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“I tell you to think black thoughts and you come up with that?!" the lieutenant had screamed. "Is a guinea pig bad? Do you consider a guinea pig the representation of all that is evil?"

Maybe... if it's an evil guinea pig.”
― Frank Beddor, The Looking Glass Wars

“I gasped. "Wait a minute! Am I a guinea pig? I'm a guinea pig!"
"No, it's not like that," she said.
I stared at her.
She stared at me.
I stared at her.
"Okay, it's exactly like that," she said.”
― Andy Weir, Project Hail Mary

“In elke relatie komt een moment waarop je de ander ziet in tl-licht, bedacht Cavia.”
― Paulien Cornelisse, De verwarde cavia

“What they did not know was that the serum had not yet passed the required approvals and trials. It had not even been properly tested. They would be the test subjects, the guinea pigs. Now, they were paying the price for their foolishness.”
― Jason Medina, The Manhattanville Incident: An Undead Novel

“Truth be told, the reality show itself quickly degenerated into a televisual soap opera that was not that different than old variety shows made for large audiences. And its audience was amplified at the usual rate of competing media, which leads to the self- propagation of the show via a prophetic method: self-fulfilling prophecy. In the end, the ratings for the show play part of the spiral and return cycle of the advertising flame. But all of this is of little interest. It is only the original idea which has any value: submitting a group to a sensory deprivation experiment ( Which in other times was a form of calculated torture. But are we not in the middle of exploring all the historical forms of torture, served in homeopathic doses, under the guise of mass culture or avant-garde art? This is precisely one of the principle themes of contemporary art.), in order to record the behavior of human molecules within a vacuum - and no doubt with the design of watching them tear each other apart in the artificial promiscuity. We have not yet reached this point, but this existential micro-situation functions as a universal metaphor for the modern being, holed up in his personal loft, which is no longer his physical or mental universe. It is his digital and tactile universe, of Turing’s “spectral bodyâ€�, of the digital man, captured within the labyrinth of the networks, of man turned into his own (white) mouse.”
― Jean Baudrillard, Telemorphosis

“The Polite Wassermann. Margaret Trabert lay on the blood-shot candlewick of the bedspread, unsure whether to dress now that Trabert had taken the torn flying jacket from his wardrobe. All day he had been listening to the news bulletins on the pirate stations, his eyes hidden behind the dark glasses as if deliberately concealing himself from the white walls of the apartment and its unsettled dimensions. He stood by the window with his back to her, playing with the photographs of the isolation volunteers. He looked down at her naked body, with its unique geometry of touch and feeling, as exposed now as the faces of the test subjects, codes of insoluble nightmares. The sense of her body’s failure, like the incinerated musculatures of the three astronauts whose after-deaths were now being transmitted from Cape Kennedy, had dominated their last week together. He pointed to the pallid face of a young man whose photograph he had pinned above the bed like the icon of some algebraic magus. ‘Kline, Coma, Xero - there was a fourth pilot on board the capsule. You’ve caught him in your womb.”
― J.G. Ballard, The Atrocity Exhibition

“I've never thought that a guinea pig might need rescuing before, but I suppose they do. We all need it once in a while, and I don't see why guinea pigs would be any different.”
― Richard Osman