欧宝娱乐

“唳唳む唳多唳班唳︵唳� 唳曕Π唳む 唳唳班Δ唳距Κ 唳多唳粪Μ唳距Π 唳椸唰熰唳涏唳侧唳� 唳唳侧唳距Θ唳椸Π唰囙イ 唳唳班Δ唳距Κ 唳多唰嵿Δ 唳氞Π唳苦Δ唰嵿Π唰囙Π 唳唳ㄠ唳�, 唳膏Μ唳距 唳む唳曕 唳む唳溹Ω唰嵿Μ唰€ 唳唳班唳� 唳灌唳膏唳 唳唳ㄠ, 唳曕唳ㄠ唳む 唳膏唳唳� 唳む唳ㄠ 唳栢唳� 唳曕唳ㄠ唳ㄠ唳曕唳熰 唳曕Π唰囙唳苦Σ唰囙Θ啷� 唳唳唳� 唳唳む唳唳� 唳膏唰嵿唰� 唳膏唰嵿唰� 唳唳班唳Κ唰佮Π唰佮Ψ唳︵唳� 唳膏唰嵿唰� 唳膏Μ 唳唳椸唳唳� 唳涏唳ㄠ唳� 唳灌唰� 唳椸唳�, 唳唳熰 唳ム唳曕 唳夃Κ唰溹 唳む唳侧 唳灌Σ唰� 唳忇 唳Π唰嵿Η唳苦Ψ唰嵿Γ唰� 唳唳曕唳粪唳� 唳多唳曕啷� 唳唳班唳Μ唳距唳侧唳� 唳忇 唳ㄠΖ唰€唳 唳唳班唳ㄠ唳むΠ, 唳忇 唳唳粪唳熰 唳唳む唳�, 唳栢唳溹唳� 唳班Ω唰囙Π 唳膏唳唳︵唳� 唳Δ唳� 唳唳�, 唳犩唳曕唳唳� 唳椸Σ唰嵿Κ唰囙Π 唳嗋Ξ唰囙唳唳栢 唳膏Θ唰嵿Η唰嵿Ο唳�, 唳忇Ω唳� 唳嗋Π 唳︵唳栢 唳灌Μ唰� 唳ㄠ啷� 唳忇Π唳Π 唳ム唳曕 唳曕Σ唳曕唳む唰� 唳唰溹唳熰 唳唰溹唳� 唳呧Θ唰嵿Η唳曕唳� 唳樴唳唳� 唳樴Π唰� 唳氞唳� 唳ㄠ唳班唳唳膏Θ啷�”
― Sunil Gangopadhyay, 唳唳班唳�-唳Χ唰嵿唳苦Ξ

“Can鈥檛 say my Uttarpara ancestral home isn鈥檛 my homeland,
I know unidentified bodies, their eyes plucked out, float by in the Ganga.
Can鈥檛 say my aunt鈥檚 Ahiritola isn鈥檛 my homeland,
I know abducted girls are bound and gagged in Sonagachi nearby.
Can鈥檛 say my uncle鈥檚 at Panihati isn鈥檛 my homeland,
I know who was killed, and where, in broad daylight.
Can鈥檛 say my adolescent Konnagar isn鈥檛 my homeland,
I know who was sent to cut whose throat.
Can鈥檛 say my youth鈥檚 Calcutta isn鈥檛 my homeland,
I know who threw bombs, set fire on buses, trams.
Can鈥檛 say West Bengal isn鈥檛 my homeland,
I鈥檝e the right to be tortured to death in its lock-ups,
I鈥檝e the right to starve and have rickets in its tea gardens,
I鈥檝e the right to hang myself at its handloom mills,
I鈥檝e the right to become bones buried by its party lumpen,
I鈥檝e the right to have my mouth taped, silenced,
I鈥檝e the right to hear the leaders sprout gibberish, abuse,
I鈥檝e the right to a heart attack on its streets blocked by protestors,
Can鈥檛 say Bengali isn鈥檛 my homeland.”
― Malay Roychoudhury, 唳涏唳熰唳侧唳曕唳� 唳曕Μ唳苦Δ唳�

“in Bengal it was so easy to know who was who; more often than not, just to hear someone's name would reveal their religion, their caste, their village. Foreigners were, by comparison, so opaque: it was impossible to speculate about them.”
― Amitav Ghosh, Sea of Poppies

“It has been a thousand years since I started trekking the earth
A huge travel in night鈥檚 darkness from the Ceylonese waters
to the Malayan sea
I have been there too: the fading world of Vimbisara and Asoka
Even further鈥攖he forgotten city of Vidarva,
Today I am a weary soul although the ocean of life around continues to foam,
Except for a few soothing moments with Natore鈥檚 Banalata Sen.

