欧宝娱乐

“It was a tribute to Raphael that lesser artists wanted to copy his work, but this鈥� this was a travesty. The fresco consisted of Galatea鈥檚 apotheosis, wherein she is surrounded by mythical creatures. A beautiful scene, with all the potential in the world, but very poorly executed here. Galatea herself looked vapid and empty. The rest of the painting indicated pure ignorance on the part of the painter. I shook my head in confusion. The giant Polyphemus was depicted with two normal eyes, when clearly he ought to have but one. Triton, for his horn, was using not a shell but an actual trumpet of brass. I nearly laughed aloud at that observation; would not such an instrument be completely destroyed by seawater? Who the devil had painted this monstrosity?”
― Kelsey Brickl, Paint

“The fresco on one large wall was indeed the marvel Julian had promised. It was a Pre-Raphaelite portrayal of the Children of Lir, those four siblings cursed to remain swans for nine hundred years. Despite a ragged crack that was making its way down the plaster, the fresco was as pulsing with life as though one was actually looking out on a placid freshwater lake.
When Marjan turned away from the painted wall, she saw its real-life inspiration outside the window. There, through floor-length panes, stood a pond complete with a flock of those gracious birds, the white-necked swans.”
― Marsha Mehran, Rosewater and Soda Bread