欧宝娱乐

“At that moment, he realised that he did not exist to her in the same way that he existed in his own perception. She held a copied version, an interpretation of him, filtered through the matrix of her priorities and desires.

Therefore, surely, he only held a copy of her.”
― K.J. Bishop, The Etched City

“Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one鈥檚 spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today鈥檚 poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.”
― K.J. Bishop, The Etched City

“I am always a different man; a reinterpretation of the man I was yesterday, and the day before, and all the days I have lived. The past is gone, was always gone; it does not exist, except in memory, and what is memory but thought, a copy of perception, no less but no more replete with truth than any passing whim, fancy, or other agitation of the mind. And if it is actions, words, thoughts that define an individual, those definitions alter like the weather - if continuity and pattern are often discernible, so are chaos and sudden change.”
― K.J. Bishop, The Etched City

“When I came to this city, I would have agreed with anyone who said there was little mystery left in the world. But in you, madam, first in your image, then in your living self, I saw the allure of something far away and as secret as the stars. As I reached towards this unknown, I began to feel like a man who has ridden through a vast desert, never knowing anything but the sand around him and the dry road under him, then comes upon the mirage of a garden and a city, and finds that the mirage is real, and that it is bigger than the desert; that the desert was, after all his walking, only a small part of the mirage鈥�

鈥淭hen you felt love, which is the state of feeling desire and the fulfillment of desire at the same time,鈥� she said.”
― K.J. Bishop, The Etched City

“He had acquired a reputation for possessing a noble character, and even for being something of a hero - or, at least, in the assessment of one contemporary commentator, one of those parties who are able to fulfil the public need in the event of genuine heroes being absent or, for any reason, unpalatable.”
― K.J. Bishop, The Etched City