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“You yearn to stay in this in-between place, where the beauty of the times you have freshly bade farewell to is still alive and vivid in your mind â€� almost real â€� and the reality of your new circumstances has yet to fully sink in. You listen to the familiar melodies that had accompanied you on your journey, and allow the music to evoke landscapes and scenes in your mind. The songs caress your sub-consciousness and fill your being with an airy joy. You are both here and elsewhere. Or perhaps you are everywhere and nowhere.”
― Agnes Chew, The Desire for Elsewhere

“If this turns to friendship, it only means
That one of us will suffer.

That when we meet after the worst of endings,
There will only be this skein of words between us�

Most of them for boredom, fewer for loneliness�
Rising out of our mutual space of breath, leaving

Behind a bluer sky each moment of departure.
And one of us will cling on to its blue,

Hung on partings like a muted cloud, while
The other rides on a wing of word away from here.”
― Cyril Wong, Below: Absence: Poems

“She tried to remember all the times she had spoken to him. She replayed every moment she could remember at the beach last week. Not once had she led him to believe that she liked him improperly. And yet, last night, he had appeared as if she had invited him. She had given herself so willingly, so lasciviously, that he must have thought she had desired him all along. Perhaps she had, or perhaps she had not realised how pleasurable intimacy could be.”
― Mahita Vas, Rain Tree

“Moments later, I was climbing nervously into the back of the car. The driver wore the archetypal expression of an antagonist. No words were exchanged beyond the brief lines uttered to this nameless stranger, whose inclinations remained unclear. The car sped along empty roads and traversed dingy alleyways. Music blared from its speakers. I did not remember exhaling throughout the entire journey.”
― Agnes Chew, The Desire for Elsewhere

“We weren’t happy together but we lived in a state of easy, mild contentment. We shared everything except the stupid fucking secret hanging round your neck. I imagined tiny photographs: portraits in sepia of your parents, their faces partially obscured by goitres. Meanwhile, maybe not tomorrow, maybe not next year, maybe not even in a decade from now but one day: the planet would fall apart.”
― Jon Gresham, We Rose Up Slowly

“I am a wall. I am a wall. I am a wall. I am a giant and I tower above you. I am a giant and I can't hear your voice. There is familiarity in this. I spent years like this growing up, my mother hovering over my every move, me responding monosyllabically, face blank, voice blank, heart blank. It is a coping mechanism and it is easy, if you are able to block out false promises of love with the understanding of what love has become.”
― Tania De Rozario, And the Walls Come Crumbling Down

“We do not know if she collapsed because of overwhelming joy, extreme surprise, grave disappointment, or heavy anxiety that for the next months and years she would live with a human male, because in fact she had been honest when she told her girlfriends that she had given up on men, OR NONE OF THE ABOVE.”
― Kyoko Yoshida

“If rewriting equals rereading, we must logically conclude that writing is reading. If this is indeed the case, how could we possibly write under a ban on reading? The only way left is mouth-to-mouth â€� poets and storytellers recite their pieces and before we can commit them to memory, everything vanishes into thin air.”
― Kyoko Yoshida

“Later, you told me what your mother had said. How your father, the farmer, rose up slowly. You told me how your mother wailed on the other end of the phone, grieving her loss and complaining about the basketball of a goitre perched on her shoulder. She told you, your father walked onto the veranda and saw a chook floating ten feet above the ground. The chook didn’t flap a feather and just sat there brooding, swaying in the breeze.”
― Jon Gresham, We Rose Up Slowly