欧宝娱乐

“Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly鈥檚 acute sense of smell鈥攊t is a little known fact that the Mole Fly鈥檚 auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly鈥檚 brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable.

Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow.
And this may be the most defining element of the Mole Fly鈥檚 behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly鈥檚 olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time鈥攆or example, instead of sensing them 24-30 times per second, as would be the case with their visual perception鈥攖hey tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness.

The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions鈥攖hat are otherwise trivial, yet necessarily mundane if only to obscure their true purpose鈥攚ith an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance鈥攁 kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees鈥攜es, Mole Flies do, in fact, have knees!鈥攂efore the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen.”
― Ashim Shanker, Don't Forget to Breathe

“Some sounds are so exquisite - far more exquisite than anything seen. Daff's purr there on my rug, for instance - and the snap and crackle of the fire - and the squeaks and scrambles of mice that are having a jamboree behind the wainscot.”
― L.M. Montgomery, Emily Climbs

“The only sounds here were lazy, ponderous, gentle sounds. A bee hung low in the warm afternoon haze, and he watched it unafraid, listened to the dull electric razor sound of its wings cutting the air. Birds sang sweet and unseen, and a hundred eyes watched him from the dark.”
― Michael Montoure, Slices

“Possibly the most compelling reason for use of the expressive arts in trauma work is the sensory nature of the arts themselves; their qualities involve visual, tactile, olfactory, auditory, vestibular, and proprioceptive experiences.”
― Cathy A. Malchiodi, Trauma and Expressive Arts Therapy: Brain, Body, and Imagination in the Healing Process