欧宝娱乐

“Bees do have a smell, you know, and if they don't they should, for their feet are dusted with spices from a million flowers.”
― Ray Bradbury, Dandelion Wine

“Too late, I found you can't wait to become perfect, you got to go out and fall down and get up with everybody else.”
― Ray Bradbury, Something Wicked This Way Comes

“Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the Universe together into one garment for us.”
― Ray Bradbury, Fahrenheit 451

“For if we're destroyed, the knowledge is dead...We're nothing more than dust jackets for books...so many pages to a person...”
― Ray Bradbury, Fahrenheit 451

“Ignorance is fatal.”
― Ray Bradbury, The Martian Chronicles

“I got a statistic for you right now. Grab your pencil, Doug. There are five billion trees in the world. I looked it up. Under every tree is a shadow, right? So, then, what makes night? I'll tell you: shadows crawling out from under five billion trees! Think of it! Shadows running around in the air, muddying the waters you might say. If only we could figure a way to keep those darn five billion shadows under those trees, we could stay up half the night, Doug, because there'd be no night!”
― Ray Bradbury, Dandelion Wine

“The world, like a great iris of an even more gigantic eye, which has also just opened and stretched out to encompass everything, stared back at him.”
― Ray Bradbury, Dandelion Wine

“and sleeping put an end to summer, 1928,”
― Ray Bradbury, Dandelion Wine

“First of all, it was October, a rare month for boys. Not that all months aren't rare. But one strange year, halloween came early....don't you ditch me jim nightshade...don't talk death. Someone might hear...”
― Ray Bradbury, Something Wicked This Way Comes & A Sound of Thunder

“No," said a voice, "the only thing wrong on a night like that is that there is a world and you must come back to it.”
― Ray Bradbury, The Toynbee Convector

“Ray Bradbury was not ahead of his time. He was perfectly of his time, and more than that: he created his time and left his mark on the time that followed.”
― Neil Gaiman

“They felt the wings on their fingers and elbows flying, then, suddenly plunged in new sweeps of air, the clear autumn river flung them headlong where they must go. Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. Jim and Will grinned at each other. It was all so good, these blowing quiet October nights and the library waiting inside now with its green-shaded lamps and papyrus dust.”
― Ray Bradbury, Something Wicked This Way Comes

“Salta, y deja que te crezcan alas en el camino hacia abajo.”
― Ray Bradbury

“The house was full of dead bodies, it seemed. It felt like a mechanical cemetery. So silent. None of the humming hidden energy of machines waiting to function at the tap of a button.”
― Ray Bradbury, The Veldt

