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Maxwell > Maxwell's Quotes

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  • #1
    Jonathan Safran Foer
    “My life story is the story of everyone I've ever met.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #2
    Colum McCann
    “The world spins. We stumble on. It is enough.”
    Colum McCann, Let the Great World Spin

  • #3
    Marisha Pessl
    “Just when you think you've hit rock bottom, you realize you're standing on another trapdoor.”
    Marisha Pessl, Night Film

  • #4
    Marina Keegan
    “I'm scared of losing this web we're in. This elusive, indefinable, opposite of loneliness.”
    Marina Keegan

  • #5
    Jonathan Safran Foer
    “Try to live so that you can always tell the truth.”
    Jonathan Safran Foer, Everything is Illuminated

  • #6
    Marina Keegan
    “What we have to remember is that we can still do anything. We can change our minds. We can start over.”
    Marina Keegan, The Opposite of Loneliness: Essays and Stories

  • #7
    Rainer Maria Rilke
    “You see, I want a lot.
    Perhaps I want everything
    the darkness that comes with every infinite fall
    and the shivering blaze of every step up.
    So many live on and want nothing
    And are raised to the rank of prince
    By the slippery ease of their light judgments
    But what you love to see are faces
    that do work and feel thirst.
    You love most of all those who need you
    as they need a crowbar or a hoe.
    You have not grown old, and it is not too late
    To dive into your increasing depths
    where life calmly gives out its own secret.”
    Rainer Maria Rilke, Rilke's Book of Hours: Love Poems to God

  • #8
    Emily St. John Mandel
    “She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.”
    Emily St. John Mandel, Station Eleven

  • #9
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #10
    Jonathan Safran Foer
    “I regret that it takes a life to learn how to live.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #11
    Jonathan Safran Foer
    “So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #12
    Kazuo Ishiguro
    “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
    Kazuo Ishiguro, Never Let Me Go

  • #13
    Kazuo Ishiguro
    “Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it's a bit of a shock and takes me a while to adjust.”
    Kazuo Ishiguro, Never Let Me Go

  • #14
    Kazuo Ishiguro
    “Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.”
    Kazuo Ishiguro, Never Let Me Go

  • #15
    Kazuo Ishiguro
    “It never occurred to me that our lives, until then so closely interwoven, could unravel and separate over a thing like that. But the fact was, I suppose, there were powerful tides tugging us apart by then, and it only needed something like that to finish the task. If we'd understood that back then-who knows?-maybe we'd have kept a tighter hold of one another.”
    Kazuo Ishiguro, Never Let Me Go

  • #16
    Kazuo Ishiguro
    “It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.”
    Kazuo Ishiguro, Never Let Me Go

  • #17
    Leslie Jamison
    “Empathy isn’t just listening, it’s asking the questions whose answers need to be listened to. Empathy requires inquiry as much as imagination. Empathy requires knowing you know nothing. Empathy means acknowledging a horizon of context that extends perpetually beyond what you can see.”
    Leslie Jamison, The Empathy Exams

  • #18
    Kelly Link
    “She put her feet down gently. The whole world was made of glass, and the glass was full of champagne, and Bunnatine was a bubble, just flicking up and up and up.”
    Kelly Link, Get in Trouble: Stories

  • #19
    G.K. Chesterton
    “Literature is a luxury; fiction is a necessity.”
    G.K. Chesterton

  • #20
    Jonathan Safran Foer
    “You can't love anything more than something you miss.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #21
    Jonathan Safran Foer
    “I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #22
    Jonathan Safran Foer
    “I hope that one day you will have the experience of doing something you do not understand for someone you love.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #23
    Jonathan Safran Foer
    “I think and think and think, I‘ve thought myself out of happiness one million times, but never once into it.”
    Jonathan Safran Foer

  • #24
    Hanya Yanagihara
    “You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.”
    Hanya Yanagihara, A Little Life

  • #25
    Hanya Yanagihara
    “Wasn’t friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely?”
    Hanya Yanagihara, A Little Life

  • #26
    Hanya Yanagihara
    “He experienced the singular pleasure of watching people he loved fall in love with other people he loved.”
    Hanya Yanagihara, A Little Life

  • #27
    Brandon Sanderson
    “Belief isn't simply a thing for fair times and bright days...What is belief - what is faith - if you don't continue in it after failure?...Anyone can believe in someone, or something that always succeeds...But failure...ah, now, that is hard to believe in, certainly and truly. Difficult enough to have value. Sometimes we just have to wait long enough...then we find out why exactly it was that we kept believing...There's always another secret.”
    Brandon Sanderson, Mistborn: The Final Empire

  • #28
    Hanya Yanagihara
    “Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities.
    Right and wrong, however, are for—well, not unhappy people, maybe, but scarred people; scared people.”
    Hanya Yanagihara, A Little Life

  • #29
    Peter Mendelsund
    “Writers reduce what they write, and readers reduce what they read. The brain itself is made to reduce, replace, emblemize... Verisimilitude is not only a false idol, but also an unattainable goal. So we reduce. And it is not without reverence that we reduce. This is how we apprehend our world. This is what humans do.

    Picturing stories is making reductions. Through reduction, we create meaning.

    These reductions are the world as we see it - they are what we see when we read, and they are what we see when we read the world.

    They are what reading looks like (if it looks like anything at all).”
    Peter Mendelsund, What We See When We Read

  • #30
    Peter Mendelsund
    “If books were roads, some would be made for driving quickly - details are scant, and what details there are appear drab - but the velocity and torque of the narrative is exhilarating. Some books, if seen as roads, would be make for walking - the trajectory of the road mattering far less than the vistas these roads might afford. The best book for me: I drive through it quickly but am forced to stop on occasion, to pull over and marvel.”
    Peter Mendelsund, What We See When We Read



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