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(group member since Jul 30, 2011)
°ä³ó±ð°ù²â±ô’s
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from the More than Just a Rating group.
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I read the 'difficult review' article you posted and it wasn't what I hoped so not helpful to me.

Serving customers at Taco Bell is hard work. Building highways is hard work. Raising Thanksgiving turkeys is hard work. If you're writing to earn money, stop.
Write for love - the books written because the author needed to express them are the better books.


(And for being patient while I catch up on my groups since GR messed up the notification system.)

I agree, L J. Maybe the author thinks it's more realistic if we get to know character gradually, but I don't like the way it's often done.



Unless you mean too competent to be true, like a Mary Sue. Generally the books written about them are pretty boring.

I try to remember to write especially careful reviews in those kinds of cases, to warn off other readers who are sensitive to the 'isms and the wrong kinds of humor (practical jokes, amiright?).
For example I just wrote a review of a children's book about a child escaping on her own from a war-torn country. It was not grim in tone as the girl just made her way through adventures, but it was not 'funny' like the blurb said. And I said so, in my review: The Day My Father Became a Bush.

Oh, yes, me too. Unless some poor book got bombed for some dumb reason, I tend to love books less than the average of the community.
I find it interesting that you both start more from neutral, as I do. Maybe we have that strategy, and this group, in common for a connected reason.
(Of course I've no idea how to test that. And what about the converse? Do more ppl who aren't in this group start from the top and work down when they rate? :)

I realized, upon reading that review, that I subconsciously start at about three stars and go up or down from that. To get more stars, it has to do something special. I think I probably, therefore, tend to rate lower.
Do you see the difference in our two approaches? Which is, or feels, more like what you do?


To clarify, first, of course I use the full title online.
But irl, I've been just using the catchier brief title, and talking about the book in more depth than just a short subtitle. And most times I've had the book in hand, to be ready to show them after I introduced it. (Mother, sons, and about a dozen members of library book club have been exposed to it this way.)

I did recently enjoy Better Living Through Birding: Notes from a Black Man in the Natural World and believe it to be a perfect title for a terrific book. (I don't use the subtitle when recommending this to other readers.)
Similar reaction to the wonderful Are We Smart Enough to Know How Smart Animals Are?.

The other thing that bugs me is when there are a dozen books with all the same title and the one I want is on the second page of search results because GR thinks that exact title match is less relevant than popularity. If I were an author I would certainly run my title thru GR and thru search engines to make it as unique as possible.

I think that mostly I do so to initially screen a book to see if there's a chance it's possibly going to appeal to me, then I read the blurb and probably forget the title.
I seldom remember to check whether the title helps focus or explain the story. Most titles are fairly innocuous, it seems. Or mysterious. I'm reading the Murderbot series right now and I have no idea what All Systems Red means, and the occurrence of the phrase Artificial Condition in the text doesn't really help my understandings, either.
And then there are the very catchy ones, like A Cat's Guide to Bonding with Dragons.
Oh, and in non-fiction, I occasionally notice a title that way over-promises what will be delivered, and that really frustrates me.