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“Colonized painting, for instance, is balanced between poles. From excessive submission to Europe resulting in depersonalization, it passes to such a violent return to self that it is obnoxious and esthetically illusory. The right balance not being found, the self-accusation continues. Before and during the revolt, the colonized always considers the colonizer as a model or as an antithesis. He continues to struggle against him. He was torn between what he was and what he wanted to be, and now he is making of himself. Nonetheless, the painful discord with himself continues.

In order to witness the colonized's complete cure, his alienation must completely cease. We must await the complete disappearance of colonization--including the period of revolt.”
― Albert Memmi, The Colonizer and the Colonized