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“And to think of this great country in danger of being dominated by people ignorant enough to take a few ancient Babylonian legends as the canons of modern culture. Our scientific men are paying for their failure to speak out earlier. There is no use now talking evolution to these people. Their ears are stuffed with Genesis.”
― Luther Burbank

“Welcome to Irkalla, the Land of the Dead,â€� the woman said. “I am Ereshkigal, Queen of the Underworld.”
― Alan Kinross, Longinus The Vampire: Babylon

“The image of the Serpent, because of its association with life, rejuvenation, fertility, and regeneration, was a symbol of immortality. The coiled Serpent with its tail in its mouth was a circle of infinitude indicating omnipotence and omniscience. The Serpent, depicted in several successive rings, represented cyclical evolution and reincarnation. In ancient philosophy or mythological systems, creation and wisdom were closely bound together, and the Serpent was a potent symbol of both. It is in this capacity that the Serpent appears in the Babylonian and Sumerian mythologies, which contain elements akin to the Genesis story. The Serpent has the power to bestow immortality but also has the power to cheat humankind. In many of the ancient Near Eastern stories—for instance, the Gilgamesh Epic and myth of Adapa—the Serpent holds out the promise of immortality but then cheats man at the last minute.”
― Mary Condren, The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland

“The sentiments attributed to Christ are in the Old Testament. They were familiar in the Jewish schools and to all the Pharisees, long before the time of Christ, as they were familiar in all the civilizations of the earth â€� Egyptian, Babylonian, and Persian, Greek, and Hindu.”
― Joseph McCabe, The Sources of the Morality of the Gospels

“After lunch, Pindar would go in to the university and meet with his students. When his colleagues asked him how his book was going, he tried to seem jolly. "Oh, you know. It's just dreams of eating. Like any other cookbook, only older," he would laugh. "Dabbling in Babylonian stewpots." But he loved his old recipes. In fact, he loved all cookbooks, old or new, perhaps because so few other things in life were such unabashed invitations to delight. When, as a young man, he had invented a sandwich made of peanut butter, bacon, and mango chutney, he thought he might die of pleasure.”
― Grace Dane Mazur, The Garden Party: A Novel