Dissimulation Quotes
Quotes tagged as "dissimulation"
Showing 1-11 of 11

“Simulated disorder postulates perfect discipline, simulated fear postulates courage; simulated weakness postulates strength. Hiding order beneath the cloak of disorder is simply a question of subdivision; concealing courage under a show of timidity presupposes a fund of latent energy; masking strength with weakness is to be effected by tactical dispositions. Thus one who is skillful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. He sacrifices something, that the enemy may snatch at it.”
― The Art Of War
― The Art Of War

“Oh, oh, you will be sorry for that word!
Give me back my book and take my kiss instead.
Was it my enemy or my friend I heard,
"What a big book for such a little head!"
Come, I will show you now my newest hat,
And you may watch me purse my mouth and prink!
Oh, I shall love you still, and all of that.
I never again shall tell you what I think.
I shall be sweet and crafty, soft and sly;
You will not catch me reading any more:
I shall be called a wife to pattern by;
And some day when you knock and push the door,
Some sane day, not too bright and not too stormy,
I shall be gone, and you may whistle for me.”
―
Give me back my book and take my kiss instead.
Was it my enemy or my friend I heard,
"What a big book for such a little head!"
Come, I will show you now my newest hat,
And you may watch me purse my mouth and prink!
Oh, I shall love you still, and all of that.
I never again shall tell you what I think.
I shall be sweet and crafty, soft and sly;
You will not catch me reading any more:
I shall be called a wife to pattern by;
And some day when you knock and push the door,
Some sane day, not too bright and not too stormy,
I shall be gone, and you may whistle for me.”
―

“Do not make passion an argument for truth! - O you good-natured and even noble enthusiasts, I know you! You want to win your argument against us, but also against yourself, and above all against yourself!and a subtle and tender bad conscience so often incites you against your enthusiasm! How ingenious you then become in the outwitting and deadening of this conscience! How you hate the honest, the simple, the pure, how you avoid their innocent eyes! That knowing better whose representatives they are and whose voice you hear all too loudly within you, how it casts doubt on your belief- how you seek to make it suspect as a bad habit, as a sickness of the age, as neglect and infection of your own spiritual health! You drive yourself to the point of hating criticism, science, reason! You have to falsify history so that it may bear witness for you, you have to deny virtues so that they shall not cast into the shade those of your idols and ideals! Coloured pictures where what is needed is rational grounds! Ardour and power of expression! Silvery mists! Ambrosial nights! You understand how to illuminate and how to obscure, and how to obscure with light! And truly, when your passion rises to the point of frenzy, there comes a moment when you say to yourself: now I have conquered the good conscience, now I am light of heart, courageous, self-denying, magnificent, now I am honest! How you thirst for those moments when your passion bestows on you perfect self-justification and as it were innocence; when in struggle, intoxication, courage, hope, you are beside yourself and beyond all doubting; when you decree: 'he who is not beside himself as we are can in no way know what and where truth is!' How you thirst to discover people of your belief in this condition - it is that of intellectual vice - and ignite your flame at their torch! Oh your deplorable martyrdom! Oh your deplorable victory of the sanctified lie! Must you inflict so much suffering upon yourself? - Must you?”
― Daybreak: Thoughts on the Prejudices of Morality
― Daybreak: Thoughts on the Prejudices of Morality

“Our fellowman either may voluntarily reveal to us the truth about himself, or by dissimulation he may deceive us as to the truth. No other object of knowledge can thus of its own initiative, either enlighten us with reference to itself or conceal itself, as a human being can. No other knowable object modifies its conduct from consideration of its being understood or misunderstood.”
― The Sociology of Secrecy and of Secret Societies
― The Sociology of Secrecy and of Secret Societies

“Remember that power is not only what you have but what the enemy thinks you have”
― Book of Wisdom
― Book of Wisdom

“Dissimulation is not fraud. It is an effort not to show things as they are. And it is a difficult effort: when we excel, others must not recognize our excellence. If someone were to become famous for his ability to disguise himself, as actors do, all would know that he is what he pretends to be. But concerning the true, excellent dissimulators, who have existed and exist still, we have no information.”
― The Island of the Day Before
― The Island of the Day Before
“Nothing I do is natural, realistic, organic or accidental. I'm never spontaneous, I'm completely premeditated.”
―
―
“More often than not, DID is dissimulated and camouflaged, so it is important to understand that, although its processes and structures may be active and powerful, its manifestations may be subtle.”
―
―

