Julia Alvarez
In keeping with Mr. Johnson's commandment, see my advice to aspiring writers, I write every day—or try to. But I don’t know where I’m going till I get there. If I give you a destination or set up the parameters of the work by describing it, I’ve already contained it in my idea of it. So I’m letting myself play and wander and wonder over stories in my family’s past, stories in the past of my native country (Dominican Republic), the narrative ties that bind us all into blood families, nations, human family. That about covers the whole map! Additionally, I’m not just interested in content, but also in how a story can get told in ways that surprise. I remember my astonishment reading Julie Otsuka’s The Buddha in the Attic and realizing the effectiveness of writing a novel in the first person plural point of view and in small vignettes. More recently, I’ve been dazzled by Colum McCann’s Apeirogon, and its almost Scheherazadian way of telling a story in 1001 small narratives, with "everything" thrown in and, amazingly, everything fits. . .
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Alekskonev
asked
Julia Alvarez:
I got carried away reading a book, it's something unusual.... just super tex?
Sophia Farooq
asked
Julia Alvarez:
Hi there, i hope you are doing well. Congrats on your amazing success. I wanted to check if you would kindly review a childrens book i've written dedicated to my late father? I would love your honest feedback and a endorsement. This is apart of my late father legacy and id really appreciate it. This is my first time ever writing a book so any support would mean alot to me. I look forward to hearing from you.
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