all) human.
Stiletto focuses on two young women, Odette Leliefeld of the Grafters and Felicity Clements, a Pawn (soldier) of the Checquy, who give this conflict its human face. Odette is part of the Grafter delegation visiting with the Checquy, and Felicity is assigned to be her bodyguard, and both are unhappy with their forced association. The personal issues between them tend to reflect the status of the merger discussions. Is it possible for them to learn to tolerate and even like one another?
It’s bad enough dealing with the bitter hatred that most of the members of each group feels for the other, but a mysterious and powerful group called the Antagonists has followed the Grafters from the European continent to England, and is trying by any means possible to kill off the merger permanently � primarily by killing off multiple members of both groups, as well as numerous British civilians who happen to be useful to their battle, or are simply in their way.
I loved the first book in THE CHECQUY FILES series, The Rook, but unfortunately Stiletto isn’t nearly as compelling a story. Its plot is more fractured and tends to drag or go off on tangents (most of which, though not all, eventually turn out to be relevant to the plot). There was, for example, a subplot involving a British citizen who suddenly develops the ability and compulsion to instantly grow huge crystals out of any hard surface, murdering several people in the process, that could and should have been left on the cutting room floor. The whole novel clocks in at nearly 600 pages, which felt overlong, and the pace often lagged. Somewhere in there, there was a really good 400 page novel.
It may seem odd to talk about believability in a novel built around superpowers, but the idea that the Grafters could develop some of the uncanny powers they had simply through biotechnology, especially beginning in the late 1400s, challenged my ability to suspend disbelief. The depths to which the Antagonists were willing to sink in their fight against the merger between the Checquy and the Grafters also strained my credulity. Intellectually I’m aware that humans can do appalling things because of deeply-held beliefs, but Stiletto never made me believe it on an emotional level.
The Rook also had the benefit of Myfanwy Thomas as its main character, with a gripping amnesia plotline, where Myfanwy, helped along by explanatory letters from her former self, is trying to find out who is attempting to murder her. In Stiletto Myfanwy has been relegated to secondary character status. Her replacements, Felicity and Odette, are sympathetic characters, but not nearly as memorable.
On the plus side, O’Malley has a fertile imagination, and this sequel displays that as well as the witty, easily readable style of The Rook. Stiletto has a dry, tongue-in-cheek type of humor that, though it’s occasionally a little forced, still spices up every page and made me chuckle several times. Additionally, as I got further into the book, the plot became more compelling, especially as several plot threads began to tie together in a way that ultimately made the story more cohesive. In the end, despite some shortcomings, it was a worthwhile and enjoyable read for me, enough to make me interested in picking up the next book in this series. If you enjoyed The Rook, it’s worth reading Stiletto, but I’d recommend that you temper your expectations.
Content advisory: R-rated language and some rather gory supernatural violence.
The Checquy, a top secret British agency of people with supernatural powers, are contemplating a peace accord and merger with their hereditary enemies, the Belgian Wetenschappelijk Broederschap van Natuurkundigen (the “Scientific Brotherhood of Physicists�), whom the Checquy dismissively call the “Grafters.� While Checquy members are born with superpowers (some of them very odd, like the ability to implode another person until their whole body is about the size of a head, a process that is invariably fatal), the Grafters get their superpowers through wildly advanced surgical modifications.
In the seventeenth century, the Grafters, on orders of the government, invaded the Isle of Wight with an eye to taking over the British Isles, and had a horrific war there with the Checquy. The Checquy eventually prevailed, but the dreadful toll of the battles and the aftermath, when the British did their best to permanently dismantle the Brotherhood, left each group with a profound hatred and horror for the other that has survived the centuries.
Now the leadership of both groups is pushing for a merger, with Myfanwy Thomas, who was the main character in The Rook, as one of the chief proponents of the merger. A group of Grafters is visiting Britain to meet and discuss the terms under which they will join with the Checquy, but the rank-and-file members by and large are still deeply antagonistic toward each other, and find the other group’s powers repugnant and its members abominations, barely (if at all) human.
Stiletto focuses on two young women, Odette Leliefeld of the Grafters and Felicity Clements, a Pawn (soldier) of the Checquy, who give this conflict its human face. Odette is part of the Grafter delegation visiting with the Checquy, and Felicity is assigned to be her bodyguard, and both are unhappy with their forced association. The personal issues between them tend to reflect the status of the merger discussions. Is it possible for them to learn to tolerate and even like one another?
It’s bad enough dealing with the bitter hatred that most of the members of each group feels for the other, but a mysterious and powerful group called the Antagonists has followed the Grafters from the European continent to England, and is trying by any means possible to kill off the merger permanently � primarily by killing off multiple members of both groups, as well as numerous British civilians who happen to be useful to their battle, or are simply in their way.
I loved the first book in THE CHECQUY FILES series, The Rook, but unfortunately Stiletto isn’t nearly as compelling a story. Its plot is more fractured and tends to drag or go off on tangents (most of which, though not all, eventually turn out to be relevant to the plot). There was, for example, a subplot involving a British citizen who suddenly develops the ability and compulsion to instantly grow huge crystals out of any hard surface, murdering several people in the process, that could and should have been left on the cutting room floor. The whole novel clocks in at nearly 600 pages, which felt overlong, and the pace often lagged. Somewhere in there, there was a really good 400 page novel.
It may seem odd to talk about believability in a novel built around superpowers, but the idea that the Grafters could develop some of the uncanny powers they had simply through biotechnology, especially beginning in the late 1400s, challenged my ability to suspend disbelief. The depths to which the Antagonists were willing to sink in their fight against the merger between the Checquy and the Grafters also strained my credulity. Intellectually I’m aware that humans can do appalling things because of deeply-held beliefs, but Stiletto never made me believe it on an emotional level.
The Rook also had the benefit of Myfanwy Thomas as its main character, with a gripping amnesia plotline, where Myfanwy, helped along by explanatory letters from her former self, is trying to find out who is attempting to murder her. In Stiletto Myfanwy has been relegated to secondary character status. Her replacements, Felicity and Odette, are sympathetic characters, but not nearly as memorable.
On the plus side, O’Malley has a fertile imagination, and this sequel displays that as well as the witty, easily readable style of The Rook. Stiletto has a dry, tongue-in-cheek type of humor that, though it’s occasionally a little forced, still spices up every page and made me chuckle several times. Additionally, as I got further into the book, the plot became more compelling, especially as several plot threads began to tie together in a way that ultimately made the story more cohesive. In the end, despite some shortcomings, it was a worthwhile and enjoyable read for me, enough to make me interested in picking up the next book in this series. If you enjoyed The Rook, it’s worth reading Stiletto, but I’d recommend that you temper your expectations.
Content advisory: R-rated language and some rather gory supernatural violence.
June 30, 2016
Every year, there will be at least a few books where I'll finish the book and think: "Damn it. Can I just write a GIF-filled review and call it a day? Because there's no way I can do the awesome of the book justice with my review."
Unfortunately for me, and fortunately (?) for all of you: I don't have good GIF game. So I'm going to hunker down and do my damnedest to explain:
* Just why Stiletto was worth the four-year wait,
* How Daniel O'Malley is clearly a badass feminist, who writes excellent female characters, and
* Why I will be highly suspicious of anything citrus-scented from here on out.
Ready? Then read on for more!
***
Things that worked:
Characterizations:
If there's one thing readers likely learned from The Rook, it's that Dan O'Malley writes damned good female characters. Myfanwy Thomas was a super powered everywoman, with the humor, snark and organizational capabilities that made her unforgettable to every reader.
So it's probably unsurprising to say that the two female leads of Stiletto: Pawn Felicity Jane Clements and Grafter Odette Leliefeld, are every bit as compelling as Myfanwy. Though Felicity and Odette are clearly from two very different worlds, O'Malley does an exceptional job of showing how they both fit seamlessly into the greater Checquy/Grafter merger puzzle.
Felicity and Odette's relationship naturally evolves as the book progresses, beginning with them meeting as adversaries, and eventually moving into hesitant friendship. Along the way, O'Malley does a nice job of using their personalities and backgrounds to flesh out the institutionalized hatred between the two groups, and also helps to emphasize the challenges of being young and female, in changing, complex environments.
Through trial and error, both girls individually come to learn that the other has strengths and gifts that are not dissimilar to their own, and their eventual friendship is a great reminder of just what it means to have an ally in challenging situations.
Writing/World-Building:
So let me get this out of the way: yes, Stiletto is a very long book. It's actually about 100 pages longer than The Rook, which was already a very long book.
(Fun fact: the Stiletto audio book is about twenty three hours to Rook's sixteen.)
But it's evident from the first few chapters, that the added length is exactly what O'Malley needed to flesh out this new and slightly more complex world. He uses those pages to great effect; not only building on the quirky, super powered world of the Checquy, but also crafting - pun intended! - a convincing, heartbreaking foundation for the Grafters
There's an inherent logic for how the Grafters came to be, and just how the hatred between the Checquy and the Grafters initially developed. Though the history was a tad more than I needed a times, it's an absolutely convincing look at just how everything has been building to this moment, and for Odette's delegation to pave the way.
As for the actual writing? Dan is as funny, detailed and necessarily succinct as ever. Both of his female voices are strong in third person, and have quirks, tics and thoughts that soundly differentiate them from one another. Just like The Rook, there were bits of dialogue and description that I just wanted to reread over and over, which made the reading process probably longer than it had to be.
The supernatural elements/the surgical elements :
Outside of outdoing himself by coming up with more inventive powers - a conversation with a group of Pawns about white people and wasps had me chuckling out loud - O'Malley also uses the Checquy powers and the Grafter surgical skills to ask some pointed questions about talent, power and how one can chose to use and/or misunderstand those gifts.
Both the Grafters and the Checquy are initially equally fascinated/repulsed by each other's abilities, and O'Malley shows what it takes to get the two sides to bridge their differences. It's a process that takes repeated effort and diplomacy, and the hurdles scaled are often painful moments that come with trial and error.