Her hair as if the dark night of long lost Vidisha,
Her face reminiscent of the fine works of Sravasti,
When I saw her in the shadow it seemed
as if a ship-wrecked mariner in a far away sea
has spotted a cinnamon island lined with greenish grass.
鈥淲here had you been lost all these days? 鈥�
yes, she demanded of me, Natore鈥檚 Banalata Sen
raising her eyes of profound refuge.

At the day鈥檚 end evening crawls in like the sound of dews,
The kite flaps off the smell of sun from its wings.
When all colours take leave from the world
except for the flicker of the hovering fireflies
The manuscript is ready with tales to be told
All birds come home, rivers too,
All transactions of the day being over
Nothing remains but darkness
to sit face to face with Banalata Sen.”
― Jibanananda Das, Banalta Sen

“I Have Seen Bengal鈥檚 Face - Poem by Jibanananda Das
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I have seen Bengal鈥檚 face, that is why I do not seek
Beauty of the earth any more: I wake up in the dark
And see the dawn鈥檚 magpie-robin perched under the parasol-like huge leaf
Of the fig tree 鈥� on all sides I see mounds of leaves of
Black plum 鈥� banyan 鈥� jackfruit 鈥� oak 鈥� pipal lying still;
Their shadows fall on the spurge bushes on zedoary clumps;
Who knows when Chand near Champa from his madhukar boat
Saw such oaks 鈥� banyans 鈥� gamboge鈥檚 blue shades
Bengal鈥檚 beauty incomparable.


Behula too someday floating on raft on Gangur鈥檚 water 鈥�
When the fullmoon of the tenebrous twelfth night died on the river鈥檚 shoal 鈥�
Saw countless pipals and banyans beside the golden corn,
Alas, heard the tender songs of shama 鈥� and one day going to Amara.
When she danced like a torn wagtail in Indra鈥檚 court
Bengal鈥檚 river field, wild violets wept at her feet like anklet bells.”
― Jibanananda Das, Bengal the Beautiful

“According to the orator Dio Chrysostom, India had rivers of flowing milk and olive oil, its people lived to be over four hundred years old but stayed young and beautiful and had no disease.”
― Jerry Toner, Homer's Turk: How Classics Shaped Ideas of the East

“Bengal is poor not because of lack of capital but lack of ideas and vision.”
― Debasish Mridha

“Contemptuous of all politicians, they were especially wary of a Bengali majority in any future federal constitution. If permitted to secure their rightful place in the governance of the country, Bengali politicians could join their disaffected counterparts in the non- Punjabi provinces to force a change in Pakistan鈥檚 Kashmir focused and pro- American foreign policy.”
― Ayesha Jalal, The Struggle for Pakistan: A Muslim Homeland and Global Politics

“One Day Eight Years Ago - Poem by Jibanananda Das


It was heard: to the post-mortem cell
he had been taken;
last night鈥攊n the darkness of Falgoon-night
When the five-night-old moon went down鈥�
he was longing for death.

His wife lay beside鈥攖he child therewith;
hope and love abundant__in the moonlight鈥攚hat ghost
did he see? Why his sleep broke?
Or having no sleep at all since long鈥攈e now has fallen asleep
in the post-mortem cell.

Is this the sleep he鈥檇 longed for!
Like a plagued rat, mouth filled with crimson froth
now asleep in the nook of darkness;
And will not ever awake anymore.

鈥楴ever again will wake up,
never again will bear
the endless鈥攅ndless burden
of painful waking鈥斺€�
It was told to him
when the moon sank down鈥攊n the strange darkness
by a silence like the neck of a camel that might have shown up
at his window side.

Nevertheless, the owl stays wide awake;
The rotten still frog begs two more moments
in the hope for another dawn in conceivable warmth.
We feel in the deep tracelessness of flocking darkness
The unforgiving enmity of the mosquito-net all around;
The mosquito loves the stream of life
awake in its monastery of darkness.

