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“There I was, cold, isolated and desperate for something I knew I couldn't have.
A solution. A remedy. Anything.

...I hated it. Alone and confused was the last place I wanted to be.
Somehow I knew I deserved this.”
― Brian Krans, A Constant Suicide

“While we are threading our way through the vagaries of life, our shortage of reciprocity and solidarity may corner us into breaches of culpability. We can eschew this and kindle a dream of universalism that does not impose itself but emerges from the world's numerous cultural and topical particularities and enable us to compare, discern, and identify, allowing us to marvel at the diversity. In this way, we can embrace universal recognition, human understanding, peace of mind, and compassion with others and with ourselves. ("I only needed a light ")”
― Erik Pevernagie

“Atrocity is recognized as such by victim and perpetrator alike, by all who learn about it at whatever remove. Atrocity has no excuses, no mitigating argument. Atrocity never balances or rectifies the past. Atrocity merely arms the future for more atrocity. It is self-perpetuating upon itself â€� a barbarous form of incest. Whoever commits atrocity also commits those future atrocities thus bred.”
― Frank Herbert, Children of Dune

“I don't freeze up because it isn't my battle. I'm helping. I'm watching. But I'm free. Because it's Ender's game.”
― Orson Scott Card, Ender's Shadow

“Happiness is not a shame but an opportunity. Learning to enjoy life to the core without hindrance, suspicion, or culpability allows us to live in peace with ourselves and the world. ("When is Happiness?" - "C’est quand le bonheur ?")”
― Erik Pevernagie

“All we have is now. And our promise to make it better.”
― Renee Ahdieh, The Wrath and the Dawn

“What it means to be a good person, a moral person, is calculated differently in times of crisis than in ordinary circumstances,â€� she says. She pulls up a slide of people having a picnic by a lake. Blue skies, green trees, white people.

“Suppose you go with some friends to the park to have a picnic. This act is, of course, morally neutral, but if you witness a group of children drowning in the lake and you continue to eat and chat, you have become monstrous.”
― Jenny Offill, Weather

“«In my opinion, it is you considerate, humane men, that are responsible for all the brutality and outrage wrought by these wretches; because, if it were not for your sanction and influence, the whole system could not keep foothold for an hour. If there were no planters except such as that one,» said he, pointing with his finger to Legree, who stood with his back to them, «the whole thing would go down like a millstone. It is your respectability and humanity that licenses and protects his brutality.»”
― Harriet Beecher Stowe, Uncle Tom’s Cabin

“Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green glow of corruption flickers into sight, steadies, and spreads everywhere, fostered by Lorrain's horrified and complicitous gaze. This decadent detective is at one with the criminal he pursues, acknowledging openly that the representation of corruption is one of the most pleasurable forms that corruption can take. In this enterprise, art is the mask that both exposes and conceals culpability.”
― Jennifer Birkett

“...But if we are to say anything important, if fiction is to stay relevant and vibrant, then we have to ask the right questions. All art fails if it is asked to be representative—the purpose of fiction is not to replace life anymore than it is meant to support some political movement or ideology. All fiction reinscribes the problematic past in terms of the present, and, if it is significant at all, reckons with it instead of simply making it palatable or pretty. What aesthetic is adequate to the Holocaust, or to the recent tragedy in Haiti? Narrative is not exculpatory—it is in fact about culpability, about recognizing human suffering and responsibility, and so examining what is true in us and about us. If we’re to say anything important, we require an art less facile, and editors willing to seek it.”
― Michael Copperman

“When there is a grand cause to be won, he said, sometimes, there are unavoidable casualties. None of us are happy about that, but it’s a painful reality. He paused and added, We’ve all accepted our culpabilityâ€�”
― Leslie Ann Moore, A Tangle of Fates

“While it is a truism to observe that if humans were angels, law would be unnecessary, we could equally turn the truism around, and note that if humans were devils, law would be pointless. In this sense, the law-making project always presupposes the improvability, if not the perfectibility, of humankind. Whether our view of human nature tends toward Hobbesian grimness or Rousseauian equanimity, we tend to think of law as critical to reducing brutality and violence.”
― Rosa Brooks, How Everything Became War and the Military Became Everything: Tales from the Pentagon

“Do not open your minds to the filtering of the fallacious doctrine that it is less infamous to murder men for their politics than for their religion or their money, or that the courage to execute the deed is worse than the cowardice to excuse it. Let us not flinch from condemning without respite or remission, not only Marat and Carrier, but also Barnave. Because there may be hanging matter in the lives of illustrious men, of William the Silent and Farnese, of Cromwell and Napoleon, we are not to be turned from justice towards the actions, and still more the thoughts, of those whom we are about to study.”
― John Emerich Edward Dalberg-Acton, Lectures on the French Revolution

“Du reste, nous ne pouvons affirmer l’innocence de personne, tandis que nous
pouvons affirmer à coup sûr la culpabilité de tous. Chaque homme témoigne du crime de tous les autres, voilà ma foi, et mon espérance.”
― Albert Camus, The Fall