The distrust on both sides serves as a reminder of just how easy it is to judge because of institutionalized behavior, and how often it might take extraordinary circumstances to bridge that gap. O'Malley gives repeated nods to the fact that it's not, and will never be easy to find a steady peace between the two groups, but also shows how easy it can be - vís-a-vís Myfany, of all people - to not hate, if it's not part of the culture - something that readers will likely ruminate over.
Interpersonal power politics aside, O'Malley also asks readers to consider just how easily it is to abuse an extraordinary gift like a Checquy power or Grafter skills. It's an acknowledgement of the idea that with great power comes even greater responsibility, and will likely encourage many a reader to consider just how they'd handle such gifts.
(On a slightly less serious note: Thanks for ruining my love of citrus forever, O'Malley.
Just kidding. I kid.)
�
On relationships, and how it relates to the greater good:
While The Rook was more or less centered on the idea of Myfanwy learning how to come to terms with her new self, Stiletto is very much a book about relationships.
There's the core relationship between Felicity and Odette, which has its ups and downs, and super-powered learning curve. But there are also the relationships that the two women have within their own lives, which impact their development and contribute to the overall story.
Without giving spoilers away, O'Malley meticulously uses these relationships to ask time and time again, what individuals like Felicity and Odette value in a world where one wrong move in the merger can result in a supernatural war.
There are repeated challenges to just what both women hold to be true, including some fairly specific instances that question their agency, and whether the two women are willing to surrender their own beliefs to the merger - both voluntarily and involuntarily. It's tricky territory to navigate, but O'Malley hits the right note on how he chooses those relationships to ask those larger-scale questions, including some brutal moments where both women are forced to question what they know to be true.
Outside of our two female leads, the book is sprinkled with family relationships, friendships - including some familiar faces (!) - and even adversarial relationships that really help emphasize the point that as intriguing as their supernatural or surgical powers may be, the Checquy and Grafters are still at their core, made up of interpersonal relationships which help drive the narrative (and drama!) forward.
And finally...
The ending:
Though he shines when it comes to writing action scenes, O'Malley also has a gift for writing quieter, introspective moments.
As the book winds down, O'Malley does a nice job of not only tying together loose ends, but setting up a firm foundation for the potential future of his cast of characters. We see how Felicity, Odette and the secondary characters have reached and evolved to this point, and it sets up a nice, optimistic foundation for the future of the merger.
Though it seems clichéd the call the ending cinematic, it really is. And this is a good thing.
***
Things that didn't work/Things to consider:
While I'm tempted to say absolutely nothing, I will acknowledge that the synopsis of the book is a tad misleading.
It definitely gives readers the impression that Myfanwy is the protagonist of Stiletto, when the focus of the book is solidly on Felicity and Odette. Though I personally didn't mind this shift, I do think that some of the readers who were especially attached to Myfanwy may initially feel a bit let down.
However, let me just reassure all prospective readers right now: Felicity and Odette more than make up for any lack of Myfanwy. They're collectively badass in their own right, and Myfanwy's brief appearances just round out an already solid novel.
Final verdict:
After four years of waiting for a return to the world of the Chequy, I can absolutely say that Stiletto was worth it.
Outside of being a fun, well-written romp in a world where every minute spent is a worthwhile one, Daniel O'Malley has also written a great tale on what it means to be young, female and living in a supernatural world on the brink of change.
Felicity and Odette begin Stiletto with seemingly nothing in common, but conclude the novel recognizing that there is a universality in their goals, aims and even their very understanding of the world around them. O'Malley's essentially written a parable on learning how to walk a mile in another's shoes, and readers will likely come away having learned a little bit from that journey.
Highly recommend for all readers, full stop.
(In fact, why are you still reading this review? Go buy the book already!)
Unfortunately for me, and fortunately (?) for all of you: I don't have good GIF game. So I'm going to hunker down and do my damnedest to explain:
* Just why Stiletto was worth the four-year wait,
* How Daniel O'Malley is clearly a badass feminist, who writes excellent female characters, and
* Why I will be highly suspicious of anything citrus-scented from here on out.
Ready? Then read on for more!
***
Things that worked:
Characterizations:
If there's one thing readers likely learned from The Rook, it's that Dan O'Malley writes damned good female characters. Myfanwy Thomas was a super powered everywoman, with the humor, snark and organizational capabilities that made her unforgettable to every reader.
So it's probably unsurprising to say that the two female leads of Stiletto: Pawn Felicity Jane Clements and Grafter Odette Leliefeld, are every bit as compelling as Myfanwy. Though Felicity and Odette are clearly from two very different worlds, O'Malley does an exceptional job of showing how they both fit seamlessly into the greater Checquy/Grafter merger puzzle.
Felicity and Odette's relationship naturally evolves as the book progresses, beginning with them meeting as adversaries, and eventually moving into hesitant friendship. Along the way, O'Malley does a nice job of using their personalities and backgrounds to flesh out the institutionalized hatred between the two groups, and also helps to emphasize the challenges of being young and female, in changing, complex environments.
Through trial and error, both girls individually come to learn that the other has strengths and gifts that are not dissimilar to their own, and their eventual friendship is a great reminder of just what it means to have an ally in challenging situations.
Writing/World-Building:
So let me get this out of the way: yes, Stiletto is a very long book. It's actually about 100 pages longer than The Rook, which was already a very long book.
(Fun fact: the Stiletto audio book is about twenty three hours to Rook's sixteen.)
But it's evident from the first few chapters, that the added length is exactly what O'Malley needed to flesh out this new and slightly more complex world. He uses those pages to great effect; not only building on the quirky, super powered world of the Checquy, but also crafting - pun intended! - a convincing, heartbreaking foundation for the Grafters
There's an inherent logic for how the Grafters came to be, and just how the hatred between the Checquy and the Grafters initially developed. Though the history was a tad more than I needed a times, it's an absolutely convincing look at just how everything has been building to this moment, and for Odette's delegation to pave the way.
As for the actual writing? Dan is as funny, detailed and necessarily succinct as ever. Both of his female voices are strong in third person, and have quirks, tics and thoughts that soundly differentiate them from one another. Just like The Rook, there were bits of dialogue and description that I just wanted to reread over and over, which made the reading process probably longer than it had to be.
The supernatural elements/the surgical elements :
Outside of outdoing himself by coming up with more inventive powers - a conversation with a group of Pawns about white people and wasps had me chuckling out loud - O'Malley also uses the Checquy powers and the Grafter surgical skills to ask some pointed questions about talent, power and how one can chose to use and/or misunderstand those gifts.
Both the Grafters and the Checquy are initially equally fascinated/repulsed by each other's abilities, and O'Malley shows what it takes to get the two sides to bridge their differences. It's a process that takes repeated effort and diplomacy, and the hurdles scaled are often painful moments that come with trial and error.
The distrust on both sides serves as a reminder of just how easy it is to judge because of institutionalized behavior, and how often it might take extraordinary circumstances to bridge that gap. O'Malley gives repeated nods to the fact that it's not, and will never be easy to find a steady peace between the two groups, but also shows how easy it can be - vís-a-vís Myfany, of all people - to not hate, if it's not part of the culture - something that readers will likely ruminate over.
Interpersonal power politics aside, O'Malley also asks readers to consider just how easily it is to abuse an extraordinary gift like a Checquy power or Grafter skills. It's an acknowledgement of the idea that with great power comes even greater responsibility, and will likely encourage many a reader to consider just how they'd handle such gifts.
(On a slightly less serious note: Thanks for ruining my love of citrus forever, O'Malley.
Just kidding. I kid.)
�
On relationships, and how it relates to the greater good:
While The Rook was more or less centered on the idea of Myfanwy learning how to come to terms with her new self, Stiletto is very much a book about relationships.
There's the core relationship between Felicity and Odette, which has its ups and downs, and super-powered learning curve. But there are also the relationships that the two women have within their own lives, which impact their development and contribute to the overall story.
Without giving spoilers away, O'Malley meticulously uses these relationships to ask time and time again, what individuals like Felicity and Odette value in a world where one wrong move in the merger can result in a supernatural war.
There are repeated challenges to just what both women hold to be true, including some fairly specific instances that question their agency, and whether the two women are willing to surrender their own beliefs to the merger - both voluntarily and involuntarily. It's tricky territory to navigate, but O'Malley hits the right note on how he chooses those relationships to ask those larger-scale questions, including some brutal moments where both women are forced to question what they know to be true.
Outside of our two female leads, the book is sprinkled with family relationships, friendships - including some familiar faces (!) - and even adversarial relationships that really help emphasize the point that as intriguing as their supernatural or surgical powers may be, the Checquy and Grafters are still at their core, made up of interpersonal relationships which help drive the narrative (and drama!) forward.
And finally...
The ending:
Though he shines when it comes to writing action scenes, O'Malley also has a gift for writing quieter, introspective moments.
As the book winds down, O'Malley does a nice job of not only tying together loose ends, but setting up a firm foundation for the potential future of his cast of characters. We see how Felicity, Odette and the secondary characters have reached and evolved to this point, and it sets up a nice, optimistic foundation for the future of the merger.
Though it seems clichéd the call the ending cinematic, it really is. And this is a good thing.
***
Things that didn't work/Things to consider:
While I'm tempted to say absolutely nothing, I will acknowledge that the synopsis of the book is a tad misleading.
It definitely gives readers the impression that Myfanwy is the protagonist of Stiletto, when the focus of the book is solidly on Felicity and Odette. Though I personally didn't mind this shift, I do think that some of the readers who were especially attached to Myfanwy may initially feel a bit let down.
However, let me just reassure all prospective readers right now: Felicity and Odette more than make up for any lack of Myfanwy. They're collectively badass in their own right, and Myfanwy's brief appearances just round out an already solid novel.
Final verdict:
After four years of waiting for a return to the world of the Chequy, I can absolutely say that Stiletto was worth it.
Outside of being a fun, well-written romp in a world where every minute spent is a worthwhile one, Daniel O'Malley has also written a great tale on what it means to be young, female and living in a supernatural world on the brink of change.