From sitting in blood and filth, flies fly back into the sun;
How often we watched moths and flies hovering
in the waves of golden sun.
The close-knit sky, as if鈥攁s it were, some scattered
lives, possessed their hearts;
The wavering dragonflies in the grasp of wanton kids
Fought for life;
As the moon went down, in the impending gloom
With a noose in hand you approached the aswattha,
alone, by yourself,
For you鈥檇 learnt
a human would ne鈥檈r live the life of a locust or a robin
The branch of aswattha
Had it not raged in protest? And the flock of fireflies
Hadn鈥檛 they come and mingled with
the comely bunch of daffodils?
Hadn鈥檛 the senile blind owl come over
and said: 鈥榯he age-old moon seems to have been washed away
by the surging waters?
Splendid that!
Let鈥檚 catch now rats and mouse! 鈥�
Hadn鈥檛 the owl hooted out this cherished affair?
Taste of life鈥攖he fragrance of golden corn of winter evening鈥�
seemed intolerable to you; 鈥�
Content now in the morgue
In the morgue鈥攕ultry
with the bloodied mouth of a battered rat!

Listen
yet, tale of this dead; 鈥�
Was not refused by the girl of love,
Didn鈥檛 miss any joy of conjugal life,
the bride went ahead of time
and let him know
honey and the honey of reflection;
His life ne鈥檈r shivered in demeaning hunger
or painful cold;
So
now in the morgue
he lies flat on the dissection table.

Know鈥擨 know
woman鈥檚 heart鈥攍ove鈥攐ffspring鈥攈ome鈥攏ot all
there is to things;
Wealth, achievement, affluence apart
there is some other baffling surprise
that whirls in our veins;
It tires and tires,
and tires us out;
but there is no tiring
in the post mortem cell
and so,
there he rests, in the post mortem cell
flat on the dissection table.

Still I see the age-old owl, ah,
Nightly sat on the aswattha bough
Winks and echoes: 鈥楾he olden moon seems
to be carried away by the flooding waters?
That鈥檚 splendid!
Let鈥檚 catch now rats and mouse鈥斺€�

Hi, granny dear, splendid even today?
Let me age like you鈥攁nd see off
the olden moon in the whirlpool at the Kalidaha;
Then the two of us will desert life鈥檚 abundant reserve.”
― Jibanananda Das, Selected Poems

“啶啶傕え啷� 啶︵啶栢ぞ 啶灌 啶啶椸ぞ啶� 啶曕ぞ 啶氞啶灌ぐ啶� 啶囙じ啶侧た啶� 啶啶ム啶掂 啶曕ぞ 啶班啶�
啶︵啶栢え啷� 啶曕す啷€啶� 啶ㄠす啷€啶� 啶溹ぞ啶むぞ, 啶呧啶о啶班 啶啶� 啶溹啷� 啶椸啶侧ぐ 啶曕 啶啶∴ぜ
啶む啶むぞ 啶灌啶�, 啶涏ぞ啶む 啶溹啶膏 啶ぁ啶监 啶い啷嵿い啷嬥 啶曕 啶ㄠ啶氞 啶啶犩ぞ 啶灌啶� 啶灌
啶啶� 啶曕ぞ 啶︵く啷嬥げ 啶啷嵿し啷€-啶氞ぞ啶班啶� 啶撪ぐ 啶︵啶栢い啶� 啶灌啶� 啶げ啷嵿げ啶掂啶� 啶曕ぞ 啶膏啶む啶�
啶溹ぞ啶啶�, 啶ぐ啶椸う, 啶曕啶灌げ, 啶膏啶げ, 啶啶げ 啶膏ぞ啶о 啶灌啶� 啶灌啶� 啶氞啶啶啷�

啶ㄠぞ啶椸か啶ㄠ 啶曕ぞ 啶涏ぞ啶ぞ 啶げ啷佮啶灌 啶澿ぞ啶∴ぜ啷嬥 啶ぐ 啶ぁ啶� 啶班す啷€ 啶灌
啶ぇ啷佮啶�(啶膏啶︵ぞ啶椸ぐ, 啶膏い啷€ 啶啶灌啶侧ぞ 啶曕 啶曕ぅ啶� 啶曕ぞ 啶ぞ啶む啶�) 啶曕 啶ㄠぞ啶� 啶膏 啶� 啶溹ぞ啶ㄠ 啶曕が 啶氞ぞ啶佮う, 啶氞ぎ啷嵿お啶� 啶曕 啶ぞ啶� 啶� 啶椸く啶� 啶灌
啶愢じ啷� 啶灌 啶膏啶げ, 啶ぐ啶椸う 啶斷ぐ 啶むぞ啶∴ぜ 啶曕 啶ㄠ啶侧 啶涏ぞ啶ぞ 啶膏 啶ぐ啶� 啶啶班ぞ 啶灌
啶啶距げ 啶曕ぞ 啶呧お啷嵿ぐ啶むた啶� 啶班啶イ