“...袠 胁褋褟泻芯 薪械褖芯 褋懈 斜械褕械 薪邪 屑褟褋褌芯褌芯.
小胁械褌褗褌, 泻邪褌芯 谐褉邪屑邪写械薪 懈褉懈褋 薪邪 械写薪芯 芯褖械 锌芯-谐懈谐邪薪褌褋泻芯 芯泻芯, 芯褌胁芯褉懈谢芯 褋械 褋褗褖芯 褌芯泻褍-褖芯, 蟹邪 写邪 芯谐谢械写邪 胁褋懈褔泻芯, 谐芯 薪邪斜谢褞写邪胁邪褕械 胁褌褉械薪褔械薪芯.
袠 褌芯泄 褉邪蟹斜褉邪 泻邪泻胁芯 械 斜懈谢芯 芯薪芯胁邪, 泻芯械褌芯 褋械 斜械 褏胁褗褉谢懈谢芯 芯褌谐芯褉械 屑褍, 蟹邪 写邪 芯褋褌邪薪械 褋 薪械谐芯 鈥� 懈 胁械褔械 薪褟屑邪褕械 写邪 屑褍 懈蟹斜褟谐邪.
孝邪 邪蟹 褋褗屑 斜懈谢 卸懈胁! 鈥� 胁褗蟹泻谢懈泻薪邪 袛褗谐谢邪褋.
袩褉褗褋褌懈褌械 屑褍 褌褉械锌薪邪褏邪, 芯斜邪谐褉械薪懈 芯褌 泻褉褗胁, 泻邪褌芯 褌褉芯褎械泄 芯褌 薪械锌芯蟹薪邪褌芯 蟹薪邪屑械, 蟹邪斜械谢褟蟹邪薪芯 械写胁邪 褋械谐邪, 写芯 褌芯蟹懈 屑懈谐 薪械胁懈写褟薪芯, 邪 褌芯泄 褋械 锌懈褌邪褕械 薪邪 泻芯褟 褋褌褉邪薪邪 胁芯褞胁邪 懈 泻邪泻胁邪 泻谢械褌胁邪 械 写邪谢. 袩褉械谐褗褉薪邪谢 孝芯屑, 薪芯 斜械蟹 写邪 芯褋褗蟹薪邪胁邪, 褔械 谐芯 写褗褉卸懈, 褌芯泄 写芯锌褉褟 褋胁芯斜芯写薪邪褌邪 褋懈 褉褗泻邪 写芯 褌邪蟹懈 泻褉褗胁, 褋褟泻邪褕 泻褉褗胁褌邪 斜懈 屑芯谐谢邪 写邪 褋械 芯褌泻褗褉褌懈, 写邪 褋械 胁蟹械屑械 薪邪 写谢邪薪, 写邪 褋械 芯谐谢械卸写邪 芯褌 胁褋懈褔泻懈 褋褌褉邪薪懈. 小谢械写 褌褍泄 锌褍褋薪邪 孝芯屑 懈 芯褋褌邪薪邪 写邪 谢械卸懈 锌芯 谐褉褗斜, 褋 褉褗泻邪 锌褉芯褌械谐薪邪褌邪 泻褗屑 薪械斜械褌芯, 褋褌邪薪邪 褋邪屑芯 谐谢邪胁邪, 芯褌 泻芯褟褌芯 芯褔懈褌械 褋械 胁蟹懈褉邪褏邪 泻邪褌芯 褋褌褉邪卸懈 锌褉械蟹 斜芯泄薪懈褑懈褌械 薪邪 薪械懈蟹胁械褋褌械薪 蟹邪屑褗泻 胁 械写懈薪 屑芯褋褌 鈥� 褉褗泻邪褌邪 屑褍, 懈 胁 锌褉褗褋褌懈褌械, 泻褗写械褌芯 褟褉泻懈褟褌 泻褗褉胁邪胁 胁懈屑锌械谢 褌褉械锌褌械褕械 薪邪 褋胁械褌谢懈薪邪褌邪...
孝褉械胁邪褌邪 褕械锌褌械褕械 锌芯写 褌褟谢芯褌芯 屑褍. 孝芯泄 芯褌锌褍褋薪邪 褉褗泻邪 懈 褍褋械褌懈 屑褗褏械褋褌邪褌邪 薪芯卸薪懈褑邪 薪邪 胁谢邪褋懈薪泻懈褌械 锌芯 褌褉械胁邪褌邪, 褍褋械褌懈 泻邪泻 写邪谢械褔械 薪褟泻褗写械, 褔邪泻 写芯谢褍, 锌褉褗褋褌懈褌械 锌褉芯锌褍泻胁邪褌 胁 芯斜褍胁泻懈褌械 屑褍. 袙褟褌褗褉褗褌 胁褗蟹写褗褏薪邪 泻褉邪泄 褍褕懈褌械 屑褍. 小胁械褌褗褌 褋械 锌谢褗蟹谐邪褕械, 褟褉褗泻 懈 褕邪褉械薪, 锌芯 褋褌褗泻谢械薪懈褟 芯胁邪谢 薪邪 芯褔薪懈褌械 屑褍 褟斜褗谢泻懈 懈 褌芯泄 谐芯 薪邪斜谢褞写邪胁邪褕械, 泻邪泻褌芯 褋械 胁懈卸写邪褌 芯斜褉邪蟹懈, 褉邪蟹懈褋泻褉械薪懈 胁 泻褗谢斜芯 芯褌 泻褉懈褋褌邪谢. 笑胁械褌褟褌邪 斜褟褏邪 褋谢褗薪褑械 懈 褉邪蟹卸邪褉械薪懈 锌械褌薪邪 芯褌 褋懈薪械胁邪, 锌褉褗褋薪邪褌懈 懈蟹 谐芯褉邪褌邪. 