Felicity and Odette begin Stiletto with seemingly nothing in common, but conclude the novel recognizing that there is a universality in their goals, aims and even their very understanding of the world around them. O'Malley's essentially written a parable on learning how to walk a mile in another's shoes, and readers will likely come away having learned a little bit from that journey.
Highly recommend for all readers, full stop.
(In fact, why are you still reading this review? Go buy the book already!)
October 12, 2019
I WANT THIS SO BAD.
The first is pretty unknown, which is just too bad. It is weird and fantastical and clever and ripping good fun.
I have been hoping and hoping to see a sequel for Myfanwy & Co. and now I just need to count the days until I actually can read it.
The first is pretty unknown, which is just too bad. It is weird and fantastical and clever and ripping good fun.
I have been hoping and hoping to see a sequel for Myfanwy & Co. and now I just need to count the days until I actually can read it.
January 5, 2018
*3.5/5
An excellent sequel and an enjoyable book overall, but it was far too long and had a few really unnecessary storylines that detracted from the central plot. However, I did love the two new POV characters in this one. The rotating perspectives worked really well and I think expanded on the world of the series phenomenally.
An excellent sequel and an enjoyable book overall, but it was far too long and had a few really unnecessary storylines that detracted from the central plot. However, I did love the two new POV characters in this one. The rotating perspectives worked really well and I think expanded on the world of the series phenomenally.
Read
January 3, 2023I've been waiting for this since I finished the last page of The Rook, and it was worth it. Just pure fun. Loved the Grafters, loved the notes of horror and humour, the excellent deployment of swearing, the throwaway inventiveness. Glommed this on holiday and wouldn't do anything else till I'd finished. Also, I really love that the three leads are all female, well-drawn, no dominant vampire boyfriend nonsense undermining them, just three professional women of mostly high competence. This series is a huge happy place for me. There are a few editing snafus, inc some shonky POV switches, but other than that, a joy. Now I want the next one. /looks meaningfully at watch, taps foot/
Second read Jan 2023 because I have a dismal cold. Still immense fun. Still waiting impatiently for the next to come out in the UK.
Second read Jan 2023 because I have a dismal cold. Still immense fun. Still waiting impatiently for the next to come out in the UK.
April 3, 2023
April 2023 update: Yup, still a delightfully fun read, I am glad I revisited it after sevenish years. I always enjoy reading the little nuggets of odd history this series sprinkles throughout the books and look forward to many more additions to the Rook-verse.
~~~
Some spoilers for The Rook and this book to follow, so tread lightly good reader.
It may have taken four years but we finally have a sequel to that delightful, quirky supernatural thriller . It was one of my favorite books of 2012 and I was a bit worried about the sequel. I wasn't sure where O'Malley would be able to go after the conclusion of The Rook. I was also worried that Myfanwy Thomas, the protagonist from the first book, was too powerful to serve as an effective focus for a sequel (her powers got pretty close to over-powered territory by the end of The Rook). I was concerned it was taking so long to come up (same worry goes for ). Mostly I was worried that O'Malley had blown his wad with The Rook and was floundering.
But I should not have worried. O'Malley delivers a great follow up that does a wonderful job exploring the world further, introducing us to a bunch of great characters, and maintains that wonderful dry British humor that so endeared me to The Rook:
First up the Checquy. O'Malley made a wise decision to both keep Myfanwy in the story (tough not to since she is a high ranking member and spearheading the merger) but had her share most of the spotlight with the newcomers. I would say O'Malley had a great balance between Myfanwy and the other characters, with them taking center stage but Myfanwy still playing a vital role. The other major Checquy character is Felicity, a pawn with the capacity of reading an object's past (which she ends up doing REALLY neat things with). She is a soldier but ends up being put on diplomatic duty minding one of the Grafter envoys.
That envoy being Odette, one of the great many times over granddaughters of the founder and current head of the Grafters ("In the beginning, the mission of the Broederschap had been simple research - pushing the boundaries of human knowledge, gaining a greater understanding of the glory of God's creation, and extending everybody's life span to ensure there was enough time to get a REALLY GOOD understanding.). She is young, but a brilliant medical doctor having been groomed to it from a very young age. She and the rest of the Grafters are harboring a dark secret though (because of course they are), one that threatens the talks and the supernatural peace of Europe.
One thing I greatly enjoyed about this book was seeing things from the Grafters' point of view. In The Rook we see the Grafters has terrible flesh sculptors who create unnatural and deadly biological weapons. But in this book we see that they are just scientists, exploring the natural world to its fullest extent (previously they were co-opted and betrayed by a national government, a mistake they swore to never make again). In fact they see the Checquy as monsters because the gifted members do not conform to natural laws.
Another great thing about this book was how the relationship between Odette and Felicity developed over the book. Starting with the suspicions and ingrown prejudices that come from never actually meeting a member of a group, their shared experiences and tribulations forged them into a great friendship built upon trust and respect and fashion disasters:
Unlike the end of The Rook I think there are a lot of neat places this series could go. There is an off-hand passage about a bunch of other supernatural agencies worldwide and I think it would be cool to explore a more international scene in any eventual third book. Heck, it almost makes perfect sense: The Rook was mostly England-centric, Stiletto introduced some European flavor, so the next one ought to keep pulling the view out and encompass more of the world. We'll see, though hopefully in less than four years this time.
I did have a few qualms about the book though. I thought the story wasn't as tight as it could have been with a few superfluous plot lines and the ending, while appropriately foreshadowed and perfectly reasonable, seemed a bit abrupt and lacked the payoff I was hoping for.
Still, it was a hell of an enjoyable ride and anyone who liked The Rook will also greatly enjoy this book as well!
And now some choice quotes because O'Malley's writing style and sense of humor just hits my funny bone in all the right places:
This is why you should always pack backup backup clothes: In an effort to muster every shred of authority when interacting with Pawn Clements, she had put on her tallest, most expensive stiletto heels and her third-best suit (the best and the second-best no longer constituting appropriate business wear except in abattoirs, seances, or, possibly, highly specific erotica).
Just like every other European Monarch with an illustrious family tree: Carlos II's ancestors had been marrying their close relations for so many generations that the scion of the line suffered from uncountable intellectual and physical difficulties and indeed was technically his own cousin, his own cousin once removed, and his own second cousin.
We all have out pet peeves: "They have opened another bottle of champagne."
"It is now two in the morning. Surely they cannot stay in the park forever."
"Screw the plan! Even if they were not the Antagonists, these creatures need to die. Staying in the park after closing time - it is disgusting behavior. The park is closed for a reason."
Workplace safety means something different to the Checquy: "She had a gun? I thought people in this country didn't carry firearms."
"Oh, everyone who works in the morgue is required to carry a pistol at work. And we keep a shotgun and a flamethrower on hand, just in case."
The Audit is mightier than the sword: His career was marked by impressive highlights. He fabricated an outbreak of meningitis so that the entire nation was inoculated against mind-controlling maggots. He drove a Gorgon out of the country, not through any supernatural or military means but rather by unleashing constant audits upon her personal and business finances.
That would be a hell of a super power for some people: "They're Mouse A and Mouse A(i)," said Alessio, somehow managing to convey through speech the presence of parentheses and a lowercase Roman numeral one.
This would make for a great Family motto: "When you go back in, try the ceiling. Bad shit always tends to drop in you from the ceiling. It's like getting attached by clichés."
~~~
Some spoilers for The Rook and this book to follow, so tread lightly good reader.
It may have taken four years but we finally have a sequel to that delightful, quirky supernatural thriller . It was one of my favorite books of 2012 and I was a bit worried about the sequel. I wasn't sure where O'Malley would be able to go after the conclusion of The Rook. I was also worried that Myfanwy Thomas, the protagonist from the first book, was too powerful to serve as an effective focus for a sequel (her powers got pretty close to over-powered territory by the end of The Rook). I was concerned it was taking so long to come up (same worry goes for ). Mostly I was worried that O'Malley had blown his wad with The Rook and was floundering.
But I should not have worried. O'Malley delivers a great follow up that does a wonderful job exploring the world further, introducing us to a bunch of great characters, and maintains that wonderful dry British humor that so endeared me to The Rook:
"And the red button fills the room with fire. Don't worry, though. The really heavy fire will be centered on the table, so if you have to hit the button, be sure to step back as far as possible."So where we last left off the Checquy (Britain's Supernatural Secret Service) they had just fought off an attack by the Wetenschappelijk Broederschap van Natuurkundigen (the “Scientific Brotherhood of Physicists� or, as the Checquy refer to them, the Grafters), an ancient enemy the Checquy had thought destroyed centuries ago. But instead of escalating into an all out war pitting the supernatural against science (albeit SUPER advanced biological science) the Grafters are interested in a merger instead. So where we had a mystery of who stole Myfanwy's memories from The Rook, we have a more diplomatic cloak-and-dagger story-line in this one. Which leads to some of the aforementioned new characters, both from the Grafters and the Checquy.
"But the whole room is filled with fire?"
"Only a light fire."
First up the Checquy. O'Malley made a wise decision to both keep Myfanwy in the story (tough not to since she is a high ranking member and spearheading the merger) but had her share most of the spotlight with the newcomers. I would say O'Malley had a great balance between Myfanwy and the other characters, with them taking center stage but Myfanwy still playing a vital role. The other major Checquy character is Felicity, a pawn with the capacity of reading an object's past (which she ends up doing REALLY neat things with). She is a soldier but ends up being put on diplomatic duty minding one of the Grafter envoys.
That envoy being Odette, one of the great many times over granddaughters of the founder and current head of the Grafters ("In the beginning, the mission of the Broederschap had been simple research - pushing the boundaries of human knowledge, gaining a greater understanding of the glory of God's creation, and extending everybody's life span to ensure there was enough time to get a REALLY GOOD understanding.). She is young, but a brilliant medical doctor having been groomed to it from a very young age. She and the rest of the Grafters are harboring a dark secret though (because of course they are), one that threatens the talks and the supernatural peace of Europe.