啶灌ぞ啶�, 啶啶灌啶侧ぞ 啶ㄠ 啶 啶︵啶栢ぞ 啶ムぞ 啶忇 啶︵た啶� 啶椸啶椸ぞ 啶啶� 啶ㄠぞ啶� 啶膏
啶ㄠう啷€ 啶曕た啶ㄠぞ啶班 啶曕啶粪啶� 啶︵啶掂ぞ啶︵ざ啷€ 啶曕 啶氞ぞ啶佮う啶ㄠ 啶啶�
啶膏啶ㄠす啶侧 啶оぞ啶� 啶曕 啶ぞ啶� 啶灌啶监ぞ啶班啶� 啶啶げ, 啶ぐ啶椸う 啶掂 啶啶�
啶え啷嵿う 啶膏啶掂ぐ 啶啶� 啶栢啶溹え啷€ 啶曕 啶むぐ啶� 啶囙え啷嵿う啷嵿ぐ啶膏き啶� 啶啶�
啶多啶ぞ啶ぞ(啶侧啶� 啶膏啶椸啶�) 啶曕 啶曕啶げ 啶椸啶� 啶膏啶ㄠ 啶ム, 啶啶椸ぞ啶� 啶曕 啶ㄠう啷€ 啶曕啶距ぐ 啶ㄠ
啶栢啶� 啶啶︵ぞ啶� 啶ぐ 啶樴啶佮啶班 啶曕 啶むぐ啶� 啶班啶 啶ム 啶夃じ啶曕 啶ぞ啶佮さ啷�”
― Jibanananda Das, Bengal the Beautiful

“賲丨爻賵爻 讴乇賵 ( Bodh )

卮丕毓乇: 噩亘丕賳賳丿丕 丿丕爻


乇賵卮賳蹖 丕賳丿诰蹖乇蹝 賲蹖诤 噩丕鬲丕 蹃蹝 - 爻乇 讴蹝 丕賳丿乇
禺賵丕亘 賳蹃蹖诤貙 讴賵卅蹖 亘诰蹖 讴丕賲 賳蹃蹖诤 讴乇鬲丕!
丕蹖讴 禺賵丕亘 賳蹃蹖诤 - 丕賲賳 賳蹃蹖诤 - 賲丨亘鬲 賳蹃蹖诤貙
丿賱 讴蹝 丿乇賲蹖丕賳 丿賱 讴丕 丕丨爻丕爻!
賲蹖诤 丕爻 爻蹝 亘趩 賳蹃蹖诤 爻讴鬲丕
丕爻 賳蹝 丕倬賳丕 蹃丕鬲诰 蹃丕鬲诰 賲蹖诤 乇讴诰 丿蹖丕.