“The strategy of exorcizing the sexual body by wildly exaggerating the signs of sex, of exorcizing desire by its secret depolarization and the exaggeration of its mise en scene, is much more effective than that of good old repression, which , by contrast, used prohibition to create difference. Yet it is not clear who benefits from this strategy, as everyone suffers it without distinction. This travestied regime - in the broadest sense â€� has become the very basis of our institutions. You find it everywhere â€� in politics, architecture, theory, ideology and even in science.
You even find it in our desperate quest for identity and difference. We no longer have the time to seek out an identity in the historical record, in memory , in a past, nor indeed in a project or a future. We have to have an instant memory which we can plug in to immediately - a kind of promotional identity which can be verified at every moment. What we look for today, where the body is concerned , is not so much health, which is a state of organic equilibrium, but fitness, which is an ephemeral , hygienic , promotional radiance of the body - much more a performance than an ideal state � which turns sickness into failure. In terms of fashion and appearance , we no longer pursue beauty or seductiveness, but the 'look' .
Everyone is after their 'look'. Since you can no longer set any store by your own existence (we no longer look at each other - and seduction is at an end!), all that remains is to perform an appearing act, without bothering to be, or even to be seen.
It is not: 'I exist, I'm here' , but 'I'm visible, I'm image � look , look!' This is not even narcissism. It's a depthless extraversion, a kind of promotional ingenuousness in which everyone becomes the impresario of his/her own appearance.
The 'look ' is a kind of minimal, low-definition image, like the video image or, as McLuhan would say, a tactile image , which provokes neither attention nor admiration, as fashion still does, but is a pure special effect without any particular meaning . The look is not exactly fashion any more; it is a form of fashion which has passed beyond. It no longer subscribes to a logic of distinction and it is no longer a play of difference; it plays at difference without believing in it. It is indifference. Being oneself becomes an ephemeral performance , with no lasting effects, a disenchanted mannerism in a world without manners.”
― Screened Out
You even find it in our desperate quest for identity and difference. We no longer have the time to seek out an identity in the historical record, in memory , in a past, nor indeed in a project or a future. We have to have an instant memory which we can plug in to immediately - a kind of promotional identity which can be verified at every moment. What we look for today, where the body is concerned , is not so much health, which is a state of organic equilibrium, but fitness, which is an ephemeral , hygienic , promotional radiance of the body - much more a performance than an ideal state � which turns sickness into failure. In terms of fashion and appearance , we no longer pursue beauty or seductiveness, but the 'look' .
Everyone is after their 'look'. Since you can no longer set any store by your own existence (we no longer look at each other - and seduction is at an end!), all that remains is to perform an appearing act, without bothering to be, or even to be seen.
It is not: 'I exist, I'm here' , but 'I'm visible, I'm image � look , look!' This is not even narcissism. It's a depthless extraversion, a kind of promotional ingenuousness in which everyone becomes the impresario of his/her own appearance.
The 'look ' is a kind of minimal, low-definition image, like the video image or, as McLuhan would say, a tactile image , which provokes neither attention nor admiration, as fashion still does, but is a pure special effect without any particular meaning . The look is not exactly fashion any more; it is a form of fashion which has passed beyond. It no longer subscribes to a logic of distinction and it is no longer a play of difference; it plays at difference without believing in it. It is indifference. Being oneself becomes an ephemeral performance , with no lasting effects, a disenchanted mannerism in a world without manners.”
― Screened Out
“Dissimulation is a very feminine art.
A woman who never dissembles
must be trying to look something else.”
―
A woman who never dissembles
must be trying to look something else.”
―

“That, my friend, I do not tell.'
'Nonsense. Why not?'
Poirot's eyes twinkled. 'Because, mon cher, you are the same old Hastings. You have still the speaking countenance. I do not wish, you see, that you should sit staring at X with your mouth hanging open, your face saying plainly: "This -- this that I am looking at -- is a murderer." '
'You might give me credit for a little dissimulation at need.'
'When you try to dissimulate, it is worse. No, no, mon ami, we must be very incognito you and I. Then, when we pounce, we pounce.' -”
― Curtain
'Nonsense. Why not?'
Poirot's eyes twinkled. 'Because, mon cher, you are the same old Hastings. You have still the speaking countenance. I do not wish, you see, that you should sit staring at X with your mouth hanging open, your face saying plainly: "This -- this that I am looking at -- is a murderer." '
'You might give me credit for a little dissimulation at need.'
'When you try to dissimulate, it is worse. No, no, mon ami, we must be very incognito you and I. Then, when we pounce, we pounce.' -”
― Curtain
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