One thing I greatly enjoyed about this book was seeing things from the Grafters' point of view. In The Rook we see the Grafters has terrible flesh sculptors who create unnatural and deadly biological weapons. But in this book we see that they are just scientists, exploring the natural world to its fullest extent (previously they were co-opted and betrayed by a national government, a mistake they swore to never make again). In fact they see the Checquy as monsters because the gifted members do not conform to natural laws.
Just calm down. These people may be monsters, but they're professionals, and they're upper class and British, so they'll be polite.It was fascinating to see how the prejudices of both sides played out over the course of the book and negotiations. A good lesson for us all in this non-supernatural world we live in.
Another great thing about this book was how the relationship between Odette and Felicity developed over the book. Starting with the suspicions and ingrown prejudices that come from never actually meeting a member of a group, their shared experiences and tribulations forged them into a great friendship built upon trust and respect and fashion disasters:
They regarded the dress in respectful silence. It was the kind of respectful silence heard at ceremonies held to commemorate disasters.I loved both of them and the entire Grafter entourage:
"I'm no expert in dresses," said Felicity finally, "but that... that's not a good dress, is it?"
"I know what I want to say," said Odette, "but I am mindful of my role as a diplomatic envoy here to make peace between our people."
...
"If Judas Iscariot were alive, and a woman, and attending formal functions, wearing this dress would still represent a disproportionate punishment for his sins."
"Her sins."
"Right. Anyway, I have a spare dress you can wear."
"So, you clone things?"The entire Grafter outlook on life and how it contrasted with the Checquy was fascinating to read about and I think will serve future books (which I really hope get written) very well. For instance the Checquy, for all they do to control their employees, does allow them the autonomy to pursue the path through the organization they most want to. For instance Felicity's power (being able to read an object's past) would make her very useful for research purposes but she aspires to be among the organization's elite soldiers. She is allowed to pursue this dream (already making good progress when the book opens) though they do occasionally call her in to do some important object readings. Odette, on the other hand, was pretty much directed down the path of being a medical doctor with little input from her. She loves what she does and has learned, but reflects, after seeing the opportunities Felicity has, that she would have liked a little input on the matter. Like I said a really interesting contrast of organizational cultures.
"We can. We don't, though, not usually. Of course, we grow bits of people, but we don't make whole people."
"Why not?"
"We prefer sex. Plus, anyone who wants to clone himself is usually an asshole. You don't want any more of those running around than absolutely necessary."
Unlike the end of The Rook I think there are a lot of neat places this series could go. There is an off-hand passage about a bunch of other supernatural agencies worldwide and I think it would be cool to explore a more international scene in any eventual third book. Heck, it almost makes perfect sense: The Rook was mostly England-centric, Stiletto introduced some European flavor, so the next one ought to keep pulling the view out and encompass more of the world. We'll see, though hopefully in less than four years this time.
I did have a few qualms about the book though. I thought the story wasn't as tight as it could have been with a few superfluous plot lines and the ending, while appropriately foreshadowed and perfectly reasonable, seemed a bit abrupt and lacked the payoff I was hoping for.
Still, it was a hell of an enjoyable ride and anyone who liked The Rook will also greatly enjoy this book as well!
And now some choice quotes because O'Malley's writing style and sense of humor just hits my funny bone in all the right places:
This is why you should always pack backup backup clothes: In an effort to muster every shred of authority when interacting with Pawn Clements, she had put on her tallest, most expensive stiletto heels and her third-best suit (the best and the second-best no longer constituting appropriate business wear except in abattoirs, seances, or, possibly, highly specific erotica).
Just like every other European Monarch with an illustrious family tree: Carlos II's ancestors had been marrying their close relations for so many generations that the scion of the line suffered from uncountable intellectual and physical difficulties and indeed was technically his own cousin, his own cousin once removed, and his own second cousin.
We all have out pet peeves: "They have opened another bottle of champagne."
"It is now two in the morning. Surely they cannot stay in the park forever."
"Screw the plan! Even if they were not the Antagonists, these creatures need to die. Staying in the park after closing time - it is disgusting behavior. The park is closed for a reason."
Workplace safety means something different to the Checquy: "She had a gun? I thought people in this country didn't carry firearms."
"Oh, everyone who works in the morgue is required to carry a pistol at work. And we keep a shotgun and a flamethrower on hand, just in case."
The Audit is mightier than the sword: His career was marked by impressive highlights. He fabricated an outbreak of meningitis so that the entire nation was inoculated against mind-controlling maggots. He drove a Gorgon out of the country, not through any supernatural or military means but rather by unleashing constant audits upon her personal and business finances.
That would be a hell of a super power for some people: "They're Mouse A and Mouse A(i)," said Alessio, somehow managing to convey through speech the presence of parentheses and a lowercase Roman numeral one.
This would make for a great Family motto: "When you go back in, try the ceiling. Bad shit always tends to drop in you from the ceiling. It's like getting attached by clichés."
June 28, 2016
4.5 of 5 stars at The BiblioSanctum
I must confess, I only finished The Rook last month when the surprise arrival of a Stiletto ARC prompted me to do some quick catching up with the series, so I can’t claim to have waited for this sequel for as long as others. That said though, I was no less excited to jump right in! I loved the first book, and practically dove into this next one straight away.
The first thing you should know about Stiletto is that even though it picks up where The Rook left off, it’s also not your typical conventional follow-up. For one thing, Myfanwy Thomas is no longer the main protagonist. Instead, we get two new leading ladies: a Checquy Pawn named Felicity Clements, and a Grafter surgeon named Odette Leliefeld. After centuries of being on opposite sides, the two young women are suddenly thrown together when their respective organizations are forced to make peace in a new alliance. However, putting aside their differences is easier said than done. The enmity between the two groups runs deep, and not everyone is happy about the new partnership. Almost immediately after arriving in Great Britain with the Grafter delegation, Odette becomes targeted by an angry and bitter Checquy agent, and in order to avert diplomatic disaster, a new bodyguard is swiftly assigned to her in the form of Pawn Clements.
Meanwhile, bizarre paranormal attacks continue to plague London, keeping the Checquy busy running around putting out fires. It’s all just business as usual…or is it? Do the Grafters in the delegation know more than they let on? What kind of secrets are they hiding from their hosts? Who can they trust? Both factions are on edge, with a fragile peace hanging between them. Surrounded by paranormal dangers, threats of sabotage, and deep-seated hatreds, just about anything can shatter this delicate young alliance.
Not going to lie; I was initially surprised when I started this book and discovered that we’d shifted away from Myfanwy Thomas as the main protagonist, since the publisher description makes no mention to the contrary. At the same time though, I wasn’t especially jarred by the change. Perhaps it had something to do with the short time I had between reading The Rook and Stiletto, but I found the new voices pleasantly refreshing. Don’t get me wrong; I loved Myfanwy and was delighted to see her make a return in the sequel (albeit in a supporting capacity) but clearly the Checquy-Grafter alliance is the key focus here, and there’s no better way to portray all the consequences and challenges of the fledgling partnership than to give us a new character from each side. Myfanwy might be the Rook in charge of brokering this deal, but in order to get right down to the nitty-gritty details, we had to go to the straight to the frontlines with a Pawn.
Enter Felicity. She’s a warrior, meticulous and determined. She is also completely loyal to the Checquy, aspiring one day to join the Barghests, their most elite combat force. Trained to fight and protect, Felicity won’t flinch from doing what needs to be done either, making her the perfect bodyguard to assign to Odette. Myfanway Thomas knows she can count on the Pawn to lay down her life for her charge, but given the order, Felicity also won’t hesitate to put a bullet in Odette’s head if it turns out the young Grafter woman can’t be trusted.
This makes the relationship between Felicity and Odette very interesting. For almost the entirety of the first book, we got to hear all about how the Grafters were evil, insane, and brutal enemies of the Checquy. But in this one we get Odette, a mild-mannered and well-balanced young woman who is completely overwhelmed by her visit to London and just wants to make it through the day without starting a war. I loved seeing the Grafter perspective through her eyes. She and Felicity come from two very different worlds, making the early friction between them no surprise, but as the story progresses, a precarious link begins to form between them, making this part one of the more rewarding aspects of Stiletto. Whereas in The Rook we got to read about Myfanwy Thomas having a relationship with her own pre-amnesiac self, here we actually get to see an incredible example of true female friendship. O’Malley did a great job developing Felicity and Odette’s connection.
The fresh focus on the two women also means that technically, Stiletto can be read on its own without having to read The Rook first, but I wouldn’t recommend it. For one thing, although the author does a great job recapping and explaining the important details you need to know (which also helps to refresh memories after four years, I imagine), there are various references and other ties to the first book which will feel a lot more rewarding if you can spot and recognize them. More importantly, the first book was so much fun, you definitely won’t want to rob yourself of the experience.
My one and only complaint is that the novel is weighed down here and there by some bloat, but this could simply be a stylistic choice by O’Malley. Huge chunks of history and background information are sometimes injected into the narrative, which was also the case in The Rook. Over time, this has evolved to become a part of the series� unique charm, but every now and then it still gets very distracting, taking attention away from the characters and main conflict.
When all is said and done though, I had a great time with Stiletto. I don’t love it any less than I love The Rook—I just love it differently. While the protagonists may have changed, all the ingredients that made the first book great are still there: laugh-out-loud humor, compelling characters, a wonderfully twisty plot, detailed world-building, and amazing super-powers! The Grafter perspective is a welcome addition to this series, and I’m surprised how much I enjoyed reading about the Checquy’s former enemies. I’m certainly curious to see how these two organizations will continue moving forward, and I await the next book in the series with much excitement.
I must confess, I only finished The Rook last month when the surprise arrival of a Stiletto ARC prompted me to do some quick catching up with the series, so I can’t claim to have waited for this sequel for as long as others. That said though, I was no less excited to jump right in! I loved the first book, and practically dove into this next one straight away.