爻亘 讴趩诰 趩诰賵俟蹖 蹃蹝貙 胤丕賱丕亘 亘賳鬲丕 蹃蹝貙
鬲賲丕賲 禺蹖丕賱丕鬲 - 賳賲丕夭 讴蹝 蹃乇 賵賯鬲
蹖蹃 禺丕賱蹖 賱诏鬲丕 蹃蹝貙
氐賮乇 賱诏 乇蹃丕 蹃蹝!
丕蹖讴 爻丕丿蹃 丌丿賲蹖 讴蹖 胤乇丨 趩賱 爻讴鬲丕 蹃蹝!
丕賳丿诰蹖乇蹝 賲蹖诤 讴賵賳 丕爻 乇賵卮賳蹖 讴賵 乇賵讴 爻讴鬲丕 蹃蹝
爻丕丿蹃 賱賵诏賵诤! 丕賳 讴蹖 夭亘丕賳蹖诤 亘賵賱蹖诤
讴賵賳 讴蹃蹃 爻讴鬲丕 蹃蹝 讴賵卅蹖 囟賲丕賳鬲 賳蹃蹖诤
讴賵賳 噩丕賳 爻讴鬲丕 蹃蹝 噩爻賲丕賳蹖 匕丕卅賯蹃
讴賵賳 爻賲噩诰賳丕 趩丕蹃鬲蹖 蹃蹝 夭賳丿诏蹖 讴蹖 噩趹蹖诤
讴賵賳 爻亘 賱賵诏 丿賵亘丕乇蹃 蹃賵 诏丕
鬲賲丕賲 賱賵诏賵诤 讴蹖 胤乇丨 亘蹖噩賵诤 讴賵 亘賵賳丕
匕丕卅賯蹃 讴蹃丕诤 蹃蹝 賮氐賱賵诤 讴蹖 賳馗乇 爻蹝貙
噩爻賲 賲俟蹖 讴蹝 亘賵爻蹝貙
噩爻賲 倬丕賳蹖 讴蹖 亘賵 亘賵 蹃蹝貙
乇賵卮賳蹖 讴蹝 賲賳鬲馗乇
丕蹖讴 讴爻丕賳 讴蹖 胤乇丨貙 夭賳丿诏蹖 丕蹖讴 讴爻丕賳 讴蹖 胤乇丨 蹃蹝
丿賳蹖丕 讴蹝 亘毓丿 乇丕蹃亘 讴賵賳 爻丕 蹃蹝責
丕蹖讴 禺賵丕亘 賳蹃蹖诤貙 丕賲賳 賳蹃蹖诤貙 讴賵卅蹖 亘诰蹖 讴丕賲 賳蹃蹖诤 讴乇鬲丕
爻乇 讴蹝 丕賳丿乇!
乇丕爻鬲蹝 倬乇 蹃賵爻讴鬲蹝 蹃蹖诤 - 讴乇丕爻賳诏
讴蹖亘賱 讴賵 賳馗乇 丕賳丿丕夭 讴乇賳丕 趩丕蹃鬲蹝 蹃蹖诤
讴诰賵倬趹蹖 讴蹖 胤乇丨
賲蹖诤 噩丕賳賳丕 趩丕蹃鬲丕 蹃賵诤貙 爻乇 乇蹃賳丕 趩丕蹃鬲丕 蹃賵诤
诏诰賵賲賳蹝 讴蹖 胤乇丨
賱蹖讴賳 賵蹃 爻乇 讴蹝 诏乇丿 蹃蹝!
賱蹖讴賳 賵蹃 丌賳讴诰賵诤 讴蹝 丕乇丿 诏乇丿 蹃蹝!
賱蹖讴賳 賵蹃 爻蹖賳蹝 讴蹝 诏乇丿 蹃蹝!
賲蹖诤 趩賱鬲丕 蹃賵诤貙 賵蹃 爻丕鬲诰 丌鬲丕 蹃蹝!

賲蹖诤 乇賵讴鬲丕 蹃賵诤
賵蹃 乇讴 噩丕鬲丕 蹃蹝

鬲賲丕賲 賱賵诏賵诤 讴蹝 丿乇賲蹖丕賳 亘蹖俟诰丕
賲蹖乇丕 丕倬賳丕 倬蹖爻蹃
賲蹖诤 丕讴蹖賱蹝 乇蹃賳蹝 讴蹝 賱卅蹝 賲禺鬲賱賮 蹃賵诤責
賲蹖乇蹖 丌賳讴诰蹖诤 氐乇賮 丕蹖讴 倬蹃蹖賱蹖 蹃蹖诤責
賲蹖乇蹝 乇丕爻鬲蹝 倬乇 氐乇賮 乇讴丕賵俟賵诤責
噩賵 賱賵诏 丕爻 丿賳蹖丕 賲蹖诤 倬蹖丿丕 蹃賵卅蹝 蹃蹖诤
亘趩蹝 讴蹖 胤乇丨
亘趩蹝 讴賵 噩賳賲 丿賵
讴卅蹖 亘丕乇 噩賵 讴丕俟 诏卅蹝 蹃蹖诤
蹖丕 丌噩 亘趩蹝 讴賵 噩賳賲 丿蹖賳丕 倬趹蹝 诏丕
噩賳 賲蹖诤 爻蹝 蹖丕 噩賵 丿賳蹖丕 賲蹖诤 蹃蹝
賵蹃 亘爻鬲乇 倬乇 丌 乇蹃蹝 蹃蹖诤
倬蹖丿丕卅卮 丿蹖賳丕 - 倬蹖丿丕卅卮 丿蹖賳丕
丕賳 讴丕 丿賱 爻乇 讴蹖 胤乇丨 蹃蹝
賲蹖乇丕 丿賱 賳蹃蹖诤 蹃蹝 丕賳 讴蹝 丿賲丕睾
賲蹖乇丕 丿賲丕睾 倬爻賳丿 賳蹃蹖诤 蹃蹝責
賵蹃 賵丕丨丿 讴蹖賵诤 蹃蹝責
丕亘诰蹖 鬲讴 賲蹖诤 丕讴蹖賱蹝 蹃賵诤

