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“So Penn just reads, and he just reads for a good long time. By the time he has come to the point of the French child, Adèle, and Rochester disclaiming parentage of her because, after all, she is not a werewolf, and if she were his child then she would most assuredly be wolf-born â€� well, he has almost forgotten that he has an audience.

He remembers, though, when Hotstaat interrupts the flow of his narration, turning his head and speaking to Penn abruptly. "Annoying child, simpering miss, isn't she?" he says to Penn. "One can hardly blame Rochester for wishing to disown her. Do you remember, Penn, when we were that age? I am sure we were never half such little moaners and complainers. You might have whined a little for attention when you were in a snit: but you did not continue excessively, and when you were comforted you paid heed and quieted yourself.”
― Alex Ankarr, Wolf Slave

“Ree is his. Is his, is devoted to him, is aggravatingly tender and possessively passionate and wrapped up in him in a thousand ways, loves him in a way that is very useful. It seems a law of nature, at this point. Even if the events of this startling evening have served to give him pause, a little. But Ree is still his. He's fairly sure. Such complex knots can't be untied so quickly, can they?

Still, it's not the only thing disturbing him, about the Dam's account of early events. She laughs when she sees his face, his sidewise look at her description, and there's definitely a mean note to it. “Oh, it was darling,� she says, and he gets the feeling of a caged animal stuck behind bars, while a cruel child pokes at it. “You were enchanted by his wolf, would follow it anywhere, welcome or not, though mostly he tolerated it. But you couldn't manage his name � and a nickname hadn't stuck at that point � so instead you imitated the sound he made. Rather insultingly, too, if not intentionally � Ruff. Or Woof, or whatever it was that you intended to say, except that it actually came out as Wuff. Or Wuffy, depending, and at varying pitches and volume as you ran after him, falling down and rolling about half the time.�

Penn is transfixed. It's outrageous, it's an outrage. It can't possibly be true. It was nothing like that.”
― Alex Ankarr, Wolf Runaway

“He's still a man, a grown man too, and he thinks better of himself than to seek a coddling sympathy from the one who's hurt him. You can't be the rapist and the prince both, he thinks meanly, and pretty damn unfairly: since Ree has not in fact laid violent or forcing hand upon him.”
― Alex Ankarr, Wolf Runaway

“He quite certainly shouldn't care: and still he feels a hot sick bubbling in his gut, as if he'd drunk turned milk, or been on a drunken spree. Or been spurned in love, since damn fools seem to take that uncommonly serious, and stick knives in their guts over it all the time, in poems and plays. Romeo and Juliet, being one example, that he's read half a dozen times but never thought to see played out on the stage.

Except that Ree took it into his head not a month ago, to take him to the theatre at Stratford to see it. The play's practically seditious when you think about it: Shakespeare's tale of forbidden love between a free-born human lad, and the high-born wolf-girl from the family that had owned then freed his father. At least old Will didn't go so far as to make the boy a slave, else he'd probably have found himself clapped in irons for thanks for his labour. Though of course as a wolf himself, for all his relatively low-status till he won fame from his quill, he'd less to fear than a human would have had. And even a wolf audience can sigh and dab their eyes over a tragic romance, between the two classes of men. As long as the powerless class gets no ideas of acting on that offensive gush of sentimentality.”
― Alex Ankarr, Wolf Runaway

“You can't be the rapist and the prince both, he thinks.”
― Alex Ankarr, Wolf Runaway