袩褌懈褑懈褌械 锌褉械褏胁褉褗泻胁邪褏邪 泻邪褌芯 泻邪屑褗褔械褌邪, 褉邪蟹锌懈谢械薪懈 锌芯 芯谐褉芯屑薪芯褌芯 芯斜褗褉薪邪褌芯 械蟹械褉芯 薪邪 薪械斜械褌芯. 袛褗褏褗褌 屑褍 谐谢邪写械褕械 蟹褗斜懈褌械, 薪邪褏褗谢褌胁邪褕械 谢械写械薪 懈 懈蟹谢懈蟹邪褕械 褉邪蟹卸邪褉械薪. 袧邪褋械泻芯屑懈褌械 褌褉褟褋泻邪褏邪 胁褗蟹写褍褏邪 褋 械谢械泻褌褉懈褔械褋泻邪 褟褉泻芯褋褌. 袛械褋械褌 褏懈谢褟写懈 芯褌写械谢薪懈 泻芯褋褗屑邪 锌芯褉邪褋薪邪褏邪 褋 械写薪邪 屑懈谢懈芯薪薪邪 芯褌 懈薪褔邪 薪邪 谐谢邪胁邪褌邪 屑褍. 效褍胁邪褕械 褉懈褌褗屑邪 薪邪 褋褗褉褑邪褌邪-斜谢懈蟹薪邪褑懈 胁 褍褕懈褌械 褋懈, 褌褉械褌芯褌芯 褋褗褉褑械 褌褍锌褌械褕械 胁 谐褗褉谢芯褌芯 屑褍, 写胁械褌械 褋褗褉褑邪 锌褍谢褋懈褉邪褏邪 胁 泻懈褌泻懈褌械 屑褍, 懈褋褌懈薪褋泻芯褌芯 褋褗褉褑械 斜谢褗褋泻邪褕械 胁 谐褗褉写懈褌械 屑褍. 袦懈谢懈芯薪懈褌械 锌芯褉懈 锌芯 褌褟谢芯褌芯 屑褍 褋械 褉邪蟹褌胁芯褉懈褏邪.
袧邪懈褋褌懈薪邪 褋褗屑 卸懈胁! 鈥� 锌芯屑懈褋谢懈 褋懈 袛褗谐谢邪褋. 鈥� 袛芯褋械谐邪 薪械 褋褗屑 谐芯 蟹薪邪械谢, 懈谢懈 褋褗屑 谐芯 斜懈谢 蟹邪斜褉邪胁懈谢!
袠蟹胁懈泻邪 褌芯胁邪 谐褉褗屑泻芯, 薪芯 斜械蟹屑褗谢胁薪芯, 锌芯薪械 写械褋械褌懈薪邪 锌褗褌懈! 袚谢械写邪泄, 谐谢械写邪泄! 袙械褔械 写胁邪薪邪泄褋械褌谐芯写懈褕械薪 懈 褔邪泻 褋械谐邪! 效邪泻 褋械谐邪 写邪 芯褌泻褉懈械 褌芯蟹懈 斜械蟹褑械薪械薪 褔邪褋芯屑械褉, 褌芯蟹懈 褋胁械褌谢芯蟹谢邪褌械薪 褔邪褋芯胁薪懈泻, 褋 谐邪褉邪薪褑懈褟 蟹邪 褋械写械屑写械褋械褌 谐芯写懈薪懈, 芯褋褌邪胁械薪 锌芯写 写褗褉胁芯褌芯 懈 薪邪屑械褉械薪 锌芯 胁褉械屑械 薪邪 斜芯褉懈褔泻邪薪械褌芯.
鈥� 孝芯屑! 鈥� 胁懈泻薪邪 褌芯泄, 邪 褋械褌薪械 锌褉芯褕械锌薪邪: 鈥� 孝芯屑鈥� 胁褋懈褔泻懈 谢懈 薪邪 褌芯蟹懈 褋胁褟褌鈥� 胁褋懈褔泻懈 谢懈 蟹薪邪褟褌, 褔械 褋邪 卸懈胁懈?
鈥� 小懈谐褍褉薪芯. 袛邪, 写褟胁芯谢 写邪 谐芯 胁蟹械屑械!
鈥� 袛邪薪芯 写邪 蟹薪邪褟褌 鈥� 锌褉芯屑褗谢胁懈 袛褗谐谢邪褋. 鈥� 袨, 写邪薪芯 写邪 谐芯 蟹薪邪褟褌...
袠褋泻邪屑 写邪 锌芯褔褍胁褋褌胁邪屑 胁褋懈褔泻芯, 泻芯械褌芯 屑芯卸械 写邪 褋械 褔褍胁褋褌胁邪, 泻邪蟹胁邪褕械 褋懈 褌芯泄. 袧械泻邪 写邪 褋械 褍屑芯褉褟, 芯褋褌邪胁械褌械 屑械 写邪 褋械 懈蟹屑芯褉褟. 袧械 斜懈胁邪 写邪 蟹邪斜褉邪胁褟屑, 邪蟹 褋褗屑 卸懈胁, 蟹薪邪褟 褔械 褋褗屑 卸懈胁, 薪械 斜懈胁邪 写邪 蟹邪斜褉邪胁褟屑 褌芯胁邪 薪懈褌芯 褌邪蟹懈 胁械褔械褉, 薪懈褌芯 褍褌褉械, 薪懈褌芯 锌褗泻 胁 写褉褍谐懈 写械薪...”
― Ray Bradbury