賲蹖诤 賳蹝 賳蹃蹖诤 丿蹖讴诰丕 讴蹃 丌蹖丕 讴爻丕賳 讴蹝 賯蹖丕賲責
倬丕賳蹖 賲蹖诤 倬丕賳蹖 賳蹃 趫丕賱賵責
蹃賲 賲蹖丿丕賳 賲蹖诤 讴鬲賳蹝 亘丕乇 蹃蹖诤責
诏賵卮鬲 讴蹖 胤乇丨 讴鬲賳蹝 丿乇蹖丕 蹃蹖诤責
鬲亘丿蹖賱
胤丕賱丕亘 讴蹖 胤丕賱丕亘 噩爻賲 讴蹖 禺賵卮亘賵 蹃蹝
噩爻賲 倬乇
倬讴趹 賱蹖丕 诏蹖丕
蹖蹃 爻亘 匕丕卅賯蹃 蹃蹝
賲噩诰蹝 蹖蹃 爻亘 賲賱 诏蹖丕 噩蹖爻蹝 蹃賵丕 蹃賵丕 賲賮鬲 蹃蹝
夭賳丿诏蹖貙 夭賳丿诏蹖
爻鬲丕乇蹝 讴蹝 賳蹖趩蹝 爻賵 乇蹃蹖 丿賲丕睾 蹃蹝
丕蹖讴 丿賳貨
蹖蹃 爻亘 賲賲讴賳 蹃蹝
賲蹖诤 丕蹖讴 丿賳 丌夭丕丿 賲乇丿蹃 噩丕賳鬲丕 蹃賵诤.
賲蹖诤 丕賳蹃蹖诤 趩诰賵趹鬲丕 蹃賵诤
賲噩诰蹝 賱趹讴蹖 爻蹝 賲丨亘鬲 蹃蹝貙
賳馗乇 丕賳丿丕夭 讴乇 讴蹝貙 賲蹖诤 賳蹝 賱趹讴蹖 讴賵 丌丿賲蹖 賲蹖诤 丿蹖讴诰丕 蹃蹝貙
賱趹讴蹖 爻蹝 賳賮乇鬲
丕爻 賳蹝 賲噩诰蹝 倬蹖丕乇 讴蹖丕
賯乇蹖亘 丌蹖丕貙
賲蹖诤 賳蹝 丕爻蹝 賳馗乇 丕賳丿丕夭 讴蹖丕貙
賳賮乇鬲 趩賱蹖 诏卅蹖 蹃蹝 - 噩亘
亘丕乇 亘丕乇 讴丕賱 讴蹖丕
賲丨亘鬲 讴蹖亘賱夭貨
丕亘诰蹖 鬲讴 丕爻 讴丕 倬蹖趩诰丕 丕蹖讴 丿賳 鬲诰丕.
賲蹖诤 丕爻 讴蹖 睾賮賱鬲 讴蹖 夭亘丕賳 蹃賵诤
賲蹖诤 丕爻 讴蹝 賳賮乇鬲 爻蹝 賳賮乇鬲 讴乇鬲丕 蹃賵诤
賳馗乇 丕賳丿丕夭 丕爻 爻鬲丕乇蹃 爻鬲丕乇蹝
睾賱胤蹖
噩爻 胤乇丨 爻蹝 賲蹖乇丕 倬蹖丕乇 亘丕乇 亘丕乇 乇讴丕賵俟 蹃蹝
賲蹖诤 丕爻蹝 亘诰賵賱 诏蹖丕
丕亘诰蹖 鬲讴 蹖蹃 賲丨亘鬲 - 賲俟蹖 丕賵乇 賲俟蹖 -.

