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“THe church is full of flowers-yellow roses, lilies, blue hydrangeas spilling forth-and it is on these that Charlie trains his gaze and looks for his mother, who is nowhere to be found. Not even her ashes are in the church, and no coffin, but this is less hard to comprehend than the fact that she is not herself there, a thin old bird, an egret maybe, standing on one leg, head bobbing, long neck swiveling. Contradicting, adding and subtracting. poking fun. Peering out.”
― Elizabeth Graver, The End of the Point

“Everything in Louisiana is flat, so I found myself lost in the expanse of crawfish fields, telephone lines, rice silos, and lonesome rural homes, and my ability to judge distance became compromised. Nevertheless, it seemed a long, bouncy ride on dirt roads before we arrived at Ardoin (pronounced “ard-wahnâ€�) Cove Cemetery, the rumbling truck engine often stirring pink-tinged Egrets from the roadside slews.”
― Mike Correll, Abandoned Sulphur, Louisiana

“Just as I'm about to step into the canoe, an egret flies low over the glassy water. The bird is white all over with delicate wisps at the head and tail. We both stop to look. The egret tucks her long neck close to her body, and her wings nearly touch the shining surface. It's a mirror---egret above, egret below. She's followed by a series of dark circles, the air from each wingbeat lifting the water.
"What's that one called?" Adlai asks, though he surely must know.
"Snowy," I say. "Snowy egret.”
― Virginia Hartman, The Marsh Queen