“I don't want to do anything but look and listen and smell; what else is there to do?”
― Ray Bradbury, The Veldt

“Or maybe he means in a richer world the begging population is melting away. But no to that too. So maybe, perhaps, he means there aren't many 'human beings' left to look, see, and understand well enough for one to ask and one to give. Everyone busy, running, jumping, there's no time to study one another. But I guess that's bilge and hogwash, slop and sentiment.”
― Ray Bradbury

“Her eyes reversed into herself, to watch the secret heart of herself pounding itself into pieces against the side of her chest.”
― Ray Bradbury, The October Country

“Ne govorim o stvarima, gospodine. Govorim o zna膷enju stvari.鈥�
鈥� Ray Bradbury, Fahrenheit 451”
― Ray Bradbury, Fahrenheit 451

“Obojeni ne vole Malog crnog Samba. Spali ga. Bijeli nisu odu拧evljeni 膶i膷a Tominom kolibom. Spali je. Netko je napisao knjigu o duhanu i raku plu膰a? Proizvo膽a膷i cigareta tule? Spali knjigu. Vedrina, Montag. Mir, Montag. Iznesi svoju borbu van. Jo拧 bolje, u spalionicu. " str. 65.”
― Ray Bradbury, Fahrenheit 451

“Mogu nabaviti knjige.
-Izla啪ete se pogibelji.
-To je dobra strana umiranja: kad nemate 拧to izgubiti, izla啪ete se svakoj pogibelji kojoj 啪elite." str. 86.”
― Ray Bradbury, Fahrenheit 451

“Eso hubiese sido una paradoja -habl贸 Lesperance-. El tiempo no permite esas confusiones鈥�, un hombre que se encuentra consigo mismo. Cuando va a ocurrir algo parecido, el tiempo se hace a un lado.”
― Ray Bradbury, Cuentos del Futuro

“Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.”
― Ray Bradbury

“Who does what for why and where?”
― Ray Bradbury, The Martian Chronicles

“Todos deben dejar algo al morir, dec铆a mi abuelo. Un ni帽o o un libro o un cuadro o una casa o una pared o un par de zapatos. O un jard铆n. Algo que las manos de uno hallan tocado de alg煤n modo. El alma tendr谩 entonces un lugar a donde ir el d铆a de la muerte, y cuando la gente mire ese 谩rbol, o esa flor, all铆 estar谩 uno. No importa lo que se haga, dec铆a, mientras uno cambie las cosas. As铆, despu茅s de tocarlas, quedar谩 en ellas algo de uno.”
― Ray Bradbury