Å·±¦ÓéÀÖ

“Ronan hadn't known anything about who Adam was then and, if possible, he'd known even less about who he himself was, but as they drove away from the boy with the bicycle, this was how it had begun: Ronan leaning back against his seat and closing his eyes and sending up a simple, inexplicable, desperate prayer to God: Please.”
― Maggie Stiefvater, Call Down the Hawk

“I want it too much," Adam said. That sentence, Ronan thought, was enough to undo all bad feeling he might have had meeting Adam's Harvard friends, all bad feeling about looking like a loser, all bad feeling about feeling stuck, all bad feeling, ever. Adam Parrish wanted him, and he wanted Adam Parrish.”
― Maggie Stiefvater, Call Down the Hawk

“The opposite of magical is not ordinary. The opposite of magical is mankind. The world is a neon sign; it says HUMANITY but everything is burnt out except MAN.”
― Maggie Stiefvater, Call Down the Hawk

“Tamquam,â€� said Adam.
'Wait,� said Ronan.
'Tamquam,� he said again, gently.
'Alter idem,â€� Ronan said, and found himself alone.”
― Maggie Stiefvater, Call Down the Hawk

“Everyone thinks their world is the only one. A flea believes a dog is the world. A dog believes the kennel is the world. The huntsman thinks his country is the world. The king believes the globe is the world. The farther out you get, the wider you get, the higher you get, the more you see you have misunderstood the bounds of what is possible. Of what is right and wrong. Of what you can truly do. Perspective, Ronan Lynch.”
― Maggie Stiefvater, Call Down the Hawk

“You want me to trust you? Save her. Really save her. It’s going to mean telling her what you are. It will cost you emotionally."
"Did it cost you to save me?"
There was a long silence. The mist shimmered darkly in the trees. The rain sighed.
Bryde said finally, "You are the most expensive thing I have ever saved.”
― Maggie Stiefvater, Call Down the Hawk

“A man in Florence once had a heart attack when he saw the Birth of Venus, if you can believe it,â€� said a voice beside him. “Palpitations are more common, though. That’s what Stendhal had. Couldn’t walk, he reported, after seeing a particularly moving work of art. And Jung! Jung decided it was too dangerous to visit Pompeii in his old age because the feeling—the feeling of all that art and history round him, it might kill him. Jerusalemâ€� Tourists in Jerusalem sometimes wrap themselves in hotel bedsheets. To become works of art themselves, you know? Part of history. A collective unconscious toga party. One lady in the holy city decided she was giving birth to God’s son. She wasn’t even pregnant, before you ask. Funny what art will do to you. Stendhal Syndrome, they call it, after our lad with the palpitations, though I prefer its more modern name: Declan Lynch.”
― Maggie Stiefvater, Mister Impossible