爻乇 讴蹝 丕賳丿乇
丕蹖讴 禺賵丕亘 賳蹃蹖诤 - 倬蹖丕乇 賳蹃蹖诤 - 讴賵卅蹖 亘诰蹖 讴丕賲 賲丨爻賵爻 讴乇鬲丕 蹃蹝
讴乇賵
賲蹖诤 爻亘 賲毓亘賵丿賵诤 讴賵 趩诰賵趹鬲丕 蹃賵诤
賲蹖诤 丕倬賳蹖 乇賵丨 賲蹖诤 丌蹖丕貙
賲蹖诤 丕倬賳蹝 丿賱 賲蹖诤 蹖蹃 讴蹃鬲丕 蹃賵诤貨
賵蹃 丕讴蹖賱蹝 倬丕賳蹖 讴蹖 趩乇丕睾 讴蹖 胤乇丨 亘丕鬲 讴蹖賵诤 讴乇鬲丕 鬲诰丕責
讴蹖丕 丕爻 讴蹖 鬲诰讴丕賵俟 賳蹃蹖诤 蹃蹝責 讴蹖丕 丕爻 讴蹖 爻賱丕賲鬲蹖 讴丕 賵賯鬲 蹃蹝責
讴爻蹖 亘诰蹖 賵賯鬲 爻賵賳蹝 賳蹃蹖诤責 丌蹃爻鬲蹃 丌蹃爻鬲蹃
匕丕卅賯蹃
丌倬 讴蹖丕 賳蹃蹖诤 賱蹖诤 诏蹝責 禺賵卮蹖 賳蹃蹖诤 賲賱蹝 诏蹖
賱賵诏賵诤 讴蹝 趩蹃乇蹝 讴賵 丿蹖讴诰賳蹝 讴蹝 賱卅蹝 讴趩诰 賵賯鬲!
讴賵卅蹖 亘诰蹖 丌丿賲蹖 讴丕 趩蹃乇蹃 丿蹖讴诰鬲丕 蹃蹝!
亘趩賵诤 讴蹝 趩蹃乇蹝 讴賵 丿蹖讴诰賳蹝 讴蹝 賱卅蹝 讴趩诰 賵賯鬲!

蹖蹃 賲丨爻賵爻 - 氐乇賮 蹖蹃 匕丕卅賯蹃
賵蹃 诏蹃乇蹖 蹃蹝!
夭賲蹖賳 讴蹖 乇丕蹃 趩诰賵趹貙 丌爻賲丕賳 賲蹖诤 爻鬲丕乇蹝 讴蹖 乇丕蹃
賵蹃 賳蹃蹖诤 趩丕蹃鬲丕 丨賱賮 亘賳賵
讴蹖丕 賵蹃 丌丿賲蹖 讴丕 爻丕賲賳丕 讴乇蹝 诏丕
讴蹖丕 賵蹃 丕蹖讴 丌丿賲蹖 讴丕 爻丕賲賳丕 讴乇蹝 诏丕責
讴蹖丕 賵蹃 亘趩賵诤 讴蹝 趩蹃乇蹝 丿蹖讴诰蹖诤 诏蹝責
爻蹖丕蹃 賲丨乇賲貙
讴丕賳 賲蹖诤 亘蹃乇蹝 蹃蹝貙
噩爻 賲蹖诤 诏賵卮鬲 賲蹖诤 丕囟丕賮蹃 蹃賵丕 蹃蹝
讴诰賵 讴讴趹蹖 - 爻趹蹝 蹃賵卅蹝 倬賵賱俟乇蹖 讴蹝 爻趹賳丕 賲蹖诤貙
噩賵 賱賵诏 丿賱 賲蹖诤 亘趹诰蹝 蹃蹖诤
蹖蹃 爻亘 蹃蹝.”
― Jibanananda Das, Selected Poems

“讘诪砖讱 讗诇驻讬 砖谞讬诐 讗谞讬 讛讜诇讱 注诇 讚专讻讜 砖诇 讻讚讜专 讛讗专抓,
讬诐 住讬谞讛讗诇讬 讘讞讜砖讱 讛诇讬诇讛 讘讬诐 讛诪诇讗讬
讛驻讻转讬 专讘讬诐; 讛注讜诇诐 讛讗驻讜专 砖诇 讘讬诪讘讬住讛 讗砖讜拽
讗谞讬 讛讬讬转讬 砖诐; 注讜讚 讞砖讻讛 诪专讜讞拽转 讘讜讬讚讗专讘 谞讗讙讗专;
讗谞讬 谞砖诪讛 注讬讬驻讛, 讬诐 讛讞讬讬诐 诪住讘讬讘,
讘谞诇讟讛 住谉 砖诇 谞讟讜专讛 谞转谉 诇讬 砖诇讜诐 讘诇转讬 诪讜讙讘诇

讛砖讬注专 讛讜讗 nidha 讻讛讛 砖诇 Bidisha,
讛驻谞讬诐 讛谉 讗诪谞讜转 注讘讜讚转讜; 讗讞专讬 讛讬诐 "
讛诪驻住拽 砖诇 讛诪诇讞 谞砖讘专
讻砖专讗讛 讗转 讗专抓 讛讚砖讗 讛讬专讜拽讛 讘讗讬 拽讬谞诪讜谉,
讻诪讜 讻谉, 讛讜讗 专讗讛 讗转 讛讞讜砖讱; 讛讜讗 讗诪专, '讗讬驻讛 讛讜讗 讛讬讛 讻诇 讻讱 讛专讘讛 讝诪谉?'
讘谞讗诇讟讛 住谉 谞讟讜专讛 诪专讬诐 讗转 注讬谞讬讜 讻诪讜 拽谉 爪讬驻讜专.

