Å·±¦ÓéÀÖ

“Language has been mobilised and sent into battle; it directs the human carnage of conflict with its enunciation of emotion, stimulating souls to abandon peace.”
― Daniel S. Fletcher, Jackboot Britain

“Cannabis, the sensation that had reignited in America and helped bring hemp’s recreational usage back to prominence in a quiet, steady British counter-culture, had helped dispel much of the prejudice, entitlement and arrogance that had eluded the careful eye of Simon’s mother, undermining her care during the once-restlessly energetic yet gentle soul’s dedicated mothering of the studious boy. It took root in his thoughts and expectations. Bravado and projection replaced genuine yet understated confidence; much of that which had been endearing in him ceased to be seen, to his mother’s despondency. A bachelor of the arts, the blissfully apathetic raconteur left university, having renounced his faith and openly claiming to feel no connection, either socially or intellectually with the student life and further study. Personal failures and parental despair combined to sober the-21yr old frustrated essayist and tentative poet. Cannabis, ironically sought following the conclusion of his stimulant-fuelled student years, had finally levelled him out, and provided the introspection needed to dispel the lesser demons of his nature. Reefer Madness, such insanity â€� freely distributed for the mass-consumer audience of the west! Curiosity pushed the wealthy young man’s interest in the plant to an isolated purchase, and thence to regular use. Wracked by introspection, the young man struggled through several months of instability and self-doubt before readjusting his focus to chase goals. Once humorous, Reefer Madness no longer amused him, and he dedicated an entire afternoon to writing an ultimately unpublished critique of the film, that descended into an impassioned defence of the plant. He began to watch with keen interest, as the critically-panned debacle of sheer slapstick silliness successfully struck terror into the hearts of a large section of non-marijuana smoking people in the west. The dichotomy of his own understanding and perception only increased the profound sense of gratitude Simon felt for the directional change in which his life was heading. It helped him escape from earlier attachments to the advantage of his upbringing, and destroyed the arrogance that, he realised with shock, had served to cloud years of his judgement. Thus, positive energy led to forward momentum; the mental readjustment silenced doubts, which in turn brought peace, and hope.”
― Daniel S. Fletcher, Jackboot Britain

“Sic Semper Reichsfeinde.â€�

A sinister Nazi paraphrasal of the old Roman reproach in Latin; thus always to tyrants. How sinister the world now; 'Thus Always to Enemies of the Reich.”
― Daniel S. Fletcher, Jackboot Britain

“Possibility is limitless.”
― Daniel S. Fletcher, Jackboot Britain

“As a young adult, Naomi became a teacher to help inspire children; to aid the creativity and channelled passions of their fertile minds. Now, the kids would read these Protocols; that 11yr old boy would be joined by an army of thousands, countless thousands, even millions. How long until the twisted poison of language could scar purity, and forever pervert the children of Britain into a hateful, vengeful, violent clique of racists?

*Jewish life was life unworthy of life.*

How could she have ever ignored and belittled this work? So maleficient was its content, to perniciously penetrate the conscious fears of all European nations â€� and presumably the rest of the world â€� to transcend cultural differences, and encompass all facets of cultural decay and parasitic operation to insidiously affect the thinking of â€� and thence bind together –all peoples of Britain, America and Europe to the modern form of anti-Semitism and scientific racial loathing. From the medieval beliefs of sacrifice and well-poisoning to this modern resurrection of ancient fears, with its sinister new ambition and devilish upgrade in scale; Naomi realised with trepidation that once more, her people truly had been chosen.”
― Daniel S. Fletcher

“Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval â€� followed by fury â€� of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and habitual lies, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world.

All life’s a roll of the dice, tiger; ride into the bastard storm and if your wounds hurt, be grateful you survived to lick them, even in the darkest nights of the soul when the sun is a mattress fire the god of your love died in. Love Hurts, and in a stupendous and savage cosmos, it’s my right to sit at the keyboard and bleed. Besides, love, poverty and war are the necessary accoutrements to a fulfilled life; this is the all-encompassing theme of our human condition and the crooning, persuasive symphony of that philosophically unfathomable miracle of life itself� especially as love leads to poverty and war. Man is born unto trouble as the sparks fly upward, after all. I certainly am� we choose our own chains...

~excerpt, "Love Hurts”
― Daniel S. Fletcher