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Cole Arthur Riley Quotes

Quotes tagged as "cole-arthur-riley" Showing 1-30 of 76
Cole Arthur Riley
“Isn't it something that in Genesis, God makes a home for things before God makes the thing? Not the fish first but the sea. Not the bird first but the sky. Not the human first but the garden. I like to think of God hunched over in the garden, fingernails hugging the brown soil, mighty hands cradling mud like it's the last flame in a windstorm. A God who says, Not out of my own womb but out of this here dust will I make you. Place has always been the thing that made us. We cannot escape being formed by it.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“The freedom of God's people did not occur in a vacuum. There were consequences. There was truth-telling. And there was a disturbingly costly justice. There could be no liberation without it. You might ask yourself if you can ever really be free if you have not received justice for your bondage. But as Bayard Rustin said, "When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him."
Justice does not always come in the manner we long for, but there is always a path to it.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“What is the worth of a woman plagued by sadness?
When people demand joy always, it makes the world seem incompatible with those of us whose happiest days are still anguished. In this way, joy was one of my earliest alienators.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Joy situates every emotion within itself. It grounds them so that one isn’t overindulged while the others lie starving. Joy doesn’t replace any emotion; it holds them all and keeps them from swallowing us whole. Society has failed to understand this. When it tells us to find joy in suffering, it is telling us to let it go, to move on, to smile through it. But joy says, Hold on to your sorrow. It can rest safely here.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“You may think we are called to holy things that involve praying on your knees and going to church, and maybe we are.
But I haven't known God to regulate holiness. I think they injected it into every bit of everything. And I imagine they are very concerned with every element of life, including our work.
And why wouldn't they be?”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“I once heard the activist John Perkins say, “You don’t give dignity, you affirm it.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“I have never felt closer to God than when he has tears running down his face. I don't delight in this, but by this, I know that I am seen […]
And when God bears witness to our suffering, it is not for his consumption or to demonstrate something. My gramma used to wonder what this all was teaching her, a rhetoric she absorbed from the church. But it seems cruel to believe that God would require grief to make a truth known. I refuse to believe we need to dissect our pain in search of purpose. Sometimes shit is just shit. It's okay to say so.
I think when God bears witness to our lament, we discover that we are not calling out to a teacher but inviting God as a nurturer—a mother who hears her child crying in the night.
She wakes, rises, and comes to the place where we lie. She rushes her holy warmth against our flesh and says, I'm here.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Our hope can be only as deep as our lament is. And our lament as deep as our hope.
Now there is a distinction to be made between true lament and the more sinister form of sadness we know as despair. Despair is lament emptied of hope. It is a shell that invites the whole of your soul to dwell in its void. Many of us will visit this shell, but despair depends upon our staying. With no framework for healthy lament, I was a prisoner to sadness.
Even still, it's not good to drag someone from their lament out of fear of despair. In fact, being forced too quickly out of lament can drag the soul into despair in secret. We are left to wander in sadness but without a confidant to help guide us out of the void.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Anger expressed in the interior life is permitted to exist in its rawest and most honest form. It is not kept private out of shame or because it is inferior in status to public anger. Rather, its privacy grants us the freedom to understand our rage without pressure or compulsion to dilute it. It gives us the space to be laid bare and have our anger, like any emotion, refined in the presence of the divine.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Exterior anger is often in defense of some sphere, person or piece of creation […] Anger is never holier than when it acts in defense of the dignity of a person or piece of creation. But it requires we be more measured and protective of our words—not so that we censor ourselves on behalf of the fragile and defensive, but so that we will be heard by those we wish to be heard by. You can be a person of profound anger without allowing it to eclipse your or anyone else’s personhood.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“As we think about the virtue of exterior anger, we should understand it as no more or less holy than interior anger. It is also not a trajectory. Our raw and private anger is not necessarily reborn into public anger. Interior expression of anger is a worthy practice in its own right.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Theologian Miroslav Volf once said, “I think the truthfulness of remembering is part and parcel of the justice of rememberingâ€� Why do we need to remember truthfully? Because every untruthful memory is an unjust memory, especially when it concerns relationships, fraught relationships of violence between people.â€� In this way, communal storytelling can be an act of justice.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Memory is meant to be given. It isn’t held well alone. It is meant to be held in a collective and across generations. Memories that remain exclusive to a particular individual or even community are at risk of becoming false. The smell of lavender becomes the smell of grass. The abduction of Black bodies becomes their “migration.â€� When memory endures no scrutiny or curiosity or challenge from the exterior, it can lead to a profound loneliness at best; at worst, individual or collective delusion.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“This is a society that will very rarely demand justice in favour of the desperate but will always demand it in favour of the judge, the powerful. In the company of these tainted moral authorities, the most significant wrong will never be the one that caused all the others.
This is a world that demonizes those who transgress the system but has great sympathy for the system itself. You can ask my father why he, who cradled the head of his best friend's father on the bathroom floor that day, lived to hustle. But will you also question the system, which demanded his hustle in order to live? His justice has been denied since birth, so before you fault him, you must first fault this.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Lament is not anti-hope. It's not even a stepping-stone to hope.
Lament itself is a form of hope. It's an innate awareness that what is should not be. As if something is written on our hearts that tells us exactly what we are meant for, and whenever confronted with something contrary to this, we experience a crumbling. And in the rubble, we say, God, you promised. We ask, Why?”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“It is very important that our belonging before God not depend upon our ability to hide or extinguish truths in and about us. We must trust that our maker can look on our rage, and even our hatred, and perceive those stories, fears, and vulnerabilities that reside in us and have stirred us toward our present emotional expression. As we allow God to behold our rage, a sacred intimacy emerges.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“You might think justice is a form of choosing sides, choosing whom to stand behind. In a way, maybe it is. But justice doesn't choose whose dignity is superior. It upholds the dignity of all those involved, no matter whom it offends or what it costs. Even when demanding retribution, justice does not demean the offender's dignity; it affirms it. It communicates that what has been done is not what the offender was made for.
