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“Why haven't we fixed sick yet? You scientists there-- put down those starfish and HELP us. I hereby demand that all the people who are good at math make the world free of illness. The rest of us will write you epic poems and staple them together into a booklet.”
― Daniel Handler

“We laughed the rest of the way, because the point of this story is, it is not the cookies. It is the love.”
― Daniel Handler

“Overuse at best is needless clutter; at worst, it creates the impression that the characters are overacting, emoting like silent film stars. Still, an adverb can be exactly what a sentence needs. They can add important intonation to dialogue, or subtly convey information.”
― Howard Mittelmark, How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide

“There was a noise above us like an airplane zoom, but it was getting too dark to see. People started laying on the horn, braying like bad geese in a panic. "I am here," Lila said with a trembly smile. Our driver's ed teacher had told us that's what the horn should mean. Not Move along, buddy or I am displeased but I am here. I am here, I am here, I am here!”
― Daniel Handler, Adverbs

“All the deaths are dead for nothing but you're not dead at all.”
― daniel handler

“This is love, and the trouble with it: it can make you embarrassed. Love is really liking someone a whole lot and not wanting to screw that up. Everybody's chewed this over. This unites us, this part of love.”
― Daniel Handler, Adverbs

“No, when you love someone you spend hours and hours with them, and even the mightiest forces in the netherworld could not say whether the hours you spend increase your love or if you simply spend more hours with someone as your love increases.”
― Daniel Handler, Adverbs

“He thought she knew what he meant, but the biggest mistake you can make is thinking they know what you mean.”
― Daniel Handler, Adverbs

“I won’t do a thing,â€� I said. “Without you I’m not moving.â€� Through the front window was another cliché, rain raging while the women inside wept like girls. The traffic screamed its emergency around us, but we could do this thing on our own. She was all the world’s money, and I would spend it with her, my sharpest friend who changed the tide, my only comfort from the brutal gamble of the world and the wicked ways of men. I grabbed her hands and clasped them together over her scar into a position of strength, like a prayer we wouldn’t be caught dead saying. Gather around us, heroic women of Haddam. Gather around us and put us under your silken wings. We are here, we are here, we are here, won’t someone take us across the sound together.”
― Daniel Handler

“Consider the sentence "He closed the door firmly." It’s by no means a terrible sentence (at least it’s got an active verb going for it), but ask yourself if firmly really has to be there. You can argue that it expresses a degree of difference between "He closed the door" and "He slammed the door," and you’ll get no argument from me . . . but what about context? What about all the enlightening (not to say emotionally moving) prose which came before "He closed the door firmly?" Shouldn’t this tell us how he closed the door? And if the foregoing prose does tell us, isn’t firmly an extra word? Isn’t it redundant?”
― Stephen King, On Writing: A Memoir of the Craft

“How many happy people do you think there are in the world? Twelve?”
― Daniel Handler, Adverbs

“Yes," said Daphne, repressively.”
― Elizabeth Bowen, The Death of the Heart

“A day without adverbs is a day without tomorrowâ€�.”
― Nanette L. Avery