讘住讜祝 讛讬讜诐, 讻诪讜 诪讬诇讜转 讟诇
讛注专讘 诪讙讬注; 谞讬讞讜讞 讛讻谞驻讬讬诐 诪谞拽讛 讗转 讛专讬讞.
讻讗砖专 讻诇 讛爪讘注讬诐 砖诇 讛注讜诇诐 谞砖讗专讬诐 讘讞讜抓, 讻转讘讬 讬讚 诪讗讜专讙谞讬诐
讗讝 讬砖 谞专拽讜诪谉 讘爪讘注 砖诇 讙'讜谞讗拽讬;
讻诇 讛爪讬驻讜专讬诐 谞讻谞住讜转 诇讘讬转 - 讻诇 讛注住拽讗讜转 讘谞讞诇-讛驻讜专 讛讝讛;
讬砖 专拽 讞讜砖讱, 讘讜谞诇讗讟讛 住谉 驻谞讬诐 讗诇 驻谞讬诐.

Banalata Sen”
― Jibanananda Das

“22 螜慰蠀谓委慰蠀 1962 - 螘位维蟿蔚 蟺委蟽蠅, 蟿慰谓 蟿蟻慰蠂蠈
- Benoy Majumder
螒蟼 蟺维渭蔚, 伪谓 蟿慰 魏维谓蔚喂蟼, 蟿慰 谓蔚蟻蠈渭蠀位慰, 蟿畏 蟽蟺伪蟽渭苇谓畏 魏伪蟻未喂维, 蟿畏谓 魏伪蟻未喂维.
螠蔚委谓蔚蟿蔚 渭伪魏蟻喂维 伪蟺蠈 蠈位畏 蟿畏谓 蔚喂蟻萎谓畏, 蟿畏谓 喂魏伪谓慰蟺慰委畏蟽畏, 蠈位伪 尉蔚蠂伪蟽渭苇谓伪.
螒蟺位维 魏蟻伪蟿萎蟽蟿蔚 蟿畏谓 魏伪蟻未喂维 蟿畏蟼 纬蔚渭维蟿畏 伪蟺蠈 蟿畏谓 魏伪蟻未喂维 蟿畏蟼.
韦伪 渭伪魏蟻蠉蟿伪蟿伪 渭维蟿喂伪 蟿慰蠀 萎蟿伪谓 蟽蟿畏 胃维位伪蟽蟽伪, 蟽蟿畏 胃维位伪蟽蟽伪
螔伪胃喂维 魏位萎蟽畏, 蟽魏喂维, 蟽蠉谓谓蔚蠁伪, windstorm, 慰蠀蟻伪谓蠈, 维谓蔚渭慰蟼
螁位慰纬伪 蟽伪谓 蟿蟻伪蠀渭伪蟿喂魏蠈 yosemite
韦喂蟼 未喂伪蟻魏蔚委蟼 蟽魏苇蠄蔚喂蟼 蟿慰蠀. 螤蟻蠋蟿畏 蠁慰蟻维 蟽蠂喂蟽渭苇谓慰
韦慰 渭蠀蟽蟿喂魏蠈 蟿慰蠀 未苇蟻渭伪蟿慰蟼 蔚委谓伪喂 蟽伪谓 苇谓伪 渭蠀蟽蟿喂魏蠈, 纬位蠀魏蠈 e-蟺蠈谓慰.
螒蟼 蟺维渭蔚 蠈位畏 蟿畏 蠁蠅蟿喂维, 蟿慰 谓蔚蟻蠈渭蠀位慰, 蟿畏 蟽蟺伪蟽渭苇谓畏 魏伪蟻未喂维, 蟿畏谓 魏伪蟻未喂维.”
― Binoy Majumdar, 唳唳ㄠΟ唳� 唳唰佮Ξ唳︵唳班唳� 唳多唳班唳粪唳� 唳曕Μ唳苦Δ唳