The first thing you should know about Stiletto is that even though it picks up where The Rook left off, it’s also not your typical conventional follow-up. For one thing, Myfanwy Thomas is no longer the main protagonist. Instead, we get two new leading ladies: a Checquy Pawn named Felicity Clements, and a Grafter surgeon named Odette Leliefeld. After centuries of being on opposite sides, the two young women are suddenly thrown together when their respective organizations are forced to make peace in a new alliance. However, putting aside their differences is easier said than done. The enmity between the two groups runs deep, and not everyone is happy about the new partnership. Almost immediately after arriving in Great Britain with the Grafter delegation, Odette becomes targeted by an angry and bitter Checquy agent, and in order to avert diplomatic disaster, a new bodyguard is swiftly assigned to her in the form of Pawn Clements.
Meanwhile, bizarre paranormal attacks continue to plague London, keeping the Checquy busy running around putting out fires. It’s all just business as usual…or is it? Do the Grafters in the delegation know more than they let on? What kind of secrets are they hiding from their hosts? Who can they trust? Both factions are on edge, with a fragile peace hanging between them. Surrounded by paranormal dangers, threats of sabotage, and deep-seated hatreds, just about anything can shatter this delicate young alliance.
Not going to lie; I was initially surprised when I started this book and discovered that we’d shifted away from Myfanwy Thomas as the main protagonist, since the publisher description makes no mention to the contrary. At the same time though, I wasn’t especially jarred by the change. Perhaps it had something to do with the short time I had between reading The Rook and Stiletto, but I found the new voices pleasantly refreshing. Don’t get me wrong; I loved Myfanwy and was delighted to see her make a return in the sequel (albeit in a supporting capacity) but clearly the Checquy-Grafter alliance is the key focus here, and there’s no better way to portray all the consequences and challenges of the fledgling partnership than to give us a new character from each side. Myfanwy might be the Rook in charge of brokering this deal, but in order to get right down to the nitty-gritty details, we had to go to the straight to the frontlines with a Pawn.
Enter Felicity. She’s a warrior, meticulous and determined. She is also completely loyal to the Checquy, aspiring one day to join the Barghests, their most elite combat force. Trained to fight and protect, Felicity won’t flinch from doing what needs to be done either, making her the perfect bodyguard to assign to Odette. Myfanway Thomas knows she can count on the Pawn to lay down her life for her charge, but given the order, Felicity also won’t hesitate to put a bullet in Odette’s head if it turns out the young Grafter woman can’t be trusted.
This makes the relationship between Felicity and Odette very interesting. For almost the entirety of the first book, we got to hear all about how the Grafters were evil, insane, and brutal enemies of the Checquy. But in this one we get Odette, a mild-mannered and well-balanced young woman who is completely overwhelmed by her visit to London and just wants to make it through the day without starting a war. I loved seeing the Grafter perspective through her eyes. She and Felicity come from two very different worlds, making the early friction between them no surprise, but as the story progresses, a precarious link begins to form between them, making this part one of the more rewarding aspects of Stiletto. Whereas in The Rook we got to read about Myfanwy Thomas having a relationship with her own pre-amnesiac self, here we actually get to see an incredible example of true female friendship. O’Malley did a great job developing Felicity and Odette’s connection.
The fresh focus on the two women also means that technically, Stiletto can be read on its own without having to read The Rook first, but I wouldn’t recommend it. For one thing, although the author does a great job recapping and explaining the important details you need to know (which also helps to refresh memories after four years, I imagine), there are various references and other ties to the first book which will feel a lot more rewarding if you can spot and recognize them. More importantly, the first book was so much fun, you definitely won’t want to rob yourself of the experience.
My one and only complaint is that the novel is weighed down here and there by some bloat, but this could simply be a stylistic choice by O’Malley. Huge chunks of history and background information are sometimes injected into the narrative, which was also the case in The Rook. Over time, this has evolved to become a part of the series� unique charm, but every now and then it still gets very distracting, taking attention away from the characters and main conflict.
When all is said and done though, I had a great time with Stiletto. I don’t love it any less than I love The Rook—I just love it differently. While the protagonists may have changed, all the ingredients that made the first book great are still there: laugh-out-loud humor, compelling characters, a wonderfully twisty plot, detailed world-building, and amazing super-powers! The Grafter perspective is a welcome addition to this series, and I’m surprised how much I enjoyed reading about the Checquy’s former enemies. I’m certainly curious to see how these two organizations will continue moving forward, and I await the next book in the series with much excitement.
July 4, 2018
page turner, page turner! supernatural and super-scientific terrorist attacks are rocking London! as always! the super powered super secret agent club called The Checquy that protects UK interests sure do have their hands full! it's a good thing nearly all their agents have super powers like vanishing and spouting green fire and microscopic vision and turning air hard and looking through walls and reversing their aging process so they can be the Amazonian goddess they were back in yesteryear! go, Checquy, go! save England, you can do it!
much like its predecessor, Stiletto's narrative is propulsive. this is an exciting book and I had a fun time reading it. O'Malley doesn't necessarily expand his world; instead he just lets the reader live in it - this time we get to see it both from the inside and the outside, rather than being slowly introduced to it by an amnesiac protagonist. he's a confident writer who clearly had a great time writing this, and he wants his readers to have the same great time. the sheer enthusiastic bravado on display often helped me rush past the novel's flaws: haphazard storytelling that is often (frustratingly) episodic despite the tension of the overarching narrative; an unappealing lack of interest in the deaths of many brave supporting characters; weak motivation for its villains; a lot of repetitiousness; a strident snarkiness that is dialed a bit back from The Rook but is still worthy of a few cringes. I liked this book quite a lot although sadly its bloat really displayed its flaws. it should have been trimmed to at least two-thirds its current length.
but... page turner, page turner! these terrible terrorist attacks couldn't have come at a worse time! The Checquy are right at the start of an international merge with their former foes, villains of the last novel, and now new best friends... The Grafters! The Grafters see Checquy as creepy violently-powered monsters who love killing Grafters! The Checquy see Grafters as secretive cyborg super-scientists who love killing Checquy! they're both correct!
one of the best things about Stiletto - besides the wonderfully hyperactive imagination on display - is that its two heroines have nothing on their minds but work and working with each other and what to wear and what not to wear. no annoying boys get in the way of their characterization or their budding bramance. Bechdel Test passed, with flying colors. it sure is great when romance isn't shoehorned into a plot that doesn't need it, and when a woman is not defined in relationship to a man she likes/who likes her. kudos to O'Malley for that, and for the second time. (he also brings back The Rook's lead Myfanwy rhymes with Tiffany in a central role, plus a nifty cameo from her deadly American bestie.) the only issue I had with this relationship was that O'Malley - far from a subtle writer - telegraphs each slow movement towards friendship with a very heavy hand. we get it, O'Malley! they are beginning to like each other, to see the human being in one another, etc! no need for such grinding obviousness that practically makes each point in all-caps.
but... page turner, page turner! on my way to Italy to meet my high school friends for our soon-to-be-wonderful vacation, I was stuck for 10 hours in Schipol airport, and this book helped me keep my sanity! Schipol is a humid, sweaty place and the smoking lounge is like a little slice of hell but being glued to this book made the experience not so horrible! this is a good book to take you right out of your head and into a whole new place! when I got to Italy, I described it to one of my friends and a hungry look came into her eyes the likes I haven't seen since prom night - I surrendered it to her immediately!
much like its predecessor, Stiletto's narrative is propulsive. this is an exciting book and I had a fun time reading it. O'Malley doesn't necessarily expand his world; instead he just lets the reader live in it - this time we get to see it both from the inside and the outside, rather than being slowly introduced to it by an amnesiac protagonist. he's a confident writer who clearly had a great time writing this, and he wants his readers to have the same great time. the sheer enthusiastic bravado on display often helped me rush past the novel's flaws: haphazard storytelling that is often (frustratingly) episodic despite the tension of the overarching narrative; an unappealing lack of interest in the deaths of many brave supporting characters; weak motivation for its villains; a lot of repetitiousness; a strident snarkiness that is dialed a bit back from The Rook but is still worthy of a few cringes. I liked this book quite a lot although sadly its bloat really displayed its flaws. it should have been trimmed to at least two-thirds its current length.
but... page turner, page turner! these terrible terrorist attacks couldn't have come at a worse time! The Checquy are right at the start of an international merge with their former foes, villains of the last novel, and now new best friends... The Grafters! The Grafters see Checquy as creepy violently-powered monsters who love killing Grafters! The Checquy see Grafters as secretive cyborg super-scientists who love killing Checquy! they're both correct!
one of the best things about Stiletto - besides the wonderfully hyperactive imagination on display - is that its two heroines have nothing on their minds but work and working with each other and what to wear and what not to wear. no annoying boys get in the way of their characterization or their budding bramance. Bechdel Test passed, with flying colors. it sure is great when romance isn't shoehorned into a plot that doesn't need it, and when a woman is not defined in relationship to a man she likes/who likes her. kudos to O'Malley for that, and for the second time. (he also brings back The Rook's lead Myfanwy rhymes with Tiffany in a central role, plus a nifty cameo from her deadly American bestie.) the only issue I had with this relationship was that O'Malley - far from a subtle writer - telegraphs each slow movement towards friendship with a very heavy hand. we get it, O'Malley! they are beginning to like each other, to see the human being in one another, etc! no need for such grinding obviousness that practically makes each point in all-caps.
but... page turner, page turner! on my way to Italy to meet my high school friends for our soon-to-be-wonderful vacation, I was stuck for 10 hours in Schipol airport, and this book helped me keep my sanity! Schipol is a humid, sweaty place and the smoking lounge is like a little slice of hell but being glued to this book made the experience not so horrible! this is a good book to take you right out of your head and into a whole new place! when I got to Italy, I described it to one of my friends and a hungry look came into her eyes the likes I haven't seen since prom night - I surrendered it to her immediately!
June 28, 2016
So, I enjoyed being back in this entertaining and humorous world, as well as getting to know the 'other side' of the first book - The Grafters. There are some negatives to this one, though - endless miscellany and info dumps. With stronger editing, I think this would have been a better book. But still! If you liked the first one, you'll more than likely like this one!
June 18, 2018
page turner, page turner! supernatural and super-scientific terrorist attacks are rocking London! as always! the super powered super secret agent club called The Checquy that protects UK interests sure do have their hands full! it's a good thing nearly all their agents have super powers like vanishing and spouting green fire and microscopic vision and turning air hard and looking through walls and reversing their aging process so they can be the Amazonian goddess they were back in yesteryear! go, Checquy, go! save England, you can do it!
much like its predecessor, Stiletto's narrative is propulsive. this is an exciting book and I had a fun time reading it. O'Malley doesn't necessarily expand his world; instead he just lets the reader live in it - this time we get to see it both from the inside and the outside, rather than being slowly introduced to it by an amnesiac protagonist. he's a confident writer who clearly had a great time writing this, and he wants his readers to have the same great time. the sheer enthusiastic bravado on display often helped me rush past the novel's flaws: haphazard storytelling that is often (frustratingly) episodic despite the tension of the overarching narrative; an unappealing lack of interest in the deaths of many brave supporting characters; weak motivation for its villains; a lot of repetitiousness; a strident snarkiness that is dialed a bit back from The Rook but is still worthy of a few cringes. I liked this book quite a bit although sadly its bloat really displayed its flaws. it should have been trimmed to at least two-thirds its current length.
but... page turner, page turner! these terrible terrorist attacks couldn't have come at a worse time! The Checquy are right at the start of an international merge with their former foes, villains of the last novel, and now new best friends... The Grafters! The Grafters see Checquy as creepy violently-powered monsters who love killing Grafters! The Checquy see Grafters as secretive cyborg super-scientists who love killing Checquy! they're both correct!
one of the best things about Stiletto - besides the wonderfully hyperactive imagination on display - is that its two heroines have nothing on their minds but work and working with each other and what to wear and what not to wear. no annoying boys get in the way of their characterization or their budding bramance. Bechdel Test passed, with flying colors. it sure is great when romance isn't shoehorned into a plot that doesn't need it, and when a woman is not defined in relationship to a man she likes/who likes her. kudos to O'Malley for that, and for the second time. (he also brings back The Rook's lead Myfanwy rhymes with Tiffany in a central role, plus a nifty cameo from her deadly American bestie.) the only issue I had with this relationship was that O'Malley - far from a subtle writer - telegraphs each slow movement towards friendship with a very heavy hand. we get it, O'Malley! they are beginning to like each other, to see the human being in one another, etc! no need for such grinding obviousness that practically makes each point in all-caps.
but... page turner, page turner! on my way to Italy to meet my high school friends for our soon-to-be-wonderful vacation, I was stuck for 10 hours in Schipol airport, and this book helped me keep my sanity! Schipol is a humid, sweaty place and the smoking lounge is like a little slice of hell but being glued to this book made the experience not so horrible! this is a good book to take you right out of your head and into a whole new place! when I got to Italy, I described it to one of my friends and a hungry look came into her eyes the likes I haven't seen since prom night - I surrendered it to her immediately!
much like its predecessor, Stiletto's narrative is propulsive. this is an exciting book and I had a fun time reading it. O'Malley doesn't necessarily expand his world; instead he just lets the reader live in it - this time we get to see it both from the inside and the outside, rather than being slowly introduced to it by an amnesiac protagonist. he's a confident writer who clearly had a great time writing this, and he wants his readers to have the same great time. the sheer enthusiastic bravado on display often helped me rush past the novel's flaws: haphazard storytelling that is often (frustratingly) episodic despite the tension of the overarching narrative; an unappealing lack of interest in the deaths of many brave supporting characters; weak motivation for its villains; a lot of repetitiousness; a strident snarkiness that is dialed a bit back from The Rook but is still worthy of a few cringes. I liked this book quite a bit although sadly its bloat really displayed its flaws. it should have been trimmed to at least two-thirds its current length.
but... page turner, page turner! these terrible terrorist attacks couldn't have come at a worse time! The Checquy are right at the start of an international merge with their former foes, villains of the last novel, and now new best friends... The Grafters! The Grafters see Checquy as creepy violently-powered monsters who love killing Grafters! The Checquy see Grafters as secretive cyborg super-scientists who love killing Checquy! they're both correct!
one of the best things about Stiletto - besides the wonderfully hyperactive imagination on display - is that its two heroines have nothing on their minds but work and working with each other and what to wear and what not to wear. no annoying boys get in the way of their characterization or their budding bramance. Bechdel Test passed, with flying colors. it sure is great when romance isn't shoehorned into a plot that doesn't need it, and when a woman is not defined in relationship to a man she likes/who likes her. kudos to O'Malley for that, and for the second time. (he also brings back The Rook's lead Myfanwy rhymes with Tiffany in a central role, plus a nifty cameo from her deadly American bestie.) the only issue I had with this relationship was that O'Malley - far from a subtle writer - telegraphs each slow movement towards friendship with a very heavy hand. we get it, O'Malley! they are beginning to like each other, to see the human being in one another, etc! no need for such grinding obviousness that practically makes each point in all-caps.
but... page turner, page turner! on my way to Italy to meet my high school friends for our soon-to-be-wonderful vacation, I was stuck for 10 hours in Schipol airport, and this book helped me keep my sanity! Schipol is a humid, sweaty place and the smoking lounge is like a little slice of hell but being glued to this book made the experience not so horrible! this is a good book to take you right out of your head and into a whole new place! when I got to Italy, I described it to one of my friends and a hungry look came into her eyes the likes I haven't seen since prom night - I surrendered it to her immediately!
September 6, 2016
After being less than impressed with (fun to a point, but not particularly noteworthy in my opinion) I hadn't really seriously intended to read this sequel. Maybe pick it up in a few years time, in a spare moment, if I had the time and inclination etc etc
Well, I actually read it last week, sort of by accident. It was sitting there at the library, in pride of placed, and I grabbed it on a whim. I'm so glad I did.
Stiletto is serious fun. The characters are well-rounded, the humour balances out, and the level of grotesque is fantastically high - in a good way, this time. Odette and Felicity make for fantastic leads, and Myfanwy's reappearance in a less starring role is welcome. The enemy is more believable this time around, and therefore hugely more frightening. Daniel O'Malley is clearly finding his strengths as an author, and far from my unenthusiastic responce to the first book, I will happily look forward to the next in the series!
Well, I actually read it last week, sort of by accident. It was sitting there at the library, in pride of placed, and I grabbed it on a whim. I'm so glad I did.
Stiletto is serious fun. The characters are well-rounded, the humour balances out, and the level of grotesque is fantastically high - in a good way, this time. Odette and Felicity make for fantastic leads, and Myfanwy's reappearance in a less starring role is welcome. The enemy is more believable this time around, and therefore hugely more frightening. Daniel O'Malley is clearly finding his strengths as an author, and far from my unenthusiastic responce to the first book, I will happily look forward to the next in the series!
February 12, 2023
A rollicking good read. Not a 5-star book, but definitely one I'll return to for a good laugh. While I didn't like
the first book
as much, I found this one hard to put down from the very first moment.
Sometimes when you come across a book that fits your current mood, everything about it makes sense. I was desperately in need of a laugh when I picked up this one up and went into it not expecting much, but as soon as I started reading, the humor and alt-history got to me. More on that below.
This series--well, just the 2 books so far--is hard to write about without giving to much away, but I've found that comparing it to the X-men makes it easier to explain.
So imagine the X-men:
- as a secret government network
- set in London
- protecting queen and country
- while dealing with cases from the X-files
- and paperwork (lots and lots of paperwork)
- oh and there are monsters of both the supernatural and natural persuasion trying to destroy the UK practically every other day
So imagine all of that not as a superhero drama but a comedy with a strong slapstick air, and you get these books. They're a much-needed break from my daily grind. Their fictional diplomatic and bureaucratic difficulties are hilarious, yet believable, and for a few moments, I get to not think about... current events. And that's all I'm looking for these days.
Some quotes and highlights:
Felicity preparing for a mission
the Checquy being the Checquy
Ernst being Ernst
"My fanny"
* * * * some spoilers below * * * *
Anyhow. I really like this book. It hits all the right spots for me--paranormal, supernatural, (alt) historical, zany, bizarre, and gross. The hilarious takes on diplomacy and bureaucracy are just bonuses. I laughed out loud so many times during the read that it was nearly impossible to read it in public. Looking forward to the third book.
* * * * *
Update: February 2023
Skimming through to try and get back into the world of the Checquy because it's been a while and I've lost touch with it. Currently I'm having some trouble with latest installment .
I forgot how funny the writing was and how feasibly crazy the action and key plot points can get. Gonna try to give Blitz another try.
* * * * *
Cross-posted at
Sometimes when you come across a book that fits your current mood, everything about it makes sense. I was desperately in need of a laugh when I picked up this one up and went into it not expecting much, but as soon as I started reading, the humor and alt-history got to me. More on that below.
This series--well, just the 2 books so far--is hard to write about without giving to much away, but I've found that comparing it to the X-men makes it easier to explain.
So imagine the X-men:
- as a secret government network
- set in London
- protecting queen and country
- while dealing with cases from the X-files
- and paperwork (lots and lots of paperwork)
- oh and there are monsters of both the supernatural and natural persuasion trying to destroy the UK practically every other day
So imagine all of that not as a superhero drama but a comedy with a strong slapstick air, and you get these books. They're a much-needed break from my daily grind. Their fictional diplomatic and bureaucratic difficulties are hilarious, yet believable, and for a few moments, I get to not think about... current events. And that's all I'm looking for these days.
Some quotes and highlights:
Felicity preparing for a mission
“It’s my urine?� Felicity said incredulously.
“Don’t think of it as urine,� Pawn Odgers advised her. “Try to think of it as an olfactory disguise.�
Felicity tried and was not measurably comforted. “But where did you get my urine?� she asked.
“The Checquy has samples of everyone’s everything,� said Odgers cheerfully. “Remember, during your time at the Estate, they kept taking specimens of your every fluid and solid?�
“That was for scientific research!� exclaimed Felicity. “And it was years ago!�
“Would someone else’s fresh urine be better?�
the Checquy being the Checquy
If you gave birth to a child whose breath baked bread, it too belonged to the monarch.
Of course, the monarchy didn’t want these people (and creatures) hanging around the palace, being all unnatural and touching the furniture. Thus, the throne delegated this authority of guardianship to the Checquy, so, by royal writ, the Court of the Checquy held the right and the obligation to take into its custody any person on the British Isles who was possessed of supernatural abilities.
[...]
Naturally, he broke all the Estate records for the throwing sports (except for the javelin, because one girl in his class managed to fold space so that her javelin landed in China).
[...]
She had nine confirmed kills of people and two confirmed kills of creatures who, although they wore trousers, were not counted as people by the Checquy.
[...]
There is no way this conversation is not going to get horrible, thought Odette. No situation is improved by the presence of a gigantic anus.
At that moment, the gigantic anus in question trembled and, before anyone could react, unclenched.
[...]
“They sounded English,� remarked Bishop Alrich. “Tasted English too.� (Bishop Alrich is a vampire.)
[...]
“Louis can draw wasps to him.�
“Very cool,� said Odette. “Wait, so you can both do things with wasps? Are you two related?�
“Oh, no,� said Louis. “Sorry, she does the thing with insects. I can attract white Anglo-Saxon Protestants.�
Ernst being Ernst
"So, you clone things?�
“We can,� said Marcel. “We don’t, though, not usually. Of course, we grow bits of people, but we don’t make whole people.�
“Why not?� asked Eckhart.
“We prefer to have sex,� said Ernst, causing Pawn Clements to choke on her orange juice. “Plus, anyone who wants to clone himself is usually an asshole. You don’t want any more of those running around than absolutely necessary.�
"My fanny"
“So, darling,� he said to Odette, “are you my fanny?�
“I beg your pardon?� she said, completely at a loss.
“Not ‘my fanny,� you tosser,� said one of the black guys. �Myfanwy.�
“Oh, whatever,� said the first guy. “Like that’s even a name.�
* * * * some spoilers below * * * *
Anyhow. I really like this book. It hits all the right spots for me--paranormal, supernatural, (alt) historical, zany, bizarre, and gross. The hilarious takes on diplomacy and bureaucracy are just bonuses. I laughed out loud so many times during the read that it was nearly impossible to read it in public. Looking forward to the third book.
* * * * *
Update: February 2023
Skimming through to try and get back into the world of the Checquy because it's been a while and I've lost touch with it. Currently I'm having some trouble with latest installment .
I forgot how funny the writing was and how feasibly crazy the action and key plot points can get. Gonna try to give Blitz another try.
* * * * *
Cross-posted at
May 18, 2016
I received an ebook copy of this book from Netgalley, in exchange for an honest review.
I don't even know what I expected from Stiletto. The Rook was unique and it managed to grab my attention in spite of a slow start and a bit too much info dumping. Unfortunately Stiletto wasn't better than The Rook and considering that the concept wasn't a surprise anymore it didn't satisfy my expectations. Not completely anyway.
> The pacing was lacking a bit of balance. The first half of the story progressed at a snail's pace. It was even quite boring to be honest. The second half was much better, luckily, but I would have liked it more if the plot had some kind of balance.
> The change of pov disappointed me a bit. I really liked Rook Thomas' story and her voice was quite refreshing and sadly I found the new characters less interesting. Stiletto doesn't focus on one character, like The Rook did, but on Felicity, a Pawn, and Odette, one of the Grafters. The problem is that I did not find them compelling, not really well developed. I really appreciated their friendship, because yes to female friendship, but to say that I didn't care much for them in the end would be an understatement. I honestly would have liked it more if the author had kept focusing on Rook Thomas' story and voice. It had much more potential that I would have liked to see in this sequel.
> The plot is complex and that was appreciated. It was certainly well developed and quite clever. In my opinion it is for sure the best thing about the book as a whole.
Overall Stiletto is a good book, even if it is undeniably slow and even slower than book 1, but I expected and hoped for something different. The plot was good, but there wasn't much character development and the new characters weren't as interesting as the old ones. A solid, 3-stars read, but considering the premise and The Rook, I feel a bit let down by this sequel.
I don't even know what I expected from Stiletto. The Rook was unique and it managed to grab my attention in spite of a slow start and a bit too much info dumping. Unfortunately Stiletto wasn't better than The Rook and considering that the concept wasn't a surprise anymore it didn't satisfy my expectations. Not completely anyway.
> The pacing was lacking a bit of balance. The first half of the story progressed at a snail's pace. It was even quite boring to be honest. The second half was much better, luckily, but I would have liked it more if the plot had some kind of balance.
> The change of pov disappointed me a bit. I really liked Rook Thomas' story and her voice was quite refreshing and sadly I found the new characters less interesting. Stiletto doesn't focus on one character, like The Rook did, but on Felicity, a Pawn, and Odette, one of the Grafters. The problem is that I did not find them compelling, not really well developed. I really appreciated their friendship, because yes to female friendship, but to say that I didn't care much for them in the end would be an understatement. I honestly would have liked it more if the author had kept focusing on Rook Thomas' story and voice. It had much more potential that I would have liked to see in this sequel.
> The plot is complex and that was appreciated. It was certainly well developed and quite clever. In my opinion it is for sure the best thing about the book as a whole.
Overall Stiletto is a good book, even if it is undeniably slow and even slower than book 1, but I expected and hoped for something different. The plot was good, but there wasn't much character development and the new characters weren't as interesting as the old ones. A solid, 3-stars read, but considering the premise and The Rook, I feel a bit let down by this sequel.
February 10, 2017
In the interest of full disclosure I have to admit that I struggle with Urban Fantasy as a genre (which surprises me - because I obviously love Fantasy), so you should take my rating of three stars with a grain of salt.
This book takes of just after the last book ended - the Chequey and the Grafters trying to form an alliance. This process is complicated by the fact that both organisations are indoctrinated to hate the other - which makes sense from an in-story-perspective but still got annoying for me after a while (I mean come on - you have modifications all over your body but the powers the other side has are creepy and vice versa?!). We mainly follow two protagonists - one from every side - and while I missed Myffanwy, I did really like those two women - especially Felicity - and their growing relationship was wonderful to watch.
Overall, I did enjoy this book - I just felt it was disjointed in parts. With this I don't even mean the info dump that everybody complains about - because I happen to really like the world O'Malley created and thus do not mind the info dump at all - I mean that parts of this seem unneccessary and I didn't always understand the decision to include them (such as the crystal serial killer).
But still, the book is a lot of fun, O'Malley creates a vivid and original world and he obviously has as much fun writing these books as his readers have reading them. I am keeping my fingers crossed for this series to continue because when O'Malley gets it right, he gets it brilliantly right. The parts of the book I enjoyed, I really enjoyed.
----
I received an ebook curtesy of the publisher and NetGalley in exchange for an honest review.
This book takes of just after the last book ended - the Chequey and the Grafters trying to form an alliance. This process is complicated by the fact that both organisations are indoctrinated to hate the other - which makes sense from an in-story-perspective but still got annoying for me after a while (I mean come on - you have modifications all over your body but the powers the other side has are creepy and vice versa?!). We mainly follow two protagonists - one from every side - and while I missed Myffanwy, I did really like those two women - especially Felicity - and their growing relationship was wonderful to watch.
Overall, I did enjoy this book - I just felt it was disjointed in parts. With this I don't even mean the info dump that everybody complains about - because I happen to really like the world O'Malley created and thus do not mind the info dump at all - I mean that parts of this seem unneccessary and I didn't always understand the decision to include them (such as the crystal serial killer).
But still, the book is a lot of fun, O'Malley creates a vivid and original world and he obviously has as much fun writing these books as his readers have reading them. I am keeping my fingers crossed for this series to continue because when O'Malley gets it right, he gets it brilliantly right. The parts of the book I enjoyed, I really enjoyed.
----
I received an ebook curtesy of the publisher and NetGalley in exchange for an honest review.
Read
July 28, 2016I hadn’t planned to pick this book up. Paranormal secret agents in London merging with their ancient enemies, a bunch of mad scientists from Europe? Eh, not my thing, I thought. I was so wrong. I haven’t been able to put Stiletto down. It’s funny, and gross, and imaginative, and weird, and it keeps me up late at night because it’s such a page-turner. This is the sequel to O’Malley’s first novel, The Rook, which I haven’t read, so I can verify that it stands alone.
� A.J. O’Connell
from The Best Books We Read In June 2016:
� A.J. O’Connell
from The Best Books We Read In June 2016:
October 8, 2016
Well, this was fun.
Different from Rook - with two new Povs story feels a bit more spread out and not as intense. Also it doesn’t have the mystery element to it - slowly uncovering the secret world � rather dives straight into paranormal action tentacles and all.
If I’d want to grumble, I could mention few slower stretches of Grafter’s history in the first third of the book. But I love O’Malley’s writing and humour too much, so I won’t. :)
All in all I’d say � weaker than the Rook but still very enjoyable read. So if you liked the first book � go for it.
Different from Rook - with two new Povs story feels a bit more spread out and not as intense. Also it doesn’t have the mystery element to it - slowly uncovering the secret world � rather dives straight into paranormal action tentacles and all.
If I’d want to grumble, I could mention few slower stretches of Grafter’s history in the first third of the book. But I love O’Malley’s writing and humour too much, so I won’t. :)
All in all I’d say � weaker than the Rook but still very enjoyable read. So if you liked the first book � go for it.
November 13, 2016
Yeah, I just added a book that doesn't even have a title yet. Read The Rook.
February 7, 2017
3.5*
I think the best part of this book was the humor. Very dry British style thrown in to make the absurd funny. The story itself was OK, mostly predictable. I did like the historical aspect it added. It reads somewhere between James Bond and Bridget Jones.
I think the best part of this book was the humor. Very dry British style thrown in to make the absurd funny. The story itself was OK, mostly predictable. I did like the historical aspect it added. It reads somewhere between James Bond and Bridget Jones.