They, too, were made for beauty. In justice, everyone becomes more human, everyone bears the image of the divine. Justice does not ask us to choose.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“If you've suffered an anxiety attack, maybe you've encountered the grounding techniques of the five senses. What's one thing you smell? Tell me two things you hear. There is a mysterious entanglement between our welfare and our capacity to ground ourselves in a particular place. We are meant to be connected to our where, to the sensory experience of it. The simple beholding of place can slow your heart and steady your breath. It is quite the protective force.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“We train our focus on beauty here or there—this poem, that architecture—because it is easier than bearing witness to our own story. We begin to gravitate not toward beauty but toward illusion. In this state, you are not approaching what you seek. You are running from your own face. But this is not the way of wonder. Wonder requires a person not to forget themselves but to feel themselves so acutely that their connectedness to every created thing comes into focus. In sacred awe, we are a part of the story.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Practicing wonder is a powerful tool against despair. It works nearly the same muscles as hope, in that you find yourself believing in goodness and beauty even when the evidence gives you every reason to believe that goodness and beauty are void. This can feel like a risk to those of us who have had our dreams colonized, who have known the devastation of hope unfulfilled. I once heard the Japanese artist Makoto Fujimura say, "The most courageous thing we can do as a people is to behold." This gave me great empathy for those who have lost their wonder. For myself. We are not to blame for what the world has so relentlessly tried to crush in us, but we are endangered because of it.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“To be a human who resembles the divine is to become responsible for the beautiful, for its observance, its protection, and its creation. It is a challenge to believe that this right is ours.
Wonder, then, is a force of liberation. It makes sense of what our souls inherently know we were meant for. Every mundane glimpse is salve on a wound, instructions for how to set the bone right again. If you really want to get free, find God on the subway. Find God in the soap bubble.
Me? I meet God in the taste of my gramma's chicken. I hear God in the raspy leather of Nina Simone's voice. I see the face of God in the bony teenager bagging my groceries. And why shouldn't I? My faith is held together by wonder—by every defiant commitment to presence and paying attention. I cannot tell you with precision what makes the sun set, but I can tell you how those colors, blurred together, calm my head and change my breath. I will die knowing I lived a faith that changed my breathing. A faith that made me believe I could see air.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Collective memory requires that we piece together the fragments of individual memory and behold something not necessarily larger but with greater depth and colour. I think the whole Bible is predicated on collective remembrance. You have feast and fast days, storytelling, and most conspicuously, the Eucharist. A shared table and a shared loaf. Take, eat, drink. The Christian story hinges on a ceremony of communal remembrance. This should train us toward an embodied memory. My hand on a ballet barre, and every muscle knows how to come awake again. My father takes up my detangled hair in his hands, and his fingers dip and twist so fast they blur and become one. Do this in remembrance of me.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Some theologies say it is not an individual but a collective people who bear the image of God. I quite like this, because it means we need a diversity of people to reflect God more fully.
Anything less and the image becomes pixelated and grainy, still beautiful but lacking clarity. If God really is three parts in one like they say, it means that God's wholeness is in a multitude.
I do not know if God meant to confer value on us by creating us in their own image, but they had to have known it would at least be one outcome. How can anyone who is made to bear likeness to the maker of the cosmos be anything less than glory? This is inherent dignity.
I do find it peculiar that humans have come to wield this over the rest of creation as though we are somehow superior. I don't believe this to be the case. Sometimes I wonder if we knelt down and put our ear to the ground, it would whisper up to us, Yes, you were made in the image of God, but God made you of me. We've grown numb to the idea that we ourselves are made of the dust, mysteriously connected to the goodness of the creation that surrounds us.
Perhaps the more superior we believe ourselves to be to creation, the less like God we become. But if we embrace shalom—the idea that everything is suspended in a delicate balance between the atoms that make me and the tree and the bird and the sky—if we embrace the beauty of all creation, we find our own beauty magnified. And what is shalom but dignity stretched out like a blanket over the cosmos?”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“How will we make space to hold the memory of the collective? There are times when belonging is not cemented in the lived moment of an experience but in the lively or sombre retelling of the moment afterward. Which means we can transfer belonging to the next generation by welcoming them into memories that they (or we) have not lived but choose to steward. In many spaces, to foster collective memory well, we must habitually ask ourselves, Whose story gets told, whose story is believed, and who gets to tell it? If we surrender our individual egos, these questions can function as a pruning process, as we contend with accounts that don’t line up quite flush. This interrogation may reveal false memories.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Sometimes, it is only in the hands of another that a memory can be fully encountered. All of a sudden it is not the front of the car you see but the street from the back side window. The memory expands past two dimensions. This is the beauty of collective memory.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“I once heard that joy and happiness do different things to the body. Happiness, which works itself out in the sympathetic nervous system, makes you excitable and energetic. It's important but fleeting, grounded in the immediacy of a moment or the whim of a feeling. Joy is more tranquil. It has to do with the parasympathetic nervous system, and it's much more about peace than vibrancy.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“Liberation loves company. It is not threatened by another person's identity, because liberation is not a scarcity. It can only affirm itself in another person.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

Cole Arthur Riley
“When we grow accustomed to neglecting beauty, we eventually become creatures of hatred. We lose? our imagination—a virtue to which wonder is helplessly tied.”
Cole Arthur Riley, This Here Flesh: Spirituality, Liberation, and the Stories That Make Us

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