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“TINA: I’ll have to go to the Ministry with what I’ve got.
(a wobble in her voice) It was nice to see you again, Mr. Scamander.
She strides from the room, leaving NEWT perplexed and upset.

INT. FLAMEL HOUSE, HALLWAY—AFTERNOON
JACOB follows TINA into the hall.
JACOB: Hey, hold on one second, will you? Well, hold on! Wait! Tina!
She leaves. As the front door closes, NEWT appears at the drawing room door.
JACOB: (to NEWT)
You didn’t mention salamanders, did you?
NEWT: No, she just—ran. I don’t know . . .
JACOB (firm): So you chase after her!
NEWT grabs his case. He leaves.
�
EXT. RUE DE MONTMORENCY—END OF DAY
TINA is hurrying up the road. NEWT hastens to catch up.
NEWT: Tina. Please, just listen to me�
TINA: Mr. Scamander, I need to go talk to the Ministry—and I know how you feel about Aurors�
NEWT: I may have been a little strong in the way that I expressed myself in that letter�
TINA: What was the exact phrase? “A bunch of careerist hypocrites�?
NEWT: I’m sorry, but I can’t admire people whose answer to everything that they fear or misunderstand is “kill it�!
TINA: I’m an Auror and I don’t�
NEWT: Yes, and that’s because you’ve gone middle head!
TINA (stopping): Excuse me?
NEWT: It’s an expression derived from the three heads of the Runespoor. The middle one is the visionary. Every Auror in Europe wants Credence dead—except you. You’ve gone middle head.
A beat.
TINA: Who else uses that expression, Mr. Scamander?
NEWT considers.
NEWT: I think it might just be me.”
― J.K. Rowling, Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay

“INT. PARISIAN CAFÉ—EVENING
KAMA leaves the café. The feather points at him. NEWT lets it out and it flies to KAMA’S hat.
JACOB: Is that the guy we’re looking for?
NEWT: Yes.
NEWT and JACOB jump up to confront him.
NEWT (to KAMA): Er—bonjour. Bonjour, monsieur.
KAMA makes to carry on walking, ignoring NEWT.
NEWT: Oh wait, no, sorry. We were . . . we were actually just wondering if you’d come across a friend of ours?
JACOB:Tina Goldstein.
KAMA: Monsieur, Paris is a large city.
NEWT: She’s an Auror. When Aurors go missing, the Ministry tend to come looking, so . . . No, now I suppose it would probably be better if we just report her absence�
KAMA (deciding): She is tall? Dark? Rather�
JACOB: —intense?
NEWT: —beautiful�
JACOB (hasty, off NEWT’S look): —Yeah, what I meant to say—she’s very—very pretty�
NEWT: She’s intense too.”
― J.K. Rowling, Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay

“INT. KAMA’S HIDEOUT—EVENING
The interior of KAMA’S hideout is pitch black. The sound of water dripping. A brief shaft of sunlight reveals TINA, sleeping lightly on the floor in her coat.
NEWT: Tina?
She wakes. A moment as NEWT and TINA stare at each other. Each has thought of the other daily for a year. With no sign of KAMA, it seems she has been rescued.
TINA (joyful, disbelieving): Newt!
TINA notices KAMA entering in the background and raising his wand. Her expression changes.
KAMA: Expelliarmus!
NEWT’S wand flies out of his hand into KAMA’S. Bars form across the door, imprisoning them.
KAMA (through the door): My apologies, Mr. Scamander! I shall return and release you when Credence is dead!
TINA: Kama, wait!
KAMA: You see, either he dies . . . or I do.
He claps a hand to his eye.
KAMA: No, no, no, no. Oh no. No, no, no.
He jerks convulsively and slides to the floor, unconscious.
NEWT: Well, that’s not the best start to a rescue attempt.
TINA: This was a rescue attempt? You’ve just lost me my only lead.
JACOB launches for the door, trying to break it down.
NEWT (innocent): Well, how was the interrogation going before we turned up?
TINA throws him a dark look. She strides to the back of the cave.
Pickett, who, unnoticed, has hopped out of NEWT’S pocket, successfully picks the lock, and the bars swing open.
JACOB: Newt!
NEWT: Well done, Pick.
(to TINA) You need this man, you say?
TINA: Yeah. I think this man knows where Credence is, Mr. Scamander.
As they bend over the unconscious KAMA, they hear an earth-shattering roar from somewhere above them. They look at each other.
NEWT: Well, that’ll be the Zouwu.
NEWT grabs his wand and Disapparates.”
― J.K. Rowling, Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay

“NEWT (serious): Jacob?
JACOB: Yeah?
NEWT: In my case, in the pocket there, you’ll find a pair of tweezers.
JACOB: Tweezers?
NEWT: They’re thin and pointy�
TINA: Thin, little pointy things.
JACOB: Yes, I know what tweezers are.”
― J.K. Rowling, Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay

“INT. NEWT’S SITTING ROOM—FIVE MINUTES LATER—NIGHT
The threesome sit at a table bearing NEWT’S mismatched crockery, the atmosphere tainted by TINA’S absence. QUEENIE’S case lies open on the sofa.
QUEENIE: Tina and I aren’t talking.
NEWT: Why?
JACOB’S POV—pink and hazy, as though happily drunk.
QUEENIE: Oh well, you know, she found out about Jacob and I seeing each other and she didn’t like it, ’cause of the “law.� (miming quotation marks) Not allowed to date No-Majs, not allowed to marry them. Blah, blah, blah. Well, she was all in a tizzy anyway, ’cause of you.
NEWT: Me?
QUEENIE: Yeah, you, Newt. It was in Spellbound. Here—I brought it for you�
She points her wand at her suitcase. A celebrity magazine zooms to her: Spellbound: Celebrity Secrets and Spell Tips of the Stars! On the cover, an idealized NEWT and an improbably beaming Niffler. BEAST TAMER NEWT TO WED!
QUEENIE opens the magazine. THESEUS, LETA, NEWT, and BUNTY stand side by side at his book launch.
QUEENIE (showing him):
“Newt Scamander with fiancée, Leta Lestrange; brother, Theseus; and unknown woman.�
NEWT: No. Theseus is marrying Leta, not me.
QUEENIE: Oh! Oh dear . . . well, see, Teen read that, and she started dating someone else. He’s an Auror. His name’s Achilles Tolliver.”
― J.K. Rowling, Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay