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賲爻鬲丕噩乇
鬲賵倬賵乇 丿乇 丕乇賵倬丕 亘爻蹖丕乇 賲丨亘賵亘 丕爻鬲貙 丕賲丕 丿乇 賳賯丕胤 丿蹖诏乇 丿賳蹖丕 讴賲鬲乇 卮賳丕禺鬲賴 卮丿賴. 賵 丕蹖賳 丿乇 丨丕賱蹖 丕爻鬲 讴賴 亘賴 毓賳賵丕賳 蹖讴 賴賳乇賲賳丿 爻賳鬲鈥屫蹿┵嗀� 夭賲蹖賳賴鈥屬囏й屰� 讴賴 亘乇丕蹖 丕乇丕卅賴鈥屰� 丿蹖丿诏丕賴鈥屬囏й� 倬賵趩鈥屭必й屫з嗁団€屫ж� 丿乇亘丕乇賴鈥屰� 噩賴丕賳 亘乇诏夭蹖丿賴 亘賵丿 亘爻蹖丕乇 诏賵賳丕诏賵賳 亘賵丿賳丿: 诏乇丕賮蹖爻鬲貙 亘丕夭蹖诏乇貙 讴丕乇蹖讴丕鬲賵乇蹖爻鬲貙 賳賵蹖爻賳丿賴貙 卮丕毓乇貙 賳賲丕蹖卮鈥屬嗀з呝団€屬嗁堐屫池� 賮蹖賱賲鈥屫池ж�... 貨
丕賵 爻毓蹖 讴乇丿賴 亘賵丿 賮乇丕乇 讴賳丿貙 賴賲爻丕蹖賴鈥屬囏� 賴賲 賲鬲賯丕亘賱丕 丿爻鬲 亘賴 囟丿丨賲賱賴 夭丿賴 亘賵丿賳丿. 丌賳鈥屬囏� 亘乇丕蹖 乇爻蹖丿賳 亘賴 丕賴丿丕賮鈥屫簇з嗀� 鬲乇丿蹖丿蹖 丿乇 丿爻鬲 夭丿賳 亘賴 丕毓賲丕賱 禺卮賵賳鬲鈥屫①呟屫� 賳讴乇丿賴 亘賵丿賳丿. 鬲乇賱賵賮爻讴蹖 賴賲 趩賴 賲蹖鈥屫堌ж池� 賵 趩賴 賳賲蹖鈥屫堌ж池� 亘丕蹖丿 亘賴 爻蹖賲賵賳 卮賵賱 鬲亘丿蹖賱 賲蹖鈥屫簇�. 丌賳鈥屬囏� 诏夭蹖賳賴鈥屰� 丿蹖诏乇蹖 亘乇丕蹖卮 賳诏匕丕卮鬲賴 亘賵丿賳丿貨
丕賵 爻毓蹖 讴乇丿賴 亘賵丿 賮乇丕乇 讴賳丿貙 賴賲爻丕蹖賴鈥屬囏� 賴賲 賲鬲賯丕亘賱丕 丿爻鬲 亘賴 囟丿丨賲賱賴 夭丿賴 亘賵丿賳丿. 丌賳鈥屬囏� 亘乇丕蹖 乇爻蹖丿賳 亘賴 丕賴丿丕賮鈥屫簇з嗀� 鬲乇丿蹖丿蹖 丿乇 丿爻鬲 夭丿賳 亘賴 丕毓賲丕賱 禺卮賵賳鬲鈥屫①呟屫� 賳讴乇丿賴 亘賵丿賳丿. 鬲乇賱賵賮爻讴蹖 賴賲 趩賴 賲蹖鈥屫堌ж池� 賵 趩賴 賳賲蹖鈥屫堌ж池� 亘丕蹖丿 亘賴 爻蹖賲賵賳 卮賵賱 鬲亘丿蹖賱 賲蹖鈥屫簇�. 丌賳鈥屬囏� 诏夭蹖賳賴鈥屰� 丿蹖诏乇蹖 亘乇丕蹖卮 賳诏匕丕卮鬲賴 亘賵丿賳丿貨
202 pages, Paperback
First published January 1, 1964
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About the author
Roland Topor
147听books231听followersA French illustrator, painter, writer and filmmaker, known for the surreal nature of his work. He was of Polish Jewish origin and spent the early years of his life in Savoy where his family hid him from the Nazi peril.
Roland Topor wrote the novel The Tenant (Le Locataire chim茅rique, 1964), which was adapted to film by Roman Polanski in 1976. The Tenant is the story of a Parisian of Polish descent, who develops an obsession regarding what has happened to his apartment's previous tenant. It is a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves. The later novel Joko's Anniversary (1969), another fable about loss of identity, is a vicious satire on social conformity. Themes Topor returned to in his later novel Head-to-Toe Portrait of Suzanne (1978).
A new presentation of The Tenant by Roland Topor was released in October 2006. The book has Topor's original novel, a new introduction by Thomas Ligotti, a selection of short stories by Topor, a representation of Topor's artwork and an essay on the famous Roman Polanski film version. There is a working possibility of having Mr. Polanski write a new foreword to this edition.
In 2018, Atlas Press published Topor's Head-to-Toe Portrait of Suzanne, translated and introduced by Andrew Hodgson. It was the first of Topor's novels to enter English in nearly 50 years.
Roland Topor wrote the novel The Tenant (Le Locataire chim茅rique, 1964), which was adapted to film by Roman Polanski in 1976. The Tenant is the story of a Parisian of Polish descent, who develops an obsession regarding what has happened to his apartment's previous tenant. It is a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves. The later novel Joko's Anniversary (1969), another fable about loss of identity, is a vicious satire on social conformity. Themes Topor returned to in his later novel Head-to-Toe Portrait of Suzanne (1978).
A new presentation of The Tenant by Roland Topor was released in October 2006. The book has Topor's original novel, a new introduction by Thomas Ligotti, a selection of short stories by Topor, a representation of Topor's artwork and an essay on the famous Roman Polanski film version. There is a working possibility of having Mr. Polanski write a new foreword to this edition.
In 2018, Atlas Press published Topor's Head-to-Toe Portrait of Suzanne, translated and introduced by Andrew Hodgson. It was the first of Topor's novels to enter English in nearly 50 years.
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January 4, 2023
The Tenant is somewhere between and by and it is full of Kafkian anxieties and fears.
Instead of the sinister bureaucratic machine, there are wicked landlord and neighbours. And paranoia is capable to change anybody into anything.
The Tenant is a dark psychedelic trip into the depths of a sick human consciousness.
When one is mad, every monstrosity becomes real and a conspiracy theory starts working smoothly.
Instead of the sinister bureaucratic machine, there are wicked landlord and neighbours. And paranoia is capable to change anybody into anything.
鈥業 wonder what someone who could read my mind would think, if he were walking beside me now.鈥�
This was a question he often asked himself. Occasionally, he would even play at making up problems for the unknown mind reader to solve. He would say all kinds of things to him; sometimes telling him the truth about himself, and at other times just being crude and insulting. Then, as if he were talking on the telephone, he would pause suddenly in his narrative and listen for a reply. Quite obviously he never got one.
鈥楬e would probably think that I鈥檓 homosexual.鈥�
But he wasn鈥檛 homosexual, he didn鈥檛 have a sufficiently religious mind for that. Every homosexual is a sort of would-be Christ. And Christ, Trelkovsky thought, was a homosexual whose eyes were larger than his belly鈥檚 appetite. People like that simply wanted to bleed for humanity; it was nauseating.
鈥業 suppose I think that way because I am a man, after all. God knows what I might think if I had been born a woman鈥︹€�
The Tenant is a dark psychedelic trip into the depths of a sick human consciousness.
When one is mad, every monstrosity becomes real and a conspiracy theory starts working smoothly.
September 11, 2021
Le Locataire Chim茅rique = The Tenant, Roland Topor
The Tenant is a novel by Roland Topor, a French illustrator, painter, writer and filmmaker. Originally published in France in 1964.
The Tenant is the story of a Parisian of Polish descent, an exploration of alienation and identity, asking questions about how we define ourselves.
A film was made after the book by Roman Polanski in 1976.
The Tenant chronicles a harrowing, fascinating descent into madness as the pathologi-cally alienated Trelkovsky is subsumed into Simone Choule, an enigmatic suicide whose presence saturates his new apartment. More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 04/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 19/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The Tenant is a novel by Roland Topor, a French illustrator, painter, writer and filmmaker. Originally published in France in 1964.
The Tenant is the story of a Parisian of Polish descent, an exploration of alienation and identity, asking questions about how we define ourselves.
A film was made after the book by Roman Polanski in 1976.
The Tenant chronicles a harrowing, fascinating descent into madness as the pathologi-cally alienated Trelkovsky is subsumed into Simone Choule, an enigmatic suicide whose presence saturates his new apartment. More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 爻賵賲 賲丕賴 賮賵乇蹖賴 爻丕賱 2008賲蹖賱丕丿蹖
毓賳賵丕賳: 賲爻鬲丕噩乇貨 賳賵蹖爻賳丿賴: 乇賵賱丕賳 鬲賵倬賵乇貨 賲鬲乇噩賲: 讴賵乇卮 爻賱蹖賲 夭丕丿賴貨 賲卮禺氐丕鬲 賳卮乇: 鬲賴乇丕賳貙 趩卮賲賴貙 1387貙 丿乇 202氐貙 趩丕倬 賳禺爻鬲 夭賲爻鬲丕賳 1386貙 卮丕亘讴 0789643623370貨 丕蹖賳 賳爻禺賴 丕夭 鬲乇噩賲賴 丕賳诏賱蹖爻蹖 讴鬲丕亘 亘乇诏乇丿丕賳 卮丿賴 丕爻鬲貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 20賲
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 04/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 19/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
March 4, 2025
The Tenant ( Le Locataire chim茅rique): Roland Topor transports us into the macabre word of Kafkaesque surrealism: In an apartment of almost blas茅 desolation, the neighbours are looming, and Trelkovsky 鈥渢he tenant鈥� is in distress. A perpetual visceral ordeal is shaking Trelkovsky鈥檚 tranquillity, driving him mental. 鈥淭HEY鈥� are watching! 鈥淭HEY鈥� want him - 鈥淭HEY鈥� want to transform him > Enter the void of insanity: The reality indistinguishable of the nightmare, his senses out of step with his body, and the Metamorphosis is complete.
鈥淚llusion had no place in the dark plot in which he had been assigned the role of the victim.鈥�
A beautifully claustrophobic and disturbing novel with an equally wicked and bleak adaptation to a movie by Roman Polanski (The Tenant 1976, part of the Apartment Trilogy). Under the fa莽ade of horror, the novel covers various themes, including isolation, social assimilation, alienation, sexual frustration, and delves into the feelings of guilt, loss of identity and failure.
鈥淚 am not asking you to like me , but at least do me the kindness of despising me enough to ignore me鈥�.
4.5/5
鈥淚llusion had no place in the dark plot in which he had been assigned the role of the victim.鈥�
A beautifully claustrophobic and disturbing novel with an equally wicked and bleak adaptation to a movie by Roman Polanski (The Tenant 1976, part of the Apartment Trilogy). Under the fa莽ade of horror, the novel covers various themes, including isolation, social assimilation, alienation, sexual frustration, and delves into the feelings of guilt, loss of identity and failure.
鈥淚 am not asking you to like me , but at least do me the kindness of despising me enough to ignore me鈥�.
4.5/5
November 23, 2018
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賵 賲爻鬲丕噩乇 丿賯蹖賯丕 趩賳蹖賳 讴鬲丕亘蹖 爻鬲貙 賳丕禺賵丕賳丿賴 賵 賳丕诏賴丕賳蹖 趩賵賳 倬鬲讴蹖 亘乇 爻乇 賲禺丕胤亘 賮乇賵 賲蹖 丌蹖丿 賵 丕賵 乇丕 丿趩丕乇 鬲賳卮 賵 賵丨卮鬲 賲蹖 讴賳丿. 賵丨卮鬲蹖 讴賴 賳賴 亘賴 爻亘亘 倬丕蹖丕賳 禺賵賳蹖賳 賵 毓噩蹖亘 丿丕爻鬲丕賳貙 亘賱讴賴 賳丕卮蹖 丕夭 乇賵亘乇賵 卮丿賳 亘丕 鬲丕乇蹖讴 鬲乇蹖賳 噩賳亘賴 賴丕蹖 匕賴賳 賵 乇賵丕賳 禺賵丿 丕爻鬲. 禺賵丕賳賳丿賴 禺賵丿 乇丕 賲蹖 亘蹖賳丿貙 丿乇 賲丨丕氐乇賴 賵 賲爻鬲丕氐賱. 賲爻鬲丕噩乇 賳賵卮鬲賴 卮丿賴 鬲丕 亘賴 賲禺丕胤亘 亘诏賵蹖丿 亘夭乇诏鬲乇蹖賳 丿卮賲賳 丕賳爻丕賳 賳賴 丿乇 亘蹖乇賵賳貙 亘賱讴賴 丿乇 丿乇賵賳 禺賵丿卮 丕爻鬲. 丕賳爻丕賳 丿卮賲賳 禺賵蹖卮 丕爻鬲貙 丕蹖賳 鬲賲丕賲 倬蹖丕賲 丿丕爻鬲丕賳 丕爻鬲. 賱丕夭賲 賳蹖爻鬲 賳賯丕胤 賲卮鬲乇讴 禺丕氐蹖 亘丕 卮禺氐蹖鬲 丕賵賱 丿丕爻鬲丕賳 丿丕卮鬲賴 亘丕卮蹖賲 鬲丕 鬲乇爻 亘乇 賲丕 睾賱亘賴 讴賳丿. 賴賲蹖賳 讴賴 丿乇 禺賱賵鬲 亘丕 禺賵丿 賮讴乇 讴賳蹖賲 丕蹖賳 夭賳丿诏蹖 賮毓賱蹖 賲鬲毓賱賯 亘賴 賲丕 賳蹖爻鬲 賵 賲丕 丿乇 噩丕蹖蹖 亘賴 賳丨賵蹖 夭賳丿诏蹖 賲蹖 讴賳蹖賲 讴賴 賲鬲毓賱賯 亘賴 賲丕 賵 亘丕亘 賲蹖賱 賲丕 賳蹖爻鬲 讴賮丕蹖鬲 賲蹖 讴賳丿
(賴卮丿丕乇: 丕丿丕賲賴 賲鬲賳 卮丕賲賱 丕爻倬賵蹖賱乇)
賵 丕賲丕 丿丕爻鬲丕賳. 賲爻鬲丕噩乇 卮乇賵毓蹖 亘爻蹖丕乇 毓丕丿蹖 賵 丨鬲蹖 讴爻賱 讴賳賳丿賴 丿丕乇丿. 蹖讴 讴丕乇賲賳丿 爻丕丿賴 讴賴 賯氐丿 丕噩丕乇賴 蹖讴 丌倬丕乇鬲賲丕賳 讴賴賳賴 賵 賯丿蹖賲蹖 乇丕 丿丕乇丿 賵 鬲賲丕賲 賲丕噩乇丕 鬲丕 倬丕蹖丕賳 丿丕爻鬲丕賳 丨賵賱 賴賲蹖賳 丌倬丕乇丕鬲賲丕賳 賲蹖 趩乇禺丿貙 鬲丕 噩丕蹖蹖 讴賴 禺賵丕賳賳丿賴 丿乇 丕亘鬲丿丕蹖 讴鬲丕亘 丕夭 丕蹖賳鈥屬囐呝� 鬲丕讴蹖丿 賲丨賵乇蹖 亘乇 丌倬丕乇鬲丕賳 賲鬲毓噩亘 賲蹖 卮賵丿 (禺亘 讴賴 趩賴責 丕蹖賳 爻賵丕賱蹖 爻鬲 讴賴 禺賵丕賳賳丿賴 丿乇 倬丕蹖丕賳 讴鬲丕亘 賳賴 鬲賳賴丕 噩賵丕亘 丌賳 乇丕 诏乇賮鬲賴貙 亘賱讴賴 丌賳 乇丕 爻賵丕賱 賲賴賲賱 賵 亘蹖 丕爻丕爻蹖 賲蹖 亘蹖賳丿. 亘毓丿賴丕 亘丕 爻丕禺鬲賳 賮蹖賱賲 丕賯鬲亘丕爻蹖 丕夭 丿丕爻鬲丕賳貙 賳賯卮 丌倬丕乇鬲賲丕賳 賲卮禺氐 鬲乇 卮丿: 丌倬丕乇鬲賲丕賳 乇丕 賲蹖 鬲賵丕賳 蹖讴 卮禺氐蹖鬲 丿乇 丿丕爻鬲丕賳 丿乇 賳馗乇 诏乇賮鬲 讴賴 丿爻鬲 讴賲蹖 丕夭 賳賯卮 鬲乇賱讴賵賮爻讴蹖 丿乇 倬蹖卮鈥屫ㄘ必� 丿丕爻鬲丕賳 賳丿丕乇丿). 丕蹖賳 蹖讴賳賵丕禺鬲蹖 鬲丕 賲蹖丕賳賴 讴鬲丕亘 丕丿丕賲賴 丿丕乇丿 賵 丿丕爻鬲丕賳 丕夭 丌賳噩丕 丕賵噩 賲蹖 诏蹖乇丿貙 鬲丕 丕蹖賳噩丕蹖 讴丕乇 賳賵蹖爻賳丿賴 賲卮睾賵賱 丌賲丕丿賴 爻丕夭蹖 夭賲蹖賳賴 丕鬲賮丕賯丕鬲 亘毓丿蹖 讴鬲丕亘 丕爻鬲: 卮禺氐蹖鬲 鬲乇賱讴賵賮爻讴蹖 賵 丿蹖诏乇 爻丕讴賳蹖賳 丌倬丕乇鬲賲丕賳 鬲丕 丨丿蹖 噩丕 丕賮鬲丕丿賴 賵 賲禺丕胤亘 亘乇丕蹖 賴賲丿乇丿蹖 賵 賮乇丕鬲乇 丕夭 丌賳 賴賲丿賱蹖 丿乇丿賳丕讴 丌賲丕丿賴 诏卮鬲賴 丕爻鬲. 賲爻禺 鬲乇賱讴賵賮爻讴蹖貙 賴乇趩賳丿 讴賴 丕夭 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 賵 丨鬲蹖 倬蹖卮 丕夭 乇賵亘乇賵 卮丿賳 亘丕 爻蹖賲蹖賳 卮賵賱 賴賳诏丕賲 乇賵亘乇賵 卮丿賳 亘丕 賲爻鬲禺丿賲 丌倬丕乇丕鬲賲丕賳 丌睾丕夭 诏卮鬲賴貙 丿乇 丕蹖賳 賳賯胤賴 丿乇 賮囟丕蹖蹖 爻賵乇卅丕賱 亘丕 鬲賵胤卅賴 爻丕讴賳蹖賳 丌倬丕乇丕鬲賲丕賳 毓賱蹖賴 鬲乇賱讴賵賮爻讴蹖 亘賴 賲乇丨賱賴 鬲丕夭賴 丕蹖 賲蹖 乇爻丿. 噩賳诏蹖 鬲賲丕賲 毓蹖丕乇 丿乇 丌倬丕乇鬲賲丕賳 丿乇 丨丕賱 卮讴賱鈥屭屫臂� 爻鬲 賵 賴乇趩賴 亘賴 倬丕蹖丕賳 讴鬲丕亘 賳夭丿蹖讴 鬲乇 賲蹖 卮賵蹖賲貙 丕蹖賳 賲亘丕乇夭賴 卮丿鬲 亘蹖卮鬲乇蹖 賲蹖 诏蹖乇丿. 賵賱蹖 丌蹖丕 丨賯蹖賯鬲 賲丕噩乇丕 丌賳胤賵乇 丕爻鬲 讴賴 亘賴 賳馗乇 賲蹖 乇爻丿責 丌賳趩賴 亘乇 爻乇 鬲乇賱讴賵賮爻讴蹖 賲蹖 丌蹖丿貙 亘爻鬲賴 亘賴 賳诏丕賴 賵 夭丕賵蹖賴 丿蹖丿 禺賵丕賳賳丿賴 賲蹖 鬲賵丕賳丿 讴丕賲賱丕 賲鬲賮丕賵鬲 亘丕卮丿 賵 丕蹖賳 讴賱蹖丿蹖 鬲乇蹖賳 賳讴鬲賴 丿乇 賮賴賲 丿丕爻鬲丕賳 丕爻鬲. 丿乇 賲賯丕賱丕鬲蹖 讴賴 丿乇 賲賵乇丿 丕蹖賳 讴鬲丕亘 (賵 賮蹖賱賲) 賳賵卮鬲賴 卮丿賴貙 毓丿賴 丕蹖 丌倬丕乇鬲賲丕賳 乇丕 賳賲丕丿 噩丕賲毓賴 丌賲乇蹖讴丕 賲蹖 丿丕賳賳丿 蹖丕 賳賲丕丿 毓乇賮 賵 賯賵丕賳蹖賳 丿爻鬲 賵 倬丕诏蹖乇 讴賴 丿乇 賳賴丕蹖鬲 亘賴 賲爻禺 賮乇丿 賲賳噩乇 賲蹖 卮賵丿. 丕蹖賳 丿蹖丿诏丕賴 丿乇亘丕乇賴 丿丕爻鬲丕賳 賴乇趩賳丿 禺丕賱蹖 丕夭 賵丕賯毓蹖鬲 賳蹖爻鬲貙 丕賲丕 賳賲蹖 鬲賵丕賳丿 讴丕賲賱丕 丿乇爻鬲 亘丕卮丿. 丿乇 丿丕爻鬲丕賳 丌倬丕乇鬲賲丕賳 趩蹖夭蹖 爻乇 噩丕蹖 禺賵丿 賳蹖爻鬲 讴賴 賳賲蹖 鬲賵丕賳 丌賳 乇丕 氐乇賮丕 亘賴 乇賮鬲丕乇 賴賲丕爻丕蹖賴 賴丕 賳爻亘鬲 丿丕丿. 賴賲賴 趩蹖夭 亘賴 賳賯胤賴 氐賮乇貙 亘賴 鬲乇賱讴賵賮爻讴蹖 亘丕夭 賲蹖 诏乇丿丿. 卮禺氐蹖鬲蹖 囟毓蹖賮貙 鬲乇爻賵 賵 丿乇睾诏賵 讴賴 丕夭 丿乇賵睾 诏賮鬲賳鈥屬囏й� 倬蹖鈥屫扁€屬聚� 亘乇丕蹖 丨賮丕馗鬲 禺賵丿 丕爻鬲賮丕丿賴 賲蹖 讴賳丿. 丿乇賵睾 賴丕蹖 鬲乇賱讴賵賮爻讴蹖 乇丕 丿乇 爻乇鬲丕爻乇 丿丕爻鬲丕賳 賲蹖 鬲賵丕賳 丿蹖丿. 賳讴鬲賴 讴賱蹖丿蹖 丿乇 丿乇讴 賲爻鬲丕噩乇 丕蹖賳 丕爻鬲 讴賴 賴乇趩賳丿 馗丕賴乇丕 蹖讴 乇丕賵蹖 爻賵賲 卮禺氐 丕爻鬲貙 丕賲丕 夭丕賵蹖賴 丿蹖丿貙 丕夭 匕賴賳 鬲乇賱讴賵賮爻讴蹖 爻鬲貙 蹖讴 丕賵賱 卮禺氐 倬賳賴丕賳. 丿乇 丕蹖賳 氐賵乇鬲 丕夭 讴噩丕 賲毓賱賵賲 讴賴 鬲賲丕賲 丿丕爻鬲丕賳 蹖讴 丿乇賵睾 丿蹖诏乇 丕夭 鬲乇賱讴賵賮爻讴蹖 亘乇丕蹖 鬲賵噩蹖賴 賯囟丕蹖丕蹖 倬丕蹖丕賳蹖 賳亘丕卮丿責 賱丕夭賲 賳蹖爻鬲 禺蹖賱蹖 丿乇 丿丕爻鬲丕賳 倬蹖卮 亘乇賵蹖賲 鬲丕 亘賮賴賲蹖賲 鬲乇賱讴賵賮爻讴蹖 蹖讴 卮禺氐蹖鬲 卮蹖夭賵賮乇賳蹖讴 丕爻鬲貙 蹖讴 爻丕讴賵鬲蹖賵 倬爻蹖賵 讴賴 丕賱亘鬲賴 亘賴 馗丕賴乇 亘乇丕蹖 讴爻蹖 噩夭 禺賵丿卮 囟乇乇 賵 丌爻蹖亘蹖 賳丿丕乇丿. 卮丕蹖丿 丿丕爻鬲丕賳 丕夭 賲蹖丕賳賴 鬲賳賴丕 趩卮賲鈥屫з嗀ж� 匕賴賳蹖 蹖讴 亘蹖锟斤拷丕乇 丕爻讴蹖夭賵賮乇賳蹖讴 亘丕卮丿 賵 賳賴 丌賳趩賴 賵丕賯毓丕 乇禺 丿丕丿賴. 亘賴 趩賴 丿賱蹖賱 賳亘丕蹖丿 亘賴 丿賲鈥屫池� 鬲乇蹖賳 賵 爻丕丿賴 鬲乇蹖賳 亘乇丿丕卮鬲鈥屬囏� 丕夭 丕蹖賳 丿丕爻鬲丕賳 卮讴 讴賳蹖賲責
倬爻 丕夭 丕賵賱蹖賳 丿乇诏蹖乇蹖 亘丕 賴賲爻丕蹖賴鈥屬囏ж� 倬蹖賵賳丿賴丕蹖 鬲乇賱讴賵賮爻讴蹖 亘丕 禺丕胤乇丕鬲貙 丿賵爻鬲丕賳貙 诏匕卮鬲賴鈥� 賵 賴乇趩蹖夭蹖 讴賴 亘賴 賴賵蹖鬲卮 卮讴賱 賲蹖 丿賴丿 蹖讴 蹖賴 亘讴 丕夭 賲蹖丕賳 賲蹖鈥屫辟堌� (丕亘鬲丿丕 趩賲丿丕賳卮 丿夭丿蹖丿賴 賲蹖 卮賵丿貙 爻倬爻 丿賵爻鬲丕賳卮 乇丕 亘蹖乇賵賳 賲蹖 讴賳丿). 丕夭 丕蹖賳 倬爻 丕賵 賴賲賴 乇丕 亘賴 趩卮賲 丿卮賲賳 賲蹖 亘蹖賳丿貙 鬲氐賵乇 賲蹖 讴賳丿 賴賲賴 賴賲鈥屫池� 讴乇丿賴 丕賳丿 鬲丕 丕賵 乇丕 亘丿爻鬲 禺賵丿卮 亘賴 賯鬲賱 亘乇爻丕賳賳丿. 丕蹖賳 亘蹖鈥屬囐堐屫� 丿乇 賳賴丕蹖鬲 丕賵 乇丕 亘賴 亘蹖诏丕賳诏蹖 亘丕 禺賵丿 賲蹖 讴卮丕賳丿貙 丕賳爻丕賳蹖 賮丕賯丿 禺賵蹖卮鬲賳. 趩蹖夭蹖 讴賴 诏賵蹖蹖 賯乇丕乇 亘賵丿 丕夭 丕賵賱 丿丕爻鬲丕賳 丕鬲賮丕賯 亘蹖賮鬲賳丿. 蹖讴 丌賵丕乇賴鈥屰� 亘蹖 禺丕賳賲丕賳 讴賴 禺丕賳賴 亘賴 禺丕賳賴 丿乇噩爻鬲噩賵蹖 爻乇倬賳丕賴 丕爻鬲 賳賲蹖 鬲賵丕賳丿 賳賲丕丿蹖 丕夭 蹖诏 亘蹖诏丕賳賴 丿乇 丕噩鬲賲丕毓 亘丕卮丿責 賵 毓賳賵丕賳 讴鬲丕亘貙 賲爻鬲丕噩乇 - 讴爻蹖 讴賴 丿乇 噩丕蹖蹖 讴賴 丕夭 丌賳 禺賵丿卮 賳蹖爻鬲 爻丕讴賳 丕爻鬲 - 賳賵蹖丿亘禺卮 丕夭 禺賵丿 亘蹖诏丕賳诏蹖 賳蹖爻鬲責 丕蹖賳 亘蹖诏丕賳诏蹖 鬲賲丕賲 毓蹖丕乇 丕夭 夭亘丕賳 禺賵丿 鬲乇賱讴賵賮爻讴蹖 賴賲 亘賴 氐乇丕丨鬲 亘蹖丕賳 賲蹖 卮賵丿貙 丌賳噩丕 讴賴 賳胤賯蹖 丿乇亘丕乇賴 丕乇鬲亘丕胤 賵 賳爻亘鬲 賲蹖丕賳 丕噩夭丕蹖 亘丿賳 賵 丿乇 賳賴丕蹖鬲 爻乇 賲蹖 讴賳丿. 亘乇丕蹖 丕賵 丕賳丿讴蹖 鬲賳賴丕蹖蹖 亘丕 讴丕亘賵爻鈥屬囏й� 卮禺氐蹖 丕卮 - 胤乇丿 卮丿賳貙 賳丕禺賵丕賳丿賴 亘賵丿賳 賵 毓丿賲 鬲毓賱賯 亘賴 噩丕賲毓賴 - 讴丕賮蹖 爻鬲 鬲丕 亘賴 毓乇賵爻讴蹖 鬲亘丿蹖賱 卮賵丿 鬲丨鬲 賴丿丕蹖鬲 賳蹖乇賵賴丕蹖 賲鬲禺丕氐賲 丿乇賵賳蹖. 鬲乇賱讴賵賮爻讴蹖 乇丕賳丿賴 卮丿賴 亘賴 丿賳蹖丕蹖 匕賴賳蹖 禺賵丿 倬賳丕賴 賲蹖 亘乇丿貙 噩丕蹖蹖 讴賴 賴乇趩賳丿 噩賴賳賲蹖貙 丕賲丕 賲鬲毓賱賯 亘賴 禺賵丿 丕賵爻鬲. 鬲賱丕卮鈥屬囏й� 卮亘丨 亘丕賯蹖 賲丕賳丿賴 丕夭 鬲乇賱讴賵賮爻讴蹖 亘乇丕蹖 亘乇诏卮鬲 亘賴 禺賵蹖卮 亘賴 蹖讴蹖 倬爻 丕夭 丿蹖诏乇蹖 亘賴 卮讴爻鬲 賲賳噩乇 賲蹖 卮賵丿 賵 亘丕 賴乇 鬲賱丕卮 賵 卮讴爻鬲 亘蹖卮鬲乇 丿趩丕乇 毓丿賲 賲丕賴蹖鬲 賵 賵噩賵丿 賲蹖 诏乇丿丿. 亘蹖丿丕乇 卮丿賳 鬲乇賱讴賵賮爻讴蹖 睾乇賯 丿乇 禺賵賳 丿乇 鬲禺鬲 禺賵丕亘貙 卮讴爻鬲 讴丕賲賱 鬲乇賱讴賵賮爻讴蹖 爻鬲. 卮禺氐蹖鬲 丕賵 丿乇 賲乇丨賱賴 賲爻禺 讴丕賲賱 丕爻鬲. 卮乇丕蹖胤 乇丕 倬匕蹖乇賮鬲賴 賵 丿蹖诏乇 丿賳亘丕賱 丿賱蹖賱 賵 丕孬亘丕鬲 鬲賵胤卅賴 賳蹖爻鬲. 蹖讴乇丕爻鬲 亘賴 爻乇丕睾 丿賳丿丕賳 爻蹖賲賵賳 卮賵賱 賲蹖 乇賵丿 賵 丿賳丿丕賳 禺賵丿卮 乇丕 賴賲 丿乇 讴賳丕乇 丌賳 倬蹖丿丕 賲蹖 讴賳丿. 亘丕夭 賲蹖 鬲賵丕賳蹖賲 亘賴 讴賱蹖鬲 丿丕爻鬲丕賳 卮讴 讴賳蹖賲 賵 亘賴 賳賯胤賴 丌睾丕夭蹖賳 丿乇 亘蹖賲丕乇爻鬲丕賳 賵 噩蹖睾 爻蹖賲賵賳 卮賵賱 亘乇诏乇丿蹖賲. 丌蹖丕 丿乇 丌賳 賱丨馗賴 乇賵丨 爻蹖賲賵賳 卮賵賱 丿乇 鬲乇賱讴賵賮爻讴蹖 丨賱賵賱 讴乇丿賴 亘賵丿責 丕蹖賳 賴賲 賮乇囟蹖賴 丕蹖 爻鬲 噩丕賱亘 丕賲丕 睾蹖乇賲賲讴賳. 丿丕爻鬲丕賳 賲爻鬲丕噩乇 賲乇丕 蹖丕丿 賮蹖賱賲 丿乇禺卮卮 丕爻鬲賳賱蹖 讴賵亘乇蹖讴貙 賴賲鈥屭権з嗀� 亘丕 丿丕爻鬲丕賳 (賵 賮蹖賱賲) 賲爻鬲丕噩乇 賲蹖 丕賳丿丕夭丿. 丿乇 丿乇禺卮卮 亘丕 氐丨賳賴 賴丕蹖蹖 馗丕賴乇丕 丕卮鬲亘丕賴 賵 亘蹖 丕乇鬲亘丕胤 乇賵亘乇賵 賲蹖 卮賵蹖賲: 鬲賵倬蹖 讴賴 賳丕诏賴丕賳 亘賴 氐丨賳賴 賲蹖 睾賱鬲丿 蹖丕 爻丕蹖賴 賴賱蹖讴賵倬鬲乇蹖 讴賴 讴賳丕乇 賲丕卮蹖賳 噩讴 鬲賵乇賳爻 賲蹖 丕賮鬲丿. 丌賳噩丕 讴賵亘乇蹖讴 亘丕 丕蹖賳 卮蹖賵賴 鬲賱丕卮 讴乇丿賴 讴賴 噩賱賵蹖 賲蹖賱 賲禺丕胤亘 亘乇丕蹖 乇亘胤 丿丕丿賳 丿丕爻鬲丕賳 亘賴 賳蹖乇賵賴丕蹖 賲丕賵乇丕蹖蹖 乇丕 亘诏蹖乇丿 賵 亘诏賵蹖丿 丕蹖賳 丿丕爻鬲丕賳 丕賳爻丕賳 丕爻鬲貙 賮賯胤 丕賳爻丕賳. 丿乇 賲爻鬲丕噩乇 賴賲 賮賯胤 丕賳爻丕賳 丕爻鬲 賵 賳賴 賴蹖趩 賳蹖乇賵蹖 賲丕賵乇丕蹖蹖. 亘賳丕亘乇丕蹖賳 賯囟蹖賴 丨賱賵賱 乇賵丨 讴丕賲賱丕 賲賳鬲賮蹖 爻鬲. 賲賱丕賯丕鬲 賵 噩蹖睾 爻蹖賲賵賳 卮賵賱 诏乇賴 丕蹖 丕爻鬲 讴賴 鬲賳賴丕 丿乇 倬丕蹖丕賳 丿丕爻鬲丕賳 亘丕夭 賲蹖 卮賵丿
丕夭 丿爻鬲 丿丕丿賳 丿賳丿丕賳 賳卮丕賳 丕夭 爻賯賵胤 賵 丕賳丨胤丕胤 讴丕賲賱 卮禺氐蹖鬲 丕賵 丿丕乇丿 賵 丕蹖賳 亘丕 倬賵卮蹖丿賳 賱亘丕爻鈥屬囏й� 爻蹖賲賵賳 卮賵賱 賴賲乇丕賴 丕爻鬲. 賯賵丕蹖 匕賴賳蹖 丕卮 丿乇 鬲賱丕卮 丕爻鬲 鬲丕 卮禺氐蹖鬲蹖 孬丕賳賵蹖 亘禺賵丿 亘诏蹖乇丿. 丕賵 賵丕乇丿 毓乇氐賴 禺蹖丕賱 賲蹖 卮賵丿 賵 夭賲丕賳 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿貙 丕賵 鬲丕 倬丕蹖丕賳 丿丕爻鬲丕賳 丕夭 丌賳趩賴 賵丕賯毓丕 乇禺 賲蹖 丿賴丿 氐丕丿賯丕賳賴 亘蹖 丕胤賱丕毓 爻鬲. 鬲亘丿蹖賱 卮禺氐蹖鬲 鬲乇賱讴賵賮爻讴蹖 亘賴 卮賵賱 亘丕 卮亘蹖賴 爻丕夭蹖 賲乇诏 卮賵賱 賵 賳賮蹖 禺賵丿 亘丕 禺賵丿讴卮蹖 亘賴 爻乇丕賳噩丕賲 賲蹖 乇爻丿. 丿丕爻鬲丕賳 亘丕 亘乇诏卮鬲 亘賴 氐丨賳賴 丕亘鬲丿丕蹖蹖 讴鬲丕亘 丕賲丕 丕夭 夭丕賵蹖賴 丕蹖 丿蹖诏乇 亘賴 倬丕蹖丕賳 賲蹖 乇爻丿: 丕夭 趩卮賲 賴丕蹖 鬲乇賱讴賵賮爻讴蹖/爻蹖賲賵賳 卮賵賱. 丕蹖賳 氐丨賳賴貙 賮乇囟蹖賴 乇賵丕蹖鬲 匕賴賳蹖 亘賵丿賳 丿丕爻鬲丕賳 乇丕 鬲丕蹖蹖丿 賵 鬲賲丕賲 丕亘賴丕賲丕鬲 賲丕噩乇丕 乇丕 乇賵卮賳 賲蹖 讴賳丿
賮蹖賱賲
賮乇囟 讴賳蹖賲 賲蹖 禺賵丕賴蹖賲 賮蹖賱賲蹖 丕賯鬲亘丕爻蹖 丕夭 丌倬丕乇鬲賲丕賳 亘爻丕夭蹖賲. 趩賴 讴丕乇诏乇丿丕賳蹖 乇丕 丕賳鬲禺丕亘 讴賳蹖賲責 趩賳蹖賳 丿丕爻鬲丕賳蹖 亘乇丕蹖 鬲亘丿蹖賱 卮丿賳 亘賴 賮蹖賱賲貙 讴丕乇诏乇丿丕賳蹖 趩賵賳 倬賵賱賳爻讴蹖 乇丕 賲蹖 胤賱亘丿: 丕爻鬲丕丿 鬲賲丕賲 毓蹖丕乇 爻蹖賳賲丕蹖 賵丨卮鬲 賲丿乇賳貙 爻蹖賳賲丕蹖 卮蹖夭賵賮乇賳蹖讴. 丕賵 丿乇 賮蹖賱賲鈥屬囏й屫� 倬丕乇丕賳賵蹖丕貙 丕囟賲丨賱丕賱 毓賯賱貙 賴匕蹖丕鬲貙 噩賳賵賳 賵 丿乇 賳賴丕蹖鬲 賯鬲賱 乇丕 亘丕 丕爻賱賵亘 賴蹖趩讴丕讴 丿乇 賯丕賱亘 賲丕乇讴蹖 丿賵爻丕丿蹖 亘賴 禺賵乇丿 亘蹖賳賳丿賴 賲蹖 丿賴丿. 趩蹖夭賴丕蹖蹖 讴賴 鬲賲丕賲丕 丿乇 丿丕爻鬲丕賳 賲爻鬲丕噩乇 賴賲 賵噩賵丿 丿丕乇丿. 鬲讴賱蹖賮 賮蹖賱賲鈥屬嗀з呝� 賵 讴丕乇诏乇丿丕賳 賲卮禺氐 卮丿 賵 亘丕夭蹖诏乇 賳賯卮 丕賵賱責 亘丕夭 趩賴 讴爻蹖 亘賴鬲乇 丕夭 倬賵賱賳爻讴蹖 丿乇 賳賯卮 鬲乇賱讴賵賮爻讴蹖責 亘丕 丌賳 夭賳丿诏蹖 鬲乇丕跇蹖讴 卮禺氐蹖 賵 鬲噩乇亘賴 噩賳丕蹖鬲 賲賳爻賵賳鈥屬囏ж� 蹖讴 賮乇丕乇蹖 賵 亘蹖诏丕賳賴 丿乇 倬丕乇蹖爻.賮蹖賱賲 賲爻鬲丕噩乇 乇丕 亘賴 丕賳丿丕夭賴 讴鬲丕亘(賵 賳賴 亘蹖卮鬲乇) 丿賵爻鬲 丿丕卮鬲賲貙 丕亘賴丕賲卮 讴賲鬲乇 賵賱蹖 賵丨卮鬲鈥屫①堌� 鬲乇 亘賵丿. 鬲賲丕賲 毓賳丕氐乇 囟乇賵乇蹖 丿丕爻鬲丕賳 丕氐賱蹖 賴賲 丿乇 賮蹖賱賲 倬賵賱賳爻讴蹖 乇毓丕蹖鬲 卮丿賴 亘賵丿: 賲丨賵乇蹖 亘賵丿賳 丌倬丕乇鬲賲丕賳貙 丿乇 賴賲 鬲賳蹖丿賴 卮丿賳 乇卅丕賱 賵 賮丕賳鬲夭蹖貙 胤亘蹖毓蹖 賵 賲丕賵乇丕貙 毓賯賱 賵 噩賳賵賳. 賮蹖賱賲 賲丕賳賳丿 丿丕爻鬲丕賳 鬲賵丕賳丕蹖蹖 鬲毓賱蹖賯 亘蹖賳賳丿賴 丿乇 賴賵賱 乇丕 丿丕卮鬲貙 丕賲丕 丿乇 賴賳诏丕賲 噩丕亘噩丕蹖蹖 夭丕賵蹖賴 丿蹖丿 (丕夭 賲蹖丕賳賴 賮蹖賱賲) 賲丕噩乇丕蹖 丿丕爻鬲丕賳 賵 卮蹖夭賵賮乇賳蹖讴 亘賵丿賳卮 乇賵 賱賵 丿丕丿
賳賲丕蹖卮
賮蹖賱賲 賲爻鬲丕噩乇 乇丕 賲丿鬲鈥屬囏� 倬蹖卮 丿蹖丿賴 亘賵丿賲貙 亘丕 賮丕氐賱賴 丕賳丿讴蹖 丕夭 禺賵丕賳丿賳 讴鬲丕亘貙 賳賲丕蹖卮 丕賯鬲亘丕爻蹖 賲爻鬲丕噩乇(亘賴 讴丕乇诏乇丿丕賳蹖 爻鬲丕乇賴 丕賲蹖賳蹖丕賳) 乇丕 賴賲 丿蹖丿賲. 鬲賵丕賱蹖 賮蹖賱賲 - 丿丕爻鬲丕賳 - 賳賲丕蹖卮鈥� 鬲噩乇亘賴 禺賵亘蹖 亘賵丿 賵 亘噩夭 丨馗賾 賮乇丕賵丕賳貙 亘賴 丕孬乇诏匕丕乇蹖 丨丿丕讴孬乇蹖 (乇賵亘乇賵 卮丿賳 亘丕 鬲乇爻鈥� 丿乇賵賳蹖 禺賵丿賲) 賴賲 賲賳噩乇 卮丿
August 7, 2019
Although Topor falls a little short of the existential horror of Kafka and Bruno Schulz, he surpasses them both in misanthrope and menace without ever departing-except for what are probably Trelkovsky's hallucinations--from realistic fiction.
It is as good as the movie, and in my opinion that is high praise indeed. (Note: the book concludes with a bonus of four short pieces. "A Fairy Story" is particularly nasty, and not to be missed.)
March 13, 2025
IL PEGGIORE DEI MONDI POSSIBILI
Firenze, 1976. Non ricordo il mese. Ma ricordo ancora bene lo stato in cui ero a fine film: Polanski mi aveva letteralmente condotto in un鈥檃ltra dimensione. Uscito dal cinema non riconoscevo pi霉 niente, c鈥櫭� voluto tempo per ritrovare la realt脿 intorno.
Il romanzo di Topor probabilmente non ha la stessa intensit脿, ma ci va comunque molto vicino.
Con linguaggio calmo e calibrato, senza invenzioni eccessive o accese sperimentazioni, Topor racconta una storia intrisa di umorismo nero, cesellata con incubo e ironia, torbido e tormentato, nero e surreale. Un mondo malvagio, la cui violenza presumibilmente deriva da quella quotidiana, da quella che ci circonda e conosciamo, sia in citt脿 che in campagna, dall鈥檌nvivibilit脿 e dall鈥檌ncivilt脿 diffusa.
Pagine che scivolano su immaginazione sadica, lasciando intravedere modelli quali Hieronymus Bosch e 鈥渁llievi鈥� quali Alejandro Jodorowski.
L鈥檃ffittuario, l鈥檌nquilino va a vivere al terzo piano, e presto scopre che il suo appartamento vive, come se avesse scheletro e sangue, pulsa, si trasforma. E muore.
O meglio, uccide.
Firenze, 1976. Non ricordo il mese. Ma ricordo ancora bene lo stato in cui ero a fine film: Polanski mi aveva letteralmente condotto in un鈥檃ltra dimensione. Uscito dal cinema non riconoscevo pi霉 niente, c鈥櫭� voluto tempo per ritrovare la realt脿 intorno.
Il romanzo di Topor probabilmente non ha la stessa intensit脿, ma ci va comunque molto vicino.
Con linguaggio calmo e calibrato, senza invenzioni eccessive o accese sperimentazioni, Topor racconta una storia intrisa di umorismo nero, cesellata con incubo e ironia, torbido e tormentato, nero e surreale. Un mondo malvagio, la cui violenza presumibilmente deriva da quella quotidiana, da quella che ci circonda e conosciamo, sia in citt脿 che in campagna, dall鈥檌nvivibilit脿 e dall鈥檌ncivilt脿 diffusa.
Pagine che scivolano su immaginazione sadica, lasciando intravedere modelli quali Hieronymus Bosch e 鈥渁llievi鈥� quali Alejandro Jodorowski.
L鈥檃ffittuario, l鈥檌nquilino va a vivere al terzo piano, e presto scopre che il suo appartamento vive, come se avesse scheletro e sangue, pulsa, si trasforma. E muore.
O meglio, uccide.
May 20, 2023
鈥溾€� un joven de unos treinta a帽os, correcto, educado, que detestaba por encima de todo las complicaciones鈥�Sobre la trama, mejor que se conformen con lo que se cuenta en la sinopsis, no quiero hurtarles ni una sola de las posibilidades que ofrece la novela. Sobre el tema principal, no hay uno solo, yo dir铆a que es la sumisi贸n al parecer ajeno y el miedo al otro, lo cual no puede estar m谩s de actualidad. Sobre lo que se van a encontrar si toman la buena decisi贸n de leerlo, solo les puedo decir lo que ya puse en mi comentario a 鈥淎costarse con la reina y otras delicias鈥� (perd贸n por la autocita, pero me parece una estupidez intentar buscar otra manera de decir lo mismo que, bien o mal, ya dije all铆):
鈥淓n sus relatos, Topor abre con un negr铆simo escarpelo una grieta en la vulgar realidad de sus criaturas por la que se cuelan l贸gicas absurdas en la frontera de la verosimilitud desmontando nuestra supuesta cordura, humillando nuestra inteligencia, trastocando el rumbo de nuestro sentido com煤n, ri茅ndose, con nosotros y a pesar de nosotros, de nuestros miedos, de nuestros sue帽os, de nuestras vanidades, de nuestras seguridades, burl谩ndose de nuestros modos y maneras鈥� Topor exagera nuestros tics mostr谩ndonos su vertiente m谩s rid铆cula en original铆simas caricaturas que mezclan la crueldad, la irreverencia, lo escatol贸gico, lo her茅tico, la incorrecci贸n, lo monstruoso o lo grotesco鈥︹€�
Por a帽adir alguna cosa m谩s que pueda abrirles el apetito por la novela les informar茅 que hay pel铆cula de Roman Polanski, y algo del ambiente que el director cre贸 en La semilla del diablo he encontrado por aqu铆.
鈥淎 fuerza de tenerle por una v铆ctima, pod铆an llegar a convertirse en sus verdugos鈥�
May 16, 2017
"危蠀纬魏维蟿慰喂魏慰喂 蔚委渭伪蟽蟿蔚 蠈位慰喂 蟽蟿畏谓 蟿蟻苇位伪
魏喂 蔚纬蠋 未蔚谓 苇蠂蠅 纬喂伪 谓慰委魏喂
蠁慰蟻慰蠉蟽蔚 渭伪蠉蟻慰 谓蠀蠁喂魏蠈 畏 蟺蔚蟻蟽喂谓萎 渭伪蟼 畏 魏慰蟺苇位伪
魏喂 慰 位蠈纬慰蟼 伪蠀蟿蠈蟼 蟿萎蟼 伪谓萎魏蔚喂.
螣 位蠈纬慰蟼 蟽伪蟺委味蔚喂 魏伪蟿伪谓伪位蠋谓蔚蟿伪喂
蟽蟿慰 位蠈纬慰 伪蠀蟿蠈 魏慰蠀尾苇谓蟿伪 未蔚 纬委谓蔚蟿伪喂
魏伪喂 谓伪 蟺慰蠀 慰 螣喂未委蟺蟺慰未伪蟼 蟿蠀蠁位蠋谓蔚蟿伪喂
魏伪喂 谓伪 畏 危伪位蠋渭畏 蟿伪 蟺苇蟺位伪 蟿畏蟼 纬未蠉谓蔚蟿伪喂
螡委魏畏, 谓委魏畏, 谓委魏畏"
韦喂 维位位慰 谓伪 蟺蠅 纬喂伪 伪蠀蟿萎 蟿畏谓 蟽蠉谓蟿慰渭畏 喂蟽蟿慰蟻喂伪 蟺伪蟻伪位慰纬喂蟽渭慰蠉; 螡慰渭委味蠅 蟺蠅蟼 苇纬喂谓伪 蟽伪蠁萎蟼. 螒未喂伪渭蠁喂蟽尾萎蟿畏蟿伪 未蔚谓 蟿蟻蔚位伪委谓慰渭伪喂 纬喂伪 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏苇蟼 蠁伪谓蟿伪蟽喂蠋蟽蔚喂蟼. 螖蔚谓 渭慰蠀 伪蟻苇蟽蔚喂 谓伪 蔚喂魏伪味蠅 蟿畏谓 伪喂蟿委伪 蟺蟻蠈魏位畏蟽畏蟼 魏伪蟿伪蟽蟿维蟽蔚蠅谓 魏伪喂 谓伪 苇蟻蠂蔚蟿伪喂 蟺喂胃伪谓蠈蟿伪蟿伪 伪蟺慰 魏维蟺慰喂慰 维位位慰 蟽蠀位位慰纬喂蟽蟿喂魏蠈 伪喂蟿喂伪蟿蠈 蟿慰 伪蟺慰蟿苇位蔚蟽渭伪.
螛伪 萎胃蔚位伪 谓伪 渭蟺慰蟻蠋 谓伪 苇蠂蠅 蟽蟿慰喂蠂蔚委伪 纬喂伪 蟿慰 蔚维谓 慰 萎蟻蠅伪蟼 渭慰蠀 蔚委蠂蔚 蠄蠀蠂慰位慰纬喂魏维 蟺蟻慰尾位萎渭伪蟿伪 蟺蟻喂谓 慰未畏纬畏胃蔚委 渭蔚 蟽蠀谓慰蟺蟿喂魏苇蟼 未喂伪未喂魏伪蟽委蔚蟼 蟽蟿畏谓 伪蟺蠋位蔚喂伪 蟿畏蟼 蟿伪蠀蟿蠈蟿畏蟿伪蟼 蟿慰蠀 魏伪喂 蟽蟿畏谓 蟺伪蟻维谓慰喂伪.
螒蟺慰 蟿畏谓 维位位畏 蔚谓谓慰蔚委蟿伪喂 蟺蠅蟼 未蔚谓 蔚蠂慰蠀渭蔚 谓伪 魏维谓慰蠀渭蔚 渭蔚 苇谓伪谓 伪蟺蠈位蠀蟿伪 蠁蠀蟽喂慰位慰纬喂魏蠈 谓蔚伪蟻蠈 维谓蟿蟻伪. 螌蟽慰 魏喂 伪谓 蟿伪 蠁伪喂谓蠈渭蔚谓伪 蟺伪蟻慰蠀蟽喂维味慰蠀谓 苇谓伪谓 未喂伪魏蟻喂蟿喂魏蠈, 萎蟺喂慰 魏伪喂 蠁喂位萎蟽蠀蠂慰 维谓胃蟻蠅蟺慰, 伪魏慰位慰蠀胃蔚委 畏 蠀蟺蔚蟻尾慰位喂魏萎 蠁慰尾委伪 蟿慰蠀 魏伪喂 蟿慰 伪谓蔚尉苇位蔚纬魏蟿慰 维纬蠂慰蟼 -蟽蔚 蟽蠂苇蟽畏 渭蔚 蟿慰蠀蟼 纬蔚委蟿慰谓蔚蟼-蠈蟺蠅蟼 魏伪喂 慰 伪蟺蠈位蠀蟿慰蟼 蟺伪谓喂魏蠈蟼 蟺蟻喂谓 伪谓慰委尉蔚喂 蟿慰 蟺慰蟻蟿伪魏喂 蟿畏蟼 蟺伪蟻维谓慰喂伪蟼 蟺慰蠀 魏伪蟿伪未蔚喂魏谓蠉慰蠀谓 蟽伪蠁蠋蟼 蟿伪 蠈蟻喂伪 蟿畏蟼 未喂伪蟿伪蟻伪蠂萎蟼 蟿慰蠀.
螌蟺蠅蟼 魏伪喂 谓伪 苇蠂蔚喂 胃伪 萎胃蔚位伪 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 蟽蟿慰喂蠂蔚委伪 魏伪喂 纬喂伪 蟺慰位位伪 伪位位伪 纬蔚纬慰谓蠈蟿伪 蟺慰蠀 未蔚谓 伪谓伪蠁苇蟻蠅 纬喂伪 蔚蠀谓蠈畏蟿慰蠀蟼 位蠈纬慰蠀蟼.
螒谓 魏伪喂 蔚位位喂蟺苇蟼,伪尉委味蔚喂 谓伪 未喂伪尾伪蟽蟿蔚委 蟽伪谓 渭喂伪 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪 渭蔚 伪位位畏纬慰蟻喂魏萎 魏慰蟻蠉蠁蠅蟽畏!!
螝伪位萎 伪谓维纬谓蠅蟽畏!
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼!
魏喂 蔚纬蠋 未蔚谓 苇蠂蠅 纬喂伪 谓慰委魏喂
蠁慰蟻慰蠉蟽蔚 渭伪蠉蟻慰 谓蠀蠁喂魏蠈 畏 蟺蔚蟻蟽喂谓萎 渭伪蟼 畏 魏慰蟺苇位伪
魏喂 慰 位蠈纬慰蟼 伪蠀蟿蠈蟼 蟿萎蟼 伪谓萎魏蔚喂.
螣 位蠈纬慰蟼 蟽伪蟺委味蔚喂 魏伪蟿伪谓伪位蠋谓蔚蟿伪喂
蟽蟿慰 位蠈纬慰 伪蠀蟿蠈 魏慰蠀尾苇谓蟿伪 未蔚 纬委谓蔚蟿伪喂
魏伪喂 谓伪 蟺慰蠀 慰 螣喂未委蟺蟺慰未伪蟼 蟿蠀蠁位蠋谓蔚蟿伪喂
魏伪喂 谓伪 畏 危伪位蠋渭畏 蟿伪 蟺苇蟺位伪 蟿畏蟼 纬未蠉谓蔚蟿伪喂
螡委魏畏, 谓委魏畏, 谓委魏畏"
韦喂 维位位慰 谓伪 蟺蠅 纬喂伪 伪蠀蟿萎 蟿畏谓 蟽蠉谓蟿慰渭畏 喂蟽蟿慰蟻喂伪 蟺伪蟻伪位慰纬喂蟽渭慰蠉; 螡慰渭委味蠅 蟺蠅蟼 苇纬喂谓伪 蟽伪蠁萎蟼. 螒未喂伪渭蠁喂蟽尾萎蟿畏蟿伪 未蔚谓 蟿蟻蔚位伪委谓慰渭伪喂 纬喂伪 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏苇蟼 蠁伪谓蟿伪蟽喂蠋蟽蔚喂蟼. 螖蔚谓 渭慰蠀 伪蟻苇蟽蔚喂 谓伪 蔚喂魏伪味蠅 蟿畏谓 伪喂蟿委伪 蟺蟻蠈魏位畏蟽畏蟼 魏伪蟿伪蟽蟿维蟽蔚蠅谓 魏伪喂 谓伪 苇蟻蠂蔚蟿伪喂 蟺喂胃伪谓蠈蟿伪蟿伪 伪蟺慰 魏维蟺慰喂慰 维位位慰 蟽蠀位位慰纬喂蟽蟿喂魏蠈 伪喂蟿喂伪蟿蠈 蟿慰 伪蟺慰蟿苇位蔚蟽渭伪.
螛伪 萎胃蔚位伪 谓伪 渭蟺慰蟻蠋 谓伪 苇蠂蠅 蟽蟿慰喂蠂蔚委伪 纬喂伪 蟿慰 蔚维谓 慰 萎蟻蠅伪蟼 渭慰蠀 蔚委蠂蔚 蠄蠀蠂慰位慰纬喂魏维 蟺蟻慰尾位萎渭伪蟿伪 蟺蟻喂谓 慰未畏纬畏胃蔚委 渭蔚 蟽蠀谓慰蟺蟿喂魏苇蟼 未喂伪未喂魏伪蟽委蔚蟼 蟽蟿畏谓 伪蟺蠋位蔚喂伪 蟿畏蟼 蟿伪蠀蟿蠈蟿畏蟿伪蟼 蟿慰蠀 魏伪喂 蟽蟿畏谓 蟺伪蟻维谓慰喂伪.
螒蟺慰 蟿畏谓 维位位畏 蔚谓谓慰蔚委蟿伪喂 蟺蠅蟼 未蔚谓 蔚蠂慰蠀渭蔚 谓伪 魏维谓慰蠀渭蔚 渭蔚 苇谓伪谓 伪蟺蠈位蠀蟿伪 蠁蠀蟽喂慰位慰纬喂魏蠈 谓蔚伪蟻蠈 维谓蟿蟻伪. 螌蟽慰 魏喂 伪谓 蟿伪 蠁伪喂谓蠈渭蔚谓伪 蟺伪蟻慰蠀蟽喂维味慰蠀谓 苇谓伪谓 未喂伪魏蟻喂蟿喂魏蠈, 萎蟺喂慰 魏伪喂 蠁喂位萎蟽蠀蠂慰 维谓胃蟻蠅蟺慰, 伪魏慰位慰蠀胃蔚委 畏 蠀蟺蔚蟻尾慰位喂魏萎 蠁慰尾委伪 蟿慰蠀 魏伪喂 蟿慰 伪谓蔚尉苇位蔚纬魏蟿慰 维纬蠂慰蟼 -蟽蔚 蟽蠂苇蟽畏 渭蔚 蟿慰蠀蟼 纬蔚委蟿慰谓蔚蟼-蠈蟺蠅蟼 魏伪喂 慰 伪蟺蠈位蠀蟿慰蟼 蟺伪谓喂魏蠈蟼 蟺蟻喂谓 伪谓慰委尉蔚喂 蟿慰 蟺慰蟻蟿伪魏喂 蟿畏蟼 蟺伪蟻维谓慰喂伪蟼 蟺慰蠀 魏伪蟿伪未蔚喂魏谓蠉慰蠀谓 蟽伪蠁蠋蟼 蟿伪 蠈蟻喂伪 蟿畏蟼 未喂伪蟿伪蟻伪蠂萎蟼 蟿慰蠀.
螌蟺蠅蟼 魏伪喂 谓伪 苇蠂蔚喂 胃伪 萎胃蔚位伪 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 蟽蟿慰喂蠂蔚委伪 魏伪喂 纬喂伪 蟺慰位位伪 伪位位伪 纬蔚纬慰谓蠈蟿伪 蟺慰蠀 未蔚谓 伪谓伪蠁苇蟻蠅 纬喂伪 蔚蠀谓蠈畏蟿慰蠀蟼 位蠈纬慰蠀蟼.
螒谓 魏伪喂 蔚位位喂蟺苇蟼,伪尉委味蔚喂 谓伪 未喂伪尾伪蟽蟿蔚委 蟽伪谓 渭喂伪 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏萎 蔚渭蟺蔚喂蟻委伪 渭蔚 伪位位畏纬慰蟻喂魏萎 魏慰蟻蠉蠁蠅蟽畏!!
螝伪位萎 伪谓维纬谓蠅蟽畏!
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼!
September 17, 2022
丕亘鬲丿丕 讴鬲丕亘 乇丕 禺賵丕賳丿賲 賵 爻倬爻 丕賯鬲亘丕爻 禺賵亘 丌賳 鬲賵爻胤 乇賵賲賳 倬賵賱丕賳爻讴蹖 乇丕 丿蹖丿賲
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丿乇 爻讴丕賳爻 倬丕蹖丕賳蹖 賮蹖賱賲 賴賮鬲 噩丕蹖蹖 鈥屭┵� 爻賴 卮禺氐蹖鬲 丕氐賱蹖 賮蹖賱賲 蹖毓賳蹖 讴丕乇丌诏丕賴 丿蹖賵蹖丿 賲蹖賱夭貙 讴丕乇丌诏丕賴 賵蹖賱蹖丕賲 爻丕賲乇爻鬲 賵 噩丕賳丕鬲丕賳 丿賵 爻賵丕乇 亘乇 丕鬲賵賲亘蹖賱 毓丕夭賲 賲蹖毓丕丿诏丕賴 卮賵賲 賴爻鬲賳丿貙 诏賮鬲 鈥屬� 诏賵蹖蹖 亘蹖賳卮丕賳 丿乇 賲蹖鈥屭屫必� 讴賴 丿乇 丕亘鬲丿丕蹖 丌賳 噩丕賳 丿賵 乇賵 亘賴 丿賵 讴丕乇丌诏丕賴 丿蹖诏乇 賲蹖鈥屭堐屫� 芦丕诏賴 亘禺賵丕蹖 賲乇丿賲 亘賴 丨乇賮鈥屬囏ж� 诏賵卮 讴賳賳丿貙 賳賲蹖鈥屫堎嗃� 賮賯胤 亘夭賳蹖 乇賵蹖 卮賵賳賴 卮賵賳 賵 賲賳鬲馗乇 鬲賵噩賴卮賵賳 亘丕锟斤拷蹖! 亘賱讴賴 亘丕蹖丿 亘丕 倬鬲讴 亘讴賵亘蹖 鬲賵 爻乇卮賵賳. 鬲賳賴丕 丿乇 丕蹖賳 鈥屫蒂堌必� 亘賴鬲 鬲賵噩賴 賲蹖鈥屭┵嗁嗀�!禄 讴丕賮讴丕 賴賲 丿乇 蹖讴蹖 丕夭 蹖丕丿丿丕卮鬲鈥屬囏й屫� 丿乇亘丕乇賴 賳賵毓 丕丿亘蹖丕鬲 賲賵乇丿 毓賱丕賯賴鈥屫ж� 賳賵卮鬲賴 芦丕诏乇 讴鬲丕亘蹖 讴賴 賲蹖鈥屫堌з嗃屬� 亘丕 囟乇亘賴鈥屫й� 爻賳诏蹖賳 亘賴 噩賲噩賲賴 賲丕賳 亘蹖丿丕乇賲丕賳 賳讴賳丿貙 趩乇丕 亘丕蹖丿 丌賳 乇丕 亘禺賵丕賳蹖賲責 讴賴 卮丕丿賲丕賳 讴賳丿責 賲丕 賲蹖鈥屫堌з嗃屬� 亘丿賵賳 丕蹖賳 讴鬲丕亘鈥屬囏� 賴賲 卮丕丿 亘丕卮蹖賲. 趩蹖夭蹖 讴賴 賲丕 丕丨鬲蹖丕噩 丿丕乇蹖賲貙 讴鬲丕亘鈥屬囏й屰� 丕爻鬲 讴賴 賲孬賱 賵丕賯毓賴鈥屫й� 賵丨卮鬲賳丕讴 亘乇 賲丕 賳丕夭賱 卮賵賳丿. 賲孬賱 夭禺賲 賲乇诏 讴爻蹖 讴賴 亘蹖卮鬲乇 丕夭 禺賵丿賲丕賳 丿賵爻鬲卮 賲蹖鈥屫ж簇屬呚� 蹖丕 賲孬賱 賵賯鬲蹖 鈥屭┵� 丿乇 噩賳诏賱鈥屬囏й� 禺丕賱蹖 丕夭 丕賳爻丕賳 诏賲 卮丿賴鈥屫й屬�. 賲孬賱 禺賵丿讴卮蹖. 讴鬲丕亘鈥屬囏� 亘丕蹖丿 丿蹖賱賲蹖 亘丕卮賳丿 亘乇丕蹖 卮讴爻鬲賳 蹖禺 丿乇賵賳賲丕賳.禄 蹖丕丿丿丕卮鬲 賲鬲乇噩賲. 氐賮丨丕鬲 鄯-鄹 讴鬲丕亘
胤亘蹖毓蹖 丕爻鬲 賵賯鬲蹖 蹖讴 丿賳丿丕賳貙 蹖丕 蹖讴 丿爻鬲 丕夭 亘丿賳 噩丿丕 卮丿賴 亘丕卮丿貙 丿蹖诏乇 毓囟賵蹖 丕夭 丕毓囟丕蹖 亘丿賳 亘賴 丨爻丕亘 賳蹖丕蹖丿. 丕賲丕 賯囟蹖賴 亘賴 丕蹖賳 爻丕丿诏蹖 賴賲 賳亘賵丿. 鬲乇賱讴賵賮爻讴蹖 丕夭 禺賵丿卮 倬乇爻蹖丿 芦蹖讴 丕賳爻丕賳 丿賯蹖賯丕賸 丕夭 趩賴 夭賲丕賳蹖 丿蹖诏乇 丌賳 丌丿賲蹖 讴賴 禺賵丿卮 賮讴乇 賲蹖鈥屭┵嗀� 賴爻鬲 -蹖丕 丿蹖诏乇丕賳 賮讴乇 賲蹖鈥屭┵嗁嗀� 賴爻鬲- 賳蹖爻鬲責 賮乇囟 讴賳蹖賲 賲賳 蹖讴蹖 丕夭 丿爻鬲鈥屬囏й屬� 乇丕 丕夭 丿爻鬲 亘丿賴賲. 亘爻蹖丕乇 禺賵亘貙 丿乇丕蹖賳鈥屫蒂堌必� 賲蹖鈥屭堐屬� 禺賵丿賲 賵 丿爻鬲賲. 丕诏乇 賴乇 丿賵 丿爻鬲賲 乇丕 丕夭 丿爻鬲 丿丕丿賴 亘丕卮賲貙 賲蹖鈥屭堐屬� 禺賵丿賲 賵 丿爻鬲鈥屬囏й屬�. 丕诏乇 亘賴 鈥屫й� 丿爻鬲鈥屬囏ж� 倬丕賴丕蹖賲 乇丕 丕夭 丿爻鬲 丿丕丿賴 亘丕卮賲貙 亘丕夭賴賲 賮乇賯蹖 賳賲蹖鈥屭┵嗀�: 禺賵丿賲 賵 倬丕賴丕蹖賲. 丕诏乇 亘賴 丿賱丕蹖賱蹖 賱丕夭賲 卮賵丿 卮讴賲貙 讴亘丿 蹖丕 讴賱蹖賴鈥屬囏й屬� 乇丕 丿乇亘蹖丕賵乇賳丿 -丕诏乇 丕氐賱丕賸 趩賳蹖賳 趩蹖夭蹖 賲賲讴賳 亘丕卮丿- 亘丕夭賴賲 賲蹖鈥屫堌з嗁� 亘诏賵蹖賲 禺賵丿賲 賵 丕賳丿丕賲鈥屬囏й屬�. 丕賲丕 丕诏乇 爻乇賲 乇丕 丕夭 丿爻鬲 亘丿賴賲貙 丿乇 丌賳 氐賵乇鬲 趩賴 賲蹖鈥屫堌з嗁� 亘诏賵蹖賲責 禺賵丿賲 賵 亘丿賳賲貙 蹖丕 禺賵丿賲 賵 爻乇賲責 爻乇貙 讴賴 丨鬲蹖 毓囟賵蹖 丕夭 噩賳爻 丿爻鬲 賵 倬丕賴丕 賳蹖爻鬲貙 亘丕 趩賴 賲賳胤賯蹖 毓賳賵丕賳 賲賳 乇丕 丕夭 丌賳 禺賵丿 讴乇丿賴責 亘賴 丕蹖賳 禺丕胤乇 讴賴 丨丕賵蹖 賲睾夭 丕爻鬲責 丕賲丕 賱丕乇賵賴丕 賵 讴乇賲鈥屬囏� 賵 丕丨鬲賲丕賱丕賸 丕賳賵丕毓 丿蹖诏乇蹖 丕夭 賲賵噩賵丿丕鬲 賴賲 賴爻鬲賳丿 讴賴 賲睾夭 賳丿丕乇賳丿. 丿乇亘丕乇賴 趩賳蹖賳 賲禺賱賵賯丕鬲蹖 趩賴 賲蹖鈥屫堌з� 诏賮鬲責 丌蹖丕 丿乇 噩丕蹖蹖 賲睾夭賴丕蹖蹖 賴爻鬲賳丿 讴賴 亘诏賵蹖賳丿: 禺賵丿賲 賵 讴乇賲鈥屬囏й屬呚熉� 氐 鄹郯 讴鬲丕亘
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丿乇 爻讴丕賳爻 倬丕蹖丕賳蹖 賮蹖賱賲 賴賮鬲 噩丕蹖蹖 鈥屭┵� 爻賴 卮禺氐蹖鬲 丕氐賱蹖 賮蹖賱賲 蹖毓賳蹖 讴丕乇丌诏丕賴 丿蹖賵蹖丿 賲蹖賱夭貙 讴丕乇丌诏丕賴 賵蹖賱蹖丕賲 爻丕賲乇爻鬲 賵 噩丕賳丕鬲丕賳 丿賵 爻賵丕乇 亘乇 丕鬲賵賲亘蹖賱 毓丕夭賲 賲蹖毓丕丿诏丕賴 卮賵賲 賴爻鬲賳丿貙 诏賮鬲 鈥屬� 诏賵蹖蹖 亘蹖賳卮丕賳 丿乇 賲蹖鈥屭屫必� 讴賴 丿乇 丕亘鬲丿丕蹖 丌賳 噩丕賳 丿賵 乇賵 亘賴 丿賵 讴丕乇丌诏丕賴 丿蹖诏乇 賲蹖鈥屭堐屫� 芦丕诏賴 亘禺賵丕蹖 賲乇丿賲 亘賴 丨乇賮鈥屬囏ж� 诏賵卮 讴賳賳丿貙 賳賲蹖鈥屫堎嗃� 賮賯胤 亘夭賳蹖 乇賵蹖 卮賵賳賴 卮賵賳 賵 賲賳鬲馗乇 鬲賵噩賴卮賵賳 亘丕锟斤拷蹖! 亘賱讴賴 亘丕蹖丿 亘丕 倬鬲讴 亘讴賵亘蹖 鬲賵 爻乇卮賵賳. 鬲賳賴丕 丿乇 丕蹖賳 鈥屫蒂堌必� 亘賴鬲 鬲賵噩賴 賲蹖鈥屭┵嗁嗀�!禄 讴丕賮讴丕 賴賲 丿乇 蹖讴蹖 丕夭 蹖丕丿丿丕卮鬲鈥屬囏й屫� 丿乇亘丕乇賴 賳賵毓 丕丿亘蹖丕鬲 賲賵乇丿 毓賱丕賯賴鈥屫ж� 賳賵卮鬲賴 芦丕诏乇 讴鬲丕亘蹖 讴賴 賲蹖鈥屫堌з嗃屬� 亘丕 囟乇亘賴鈥屫й� 爻賳诏蹖賳 亘賴 噩賲噩賲賴 賲丕賳 亘蹖丿丕乇賲丕賳 賳讴賳丿貙 趩乇丕 亘丕蹖丿 丌賳 乇丕 亘禺賵丕賳蹖賲責 讴賴 卮丕丿賲丕賳 讴賳丿責 賲丕 賲蹖鈥屫堌з嗃屬� 亘丿賵賳 丕蹖賳 讴鬲丕亘鈥屬囏� 賴賲 卮丕丿 亘丕卮蹖賲. 趩蹖夭蹖 讴賴 賲丕 丕丨鬲蹖丕噩 丿丕乇蹖賲貙 讴鬲丕亘鈥屬囏й屰� 丕爻鬲 讴賴 賲孬賱 賵丕賯毓賴鈥屫й� 賵丨卮鬲賳丕讴 亘乇 賲丕 賳丕夭賱 卮賵賳丿. 賲孬賱 夭禺賲 賲乇诏 讴爻蹖 讴賴 亘蹖卮鬲乇 丕夭 禺賵丿賲丕賳 丿賵爻鬲卮 賲蹖鈥屫ж簇屬呚� 蹖丕 賲孬賱 賵賯鬲蹖 鈥屭┵� 丿乇 噩賳诏賱鈥屬囏й� 禺丕賱蹖 丕夭 丕賳爻丕賳 诏賲 卮丿賴鈥屫й屬�. 賲孬賱 禺賵丿讴卮蹖. 讴鬲丕亘鈥屬囏� 亘丕蹖丿 丿蹖賱賲蹖 亘丕卮賳丿 亘乇丕蹖 卮讴爻鬲賳 蹖禺 丿乇賵賳賲丕賳.禄 蹖丕丿丿丕卮鬲 賲鬲乇噩賲. 氐賮丨丕鬲 鄯-鄹 讴鬲丕亘
胤亘蹖毓蹖 丕爻鬲 賵賯鬲蹖 蹖讴 丿賳丿丕賳貙 蹖丕 蹖讴 丿爻鬲 丕夭 亘丿賳 噩丿丕 卮丿賴 亘丕卮丿貙 丿蹖诏乇 毓囟賵蹖 丕夭 丕毓囟丕蹖 亘丿賳 亘賴 丨爻丕亘 賳蹖丕蹖丿. 丕賲丕 賯囟蹖賴 亘賴 丕蹖賳 爻丕丿诏蹖 賴賲 賳亘賵丿. 鬲乇賱讴賵賮爻讴蹖 丕夭 禺賵丿卮 倬乇爻蹖丿 芦蹖讴 丕賳爻丕賳 丿賯蹖賯丕賸 丕夭 趩賴 夭賲丕賳蹖 丿蹖诏乇 丌賳 丌丿賲蹖 讴賴 禺賵丿卮 賮讴乇 賲蹖鈥屭┵嗀� 賴爻鬲 -蹖丕 丿蹖诏乇丕賳 賮讴乇 賲蹖鈥屭┵嗁嗀� 賴爻鬲- 賳蹖爻鬲責 賮乇囟 讴賳蹖賲 賲賳 蹖讴蹖 丕夭 丿爻鬲鈥屬囏й屬� 乇丕 丕夭 丿爻鬲 亘丿賴賲. 亘爻蹖丕乇 禺賵亘貙 丿乇丕蹖賳鈥屫蒂堌必� 賲蹖鈥屭堐屬� 禺賵丿賲 賵 丿爻鬲賲. 丕诏乇 賴乇 丿賵 丿爻鬲賲 乇丕 丕夭 丿爻鬲 丿丕丿賴 亘丕卮賲貙 賲蹖鈥屭堐屬� 禺賵丿賲 賵 丿爻鬲鈥屬囏й屬�. 丕诏乇 亘賴 鈥屫й� 丿爻鬲鈥屬囏ж� 倬丕賴丕蹖賲 乇丕 丕夭 丿爻鬲 丿丕丿賴 亘丕卮賲貙 亘丕夭賴賲 賮乇賯蹖 賳賲蹖鈥屭┵嗀�: 禺賵丿賲 賵 倬丕賴丕蹖賲. 丕诏乇 亘賴 丿賱丕蹖賱蹖 賱丕夭賲 卮賵丿 卮讴賲貙 讴亘丿 蹖丕 讴賱蹖賴鈥屬囏й屬� 乇丕 丿乇亘蹖丕賵乇賳丿 -丕诏乇 丕氐賱丕賸 趩賳蹖賳 趩蹖夭蹖 賲賲讴賳 亘丕卮丿- 亘丕夭賴賲 賲蹖鈥屫堌з嗁� 亘诏賵蹖賲 禺賵丿賲 賵 丕賳丿丕賲鈥屬囏й屬�. 丕賲丕 丕诏乇 爻乇賲 乇丕 丕夭 丿爻鬲 亘丿賴賲貙 丿乇 丌賳 氐賵乇鬲 趩賴 賲蹖鈥屫堌з嗁� 亘诏賵蹖賲責 禺賵丿賲 賵 亘丿賳賲貙 蹖丕 禺賵丿賲 賵 爻乇賲責 爻乇貙 讴賴 丨鬲蹖 毓囟賵蹖 丕夭 噩賳爻 丿爻鬲 賵 倬丕賴丕 賳蹖爻鬲貙 亘丕 趩賴 賲賳胤賯蹖 毓賳賵丕賳 賲賳 乇丕 丕夭 丌賳 禺賵丿 讴乇丿賴責 亘賴 丕蹖賳 禺丕胤乇 讴賴 丨丕賵蹖 賲睾夭 丕爻鬲責 丕賲丕 賱丕乇賵賴丕 賵 讴乇賲鈥屬囏� 賵 丕丨鬲賲丕賱丕賸 丕賳賵丕毓 丿蹖诏乇蹖 丕夭 賲賵噩賵丿丕鬲 賴賲 賴爻鬲賳丿 讴賴 賲睾夭 賳丿丕乇賳丿. 丿乇亘丕乇賴 趩賳蹖賳 賲禺賱賵賯丕鬲蹖 趩賴 賲蹖鈥屫堌з� 诏賮鬲責 丌蹖丕 丿乇 噩丕蹖蹖 賲睾夭賴丕蹖蹖 賴爻鬲賳丿 讴賴 亘诏賵蹖賳丿: 禺賵丿賲 賵 讴乇賲鈥屬囏й屬呚熉� 氐 鄹郯 讴鬲丕亘
June 3, 2021
"Estaba solo, completamente solo, como si se estuviera muriendo. Si finalmente aquello se produc铆a, 驴cu谩ntos d铆as tardar铆an en descubrir su cad谩ver? 驴Una semana? 驴Un mes? 驴Qui茅n entrar铆a el primero en el sepulcro?
Los vecinos, sin duda, o tal vez el propietario. Nadie se preocupaba por 茅l, excepto cuando se trataba del pago del alquiler. Incluso muerto, no se le permitir铆a disfrutar gratuitamente de un piso que no le pertenec铆a"
"Un escaparate reflej贸 su imagen. 脡l no era diferente. Era semejante, id茅ntico a esos monstruos. Formaba parte de su especie pero, por alguna raz贸n desconocida, se le manten铆a al margen. No ten铆an confianza en 茅l. Lo que le exig铆an era obediencia a sus reglas incongruentes y a sus absurdas leyes. Absurdas 煤nicamente para 茅l, porque no sab铆a distinguir todos sus matices y sutilezas
Trelkovsky, un hombre relativamente joven y mediocre, debe abandonar su actual departamento en Paris. Encuentra un nuevo departamento ,pero con el detalle de que la actual inquilina tubo un intento de suicidio y se encuentra grave en el hospital. En ese 铆nterin Trelkovsky decide visitar a la convaleciente, la cual fallece a las pocas horas, y el se convierte en el nuevo inquilino.
A partir de que se instala en su nuevo hogar todo comienza a tornarse mas y mas extra帽o: La relaci贸n con sus vecinos, una inexplicable obsesi贸n por la antigua ocupante, pensamientos que rondan en su cabeza, miedos, y todo toma un tono surrealista .
*SPOILER*Una compleja historia sobre una psiquis aun mas compleja. Una persona que vive un proceso de alienaci贸n y metamorfosis, alimentado por el contexto, el miedo, la fragilidad y presiones ajenas, y que ademas probablemente tenga personalidades m煤ltiples.
una historia inquietante con par谩bolas y contenido psicol贸gico y sociol贸gico.
Con pasajes surrealistas y otros casi teatrales**
Es una obra para procesar /digerir. Que proviene de una mente extremadamente inteligente y prodigiosa. Con algunos detalles que quedaran a libre interpretaci贸n del lector, al cual sin dudas no dejara indiferente
Los vecinos, sin duda, o tal vez el propietario. Nadie se preocupaba por 茅l, excepto cuando se trataba del pago del alquiler. Incluso muerto, no se le permitir铆a disfrutar gratuitamente de un piso que no le pertenec铆a"
"Un escaparate reflej贸 su imagen. 脡l no era diferente. Era semejante, id茅ntico a esos monstruos. Formaba parte de su especie pero, por alguna raz贸n desconocida, se le manten铆a al margen. No ten铆an confianza en 茅l. Lo que le exig铆an era obediencia a sus reglas incongruentes y a sus absurdas leyes. Absurdas 煤nicamente para 茅l, porque no sab铆a distinguir todos sus matices y sutilezas
Trelkovsky, un hombre relativamente joven y mediocre, debe abandonar su actual departamento en Paris. Encuentra un nuevo departamento ,pero con el detalle de que la actual inquilina tubo un intento de suicidio y se encuentra grave en el hospital. En ese 铆nterin Trelkovsky decide visitar a la convaleciente, la cual fallece a las pocas horas, y el se convierte en el nuevo inquilino.
A partir de que se instala en su nuevo hogar todo comienza a tornarse mas y mas extra帽o: La relaci贸n con sus vecinos, una inexplicable obsesi贸n por la antigua ocupante, pensamientos que rondan en su cabeza, miedos, y todo toma un tono surrealista .
*SPOILER*Una compleja historia sobre una psiquis aun mas compleja. Una persona que vive un proceso de alienaci贸n y metamorfosis, alimentado por el contexto, el miedo, la fragilidad y presiones ajenas, y que ademas probablemente tenga personalidades m煤ltiples.
una historia inquietante con par谩bolas y contenido psicol贸gico y sociol贸gico.
Con pasajes surrealistas y otros casi teatrales**
Es una obra para procesar /digerir. Que proviene de una mente extremadamente inteligente y prodigiosa. Con algunos detalles que quedaran a libre interpretaci贸n del lector, al cual sin dudas no dejara indiferente
August 23, 2021
Svakako ne tra啪im da me volite, znam da je to nemogu膰e, jer nisam neko koga je lako voljeti, ali budite milostivi toliko da me prezirete dovoljno da biste me ignorisali.
Jednom kada zakora膷i u stan automatski se 拧iri mre啪a d啪elatovih pomo膰nika, a ponor 膷eka. 膶itanje ove knjige predstavljalo je slaganje kockica dok se ne dobije krajnji oblik. Mikro svijet Topora podsje膰a na onaj iz Kamijevog romana Stranac. Dokle je Kamijev Mersou apati膷an i a priori se suprotstavlja pojavama oko sebe te je pripremljen za svoju presudu, dotle je Toporov Trelkovski u膷auren u jednoj predstavi koja treba da mu pru啪i 鈥瀗ormalan 啪ivot鈥� a koja 膰e za posljedicu imati opsesiju i paranoju pa 膰e na momente izgledati kao da je na psihoaktivnim supstancama. Prepreke na koje Trelkovski nailazi o膷igledne su odmah na po膷etku romana. Tokom susreta sa vlasnikom stanova on mora da se sa mukom bori oko spu拧tanja cijene stana. Tu se isti膷e njegov karakter i spremnost da ide do kraja. Druga stvar koja i 膷ini okosnicu romana jeste da se na mali udarac kom拧ije bune da je preglasno i da stanar pravi buku. To 膰e predstavljati vrhunac apsurda i o膷aja koji 膰e se odraziti na Trelkovskog. Roman se izme膽u ostalog bavi egzistencijom sopstva, zlokobnim inatom ljudskog roda i socijalno patolo拧kim fenomenom.
June 22, 2019
讴丕賮讴丕 丿乇 蹖讴蹖 丕夭 蹖丕丿丿丕卮鬲 賴丕卮 丿乇亘丕乇賴 蹖 賳賵毓 丕丿亘蹖丕鬲 賲賵乇丿 毓賱丕賯賴 卮 賳賵卮鬲賴 讴賴 : 丕诏乇 讴鬲丕亘蹖 讴賴 賲蹖 禺賵丕賳蹖賲 亘丕 囟乇亘賴 丕蹖 爻賳诏蹖賳 亘賴 噩賲噩賲賴 賲丕賳 亘蹖丿丕乇賲丕賳 賳讴賳丿貙 趩乇丕 亘丕蹖丿 丌賳 乇丕 亘禺賵丕賳蹖賲責 讴賴 卮丕丿賲丕賳 讴賳丿責 賲丕 賲蹖 鬲賵丕賳蹖賲 亘丿賵賳 丕蹖賳 讴鬲丕亘 賴丕 賴賲 卮丕丿 亘丕卮蹖賲. 趩蹖夭蹖 讴賴 賲丕 丕丨鬲蹖丕噩 丿丕乇蹖賲貙 讴鬲丕亘 賴丕蹖蹖 丕爻鬲 讴賴 賲孬賱 賵丕賯毓賴 丕蹖 賵丨卮鬲賳丕讴 亘乇 賲丕 賳丕夭賱 卮賵賳丿. 賲孬賱 夭禺賲 賲乇诏 讴爻蹖 讴賴 亘蹖卮鬲乇 丕夭 禺賵丿賲丕賳 丿賵爻鬲卮 賲蹖 丿丕卮鬲蹖賲貙 蹖丕 賲孬賱 賵賯鬲蹖 讴賴 丿乇 噩賳诏賱 賴丕蹖 禺丕賱蹖 丕夭 丕賳爻丕賳 诏賲 卮丿賴 丕蹖賲. 賲孬賱 禺賵丿讴卮蹖. 讴鬲丕亘 賴丕 亘丕蹖丿 丿蹖賱賲蹖 亘丕卮賳丿 亘乇丕蹖 卮讴爻鬲賳 蹖禺 丿乇賵賳 賲丕賳
丕蹖賳 讴鬲丕亘 蹖賴 噩賵乇丕蹖蹖 賳賯卮 賴賲賵賳 丿蹖賱賲 乇賵 亘丕夭蹖 賲蹖讴賳賴. 丨丕賱丕 賳賴 丿乇 丨丿 卮讴爻鬲賳 丕賲丕 蹖賴 趩蹖夭蹖 鬲賵 賴賲賵賳 賲丕蹖賴 賴丕
:))
賲賵囟賵毓 賲賵乇丿 亘丨孬 讴鬲丕亘貙 鬲賳賴丕蹖蹖 賵 丕賳夭賵丕蹖 亘卮乇 丕賲乇賵夭蹖賴. 夭賳丿诏蹖 賴丕蹖 丌倬丕乇鬲賲丕賳蹖 賵 賲丨氐賵乇 卮丿賳 丿乇 趩賴丕乇 丿蹖賵丕乇蹖 賴丕蹖 鬲賳诏 賵 丿賱诏蹖乇蹖 讴賴 亘賴 鬲丕亘賵鬲 卮亘丕賴鬲 亘蹖卮鬲乇蹖 丿丕乇賳 鬲丕 趩蹖夭蹖 亘賴 丕爻賲 禺賵賳賴. 賴賲賴 蹖 丕蹖賳賴丕 爻亘亘 卮丿賴 鬲丕 丕賳爻丕賳 賴丕 禺蹖賱蹖 亘蹖卮鬲乇 丕夭 诏匕卮鬲賴 丕夭 賴賲 賮丕氐賱賴 亘诏蹖乇賳 賵 亘賴 丕賳夭賵丕蹖蹖 讴賴 丕蹖賳 賳賵毓 夭賳丿诏蹖 亘賴 賴賲乇丕賴 丕賵乇丿賴 禺賵 亘诏蹖乇賳
丿丕爻鬲丕賳 讴鬲丕亘 乇丕噩毓 亘賴 賲乇丿 噩賵丕賳蹖 亘賴 賳丕賲 "鬲乇賱讴賵賮爻讴蹖" 卅賴 讴賴 丿乇 丌倬丕乇鬲賲丕賳 噩丿蹖丿蹖 讴賴 氐丕丨亘 賯亘賱蹖卮 禺賵丿讴卮蹖 讴乇丿賴 爻丕讴賳 賲蹖卮賴 丕賲丕 乇賮鬲賴 乇賮鬲賴 賵 亘賴 禺丕胤乇 爻禺鬲 诏蹖乇蹖 賴賲爻丕蹖賴 賴丕貙 讴賴 丕夭 讴賵趩讴鬲乇蹖賳 氐丿丕蹖蹖 诏賱賴 賵 卮讴丕蹖鬲 賲蹖 讴賳賳貙 丿趩丕乇 丕賳夭賵丕 賲蹖卮賴
賵爻賵丕爻 賮讴乇蹖 "鬲乇賱讴賵賮爻讴蹖"貙 丿乇亘丕乇賴 蹖 爻乇 賵 氐丿丕貙 亘賴 賯丿乇蹖 卮丿鬲 賲蹖 诏蹖乇賴 讴賴 丕夭 鬲賲丕賲 丿賵爻鬲丕賳卮 讴賳丕乇賴 诏蹖乇蹖 賲蹖讴賳賴 賵 亘丕 倬賵卮蹖丿賳 丿賲倬丕蹖蹖 賴丕蹖 丕亘乇蹖貙 亘乇丕蹖 噩賱賵诏蹖乇蹖 丕夭 賴乇 诏賵賳賴 氐丿丕蹖蹖貙 爻毓蹖 賲蹖讴賳賴 噩賵乇蹖 乇賮鬲丕乇 讴賳賴 鬲丕 亘賴丕賳賴 蹖 噩丿蹖丿 賵 鬲丕夭賴 丕蹖 亘賴 丿爻鬲 賴賲爻丕蹖賴 賴丕蹖 爻禺鬲 诏蹖乇卮 賳丿賴. 丕蹖賳 讴賳丕乇賴 诏蹖乇蹖 賴丕 賵 賵爻賵丕爻 賮讴乇蹖 乇賮鬲賴 乇賮鬲賴 亘丕毓孬 丕賮爻乇丿诏蹖 賵 丕賳夭賵丕蹖 "鬲乇賱讴賵賮爻讴蹖" 賲蹖卮賴 賵 丕賵賳賵 亘賴 賲乇夭蹖 丕夭 噩賳賵賳 賵 倬丕乇丕賳賵蹖丕 賲蹖 乇爻賵賳賴 讴賴 鬲氐賵乇 賲蹖讴賳賴 賴賲爻丕蹖賴 賴丕 爻毓蹖 丿丕乇賳 丕賵賳賵 亘賴 賯鬲賱 亘乇爻賵賳賳
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讴鬲丕亘 亘丿蹖 賳亘賵丿 丕賲丕 亘賴 賳馗乇賲 讴鬲丕亘蹖 賳蹖爻鬲 讴賴 賴乇 讴爻蹖 丕夭 禺賵賳丿賳卮 賱匕鬲 亘亘乇賴... 賮囟丕蹖 讴鬲丕亘貙 卮賴乇 鬲丕乇蹖讴 賵 丕賮爻乇丿賴 丕蹖 乇賵 亘賴 鬲氐賵蹖乇 賲蹖讴卮賴 讴賴 丕賲蹖丿蹖 亘賴 賳噩丕鬲卮 賳蹖爻鬲 賵 賲乇丿賲卮 賲丨讴賵賲 亘賴 賳蹖爻鬲蹖 賴爻鬲賳
丿賵爻鬲丕賳蹖 讴賴 爻亘讴 讴丕賮讴丕 蹖丕 讴丕賲賵 乇賵 賲蹖 倬爻賳丿賳 丕蹖賳 讴鬲丕亘 賲蹖 鬲賵賳賴 亘乇丕卮賵賳 噩丕賱亘 亘卮賴
^^
丕蹖賳 讴鬲丕亘 蹖賴 噩賵乇丕蹖蹖 賳賯卮 賴賲賵賳 丿蹖賱賲 乇賵 亘丕夭蹖 賲蹖讴賳賴. 丨丕賱丕 賳賴 丿乇 丨丿 卮讴爻鬲賳 丕賲丕 蹖賴 趩蹖夭蹖 鬲賵 賴賲賵賳 賲丕蹖賴 賴丕
:))
賲賵囟賵毓 賲賵乇丿 亘丨孬 讴鬲丕亘貙 鬲賳賴丕蹖蹖 賵 丕賳夭賵丕蹖 亘卮乇 丕賲乇賵夭蹖賴. 夭賳丿诏蹖 賴丕蹖 丌倬丕乇鬲賲丕賳蹖 賵 賲丨氐賵乇 卮丿賳 丿乇 趩賴丕乇 丿蹖賵丕乇蹖 賴丕蹖 鬲賳诏 賵 丿賱诏蹖乇蹖 讴賴 亘賴 鬲丕亘賵鬲 卮亘丕賴鬲 亘蹖卮鬲乇蹖 丿丕乇賳 鬲丕 趩蹖夭蹖 亘賴 丕爻賲 禺賵賳賴. 賴賲賴 蹖 丕蹖賳賴丕 爻亘亘 卮丿賴 鬲丕 丕賳爻丕賳 賴丕 禺蹖賱蹖 亘蹖卮鬲乇 丕夭 诏匕卮鬲賴 丕夭 賴賲 賮丕氐賱賴 亘诏蹖乇賳 賵 亘賴 丕賳夭賵丕蹖蹖 讴賴 丕蹖賳 賳賵毓 夭賳丿诏蹖 亘賴 賴賲乇丕賴 丕賵乇丿賴 禺賵 亘诏蹖乇賳
丿丕爻鬲丕賳 讴鬲丕亘 乇丕噩毓 亘賴 賲乇丿 噩賵丕賳蹖 亘賴 賳丕賲 "鬲乇賱讴賵賮爻讴蹖" 卅賴 讴賴 丿乇 丌倬丕乇鬲賲丕賳 噩丿蹖丿蹖 讴賴 氐丕丨亘 賯亘賱蹖卮 禺賵丿讴卮蹖 讴乇丿賴 爻丕讴賳 賲蹖卮賴 丕賲丕 乇賮鬲賴 乇賮鬲賴 賵 亘賴 禺丕胤乇 爻禺鬲 诏蹖乇蹖 賴賲爻丕蹖賴 賴丕貙 讴賴 丕夭 讴賵趩讴鬲乇蹖賳 氐丿丕蹖蹖 诏賱賴 賵 卮讴丕蹖鬲 賲蹖 讴賳賳貙 丿趩丕乇 丕賳夭賵丕 賲蹖卮賴
賵爻賵丕爻 賮讴乇蹖 "鬲乇賱讴賵賮爻讴蹖"貙 丿乇亘丕乇賴 蹖 爻乇 賵 氐丿丕貙 亘賴 賯丿乇蹖 卮丿鬲 賲蹖 诏蹖乇賴 讴賴 丕夭 鬲賲丕賲 丿賵爻鬲丕賳卮 讴賳丕乇賴 诏蹖乇蹖 賲蹖讴賳賴 賵 亘丕 倬賵卮蹖丿賳 丿賲倬丕蹖蹖 賴丕蹖 丕亘乇蹖貙 亘乇丕蹖 噩賱賵诏蹖乇蹖 丕夭 賴乇 诏賵賳賴 氐丿丕蹖蹖貙 爻毓蹖 賲蹖讴賳賴 噩賵乇蹖 乇賮鬲丕乇 讴賳賴 鬲丕 亘賴丕賳賴 蹖 噩丿蹖丿 賵 鬲丕夭賴 丕蹖 亘賴 丿爻鬲 賴賲爻丕蹖賴 賴丕蹖 爻禺鬲 诏蹖乇卮 賳丿賴. 丕蹖賳 讴賳丕乇賴 诏蹖乇蹖 賴丕 賵 賵爻賵丕爻 賮讴乇蹖 乇賮鬲賴 乇賮鬲賴 亘丕毓孬 丕賮爻乇丿诏蹖 賵 丕賳夭賵丕蹖 "鬲乇賱讴賵賮爻讴蹖" 賲蹖卮賴 賵 丕賵賳賵 亘賴 賲乇夭蹖 丕夭 噩賳賵賳 賵 倬丕乇丕賳賵蹖丕 賲蹖 乇爻賵賳賴 讴賴 鬲氐賵乇 賲蹖讴賳賴 賴賲爻丕蹖賴 賴丕 爻毓蹖 丿丕乇賳 丕賵賳賵 亘賴 賯鬲賱 亘乇爻賵賳賳
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讴鬲丕亘 亘丿蹖 賳亘賵丿 丕賲丕 亘賴 賳馗乇賲 讴鬲丕亘蹖 賳蹖爻鬲 讴賴 賴乇 讴爻蹖 丕夭 禺賵賳丿賳卮 賱匕鬲 亘亘乇賴... 賮囟丕蹖 讴鬲丕亘貙 卮賴乇 鬲丕乇蹖讴 賵 丕賮爻乇丿賴 丕蹖 乇賵 亘賴 鬲氐賵蹖乇 賲蹖讴卮賴 讴賴 丕賲蹖丿蹖 亘賴 賳噩丕鬲卮 賳蹖爻鬲 賵 賲乇丿賲卮 賲丨讴賵賲 亘賴 賳蹖爻鬲蹖 賴爻鬲賳
丿賵爻鬲丕賳蹖 讴賴 爻亘讴 讴丕賮讴丕 蹖丕 讴丕賲賵 乇賵 賲蹖 倬爻賳丿賳 丕蹖賳 讴鬲丕亘 賲蹖 鬲賵賳賴 亘乇丕卮賵賳 噩丕賱亘 亘卮賴
^^
May 6, 2018
韦慰 未喂伪渭苇蟻喂蟽渭伪 蟿慰蠀 苇魏蟿慰蠀 慰蟻蠈蠁慰蠀 渭喂伪蟼 蟺伪位喂维蟼, 伪蟽蟿喂魏萎蟼 蟺慰位蠀魏伪蟿慰喂魏委伪蟼 蟽蟿畏谓 慰未蠈 螤喂蟻蔚谓苇 伪蟺苇魏蟿畏蟽蔚 谓苇慰 苇谓慰喂魏慰: 苇谓伪谓 蟿蟻喂伪谓蟿维蠂蟻慰谓慰 螤慰位蠅谓蠈 渭蔚蟿伪谓维蟽蟿畏, 蟺慰蠀 伪蟺慰蠁伪蟽委味蔚喂 谓伪 谓慰喂魏喂维蟽蔚喂 蟿慰 未喂伪渭苇蟻喂蟽渭伪 (未蠀慰 未蠅渭维蟿喂伪 蠈位伪 魏喂 蠈位伪, 未委蠂蠅蟼 魏慰蠀味委谓伪, 魏伪喂 渭蔚 魏慰喂谓蠈蠂蟻畏蟽蟿慰 WC), 蟺伪蟻维 蟿畏谓 渭维位位慰谓 蔚蟺喂蠁蠀位伪魏蟿喂魏萎 蟽蟿维蟽畏 蟿慰蠀 喂未喂慰魏蟿萎蟿畏 蟿慰蠀 未喂伪渭蔚蟻委蟽渭伪蟿慰蟼 魏伪喂 蟿慰 蟿蟻伪纬喂魏蠈 蟽蠀渭尾维谓 蟿畏蟼 伪蠀蟿慰魏蟿慰谓委伪蟼 蟿畏蟼 蟺蟻慰畏纬慰蠉渭蔚谓畏蟼 蔚谓慰委魏慰蠀.
螚 伪位位慰蟺蟻蠈蟽伪位位畏 蟽蠀渭蟺蔚蟻喂蠁慰蟻维 蟿蠅谓 纬蔚喂蟿蠈谓蠅谓 蟿慰蠀, 蟿伪 蟺伪蟻维尉蔚谓伪 蠂蟿蠀蟺萎渭伪蟿伪 蟽蟿畏谓 蟺蠈蟻蟿伪 魏伪喂 蟿慰蠀蟼 蟿慰委蠂慰蠀蟼 蟿慰蠀 未喂伪渭蔚蟻委蟽渭伪蟿慰蟼, 魏伪喂 魏蠀蟻委蠅蟼 畏 伪蟺慰蟽蟿蟻慰蠁萎 蟿蠅谓 位慰喂蟺蠋谓 蔚谓慰委魏蠅谓 蟽蔚 慰蟺慰喂伪未萎蟺慰蟿蔚 胃慰蟻蠀尾蠋未畏 蔚魏未萎位蠅蟽畏 蔚谓蟿蠈蟼 蟿蠅谓 慰蟻委蠅谓 蟿畏蟼 蟺慰位蠀魏伪蟿慰喂魏委伪蟼, 慰未畏纬慰蠉谓 蟿慰谓 (苇谓慰喂魏慰) 韦蟻蔚位魏蠈蠁蟽魏喂 蟽蟿畏谓 尾伪胃渭喂伪委伪 伪蟺慰渭蠈谓蠅蟽萎 蟿慰蠀 魏伪喂 蟿慰谓, 蟽蠂蔚未蠈谓 伪蟺蠈位蠀蟿慰, 蔚魏慰蠉蟽喂慰 蔚纬魏位蔚喂蟽渭蠈 蟿慰蠀. 韦慰 未喂伪渭苇蟻喂蟽渭伪 纬委谓蔚蟿伪喂 蟿慰 慰蠂蠀蟻蠈 蟿慰蠀 蔚谓慰委魏慰蠀 蟿慰蠀. 螝喂 慰 蠂蔚喂蟻蠈蟿蔚蟻慰蟼 蔚蠁喂维位蟿畏蟼 蟿慰蠀. 螐蟽蟺慰蠀, 慰 苇谓慰喂魏慰蟼 谓慰喂蠋胃蔚喂 谓伪 伪位位维味蔚喂, 谓伪 渭蔚蟿伪渭慰蟻蠁蠋谓蔚蟿伪喂, 谓伪 渭慰喂维味蔚喂 慰位慰苇谓伪 魏伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 蟽蟿畏谓 蟺蟻慰畏纬慰蠉渭蔚谓畏 谓慰喂魏维蟻喂蟽蟽伪.
螝位蔚喂蟽蟿慰蠁慰尾喂魏蠈, 蠀蟺慰尾位畏蟿喂魏蠈, 魏伪喂 渭苇蠂蟻喂 蟿慰蠀 未蟻蠈渭慰蠀 蟿伪 渭喂蟽维 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏蠈, 蟿慰 尾喂尾位委慰 伪蠀蟿蠈 蟿慰蠀 Roland Topor 未喂慰位委蟽胃畏蟽蔚 尾伪胃渭喂伪委伪 蟽鈥� 苇谓伪 mind-fucking game, 蠈蟺慰蠀 蟿伪 蠈蟻喂伪 渭蔚蟿伪尉蠉 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼 魏伪喂 蟺伪蟻伪委蟽胃畏蟽畏蟼 (喂未委蠅蟼 蟽蟿慰 蟿蟻委蟿慰 渭苇蟻慰蟼 蟿慰蠀 尾喂尾位委慰蠀) 苇纬喂谓伪谓 蟺伪谓蟿蔚位蠋蟼 伪尉蔚蠂蠋蟻喂蟽蟿伪 魏伪喂 慰喂 蟺喂胃伪谓苇蟼 伪谓伪纬谓蠋蟽蔚喂蟼 蟿慰蠀 蟿苇位慰蠀蟼 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 蟺慰位位苇蟼 魏伪喂 未喂伪蠁慰蟻蔚蟿喂魏苇蟼.
螚 伪位位慰蟺蟻蠈蟽伪位位畏 蟽蠀渭蟺蔚蟻喂蠁慰蟻维 蟿蠅谓 纬蔚喂蟿蠈谓蠅谓 蟿慰蠀, 蟿伪 蟺伪蟻维尉蔚谓伪 蠂蟿蠀蟺萎渭伪蟿伪 蟽蟿畏谓 蟺蠈蟻蟿伪 魏伪喂 蟿慰蠀蟼 蟿慰委蠂慰蠀蟼 蟿慰蠀 未喂伪渭蔚蟻委蟽渭伪蟿慰蟼, 魏伪喂 魏蠀蟻委蠅蟼 畏 伪蟺慰蟽蟿蟻慰蠁萎 蟿蠅谓 位慰喂蟺蠋谓 蔚谓慰委魏蠅谓 蟽蔚 慰蟺慰喂伪未萎蟺慰蟿蔚 胃慰蟻蠀尾蠋未畏 蔚魏未萎位蠅蟽畏 蔚谓蟿蠈蟼 蟿蠅谓 慰蟻委蠅谓 蟿畏蟼 蟺慰位蠀魏伪蟿慰喂魏委伪蟼, 慰未畏纬慰蠉谓 蟿慰谓 (苇谓慰喂魏慰) 韦蟻蔚位魏蠈蠁蟽魏喂 蟽蟿畏谓 尾伪胃渭喂伪委伪 伪蟺慰渭蠈谓蠅蟽萎 蟿慰蠀 魏伪喂 蟿慰谓, 蟽蠂蔚未蠈谓 伪蟺蠈位蠀蟿慰, 蔚魏慰蠉蟽喂慰 蔚纬魏位蔚喂蟽渭蠈 蟿慰蠀. 韦慰 未喂伪渭苇蟻喂蟽渭伪 纬委谓蔚蟿伪喂 蟿慰 慰蠂蠀蟻蠈 蟿慰蠀 蔚谓慰委魏慰蠀 蟿慰蠀. 螝喂 慰 蠂蔚喂蟻蠈蟿蔚蟻慰蟼 蔚蠁喂维位蟿畏蟼 蟿慰蠀. 螐蟽蟺慰蠀, 慰 苇谓慰喂魏慰蟼 谓慰喂蠋胃蔚喂 谓伪 伪位位维味蔚喂, 谓伪 渭蔚蟿伪渭慰蟻蠁蠋谓蔚蟿伪喂, 谓伪 渭慰喂维味蔚喂 慰位慰苇谓伪 魏伪喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 蟽蟿畏谓 蟺蟻慰畏纬慰蠉渭蔚谓畏 谓慰喂魏维蟻喂蟽蟽伪.
螝位蔚喂蟽蟿慰蠁慰尾喂魏蠈, 蠀蟺慰尾位畏蟿喂魏蠈, 魏伪喂 渭苇蠂蟻喂 蟿慰蠀 未蟻蠈渭慰蠀 蟿伪 渭喂蟽维 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏蠈, 蟿慰 尾喂尾位委慰 伪蠀蟿蠈 蟿慰蠀 Roland Topor 未喂慰位委蟽胃畏蟽蔚 尾伪胃渭喂伪委伪 蟽鈥� 苇谓伪 mind-fucking game, 蠈蟺慰蠀 蟿伪 蠈蟻喂伪 渭蔚蟿伪尉蠉 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼 魏伪喂 蟺伪蟻伪委蟽胃畏蟽畏蟼 (喂未委蠅蟼 蟽蟿慰 蟿蟻委蟿慰 渭苇蟻慰蟼 蟿慰蠀 尾喂尾位委慰蠀) 苇纬喂谓伪谓 蟺伪谓蟿蔚位蠋蟼 伪尉蔚蠂蠋蟻喂蟽蟿伪 魏伪喂 慰喂 蟺喂胃伪谓苇蟼 伪谓伪纬谓蠋蟽蔚喂蟼 蟿慰蠀 蟿苇位慰蠀蟼 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 蟺慰位位苇蟼 魏伪喂 未喂伪蠁慰蟻蔚蟿喂魏苇蟼.
October 12, 2019
賲爻鬲丕噩乇 貙 亘趩賴 乇夭賲丕乇蹖 賵 丕賳夭噩丕乇 爻賴 诏丕賳賴 丕蹖 賴爻鬲賳丿 讴賴 丌賯丕蹖 乇賵賲賳 倬賵賱丕賳爻讴蹖 讴丕乇诏乇丿丕賳 賱賴爻鬲丕賳蹖 丕賱丕氐賱 貙 亘夭乇诏 卮丿賴 丿乇 丌卮賵蹖鬲爻 賵 爻丕讴賳 倬丕乇蹖爻 丿乇 賲賵乇丿 夭賳丿诏蹖 丌倬丕乇鬲賲丕賳蹖 賵 卮丕蹖丿 鬲乇爻 丕夭 賴賲夭蹖爻鬲蹖 亘丕 賴賲爻丕蹖賴 賴丕 賵 賲乇丿賲蹖 讴賴 賲丕 賮賯胤 馗丕賴乇 丌賳 賴丕 乇丕 賲蹖 亘蹖賳蹖賲 賵 賲蹖 卮賳丕爻蹖賲 賵 禺亘乇蹖 丕夭 賴蹖賵賱丕蹖 丿乇賵賳 丌賳 賴丕 賳丿丕乇蹖賲 亘乇 丕爻丕爻 賮蹖賱賲 賳丕賲賴 賴丕蹖 亘乇诏乇賮鬲賴 卮丿賴 丕夭 讴鬲丕亘 賴丕蹖 賲禺鬲賱賮 讴丕乇诏乇丿丕賳蹖 讴乇丿賴 丕爻鬲 . 賲乇丿賲蹖 讴賴 亘賴 馗丕賴乇 禺賵亘 賵 亘丿賵賳 賲卮讴賱 亘賴 賳馗乇 賲蹖 乇爻賳丿 賵賱蹖 丿乇 丨賯蹖賯鬲 丿乇 丿乇賵賳 禺賵丿 丿乇 丨丕賱 賳賯卮賴 讴卮蹖丿賳 亘乇丕蹖 賳丕亘賵丿蹖 卮賲丕 貙 卮丕蹖丿 賴賲 賲毓丕賲賱賴 丕蹖 倬乇 爻賵丿 亘丕 卮蹖胤丕賳 賴爻鬲賳丿 . 丕蹖賳噩丕 丿乇 賲爻鬲丕噩乇 (讴鬲丕亘蹖 讴賴 賲賳 禺賵丕賳丿賲 亘丕 鬲乇噩賲賴 丌賯丕蹖 讴賵乇賵卮 爻賱蹖賲 夭丕丿賴 亘賵丿賴 賵 鬲氐賵蹖乇 讴鬲丕亘 賴賲 賴賲蹖賳 丌賯丕蹖 倬賵賱丕賳爻讴蹖 賲毓乇賵賮 丿乇 丨丕賱 賳诏丕賴 讴乇丿賳 亘賴 亘蹖乇賵賳 丕胤丕賯 賴爻鬲 ) 賮乇丿蹖 丕夭 賱賴爻鬲丕賳 ( 夭丕丿诏丕賴 禺賵丿 丌賯丕蹖 倬賵賱丕賳爻讴蹖 ) 丿賳亘丕賱 禺丕賳賴 丕蹖 亘乇丕蹖 丕噩丕乇賴 丿乇 倬丕乇蹖爻 賲蹖 诏乇丿丿 ( 亘丕夭 賴賲 丌賯丕蹖 倬賵賱丕賳爻讴蹖 )賵 倬爻 丕夭 蹖丕賮鬲賳 禺丕賳賴 丕蹖 讴賴 賲爻鬲丕噩乇 賯亘賱蹖 丌賳 禺賵丿 讴卮蹖 讴乇丿賴 ( 毓賱鬲 丿乇 丕亘鬲丿丕 賲毓賱賵賲 賳蹖爻鬲 ) 丿乇 丨丕賱蹖 讴賴 賮乇氐鬲 诏乇賮鬲賳 噩卮賳 乇丕 賴賲 賳丿丕卮鬲賴 貙 倬蹖 賲蹖亘乇丿 鬲丕夭賴 丕蹖賳 丕賵賱 賲丕噩乇丕爻鬲 !賵 丕賵 丕亘丕蹖丿 亘丕 賴賲爻丕蹖诏丕賳 賵 氐丕丨亘 禺丕賳賴 賵 爻乇丕蹖丿丕乇蹖 爻乇 賵 讴賱賴 亘夭賳丿 讴賴 鬲賮丕賵鬲蹖 亘丕 卮蹖胤丕賳 賳丿丕乇賳丿 . 丿乇 丕丿丕賲賴 丿丕爻鬲丕賳 貙 亘賴 丌賴爻鬲诏蹖 賮乇丕蹖賳丿 鬲亘丿蹖賱 賲爻鬲丕噩乇 噩丿蹖丿 亘賴 賲爻鬲丕噩乇 賯亘賱蹖 賵 诏丕賲 賳賴丕丿賳 丕賵 丿乇 賲爻蹖乇蹖 讴賴 亘賴 禺賵丿 讴卮蹖 賲賳鬲賴蹖 賲蹖 卮賵丿 亘賴 鬲賮氐蹖賱 賵 亘丕 匕讴乇 噩夭卅蹖丕鬲 卮乇丨 丿丕丿賴 賲蹖卮賵丿 賵 亘乇丕蹖 禺賵丕賳賳丿賴 丕蹖賳 爻賵丕賱 賲胤乇丨 賲蹖 卮賵丿 讴賴 丌蹖丕 賴賲蹖賳 賲爻鬲丕噩乇 賴賲 倬蹖卮 夭賲蹖賳賴 賴丕蹖 鬲亘丿蹖賱 卮丿賳 亘賴 蹖讴 丕賳爻丕賳 乇賵丕賳蹖 乇丕 丿丕卮鬲賴 丕爻鬲 責責
丿丕爻鬲丕賳 丿乇 丨丕賱蹖 鬲賲丕賲 賲蹖 卮賵丿 讴賴 賳賵蹖爻賳丿賴 丌賯丕蹖 乇賵賱丕賳 鬲賵倬賵乇 賲賵賮賯 賲蹖 卮賵丿 讴賴 倬賵爻鬲賴 賳丕夭讴 丕毓鬲賲丕丿 禺賵丕賳賳丿賴 亘賴 賲丨蹖胤 丕胤乇丕賮 賵 亘賴 賵蹖跇賴 亘賴 賴賲爻丕蹖诏丕賳 禺賵丿 乇丕 卮讴爻鬲賴 賵 丿蹖丿 亘丿 亘蹖賳丕賳賴 丕蹖 亘賴 賵噩賵丿 丌賵乇丿 . 囟賲賳丕 丨丿丕賯賱 亘乇丕蹖 賲賳 丕蹖賳 爻賵丕賱 倬蹖卮 丌賲丿 讴賴 賴乇 讴丿丕賲 丕夭 賲丕 丕賳爻丕賳 賴丕蹖 亘賴 馗丕賴乇 毓丕丿蹖 丿乇 丿乇賵賳 禺賵丿 趩賯丿乇 夭賲蹖賳賴 卮乇丕乇鬲 賵 乇賵丕賳蹖 亘賵丿賳 賵 乇賵丕賳蹖 讴乇丿賳 丿蹖诏乇丕賳 乇丕 丿丕乇蹖賲 責責
丿丕爻鬲丕賳 丿乇 丨丕賱蹖 鬲賲丕賲 賲蹖 卮賵丿 讴賴 賳賵蹖爻賳丿賴 丌賯丕蹖 乇賵賱丕賳 鬲賵倬賵乇 賲賵賮賯 賲蹖 卮賵丿 讴賴 倬賵爻鬲賴 賳丕夭讴 丕毓鬲賲丕丿 禺賵丕賳賳丿賴 亘賴 賲丨蹖胤 丕胤乇丕賮 賵 亘賴 賵蹖跇賴 亘賴 賴賲爻丕蹖诏丕賳 禺賵丿 乇丕 卮讴爻鬲賴 賵 丿蹖丿 亘丿 亘蹖賳丕賳賴 丕蹖 亘賴 賵噩賵丿 丌賵乇丿 . 囟賲賳丕 丨丿丕賯賱 亘乇丕蹖 賲賳 丕蹖賳 爻賵丕賱 倬蹖卮 丌賲丿 讴賴 賴乇 讴丿丕賲 丕夭 賲丕 丕賳爻丕賳 賴丕蹖 亘賴 馗丕賴乇 毓丕丿蹖 丿乇 丿乇賵賳 禺賵丿 趩賯丿乇 夭賲蹖賳賴 卮乇丕乇鬲 賵 乇賵丕賳蹖 亘賵丿賳 賵 乇賵丕賳蹖 讴乇丿賳 丿蹖诏乇丕賳 乇丕 丿丕乇蹖賲 責責
September 7, 2015
Roland's The Tenant is a sort of ragged of a tale whose structural boundaries are loosely marked by Joyce's and the .
At its heart, the work reflects the difficulty of coping with social pressures brought on by modernity and the situation of living in close quarters with others in an urban environment. Trelkovsky, the main focus of the novel, moves from his studio apartment to another apartment, which was once occupied by a Simone Choule, but had been vacated with her suicide. Trelkovsky begins the tale as a well-adjusted, responsible young man whose only care was leaving his old place. But this seemingly innocent departure signaled the beginning of darker days to come:
He had lived so many years in this room that he could still not quite grasp the idea that now it was finished. He would never again see this place which had been the very centre of his life. Others would come into it, destroy the order of things that existed now, transform these four walls into something he would not even recognize, and kill off forever any lingering assumption that a certain Monsieur Trelkovsky had lived here before. Unceremoniously, from one day to the next, he would have vanished.
This existential crisis, however, is only the beginning of a mad, downward spiral into sociopathic misanthropy brought on by the pressure of intolerant neighbors, a landlord who obeys the law when it suits him, and the haunting presence left by Simone Choule's suicide. To say much more about the plot itself would be to give too much away, so, suffice it to say that Trelkovsky's moment of crisis leads, in the end, to a transgressive, transformative episode that leaves him with serious questions about his authentic-self. This might be salved by the company of good friends or a lover or even a neighbor who might commiserate against the other neighbors. Alas, Trelkovsky's paranoia does not help matters in this regard. With enemies like these, who needs friends?
At its heart, the work reflects the difficulty of coping with social pressures brought on by modernity and the situation of living in close quarters with others in an urban environment. Trelkovsky, the main focus of the novel, moves from his studio apartment to another apartment, which was once occupied by a Simone Choule, but had been vacated with her suicide. Trelkovsky begins the tale as a well-adjusted, responsible young man whose only care was leaving his old place. But this seemingly innocent departure signaled the beginning of darker days to come:
He had lived so many years in this room that he could still not quite grasp the idea that now it was finished. He would never again see this place which had been the very centre of his life. Others would come into it, destroy the order of things that existed now, transform these four walls into something he would not even recognize, and kill off forever any lingering assumption that a certain Monsieur Trelkovsky had lived here before. Unceremoniously, from one day to the next, he would have vanished.
This existential crisis, however, is only the beginning of a mad, downward spiral into sociopathic misanthropy brought on by the pressure of intolerant neighbors, a landlord who obeys the law when it suits him, and the haunting presence left by Simone Choule's suicide. To say much more about the plot itself would be to give too much away, so, suffice it to say that Trelkovsky's moment of crisis leads, in the end, to a transgressive, transformative episode that leaves him with serious questions about his authentic-self. This might be salved by the company of good friends or a lover or even a neighbor who might commiserate against the other neighbors. Alas, Trelkovsky's paranoia does not help matters in this regard. With enemies like these, who needs friends?
May 24, 2021
Kirac谋 hakk谋nda spoiler vermeden bir yorum yazmak 莽ok zor. Kat谋 kurallarla dolu bir s枚zle艧me imzalay谋p, de臒i艧ik kom艧ularla sar谋l谋 oldu臒u bir daireye ta艧谋nan Trelovsky鈥檔in hikayesinin takip ediyorsunuz. Hem bir polisiye gibi merak ettirip okurunu geren, hem de dokunakl谋 detaylar谋yla sarsan kitaplardan. Konu olarak 艧ehir ya艧am谋n谋n getirdi臒i yabanc谋la艧ma, belirli kal谋plara dahil olmaya 莽abalama, bunun aksi durumunda 枚tekile艧tirilip toplumun d谋艧谋nda b谋rak谋lmay谋, k谋saca bir insan谋n g眉nl眉k hayat谋nda kar艧谋la艧t谋臒谋 莽evre bask谋s谋 ile m眉cadelesini okuyorsunuz. Buna psikopatoloji de eklenince gerilimin dozu daha da art谋yor. Hatta san谋yorum bu psikolojik gerilimin de etkisiyle, 莽o臒u ki艧i korku kategorisine dahil etmi艧 ama bence gerilim daha uygun bir tan谋mlama. 脟o臒u sorunuzun cevab谋n谋 alamayacaks谋n谋z muhtemelen ama bundan rahats谋z olmayanlardansan谋z mutlaka okuyun derim. 脟ok be臒endim; otorite, itaat, sosyal yap谋 i莽inde ki艧isel kimlik 眉zerine s枚yleyecek 莽ok s枚z眉 olan, elden b谋rakamadan merakla okunacak bir gerilim roman谋. Baz谋 noktalarda tahmin ediyor olsan谋z da bunu tasdiklemek ad谋na, sonu i莽in dahi okunur.
Bu arada yay谋nevinden daha 枚nceden de Viviane Elisabeth Fauville okumu艧tum, o da Kirac谋 gibi 莽ok farkl谋 bir tarzda ve bekledi臒imden 莽ok farkl谋 seyreden bir kitap olmu艧tu. Yay谋nevinin kitap se莽imleri 莽ok farkl谋 ve etkileyici ger莽ekten. Yak谋ndan takip edilmesi gerekenlerden.
4,5/5
Bu arada yay谋nevinden daha 枚nceden de Viviane Elisabeth Fauville okumu艧tum, o da Kirac谋 gibi 莽ok farkl谋 bir tarzda ve bekledi臒imden 莽ok farkl谋 seyreden bir kitap olmu艧tu. Yay谋nevinin kitap se莽imleri 莽ok farkl谋 ve etkileyici ger莽ekten. Yak谋ndan takip edilmesi gerekenlerden.
4,5/5
September 24, 2024
賯亘賱丕 趩賳丿鬲丕 讴鬲丕亘 丕夭 丕蹖賳 賲鬲乇噩賲 禺賵賳丿賲 賵 賲鬲賵噩賴 卮丿賲 禺蹖賱蹖 讴鬲丕亘丕蹖 噩丕賱亘蹖 鬲乇噩賲賴 賲蹖鈥屭┵嗀�.
賲爻鬲兀噩乇 賴賲蹖卮賴 鬲賵 賱蹖爻鬲賲 亘賵丿 亘禺乇賲 賵 禺蹖賱蹖 匕賵賯 禺賵賳丿賳卮賵 丿丕卮鬲賲 丕賲丕 賲鬲丕爻賮丕賳賴 鬲丕 賳蹖賲賴 賴丕蹖 讴鬲丕亘 讴賴 乇爻蹖丿賲 丿蹖诏賴 亘乇丕賲 鬲丕亘賱賵 卮丿 讴賴 賯乇丕乇賴 趩賴 丕鬲賮丕賯蹖 亘蹖賮鬲賴 貙丿丕爻鬲丕賳卮 亘乇丕賲 鬲讴乇丕乇蹖 亘賵丿鈥�.
丕賳鬲馗丕乇 亘蹖卮鬲乇蹖 丕夭 丕蹖賳 讴鬲丕亘 丿丕卮鬲賲 賮讴乇 賲蹖讴乇丿賲 賯乇丕乇賴 讴賱蹖 睾丕賮賱诏蹖乇 亘卮賲 鬲乇爻 賵 丿賱賴乇賴 賵噩賵丿賲賵 丿乇 亘诏蹖乇賴.
亘毓丿 丕夭 讴鬲丕亘卮 賮蹖賱賲卮賵 丿蹖丿賲 賴乇趩賳丿 丕夭 讴丕乇诏乇丿丕賳卮 禺賵卮賲 賳賲蹖丕丿 丕賲丕 亘賴 賳馗乇賲 賮蹖賱賲卮 亘賴 賲乇丕鬲亘 亘賴鬲乇 丕夭 讴鬲丕亘卮 賴爻鬲.
倬蹖卮賳賴丕丿 賲蹖讴賳賲 賮蹖賱賲卮賵 亘亘蹖賳蹖丿.
賲賳 蹖賴 丕卮鬲亘丕賴蹖 讴乇丿賲 賵 夭賵丿 讴鬲丕亘卮賵 禺乇蹖丿賲 趩賵賳 氐賵鬲蹖卮 鬲賵爻胤 丌賯丕蹖 爻賱胤丕賳 夭丕丿賴 囟亘胤 卮丿賴.
賲爻鬲兀噩乇 賴賲蹖卮賴 鬲賵 賱蹖爻鬲賲 亘賵丿 亘禺乇賲 賵 禺蹖賱蹖 匕賵賯 禺賵賳丿賳卮賵 丿丕卮鬲賲 丕賲丕 賲鬲丕爻賮丕賳賴 鬲丕 賳蹖賲賴 賴丕蹖 讴鬲丕亘 讴賴 乇爻蹖丿賲 丿蹖诏賴 亘乇丕賲 鬲丕亘賱賵 卮丿 讴賴 賯乇丕乇賴 趩賴 丕鬲賮丕賯蹖 亘蹖賮鬲賴 貙丿丕爻鬲丕賳卮 亘乇丕賲 鬲讴乇丕乇蹖 亘賵丿鈥�.
丕賳鬲馗丕乇 亘蹖卮鬲乇蹖 丕夭 丕蹖賳 讴鬲丕亘 丿丕卮鬲賲 賮讴乇 賲蹖讴乇丿賲 賯乇丕乇賴 讴賱蹖 睾丕賮賱诏蹖乇 亘卮賲 鬲乇爻 賵 丿賱賴乇賴 賵噩賵丿賲賵 丿乇 亘诏蹖乇賴.
亘毓丿 丕夭 讴鬲丕亘卮 賮蹖賱賲卮賵 丿蹖丿賲 賴乇趩賳丿 丕夭 讴丕乇诏乇丿丕賳卮 禺賵卮賲 賳賲蹖丕丿 丕賲丕 亘賴 賳馗乇賲 賮蹖賱賲卮 亘賴 賲乇丕鬲亘 亘賴鬲乇 丕夭 讴鬲丕亘卮 賴爻鬲.
倬蹖卮賳賴丕丿 賲蹖讴賳賲 賮蹖賱賲卮賵 亘亘蹖賳蹖丿.
賲賳 蹖賴 丕卮鬲亘丕賴蹖 讴乇丿賲 賵 夭賵丿 讴鬲丕亘卮賵 禺乇蹖丿賲 趩賵賳 氐賵鬲蹖卮 鬲賵爻胤 丌賯丕蹖 爻賱胤丕賳 夭丕丿賴 囟亘胤 卮丿賴.
February 28, 2024
Roland Topor's existentialist, panic inducing psychological thriller The Tenant / Le locataire chim茅rique revolves around unassuming everyman Trelkovsky, who unexpectedly finds a good apartment to rent, and accepts the lease even though the former tenant has thrown herself out of the window 鈥� unsettling, but the things we big city people won't accept for a nice apartment... What Trelkovsky accepts and does in order to keep the place gradually weighs on him and affects his mental health, until he cracks under the collective societal pressure and a full-blown identity crisis.
The building of suspense in this book is sublime to say the least. Trekolvsky's initially slight and gradually more intense metamorphosis lead to a quite tragic and devastating ending, making this a fascinating read.
The building of suspense in this book is sublime to say the least. Trekolvsky's initially slight and gradually more intense metamorphosis lead to a quite tragic and devastating ending, making this a fascinating read.
March 17, 2022
Videorecensione:
October 5, 2015
The Tenant is Roland Topor's classic surreal novel of alienation, sexual frustration and downward spiral into insanity in a run down Parisian apartment complex on the rue des Pyr茅n茅es. Originally published in 1964, the novel has been adapted into film in 1976 by Roman Polanski - who also played the main character. I saw the film adaptation several years ago, but only now read the book - the film follows the novel closely, with only a few minor differences.
The Tenant tells the story of a man known only as Trelkovsky, who moves into a small apartment on the rue des Pyr茅n茅es. The previous tenant, a woman named Simone Choule, has attempted to commit suicide by throwing herself out of the window, leaving her furniture and belongings behind. Trelkovsky feels an obligation to visit Simone in the hospital, but discovers that she is covered in bandages - and screams terribly when she sees him. Simone dies soon afterwards, and Trelkovsky resumes his life in her former apartment - but soon becomes embroiled in what he perceives to be a conspiracy against his life, designed by his neighbors.
The Tenant is grotesque and surreal, but at the same time almost absurdly funny at times in a very juvenile way (at one point Trelkovsky amuses himself with farting in public at regular intervals). Trelkovsky himself is an interesting character. Although he is said to have a steady job, it is never described in great detail and it is unclear what he is actually doing. He has very few friends, and is not really a social person. Trelkovsky wants most to be simply left alone, but everything he does ends up disturbing and bothering his neighbors - who bang on his walls, ceiling and floor, and complain about him to the landlord.
Is Trelkovsky truly a victim of a complex conspiracy? Who is he, exactly? Trelkovsky is not a French name, as his landlord points out while interrogating him about his background - we learn that he was born in France, but nothing more. It is possible that Topor wanted Trelkovsky to reflect his own background - that of a Polish Jew, a stranger in the country of his birth(incidentally, Roman Polanski is also a Polish Jew who moved to Paris to live and work). That Trelkovsky is an outsider is obvious enough, but he himself also does not know who or what he is. Although he states that he is not a homosexual, he is unable to form a relationship with a woman; in fact he shows to be fascinated not with women, but with their bodies. As the novel progresses, Trelkovsky sees an increasingly clear image of himself as an intruder - not only in the claustrophobic, kafkaesque apartment complex, but inside his own body.
Although I saw the film and knew what was going to happen, I still enjoyed reading The Tenant - it is very short, and does what it aims to do well, without overstaying its welcome. I really recommend the film adaptation - I think that it is even better than the book, with just enough difference to make it true to the source material and enjoyable for those who have read it.
The Tenant tells the story of a man known only as Trelkovsky, who moves into a small apartment on the rue des Pyr茅n茅es. The previous tenant, a woman named Simone Choule, has attempted to commit suicide by throwing herself out of the window, leaving her furniture and belongings behind. Trelkovsky feels an obligation to visit Simone in the hospital, but discovers that she is covered in bandages - and screams terribly when she sees him. Simone dies soon afterwards, and Trelkovsky resumes his life in her former apartment - but soon becomes embroiled in what he perceives to be a conspiracy against his life, designed by his neighbors.
The Tenant is grotesque and surreal, but at the same time almost absurdly funny at times in a very juvenile way (at one point Trelkovsky amuses himself with farting in public at regular intervals). Trelkovsky himself is an interesting character. Although he is said to have a steady job, it is never described in great detail and it is unclear what he is actually doing. He has very few friends, and is not really a social person. Trelkovsky wants most to be simply left alone, but everything he does ends up disturbing and bothering his neighbors - who bang on his walls, ceiling and floor, and complain about him to the landlord.
Is Trelkovsky truly a victim of a complex conspiracy? Who is he, exactly? Trelkovsky is not a French name, as his landlord points out while interrogating him about his background - we learn that he was born in France, but nothing more. It is possible that Topor wanted Trelkovsky to reflect his own background - that of a Polish Jew, a stranger in the country of his birth(incidentally, Roman Polanski is also a Polish Jew who moved to Paris to live and work). That Trelkovsky is an outsider is obvious enough, but he himself also does not know who or what he is. Although he states that he is not a homosexual, he is unable to form a relationship with a woman; in fact he shows to be fascinated not with women, but with their bodies. As the novel progresses, Trelkovsky sees an increasingly clear image of himself as an intruder - not only in the claustrophobic, kafkaesque apartment complex, but inside his own body.
Although I saw the film and knew what was going to happen, I still enjoyed reading The Tenant - it is very short, and does what it aims to do well, without overstaying its welcome. I really recommend the film adaptation - I think that it is even better than the book, with just enough difference to make it true to the source material and enjoyable for those who have read it.
June 23, 2019
賯亘賱 丕夭 丕蹖賳讴賴 讴鬲丕亘 乇賵 亘禺賵賳蹖丿
丿丕爻鬲丕賳 丿乇 賲賵乇丿 賽 賮乇丿蹖 亘賴 賳丕賲 賽 "鬲乇賱讴賵賮爻讴蹖" 卅賴貙 讴賴 亘賴 丿賳亘丕賱 丌倬丕乇鬲賲丕賳蹖 亘乇丕蹖 丕噩丕乇賴 賲蹖鈥屭必�. 丿乇 賳賴丕蹖鬲貙 賵賯鬲蹖 丌倬丕乇鬲賲丕賳 賽 亘丕亘 賲蹖賱卮 乇賵 倬蹖丿丕 賲蹖鈥屭┵嗁囏� 賲鬲賵噩賴 賲蹖卮賴 讴賴 賲爻鬲丕噩乇 賽 賯亘賱蹖 丕賵賳 丌倬丕乇鬲賲丕賳 禺賵丿讴卮蹖 讴乇丿賴 賵 鬲賵蹖 亘蹖賲丕乇爻鬲丕賳賴. 亘丕 賲乇诏 賲爻鬲丕噩乇 賽 賯亘賱蹖貙 鬲乇賱讴賵賮爻讴蹖 亘賴 丌倬丕乇鬲賲丕賳 賽 噩丿蹖丿卮 賳賯賱 賲讴丕賳 賲蹖鈥屭┵嗁� 賵 讴賲鈥屭┵� 賲鬲賵噩賴 賽 丕鬲賮丕賯丕鬲 賽 賲卮讴賵讴蹖 賲蹖鈥屫促� 賵... .
丕诏乇 亘禺賵丕蹖賲 丿乇鈥屫ㄘж辟団€屰� 跇丕賳乇 賽 讴鬲丕亘 氐丨亘鬲 讴賳蹖賲貙 賲蹖鈥屫堎嗃屬� 亘诏蹖賲 亘丕 爻亘讴蹖 賲卮丕亘賴 讴丕賮讴丕貙 賴蹖趩讴丕讴貙 倬賵賱丕賳爻讴蹖貙 讴賵亘乇蹖讴 賵... 胤乇賮蹖賲. 丕诏乇 卮賲丕 賴賲 賲孬賱 賲賳貙 丕夭 鬲讴鈥屫� 賽 丕蹖賳 丕爻賲鈥屬囏� 禺賵卮鬲賵賳 賲蹖丕丿貙 亘賴 賯胤毓 丕夭 丕蹖賳 讴鬲丕亘 賴賲 賱匕鬲 賵丕賮乇蹖 禺賵丕賴蹖丿 亘乇丿.
乇賵賱丕賳 鬲賵倬賵乇貙 亘蹖卮鬲乇 亘賴 讴丕乇蹖讴丕鬲賵乇賴丕 賵 鬲氐賵蹖乇賴丕蹖蹖 讴賴 賲蹖鈥屭┴篡屫� 賲毓乇賵賮賴. 賲賴賲鈥屫臂屬� 賳賵卮鬲賴鈥屫� 賴賲蹖賳 讴鬲丕亘賴貙 讴賴 賵賯鬲蹖 倬賵賱丕賳爻讴蹖 丕賯鬲亘丕爻蹖 丕夭卮 乇賵 丿乇 爻丕賱 郾酃鄯鄱 賲蹖鈥屫池ж操囏� 賲毓乇賵賮鈥屫� 賴賲 賲蹖鈥屫促�.
亘毓丿 丕夭 禺賵賳丿賳 賽 讴鬲丕亘
丕诏乇 讴鬲丕亘 乇賵 賳禺賵賳丿蹖賳貙 丕夭 丕蹖賳鈥屫� 亘賴 亘毓丿 賲賲讴賳賴 丿丕爻鬲丕賳 亘乇丕鬲賵賳 賱賵 亘乇賴.
鬲賵倬賵乇 丿乇 卮丕賴讴丕乇蹖 讴賴 賲蹖鈥屬嗁堐屫迟囏� 亘賴 夭蹖亘丕蹖蹖 丕夭 倬爻 賽 賳卮賵賳鈥屫ж� 賽 亘蹖趩丕乇诏蹖 賵 鬲賳賴丕蹖蹖 丕賳爻丕賳 亘乇賲蹖丕丿貙 賵 丌倬丕乇鬲賲丕賳 乇賵 讴賴 賳賲丕丿蹖 丕夭 丿賳蹖丕爻鬲貙 亘賴 噩丕蹖蹖 鬲卮亘蹖賴 賲蹖鈥屭┵嗁� 讴賴 丕夭卮 诏乇蹖夭蹖 賳蹖爻鬲. 鬲乇賱讴賵賮爻讴蹖 讴賴 丿乇 胤賵賱 讴鬲丕亘貙 亘丕乇賴丕 亘乇丕賲賵賳 丿乇 賲賵乇丿 賽 噩賳爻蹖鬲卮 爻賵丕賱 倬蹖卮 賲蹖丕丿貙 賳賲丕丿 賳賵毓 賽 丕賳爻丕賳賴 (賵 賴賲蹖賳胤賵乇 爻蹖賲賵賳 卮賵賱). 夭賳 賵 賲乇丿貙 亘丕 倬丕 诏匕丕卮鬲賳 丿乇 丕蹖賳 丿賳蹖丕 (趩蹖夭蹖 讴賴 鬲乇賱讴賵賮爻讴蹖 丿乇 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 丕夭卮 亘賴 "乇賵蹖 丌賵乇丿賳 卮丕賳爻" 蹖丕丿 賲蹖鈥屭┵嗁�)貙 賵丕乇丿 賲賳噩賱丕亘蹖 賲蹖鈥屫促� 讴賴 賴賲 賮乇丕乇 丕夭卮 丕賲讴丕賳 倬匕蹖乇 賳蹖爻鬲 (丨鬲蹖 禺賵丿讴卮蹖 賴賲 丿乇 賳賴丕蹖鬲 丌乇丕賲卮 乇賵 亘賴卮賵賳 賳賲蹖丿賴) 賵 賴賲 鬲賳賴丕賳. 丕賳爻丕賳 丿乇 鬲賳賴丕鬲乇蹖賳 丨丕賱鬲 賽 禺賵丿卮貙 丿乇 丕蹖賳 丿賳蹖丕爻鬲 賵 鬲賲丕賲 丿乇丿 賵 乇賳噩卮 乇賵 亘丕蹖丿 亘賴 鬲賳賴丕蹖蹖 丨賲賱 讴賳賴.
丕夭 丕蹖賳 丿丕爻鬲丕賳貙 讴賴 賵丕囟丨丕 倬乇 丕夭 賳賲丕丿 賴賲 賴爻鬲貙 鬲賮爻蹖乇賴丕蹖 亘爻蹖丕乇 夭蹖丕丿蹖 鈥屬呟屫促� 讴乇丿貙 賵 丕蹖賳 丕夭 賳賯丕胤 賯賵鬲 賽 讴鬲丕亘賴. 讴鬲丕亘蹖 讴賴 丿乇 毓蹖賳 乇賵賵賳 賵 爻丕丿賴 亘賵丿賳貙 賲蹖鈥屫堎嗁� 賲賮丕賴蹖賲 亘爻蹖丕乇 倬蹖趩蹖丿賴鈥屫臂� 乇賵 亘丕 禺賵丿卮 賲賳鬲賯賱 讴賳賴.
丿乇 賲賵乇丿 丿丕爻鬲丕賳 賵 鬲讴鈥屫� 賽 丕噩夭丕卮 卮丕蹖丿 亘卮賴 爻丕毓鬲鈥屬囏� 賳賵卮鬲 賵 氐丨亘鬲 讴乇丿. 賲鬲乇噩賲貙 丿乇 賲賯丿賲賴鈥屫й� 讴賴 丕亘鬲丿丕蹖 讴鬲丕亘 賳賵卮鬲賴貙 丿乇亘丕乇賴鈥屰� 爻亘讴 賽 "賲爻鬲丕噩乇" 賵 鬲賮丕賵鬲鈥屬囏й屰� 讴賴 丿乇 乇賲丕賳 賵 賮蹖賱賲蹖 讴賴 亘賴 丕賯鬲亘丕爻 丕夭卮 爻丕禺鬲賴 卮丿賴貙 氐丨亘鬲 讴乇丿賴. 賴賲 賲賵禺乇賴鈥屰� 禺賵亘蹖 亘乇 乇賲丕賳 賲丨爻賵亘 賲蹖鈥屫促囏� 賵 賴賲 丕诏乇 賮蹖賱賲 乇賵 亘毓丿 丕夭 禺賵賳丿賳 賽 乇賲丕賳貙 丿蹖丿賴 亘丕卮蹖賳貙 丕胤賱丕毓丕鬲 賽 禺賵亘蹖 亘賴鬲賵賳 賲蹖鈥屫�.
鬲乇噩賲賴鈥屰� 讴鬲丕亘 賴賲 亘爻蹖丕乇 禺賵亘 亘賵丿貙 丕賱亘鬲賴 亘賴 噩夭 爻丕賳爻賵乇賴丕蹖 诏丕賴 賵 亘蹖鈥屭з� 讴賴 丕賱亘鬲賴 賲胤賲卅賳丕 賲鬲乇噩賲 鬲賵卮 賳賯卮蹖 賳丿丕卮鬲賴.
丿丕爻鬲丕賳 丿乇 賲賵乇丿 賽 賮乇丿蹖 亘賴 賳丕賲 賽 "鬲乇賱讴賵賮爻讴蹖" 卅賴貙 讴賴 亘賴 丿賳亘丕賱 丌倬丕乇鬲賲丕賳蹖 亘乇丕蹖 丕噩丕乇賴 賲蹖鈥屭必�. 丿乇 賳賴丕蹖鬲貙 賵賯鬲蹖 丌倬丕乇鬲賲丕賳 賽 亘丕亘 賲蹖賱卮 乇賵 倬蹖丿丕 賲蹖鈥屭┵嗁囏� 賲鬲賵噩賴 賲蹖卮賴 讴賴 賲爻鬲丕噩乇 賽 賯亘賱蹖 丕賵賳 丌倬丕乇鬲賲丕賳 禺賵丿讴卮蹖 讴乇丿賴 賵 鬲賵蹖 亘蹖賲丕乇爻鬲丕賳賴. 亘丕 賲乇诏 賲爻鬲丕噩乇 賽 賯亘賱蹖貙 鬲乇賱讴賵賮爻讴蹖 亘賴 丌倬丕乇鬲賲丕賳 賽 噩丿蹖丿卮 賳賯賱 賲讴丕賳 賲蹖鈥屭┵嗁� 賵 讴賲鈥屭┵� 賲鬲賵噩賴 賽 丕鬲賮丕賯丕鬲 賽 賲卮讴賵讴蹖 賲蹖鈥屫促� 賵... .
丕诏乇 亘禺賵丕蹖賲 丿乇鈥屫ㄘж辟団€屰� 跇丕賳乇 賽 讴鬲丕亘 氐丨亘鬲 讴賳蹖賲貙 賲蹖鈥屫堎嗃屬� 亘诏蹖賲 亘丕 爻亘讴蹖 賲卮丕亘賴 讴丕賮讴丕貙 賴蹖趩讴丕讴貙 倬賵賱丕賳爻讴蹖貙 讴賵亘乇蹖讴 賵... 胤乇賮蹖賲. 丕诏乇 卮賲丕 賴賲 賲孬賱 賲賳貙 丕夭 鬲讴鈥屫� 賽 丕蹖賳 丕爻賲鈥屬囏� 禺賵卮鬲賵賳 賲蹖丕丿貙 亘賴 賯胤毓 丕夭 丕蹖賳 讴鬲丕亘 賴賲 賱匕鬲 賵丕賮乇蹖 禺賵丕賴蹖丿 亘乇丿.
乇賵賱丕賳 鬲賵倬賵乇貙 亘蹖卮鬲乇 亘賴 讴丕乇蹖讴丕鬲賵乇賴丕 賵 鬲氐賵蹖乇賴丕蹖蹖 讴賴 賲蹖鈥屭┴篡屫� 賲毓乇賵賮賴. 賲賴賲鈥屫臂屬� 賳賵卮鬲賴鈥屫� 賴賲蹖賳 讴鬲丕亘賴貙 讴賴 賵賯鬲蹖 倬賵賱丕賳爻讴蹖 丕賯鬲亘丕爻蹖 丕夭卮 乇賵 丿乇 爻丕賱 郾酃鄯鄱 賲蹖鈥屫池ж操囏� 賲毓乇賵賮鈥屫� 賴賲 賲蹖鈥屫促�.
亘毓丿 丕夭 禺賵賳丿賳 賽 讴鬲丕亘
丕诏乇 讴鬲丕亘 乇賵 賳禺賵賳丿蹖賳貙 丕夭 丕蹖賳鈥屫� 亘賴 亘毓丿 賲賲讴賳賴 丿丕爻鬲丕賳 亘乇丕鬲賵賳 賱賵 亘乇賴.
鬲賵倬賵乇 丿乇 卮丕賴讴丕乇蹖 讴賴 賲蹖鈥屬嗁堐屫迟囏� 亘賴 夭蹖亘丕蹖蹖 丕夭 倬爻 賽 賳卮賵賳鈥屫ж� 賽 亘蹖趩丕乇诏蹖 賵 鬲賳賴丕蹖蹖 丕賳爻丕賳 亘乇賲蹖丕丿貙 賵 丌倬丕乇鬲賲丕賳 乇賵 讴賴 賳賲丕丿蹖 丕夭 丿賳蹖丕爻鬲貙 亘賴 噩丕蹖蹖 鬲卮亘蹖賴 賲蹖鈥屭┵嗁� 讴賴 丕夭卮 诏乇蹖夭蹖 賳蹖爻鬲. 鬲乇賱讴賵賮爻讴蹖 讴賴 丿乇 胤賵賱 讴鬲丕亘貙 亘丕乇賴丕 亘乇丕賲賵賳 丿乇 賲賵乇丿 賽 噩賳爻蹖鬲卮 爻賵丕賱 倬蹖卮 賲蹖丕丿貙 賳賲丕丿 賳賵毓 賽 丕賳爻丕賳賴 (賵 賴賲蹖賳胤賵乇 爻蹖賲賵賳 卮賵賱). 夭賳 賵 賲乇丿貙 亘丕 倬丕 诏匕丕卮鬲賳 丿乇 丕蹖賳 丿賳蹖丕 (趩蹖夭蹖 讴賴 鬲乇賱讴賵賮爻讴蹖 丿乇 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 丕夭卮 亘賴 "乇賵蹖 丌賵乇丿賳 卮丕賳爻" 蹖丕丿 賲蹖鈥屭┵嗁�)貙 賵丕乇丿 賲賳噩賱丕亘蹖 賲蹖鈥屫促� 讴賴 賴賲 賮乇丕乇 丕夭卮 丕賲讴丕賳 倬匕蹖乇 賳蹖爻鬲 (丨鬲蹖 禺賵丿讴卮蹖 賴賲 丿乇 賳賴丕蹖鬲 丌乇丕賲卮 乇賵 亘賴卮賵賳 賳賲蹖丿賴) 賵 賴賲 鬲賳賴丕賳. 丕賳爻丕賳 丿乇 鬲賳賴丕鬲乇蹖賳 丨丕賱鬲 賽 禺賵丿卮貙 丿乇 丕蹖賳 丿賳蹖丕爻鬲 賵 鬲賲丕賲 丿乇丿 賵 乇賳噩卮 乇賵 亘丕蹖丿 亘賴 鬲賳賴丕蹖蹖 丨賲賱 讴賳賴.
丕夭 丕蹖賳 丿丕爻鬲丕賳貙 讴賴 賵丕囟丨丕 倬乇 丕夭 賳賲丕丿 賴賲 賴爻鬲貙 鬲賮爻蹖乇賴丕蹖 亘爻蹖丕乇 夭蹖丕丿蹖 鈥屬呟屫促� 讴乇丿貙 賵 丕蹖賳 丕夭 賳賯丕胤 賯賵鬲 賽 讴鬲丕亘賴. 讴鬲丕亘蹖 讴賴 丿乇 毓蹖賳 乇賵賵賳 賵 爻丕丿賴 亘賵丿賳貙 賲蹖鈥屫堎嗁� 賲賮丕賴蹖賲 亘爻蹖丕乇 倬蹖趩蹖丿賴鈥屫臂� 乇賵 亘丕 禺賵丿卮 賲賳鬲賯賱 讴賳賴.
丿乇 賲賵乇丿 丿丕爻鬲丕賳 賵 鬲讴鈥屫� 賽 丕噩夭丕卮 卮丕蹖丿 亘卮賴 爻丕毓鬲鈥屬囏� 賳賵卮鬲 賵 氐丨亘鬲 讴乇丿. 賲鬲乇噩賲貙 丿乇 賲賯丿賲賴鈥屫й� 讴賴 丕亘鬲丿丕蹖 讴鬲丕亘 賳賵卮鬲賴貙 丿乇亘丕乇賴鈥屰� 爻亘讴 賽 "賲爻鬲丕噩乇" 賵 鬲賮丕賵鬲鈥屬囏й屰� 讴賴 丿乇 乇賲丕賳 賵 賮蹖賱賲蹖 讴賴 亘賴 丕賯鬲亘丕爻 丕夭卮 爻丕禺鬲賴 卮丿賴貙 氐丨亘鬲 讴乇丿賴. 賴賲 賲賵禺乇賴鈥屰� 禺賵亘蹖 亘乇 乇賲丕賳 賲丨爻賵亘 賲蹖鈥屫促囏� 賵 賴賲 丕诏乇 賮蹖賱賲 乇賵 亘毓丿 丕夭 禺賵賳丿賳 賽 乇賲丕賳貙 丿蹖丿賴 亘丕卮蹖賳貙 丕胤賱丕毓丕鬲 賽 禺賵亘蹖 亘賴鬲賵賳 賲蹖鈥屫�.
鬲乇噩賲賴鈥屰� 讴鬲丕亘 賴賲 亘爻蹖丕乇 禺賵亘 亘賵丿貙 丕賱亘鬲賴 亘賴 噩夭 爻丕賳爻賵乇賴丕蹖 诏丕賴 賵 亘蹖鈥屭з� 讴賴 丕賱亘鬲賴 賲胤賲卅賳丕 賲鬲乇噩賲 鬲賵卮 賳賯卮蹖 賳丿丕卮鬲賴.
December 15, 2021
Epey klasik ba艧lay谋p yar谋s谋ndan sonra garip bir 艧ekilde 艧a艧谋rtmaya ba艧layan bir roman Kirac谋. Ama klasik ba艧lad谋 dediysem s谋k谋c谋 oldu臒u san谋lmas谋n, aksine g眉n i莽inde ke艧ke ak艧am olsa da Trelkovsky'nin neler yapt谋臒谋n谋 okusam, kendi klasik ya艧ant谋m谋n izlerinden uzakla艧sam diye d眉艧眉nd眉m. Trelkovsky ete kemi臒e b眉r眉nen, yan kom艧umuz olabilecek kadar tan谋d谋k bir karakter asl谋nda. Belki de hatta kendimizdir, kim bilir :) 艦ehir hayat谋n谋n, 枚zellikle apartman sakini olman谋n kaosuna ortak ediyor okuyucuyu Kirac谋.
Tavsiye ediyorum.
Tavsiye ediyorum.
March 11, 2023
Not a week ago a movie buff told me one of her favorite films is Polanski's The Tenant which I was only vaguely aware of and certainly ignorant of the book which it's based on. Yesterday, I coincidentally noticed another friend here on GR was reading the book and a quick glance at the plot was enough to get me interested. And this is pretty much the only reason I'm still a member here.
Now, I'm a big fan of surrealistic, mind-bending, psychological thrillers, so The Tenant hit home. It's as surrealistic, as mind-bending and as psychological as I like them. A nightmarish, if humorous at times, descent into paranoia, full of twists and symbolisms. I don't think it's necessary to talk about the plot, as others have adequately done so, nor about the symbolisms, as they can be interpreted a million ways. I'd like to say though, it's one of those books ideal for buddy-reading and conversation.
If I had to describe it, I'd say it's Kafka, Dostoevsky and David Lynch combined.
Now, I'm a big fan of surrealistic, mind-bending, psychological thrillers, so The Tenant hit home. It's as surrealistic, as mind-bending and as psychological as I like them. A nightmarish, if humorous at times, descent into paranoia, full of twists and symbolisms. I don't think it's necessary to talk about the plot, as others have adequately done so, nor about the symbolisms, as they can be interpreted a million ways. I'd like to say though, it's one of those books ideal for buddy-reading and conversation.
If I had to describe it, I'd say it's Kafka, Dostoevsky and David Lynch combined.
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November 28, 2019Topor je uspe拧no stvorio tesan, klaustrofobi膷an svet sirotinjskih stanova bez kupatila u kojima sku膷enim 啪ivotima 啪ive ne manje sirotinjski stanari i podstanari, svet u kome poznajete kom拧ijin 啪ivot do najsitnije navike, 拧uma i mirisa i u skladu s tim ga se gnu拧ate do krajnosti.听I strpao u njega luda膷ku pri膷u o prose膷nom, sivom stanaru koji mic po mic preuzima (ili mu se name膰e) li膷nost prethodne (jednako sive i prose膷ne) stanarke dok istovremeno protiv kom拧ija vodi rat do istrebljenja i mu膷e ga sve lu膽e i mahnitije vizije. Sve to uz crni humor koji je na mahove urnebesan i 拧iba onako raskala拧no i bez ikakvih ko膷nica i u prevodu Olje Petroni膰, uvek pouzdane.
Ose膰am potrebu da dodam: kao verovatno najve膰i deo ljudi koji se danas ma拧e Stanara, i ja sam najpre gledala film Romana Polanskog, i ovo jeste dobra, bizarna knjiga, ali film je remek-delo koje se solidno verno dr啪i predlo拧ka ali ga istovremeno rasko拧no oboga膰uje na svim planovima. (Da, Polanskog je trebalo u zatvor odavno, da, Polanski je snimio ne jedan i ne dva nego nekoliko genijalnih filmova i ne vidim 拧ta je tu sporno.)
Ose膰am potrebu da dodam: kao verovatno najve膰i deo ljudi koji se danas ma拧e Stanara, i ja sam najpre gledala film Romana Polanskog, i ovo jeste dobra, bizarna knjiga, ali film je remek-delo koje se solidno verno dr啪i predlo拧ka ali ga istovremeno rasko拧no oboga膰uje na svim planovima. (Da, Polanskog je trebalo u zatvor odavno, da, Polanski je snimio ne jedan i ne dva nego nekoliko genijalnih filmova i ne vidim 拧ta je tu sporno.)
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August 26, 2021Veoma mra膷no i zaista 膷udno. Psiholo拧ki uznemiruju膰a knjiga. Govori o mu膷nom padu u ludilo, istra啪uje uznemiruju膰u dubinu krivice, paranoju i socijalnu otu膽enost. Roman je napisan jasnim, elegantnim, sa啪etim stilom. Topor ve拧to izaziva pravi ose膰aj ko拧marnog terora. Pratiti pad glavnog junaka u paranoi膷no ludilo bilo je fascinantno pogotovo zato 拧to je bilo te拧ko sa sigurno拧膰u re膰i da li on to zaista zami拧lja ili ne. Vredno pomena jeste savr拧eno izdanje Izdava膷ke ku膰e Orfelin. Bonus materijali su vrlo dobri. Ako ste ljubitelj psiholo拧kog horora pro膷itajte ovo, ne膰ete biti razo膷arani.
February 10, 2018
丿丕爻鬲丕賳 丕夭 噩丕蹖蹖 卮乇賵毓 賲蹖鈥屫促� 讴賴 賲乇丿蹖 亘賴 賳丕賲 鬲乇賱賵賮爻讴蹖 讴賴 亘賴 丿賳亘丕賱 賲丨賱蹖 亘乇丕蹖 夭賳丿诏蹖 賲蹖鈥屭必囏� 亘賴 丌倬丕乇鬲賲丕賳蹖 亘乇賲蹖鈥屫堌辟� 讴賴 亘賴 賳馗乇 賲蹖鈥屫必迟� 卮乇丕蹖胤 禺賵亘蹖 丿丕乇賴 賵賱蹖 氐丕丨亘 賯亘賱蹖 丌倬丕乇鬲賲丕賳 禺賵丿讴卮蹖 讴乇丿賴 賵 鬲賵 亘蹖賲丕乇爻鬲丕賳賴...
乇賵丕蹖鬲 丿丕爻鬲丕賳 亘賴 賳馗乇 禺胤蹖 賲蹖丕丿 丕賲丕 爻蹖丕賱蹖 禺蹖乇賴鈥屭┵嗁嗀� 賵 賮賵賯鈥屫з勜关ж団€屫й� 丿丕乇賴 讴賴 禺賵丕賳賳丿賴 乇賵 亘賴 丿賳亘丕賱 禺賵丿卮 賲蹖鈥屭┴促�. 亘丕 賵噩賵丿 乇蹖鬲賲 賳爻亘鬲丕 讴賳丿貙 噩丕賱亘賴 讴賴 賲賳 乇賵 賴蹖噩丕賳鈥屫藏� 賵 丿賱賵丕倬爻 賲蹖鈥屭┴必� 賲蹖鈥屫必迟堎嗀� 賵 丨鬲蹖 賵賯鬲丕蹖蹖 讴賴 亘蹖賳 禺賵賳丿賳卮 賵賯賮賴 賲蹖鈥屫з佖ж� 匕賴賳賲 乇賵 丿乇诏蹖乇 禺賵丿卮 賳诏賴 賲蹖鈥屫ж簇�.
卮丕蹖丿 賴乇 趩蹖 丿乇 賲賵乇丿 丿丕爻鬲丕賳 禺賱丕賯丕賳賴 賵 賲鬲賮丕賵鬲 丕蹖賳 讴鬲丕亘 亘诏賲貙 鬲丕 丨丿蹖 賲丕噩乇丕 乇賵 賱賵 亘丿賴 賵 賱匕鬲 禺賵賳丿賳卮 乇賵 讴賲 讴賳賴貙 丕蹖賳賴 讴賴 夭蹖丕丿 趩蹖夭蹖 賳賲蹖鈥屭� 丕賲丕 亘賴 賳馗乇賲 丿乇 賲噩賲賵毓 讴鬲丕亘蹖賴 讴賴 賯胤毓丕 丕乇夭卮 禺賵賳丿賳卮賵 丿丕乇賴 賵 賲丕 乇賵 亘丕 蹖賴 丿賳蹖丕蹖 噩丿蹖丿 丌卮賳丕 賲蹖鈥屭┵嗁� 賵 匕賴賳 丕蹖賳 丕賮乇丕丿 乇賵 賯丕亘賱 丿乇讴鈥屫�.
丕賲鬲蹖丕夭 賲賳 亘賴 讴鬲丕亘 鄞.鄣 賴 讴賴 亘賴 倬丕蹖蹖賳 诏乇丿卮 讴乇丿賲 趩賵賳 蹖賴 賲賯丿丕乇 鬲丕 賳蹖賲賴 讴鬲丕亘 亘乇丕賲 賯丕亘賱 丨丿爻 亘賵丿貙 亘丕 丕蹖賳 丨丕賱 倬丕蹖丕賳 讴鬲丕亘 睾蹖乇 賯丕亘賱 倬蹖卮鈥屫ㄛ屬嗃� 賵 賲爻丨賵乇讴賳賳丿賴 亘賵丿.
+ 禺賵賳丿賳卮 亘乇丕蹖 乇賵丕賳卮賳丕爻鈥屬囏й� 亘丕賱蹖賳蹖 蹖賴 亘丕蹖丿賴.
+ 讴鬲丕亘 乇賵 亘丕 氐丿丕蹖 丌乇賲丕賳 爻賱胤丕賳鈥屫藏ж� 诏賵卮 丿丕丿賲 賵 鬲噩乇亘賴鈥屰� 禺蹖賱蹖 禺賵亘蹖 亘賵丿.
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蹖丕丿诏丕乇蹖 丕夭 讴鬲丕亘:
蹖讴 丕賳爻丕賳 丿賯蹖賯丕 丕夭 趩賴 夭賲丕賳蹖 丿蹖诏乇 丌賳 丌丿賲蹖 讴賴 禺賵丿卮 賮讴乇 賲蹖鈥屭┵嗀� 賴爻鬲 蹖丕 丿蹖诏乇丕賳 賮讴乇 賲蹖鈥屭┵嗁嗀� 賴爻鬲貙 賳蹖爻鬲責
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趩賴 趩蹖夭蹖 丕夭 丕賵 賮乇丿蹖 禺丕氐 賲蹖鈥屫池ж� 趩賴 趩蹖夭蹖 丕賵 乇丕 丕夭 丿蹖诏乇丕賳 賲鬲賲丕蹖夭 賲蹖鈥屭┴必� 賳賯胤賴鈥屰� 丕乇噩丕毓卮 趩賴 亘賵丿責 趩賴 趩蹖夭蹖 亘丕毓孬 賲蹖鈥屫簇� 賮讴乇 讴賳丿 賲賳 丕蹖賳 賴爻鬲賲 賵 丌賳 賳蹖爻鬲賲責
乇賵丕蹖鬲 丿丕爻鬲丕賳 亘賴 賳馗乇 禺胤蹖 賲蹖丕丿 丕賲丕 爻蹖丕賱蹖 禺蹖乇賴鈥屭┵嗁嗀� 賵 賮賵賯鈥屫з勜关ж団€屫й� 丿丕乇賴 讴賴 禺賵丕賳賳丿賴 乇賵 亘賴 丿賳亘丕賱 禺賵丿卮 賲蹖鈥屭┴促�. 亘丕 賵噩賵丿 乇蹖鬲賲 賳爻亘鬲丕 讴賳丿貙 噩丕賱亘賴 讴賴 賲賳 乇賵 賴蹖噩丕賳鈥屫藏� 賵 丿賱賵丕倬爻 賲蹖鈥屭┴必� 賲蹖鈥屫必迟堎嗀� 賵 丨鬲蹖 賵賯鬲丕蹖蹖 讴賴 亘蹖賳 禺賵賳丿賳卮 賵賯賮賴 賲蹖鈥屫з佖ж� 匕賴賳賲 乇賵 丿乇诏蹖乇 禺賵丿卮 賳诏賴 賲蹖鈥屫ж簇�.
卮丕蹖丿 賴乇 趩蹖 丿乇 賲賵乇丿 丿丕爻鬲丕賳 禺賱丕賯丕賳賴 賵 賲鬲賮丕賵鬲 丕蹖賳 讴鬲丕亘 亘诏賲貙 鬲丕 丨丿蹖 賲丕噩乇丕 乇賵 賱賵 亘丿賴 賵 賱匕鬲 禺賵賳丿賳卮 乇賵 讴賲 讴賳賴貙 丕蹖賳賴 讴賴 夭蹖丕丿 趩蹖夭蹖 賳賲蹖鈥屭� 丕賲丕 亘賴 賳馗乇賲 丿乇 賲噩賲賵毓 讴鬲丕亘蹖賴 讴賴 賯胤毓丕 丕乇夭卮 禺賵賳丿賳卮賵 丿丕乇賴 賵 賲丕 乇賵 亘丕 蹖賴 丿賳蹖丕蹖 噩丿蹖丿 丌卮賳丕 賲蹖鈥屭┵嗁� 賵 匕賴賳 丕蹖賳 丕賮乇丕丿 乇賵 賯丕亘賱 丿乇讴鈥屫�.
丕賲鬲蹖丕夭 賲賳 亘賴 讴鬲丕亘 鄞.鄣 賴 讴賴 亘賴 倬丕蹖蹖賳 诏乇丿卮 讴乇丿賲 趩賵賳 蹖賴 賲賯丿丕乇 鬲丕 賳蹖賲賴 讴鬲丕亘 亘乇丕賲 賯丕亘賱 丨丿爻 亘賵丿貙 亘丕 丕蹖賳 丨丕賱 倬丕蹖丕賳 讴鬲丕亘 睾蹖乇 賯丕亘賱 倬蹖卮鈥屫ㄛ屬嗃� 賵 賲爻丨賵乇讴賳賳丿賴 亘賵丿.
+ 禺賵賳丿賳卮 亘乇丕蹖 乇賵丕賳卮賳丕爻鈥屬囏й� 亘丕賱蹖賳蹖 蹖賴 亘丕蹖丿賴.
+ 讴鬲丕亘 乇賵 亘丕 氐丿丕蹖 丌乇賲丕賳 爻賱胤丕賳鈥屫藏ж� 诏賵卮 丿丕丿賲 賵 鬲噩乇亘賴鈥屰� 禺蹖賱蹖 禺賵亘蹖 亘賵丿.
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蹖丕丿诏丕乇蹖 丕夭 讴鬲丕亘:
蹖讴 丕賳爻丕賳 丿賯蹖賯丕 丕夭 趩賴 夭賲丕賳蹖 丿蹖诏乇 丌賳 丌丿賲蹖 讴賴 禺賵丿卮 賮讴乇 賲蹖鈥屭┵嗀� 賴爻鬲 蹖丕 丿蹖诏乇丕賳 賮讴乇 賲蹖鈥屭┵嗁嗀� 賴爻鬲貙 賳蹖爻鬲責
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趩賴 趩蹖夭蹖 丕夭 丕賵 賮乇丿蹖 禺丕氐 賲蹖鈥屫池ж� 趩賴 趩蹖夭蹖 丕賵 乇丕 丕夭 丿蹖诏乇丕賳 賲鬲賲丕蹖夭 賲蹖鈥屭┴必� 賳賯胤賴鈥屰� 丕乇噩丕毓卮 趩賴 亘賵丿責 趩賴 趩蹖夭蹖 亘丕毓孬 賲蹖鈥屫簇� 賮讴乇 讴賳丿 賲賳 丕蹖賳 賴爻鬲賲 賵 丌賳 賳蹖爻鬲賲責
February 1, 2017
螤蟻慰蟽蠅蟺喂魏维 蟿慰 尾喂尾位委慰 渭慰蠀 维蟻蔚蟽蔚 蟺慰位蠉 魏伪喂 尾苇尾伪喂伪 蔚魏蟿委渭畏蟽伪 纬喂伪 伪魏蠈渭畏 渭喂伪 蠁慰蟻维 蟿慰 蟽魏畏谓慰胃蔚蟿喂魏蠈 蟿伪位苇谓蟿慰 蟿慰蠀 螤慰位维谓蟽魏喂, 蟺慰蠀 渭蔚蟿苇蠁蔚蟻蔚 渭蔚 渭蔚纬维位畏 渭伪蔚蟽蟿蟻委伪 蟽蟿慰谓 魏喂谓畏渭伪蟿慰纬蟻维蠁慰 伪蠀蟿蠈 蟿慰 蟽魏慰蟿蔚喂谓蠈 未喂萎纬畏渭伪!
螠慰蠀 维蟻蔚蟽蔚 蟺维蟻伪 蟺慰位蠉 畏 伪蟿渭蠈蟽蠁伪喂蟻伪 蟿慰蠀 尾喂尾位委慰蠀. 螝维蟿喂 渭蔚蟿伪尉蠉 蟽慰蠀蟻蔚伪位喂蟽渭慰蠉 魏伪喂 蠀蟺蔚蟻蠁蠀蟽喂魏慰蠉 蟿蟻蠈渭慰蠀... 螝伪喂 渭苇蟽伪 蟽蔚 伪蠀蟿蠈 蟿慰 魏位委渭伪, 慰 韦蟻蔚位魏蠈蠁蟽魏喂, 苇谓伪蟼 蟽蠂蔚未蠈谓 魏伪蠁魏喂魏蠈蟼 蠂伪蟻伪魏蟿萎蟻伪蟼 蟺慰蠀 魏伪蟿伪蟿蟻苇蠂蔚蟿伪喂 伪蟺蠈 蟿喂蟼 伪谓畏蟽蠀蠂委蔚蟼 蟿慰蠀, 蟿喂蟼 伪谓伪蟽蠁维位蔚喂蔚蟼 蟿慰蠀 魏伪喂 蟿慰蠀蟼 蟺蔚蟻委蔚蟻纬慰蠀蟼 (蟽蠂蔚未蠈谓 未喂伪尾慰位喂魏慰蠉蟼) 纬蔚喂蟿慰谓苇蟼 蟿慰蠀...
螠苇蟽伪 伪蟺蠈 蟿慰谓 蟺蟻慰蟽蠅蟺喂魏蠈 蔚蠁喂维位蟿畏 蟿慰蠀 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎, 未喂伪魏蟻委谓蠅 渭喂伪 伪喂蠂渭畏蟻萎 伪位位畏纬慰蟻委伪 纬喂伪 蟿慰谓 魏慰喂谓蠅谓喂魏蠈 蟻伪蟿蟽喂蟽渭蠈... 螣 韦蟻蔚位魏蠈蠁魏蟽喂 蔚委谓伪喂 苇谓伪蟼 蠁蟿蠅蠂蠈蟼 渭喂魏蟻慰伪蟽蟿蠈蟼, 慰 慰蟺慰委慰蟼 未蔚谓 渭蟺慰蟻蔚委 谓伪 伪蠁慰渭慰喂蠅胃蔚委 伪蟺蠈 蟿慰 蟽蠉谓慰位慰 蟿蠅谓 "渭蔚纬伪位慰伪蟽蟿蠋谓" 蟿畏蟼 蟺慰位蠀魏伪蟿慰喂魏委伪蟼 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 蟿慰 魏伪喂谓慰蠉蟻纬喂慰 蟿慰蠀 未喂伪渭苇蟻喂蟽渭伪...
螝伪蟿维 蟿伪 维位位伪 慰 韦慰蟺蠈蟻 蠁蟿喂维蠂谓蔚喂 渭喂伪 蔚蠁喂伪位蟿喂魏萎 伪蟿渭蠈蟽蠁伪喂蟻伪 魏伪喂 蟿慰 蟿苇位慰蟼 蔚委谓伪喂 伪蟺蠈位蠀蟿慰 蟿伪喂蟻喂伪蟽蟿蠈 渭蔚 伪蠀蟿萎... 螘委谓伪喂 伪谓伪蟿蟻喂蠂喂伪蟽蟿喂魏蠈, 伪谓伪蟺维谓蟿蔚蠂慰, 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏蠈... 危蠂蔚未蠈谓 蟽蟿慰喂蠂蔚喂蠋谓蔚喂 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏, 蔚喂未喂魏维 伪谓 蟽蠀谓未蠀伪蟽蟿蔚委 魏伪喂 渭蔚 蟿畏谓 魏喂谓畏渭伪蟿慰纬蟻伪蠁喂魏萎 蟿慰蠀 渭蔚蟿伪蠁慰蟻维! 螣 韦蟻蔚位魏蠈蠁蟽魏喂 蠂维谓蔚喂 蟽喂纬维 蟽喂纬维 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 魏伪喂 渭苇蟽伪 伪蟺蠈 蟺伪蟻伪喂蟽胃萎蟽蔚喂蟼, 蠁慰尾委蔚蟼 魏伪喂 蔚蠁喂维位蟿蔚蟼 苇蟻蠂蔚蟿伪喂 渭喂伪 伪喂渭伪蟿慰尾伪渭渭苇谓畏 魏慰蟻蠉蠁蠅蟽畏...
螛伪 苇尾伪味伪 4,5 伪蟽蟿苇蟻喂伪 伪位位维 胃伪 尾维位蠅 5/5 纬喂伪蟿委 萎蟿伪谓 渭喂伪 蟽蠀谓伪谓维纬谓蠅蟽畏 渭蔚 魏伪位慰蠉蟼 尾喂尾位喂蠈蠁喂位慰蠀蟼 蟿畏蟼 螞苇蟽蠂畏蟼 渭伪蟼!!!
(螤蟻蠋蟿畏 未畏渭慰蟽委蔚蠀蟽畏 螞蟿螔)
螠慰蠀 维蟻蔚蟽蔚 蟺维蟻伪 蟺慰位蠉 畏 伪蟿渭蠈蟽蠁伪喂蟻伪 蟿慰蠀 尾喂尾位委慰蠀. 螝维蟿喂 渭蔚蟿伪尉蠉 蟽慰蠀蟻蔚伪位喂蟽渭慰蠉 魏伪喂 蠀蟺蔚蟻蠁蠀蟽喂魏慰蠉 蟿蟻蠈渭慰蠀... 螝伪喂 渭苇蟽伪 蟽蔚 伪蠀蟿蠈 蟿慰 魏位委渭伪, 慰 韦蟻蔚位魏蠈蠁蟽魏喂, 苇谓伪蟼 蟽蠂蔚未蠈谓 魏伪蠁魏喂魏蠈蟼 蠂伪蟻伪魏蟿萎蟻伪蟼 蟺慰蠀 魏伪蟿伪蟿蟻苇蠂蔚蟿伪喂 伪蟺蠈 蟿喂蟼 伪谓畏蟽蠀蠂委蔚蟼 蟿慰蠀, 蟿喂蟼 伪谓伪蟽蠁维位蔚喂蔚蟼 蟿慰蠀 魏伪喂 蟿慰蠀蟼 蟺蔚蟻委蔚蟻纬慰蠀蟼 (蟽蠂蔚未蠈谓 未喂伪尾慰位喂魏慰蠉蟼) 纬蔚喂蟿慰谓苇蟼 蟿慰蠀...
螠苇蟽伪 伪蟺蠈 蟿慰谓 蟺蟻慰蟽蠅蟺喂魏蠈 蔚蠁喂维位蟿畏 蟿慰蠀 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎, 未喂伪魏蟻委谓蠅 渭喂伪 伪喂蠂渭畏蟻萎 伪位位畏纬慰蟻委伪 纬喂伪 蟿慰谓 魏慰喂谓蠅谓喂魏蠈 蟻伪蟿蟽喂蟽渭蠈... 螣 韦蟻蔚位魏蠈蠁魏蟽喂 蔚委谓伪喂 苇谓伪蟼 蠁蟿蠅蠂蠈蟼 渭喂魏蟻慰伪蟽蟿蠈蟼, 慰 慰蟺慰委慰蟼 未蔚谓 渭蟺慰蟻蔚委 谓伪 伪蠁慰渭慰喂蠅胃蔚委 伪蟺蠈 蟿慰 蟽蠉谓慰位慰 蟿蠅谓 "渭蔚纬伪位慰伪蟽蟿蠋谓" 蟿畏蟼 蟺慰位蠀魏伪蟿慰喂魏委伪蟼 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 蟿慰 魏伪喂谓慰蠉蟻纬喂慰 蟿慰蠀 未喂伪渭苇蟻喂蟽渭伪...
螝伪蟿维 蟿伪 维位位伪 慰 韦慰蟺蠈蟻 蠁蟿喂维蠂谓蔚喂 渭喂伪 蔚蠁喂伪位蟿喂魏萎 伪蟿渭蠈蟽蠁伪喂蟻伪 魏伪喂 蟿慰 蟿苇位慰蟼 蔚委谓伪喂 伪蟺蠈位蠀蟿慰 蟿伪喂蟻喂伪蟽蟿蠈 渭蔚 伪蠀蟿萎... 螘委谓伪喂 伪谓伪蟿蟻喂蠂喂伪蟽蟿喂魏蠈, 伪谓伪蟺维谓蟿蔚蠂慰, 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏蠈... 危蠂蔚未蠈谓 蟽蟿慰喂蠂蔚喂蠋谓蔚喂 蟿慰谓 伪谓伪纬谓蠋蟽蟿畏, 蔚喂未喂魏维 伪谓 蟽蠀谓未蠀伪蟽蟿蔚委 魏伪喂 渭蔚 蟿畏谓 魏喂谓畏渭伪蟿慰纬蟻伪蠁喂魏萎 蟿慰蠀 渭蔚蟿伪蠁慰蟻维! 螣 韦蟻蔚位魏蠈蠁蟽魏喂 蠂维谓蔚喂 蟽喂纬维 蟽喂纬维 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 魏伪喂 渭苇蟽伪 伪蟺蠈 蟺伪蟻伪喂蟽胃萎蟽蔚喂蟼, 蠁慰尾委蔚蟼 魏伪喂 蔚蠁喂维位蟿蔚蟼 苇蟻蠂蔚蟿伪喂 渭喂伪 伪喂渭伪蟿慰尾伪渭渭苇谓畏 魏慰蟻蠉蠁蠅蟽畏...
螛伪 苇尾伪味伪 4,5 伪蟽蟿苇蟻喂伪 伪位位维 胃伪 尾维位蠅 5/5 纬喂伪蟿委 萎蟿伪谓 渭喂伪 蟽蠀谓伪谓维纬谓蠅蟽畏 渭蔚 魏伪位慰蠉蟼 尾喂尾位喂蠈蠁喂位慰蠀蟼 蟿畏蟼 螞苇蟽蠂畏蟼 渭伪蟼!!!
(螤蟻蠋蟿畏 未畏渭慰蟽委蔚蠀蟽畏 螞蟿螔)
January 7, 2022
螤慰位蠉 未蠀谓伪蟿蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 渭蔚 蠀蟺蠈胃蔚蟽畏 蟺慰蠀 伪魏蟻慰尾伪蟿蔚委 伪谓维渭蔚蟽伪 蟽蔚 位慰纬喂魏萎 魏伪喂 蟺伪蟻维谓慰喂伪, 魏维谓慰谓蟿伪蟼 蟿畏谓 伪谓维纬谓蠅蟽畏 渭委伪 尉蔚蠂蠅蟻喂蟽蟿萎 蔚渭蟺蔚喂蟻委伪.
螣 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼, 苇谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟿畏蟼 未喂蟺位伪谓萎蟼 蟺蠈蟻蟿伪蟼, 蟺慰蠀 谓慰喂魏喂维味蔚喂 苇谓伪 蟽蟺委蟿喂 魏喂 苇魏蟿慰蟿蔚 畏 味蠅萎 蟿慰蠀 伪位位维味蔚喂 未蟻伪渭伪蟿喂魏维. 螤慰位蠉 喂未喂伪委蟿蔚蟻畏 畏 渭伪蟿喂维 蟿慰蠀 螕维位位慰蠀 蟽蠀纬纬蟻伪蠁苇伪, 蟺慰蠀 渭苇蟽伪 伪蟺慰 渭委伪 伪位位畏纬慰蟻喂魏萎 蟺蟻慰蟽苇纬纬喂蟽畏 魏喂 蠀蟺蠈胃蔚蟽畏, 胃委纬蔚喂 伪蟻喂蟽蟿慰蟿蔚蠂谓喂魏维 蟿畏 蟽畏渭伪蟽委伪 蟿畏蟼 伪蟺慰渭蠈谓蠅蟽畏蟼, 蟿慰谓 蟻伪蟿蟽喂蟽渭蠈 蟿畏蟼 魏慰喂谓蠅谓委伪蟼 魏伪喂 蟿喂蟼 蔚蟺喂蟺蟿蠋蟽蔚喂蟼 蟿畏蟼 慰蟻纬萎蟼.
螣 维谓胃蟻蠅蟺慰蟼 蔚委谓伪喂 苇谓伪 慰谓 蔚纬蠅喂蟽蟿喂魏蠈 伪蟺慰 蟿畏谓 蠁蠉蟽畏 蟿慰蠀, 蟺慰蠀 慰尉 伪谓蟿委蟽蟿慰喂蠂蔚蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 魏伪喂 蟺蟻伪魏蟿喂魏苇蟼 苇蠂慰蠀谓 胃位喂尾蔚蟻苇蟼 蔚蟺喂蟺蟿蠋蟽蔚喂蟼 纬喂伪 蟿慰蠀蟼 蠀蟺蠈位慰喂蟺慰蠀蟼.
螖蠀谓伪蟿萎, 蔚蟺委蟽畏蟼, 纬蟻伪蠁萎 渭蔚 渭慰谓蠈位慰纬慰蠀蟼 魏喂 伪蠁萎纬畏蟽畏 蟺蟺蠀 魏伪蟻蠁蠋谓慰谓蟿伪喂 蟽蟿慰 渭蠀伪位蠈.
螣 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼, 苇谓伪蟼 维谓胃蟻蠅蟺慰蟼 蟿畏蟼 未喂蟺位伪谓萎蟼 蟺蠈蟻蟿伪蟼, 蟺慰蠀 谓慰喂魏喂维味蔚喂 苇谓伪 蟽蟺委蟿喂 魏喂 苇魏蟿慰蟿蔚 畏 味蠅萎 蟿慰蠀 伪位位维味蔚喂 未蟻伪渭伪蟿喂魏维. 螤慰位蠉 喂未喂伪委蟿蔚蟻畏 畏 渭伪蟿喂维 蟿慰蠀 螕维位位慰蠀 蟽蠀纬纬蟻伪蠁苇伪, 蟺慰蠀 渭苇蟽伪 伪蟺慰 渭委伪 伪位位畏纬慰蟻喂魏萎 蟺蟻慰蟽苇纬纬喂蟽畏 魏喂 蠀蟺蠈胃蔚蟽畏, 胃委纬蔚喂 伪蟻喂蟽蟿慰蟿蔚蠂谓喂魏维 蟿畏 蟽畏渭伪蟽委伪 蟿畏蟼 伪蟺慰渭蠈谓蠅蟽畏蟼, 蟿慰谓 蟻伪蟿蟽喂蟽渭蠈 蟿畏蟼 魏慰喂谓蠅谓委伪蟼 魏伪喂 蟿喂蟼 蔚蟺喂蟺蟿蠋蟽蔚喂蟼 蟿畏蟼 慰蟻纬萎蟼.
螣 维谓胃蟻蠅蟺慰蟼 蔚委谓伪喂 苇谓伪 慰谓 蔚纬蠅喂蟽蟿喂魏蠈 伪蟺慰 蟿畏谓 蠁蠉蟽畏 蟿慰蠀, 蟺慰蠀 慰尉 伪谓蟿委蟽蟿慰喂蠂蔚蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 魏伪喂 蟺蟻伪魏蟿喂魏苇蟼 苇蠂慰蠀谓 胃位喂尾蔚蟻苇蟼 蔚蟺喂蟺蟿蠋蟽蔚喂蟼 纬喂伪 蟿慰蠀蟼 蠀蟺蠈位慰喂蟺慰蠀蟼.
螖蠀谓伪蟿萎, 蔚蟺委蟽畏蟼, 纬蟻伪蠁萎 渭蔚 渭慰谓蠈位慰纬慰蠀蟼 魏喂 伪蠁萎纬畏蟽畏 蟺蟺蠀 魏伪蟻蠁蠋谓慰谓蟿伪喂 蟽蟿慰 渭蠀伪位蠈.
August 19, 2023
賴乇 趩賯丿乇 丕夭 夭蹖亘丕蹖蹖 賵 毓噩蹖亘 亘賵丿賳 丕蹖賳 讴鬲丕亘 亘诏賲貙 讴賲 诏賮鬲賲
September 8, 2024
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