May 9, 2017
Well written and engaging. I enjoyed this book very much. Hoping there's a third volume in the series,
SR
SR
August 7, 2016
I liked this, even though it is pretty different from The Rook. Maybe because it's different? Nobody likes a re-tread. Spoilers for The Rook to follow, though, so don't read if you're planning on starting this series.
Myfanwy, the main character from The Rook, is here, and she even gets some POV, but the majority of narrative real estate belongs to Felicity and Odette. Felicity Clements is a Pawn from the Checquy, and Odette Lelefield is a Grafter. We see the story from both their perspectives as the talks begin to merge The Checquy with the Grafters (or the Broederschap, as they prefer to be called). Merging the two organizations is a fraught process, as both sides have been raised from birth to not only hate the other, but to consider them inhuman monsters or demons. Changing those attitudes is a tall order, to put it mildly. Meanwhile, mysterious and frightening antagonists have infiltrated London and are causing violent deaths and mass injuries, not just to the Grafters and the Checquy, but also to civilians, threatening to bring the two organizations to what would be a devastating war.
I liked seeing the narrative from both sides, especially seeing the Checquy from the perspective of the Grafters. Odette and Felicity were also pretty interesting characters who I ended up caring for, but who I still don't like as much as I like Myfanwy. (It's really hard not to like Myfanwy after spending a book with her relearning her life.)
The book was about one hundred pages too long, though. O'Malley needed to kill some darlings.
I hope O'Malley writes at least one more book in this world. I want to see how things look post merger, and how things play out with Myfanway and Odette and Felicity.
Myfanwy, the main character from The Rook, is here, and she even gets some POV, but the majority of narrative real estate belongs to Felicity and Odette. Felicity Clements is a Pawn from the Checquy, and Odette Lelefield is a Grafter. We see the story from both their perspectives as the talks begin to merge The Checquy with the Grafters (or the Broederschap, as they prefer to be called). Merging the two organizations is a fraught process, as both sides have been raised from birth to not only hate the other, but to consider them inhuman monsters or demons. Changing those attitudes is a tall order, to put it mildly. Meanwhile, mysterious and frightening antagonists have infiltrated London and are causing violent deaths and mass injuries, not just to the Grafters and the Checquy, but also to civilians, threatening to bring the two organizations to what would be a devastating war.
I liked seeing the narrative from both sides, especially seeing the Checquy from the perspective of the Grafters. Odette and Felicity were also pretty interesting characters who I ended up caring for, but who I still don't like as much as I like Myfanwy. (It's really hard not to like Myfanwy after spending a book with her relearning her life.)
The book was about one hundred pages too long, though. O'Malley needed to kill some darlings.
I hope O'Malley writes at least one more book in this world. I want to see how things look post merger, and how things play out with Myfanway and Odette and Felicity.
September 1, 2024
2.5 disappointing stars
Me, when I found out that the blurb made false promises about the main characters because instead of Myfanwy (the MC of the first book), two other women named Odette and Felicity play the leading roles:
Me, as I hoped for at least a good plot:
Me, when I noticed I was starting to like both Odette and Felicity:
Me, when I realized after half of the book that I am bored but do not want to DNF it:
Me, after 400 pages realising that the perspective of the main character I was most hoping for (Myfanwy) does not even fill 10% of the story:
Me, at the end of the book being sad because I had hoped for so much more:
Me, when I found out that the blurb made false promises about the main characters because instead of Myfanwy (the MC of the first book), two other women named Odette and Felicity play the leading roles:
Me, as I hoped for at least a good plot:
Me, when I noticed I was starting to like both Odette and Felicity:
Me, when I realized after half of the book that I am bored but do not want to DNF it:
Me, after 400 pages realising that the perspective of the main character I was most hoping for (Myfanwy) does not even fill 10% of the story:
Me, at the end of the book being sad because I had hoped for so much more:
June 28, 2016
I really enjoyed this book, wanting to read the next few pages to see what other crazy and imaginative stuff O'Malley could concoct. The main story is a proposed merger of the British Checquy with their centuries-old rivals, the Dutch Grafters. Checquy Rook Myfanwy Thomas and Ernest Graaf van Suchtlen are leading the efforts but there is much acrimony, including bitter factions opposed to the alliance. The two main characters, are Odette, the many-great granddaughter of Ernest, and Pawn Felicity, who is assigned to be Odette's bodyguard. They are leery of each other, but become reluctant partners in battling several supernatural attacks strike in London. The monsters are wildly weird and great, as are the assassins and the extraordinary skills of both the Checquy and Grafters. I mean how can you not love an author using amazing contrived words, like badassitude and moronitude?
June 7, 2023
I really enjoyed it
January 15, 2017
3.5 stars rounded down
a decent follow up to the rook but the rook was exceptional and the second volume was just really good.
a decent follow up to the rook but the rook was exceptional and the second volume was just really good.
May 11, 2016
Ummmmm, something is really lost without Myfanway as the main character. The humor mostly. I was pretty bored a fair amount of the time sadly. We find out a lot about the Grafters and that's interesting, but the mystery is revealed too soon and then I just felt nothing :(.
Want to read
August 29, 2013"The Rook" was amazing, so I can't wait to read this.
October 28, 2022
So, take however much you liked The Rook, take off half a star, and that is how much you will like Stiletto.
The Good
First and foremost, O'Malley is a master of language, and of human observation. His tone reminds me of Terry Pratchett, a kind of sly, irreverent humor that teases humanity but nevertheless is basically good-natured and genial (Contrast Jonathan Howard, who also has a similar sense of humor, but is rather sharper about it).
Past that, O'Malley does plots and characterization both very well - his characters feel like real people with unreal abilities, and his plot has a nice mixture of action, intrigue, and so forth. The book is never boring. You always want to see what happens next, what happens to Felicity and Odette and Myfanwy. It's a genuine page-turner, which is not something I encounter all that much.
Finally, the setting is lots of fun. On one level, it's a standard "Masquerade, Secret Powers, CONSPIRACY!" setting, of the sort you see in virtually every other urban fantasy novel. But O'Malley details the Chequy and Grafters in a way that makes them feel interesting, the supernatural stuff is much weirder and more creative than you typically see, and O'Malley's own work in a major bureaucracy gives it a genuine touch.
The Bad
I'd say the biggest weakness is that it just doesn't have the emotional center of The Rook. This is the result of a couple of issues, I think. Primarily, it's because, the revelation is spread out - in the first book, the focus is exclusively on Myfanwy I and Myfanwy II, and the central question of amnesia is laid out from the very first pages. It is present in a serious way. Here, characterization is split between Felicity and Odette, with Myfanwy almost a third main character, and the emotional 'heart' of the book, is revealed only about the halfway point. The end result is that it doesn't have quite the same heft as in the first book. A related factor is that while Felicity and Odette are perfectly respectable characters, there isn't the sense of growing and coming to terms that you have with Myfanwy, who is an amazing character.
Some minor pet peeves...
-O'Malley loves his infodumps. I didn't mind them too much in The Rook, but they were more spread out there and a little better integrated into the narrative. Here there are probably actually fewer of them, but they all cluster together in one early section of the book and it can get a bit annoying.
-Pacing can be charitably described as 'leisurely.' A lot of stuff happens, but I feel that you could probably trim about a quarter of the book's length away without losing too much.
Conclusion
If The Rook was a five-star read, one of the best books I've read in recent years, then this is a very respectable four and a half. I respect the fact that O'Malley is trying to do something new, both with his characters (new characters, split perspectives) and with his themes (friendship as opposed to identity), and I respect the fact that he couldn't very well recreate The Rook perfectly, since that is not a plot that lends itself well to repetition.
The Good
First and foremost, O'Malley is a master of language, and of human observation. His tone reminds me of Terry Pratchett, a kind of sly, irreverent humor that teases humanity but nevertheless is basically good-natured and genial (Contrast Jonathan Howard, who also has a similar sense of humor, but is rather sharper about it).
Past that, O'Malley does plots and characterization both very well - his characters feel like real people with unreal abilities, and his plot has a nice mixture of action, intrigue, and so forth. The book is never boring. You always want to see what happens next, what happens to Felicity and Odette and Myfanwy. It's a genuine page-turner, which is not something I encounter all that much.
Finally, the setting is lots of fun. On one level, it's a standard "Masquerade, Secret Powers, CONSPIRACY!" setting, of the sort you see in virtually every other urban fantasy novel. But O'Malley details the Chequy and Grafters in a way that makes them feel interesting, the supernatural stuff is much weirder and more creative than you typically see, and O'Malley's own work in a major bureaucracy gives it a genuine touch.
The Bad
I'd say the biggest weakness is that it just doesn't have the emotional center of The Rook. This is the result of a couple of issues, I think. Primarily, it's because, the revelation is spread out - in the first book, the focus is exclusively on Myfanwy I and Myfanwy II, and the central question of amnesia is laid out from the very first pages. It is present in a serious way. Here, characterization is split between Felicity and Odette, with Myfanwy almost a third main character, and the emotional 'heart' of the book, is revealed only about the halfway point. The end result is that it doesn't have quite the same heft as in the first book. A related factor is that while Felicity and Odette are perfectly respectable characters, there isn't the sense of growing and coming to terms that you have with Myfanwy, who is an amazing character.
Some minor pet peeves...
-O'Malley loves his infodumps. I didn't mind them too much in The Rook, but they were more spread out there and a little better integrated into the narrative. Here there are probably actually fewer of them, but they all cluster together in one early section of the book and it can get a bit annoying.
-Pacing can be charitably described as 'leisurely.' A lot of stuff happens, but I feel that you could probably trim about a quarter of the book's length away without losing too much.
Conclusion
If The Rook was a five-star read, one of the best books I've read in recent years, then this is a very respectable four and a half. I respect the fact that O'Malley is trying to do something new, both with his characters (new characters, split perspectives) and with his themes (friendship as opposed to identity), and I respect the fact that he couldn't very well recreate The Rook perfectly, since that is not a plot that lends itself well to repetition.
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