Le Chat Noir Quotes
Quotes tagged as "le-chat-noir"
Showing 1-1 of 1

“Rodolphe Salis was a tall, red-headed bohemian with a coppery beard and boundless charisma. He had tried and failed to make a success of several different careers, including painting decorations for a building in Calcutta. But by 1881 he was listless and creatively frustrated, uncertain where his niche might lie. More pressingly, he was desperate to secure a steady income. But then he had the ingenious idea to turn the studio which he rented, a disused post office on the resolutely working-class Boulevard de Rochechouart, into a cabaret with a quirky, artistic bent. He was not the first to attempt such a venture: La Grande Pinte on the Avenue Trudaine had been uniting artists and writers to discuss and give spontaneous performances for several years. But Salis was determined that his initiative would be different â€� and better. A fortuitous meeting ensured that it was.
Poet Émile Goudeau was the founder of the alternative literary group the Hydropathes (‘water-haters� � meaning that they preferred wine or beer). After meeting Goudeau in the Latin Quarter and attending a few of the group’s gatherings, Salis became convinced that a more deliberate form of entertainment than had been offered at La Grande Pinte would create a venue that was truly innovative � and profitable. The Hydropathe members needed a new meeting place, and so Salis persuaded Goudeau to rally his comrades and convince them to relocate from the Latin Quarter to his new cabaret artistique. They would be able to drink, smoke, talk and showcase their talents and their wit. Targeting an established group like the Hydropathes was a stroke of genius on Salis’s part. Baptising his cabaret Le Chat Noir after the eponymous feline of Edgar Allan Poe’s story, he made certain that his ready-made clientele were not disappointed.
Everything about the ambience and the decor reflected Salis’s unconventional, anti-establishment approach, an ethos which the Hydropathes shared. A seemingly elongated room with low ceilings was divided in two by a curtain. The front section was larger and housed a bar for standard customers. But the back part of the room (referred to as ‘L’Institutâ€�) was reserved exclusively for artists. Fiercely proud of his locality, Salis was adamant that he could make Montmartre glorious. ‘What is Montmartre?â€� Salis famously asked. ‘Nothing. What should it be? Everything!â€� Accordingly, Salis invited artists from the area to decorate the venue. Adolphe Léon Willette painted stained-glass panels for the windows, while Théophile-Alexandre Steinlen created posters. And all around, a disorientating mishmash of antiques and bric-a-brac gave the place a higgledy-piggledy feel. There was Louis XIII furniture, tapestries and armour alongside rusty swords; there were stagsâ€� heads and wooden statues nestled beside coats of arms. It was weird, it was wonderful and it was utterly bizarre â€� the customers loved it.”
― Renoir's Dancer: The Secret Life of Suzanne Valadon
Poet Émile Goudeau was the founder of the alternative literary group the Hydropathes (‘water-haters� � meaning that they preferred wine or beer). After meeting Goudeau in the Latin Quarter and attending a few of the group’s gatherings, Salis became convinced that a more deliberate form of entertainment than had been offered at La Grande Pinte would create a venue that was truly innovative � and profitable. The Hydropathe members needed a new meeting place, and so Salis persuaded Goudeau to rally his comrades and convince them to relocate from the Latin Quarter to his new cabaret artistique. They would be able to drink, smoke, talk and showcase their talents and their wit. Targeting an established group like the Hydropathes was a stroke of genius on Salis’s part. Baptising his cabaret Le Chat Noir after the eponymous feline of Edgar Allan Poe’s story, he made certain that his ready-made clientele were not disappointed.
Everything about the ambience and the decor reflected Salis’s unconventional, anti-establishment approach, an ethos which the Hydropathes shared. A seemingly elongated room with low ceilings was divided in two by a curtain. The front section was larger and housed a bar for standard customers. But the back part of the room (referred to as ‘L’Institutâ€�) was reserved exclusively for artists. Fiercely proud of his locality, Salis was adamant that he could make Montmartre glorious. ‘What is Montmartre?â€� Salis famously asked. ‘Nothing. What should it be? Everything!â€� Accordingly, Salis invited artists from the area to decorate the venue. Adolphe Léon Willette painted stained-glass panels for the windows, while Théophile-Alexandre Steinlen created posters. And all around, a disorientating mishmash of antiques and bric-a-brac gave the place a higgledy-piggledy feel. There was Louis XIII furniture, tapestries and armour alongside rusty swords; there were stagsâ€� heads and wooden statues nestled beside coats of arms. It was weird, it was wonderful and it was utterly bizarre â€� the customers loved it.”
― Renoir's Dancer: The Secret Life of Suzanne Valadon
All Quotes
|
My Quotes
|
Add A Quote
Browse By Tag
- Love Quotes 99.5k
- Life Quotes 78k
- Inspirational Quotes 74.5k
- Humor Quotes 44.5k
- Philosophy Quotes 30.5k
- Inspirational Quotes Quotes 27.5k
- God Quotes 26.5k
- Truth Quotes 24k
- Wisdom Quotes 24k
- Romance Quotes 23.5k
- Poetry Quotes 22.5k
- Life Lessons Quotes 20.5k
- Death Quotes 20.5k
- Happiness Quotes 19k
- Quotes Quotes 18.5k
- Hope Quotes 18k
- Faith Quotes 18k
- Inspiration Quotes 17k
- Spirituality Quotes 15.5k
- Religion Quotes 15k
- Motivational Quotes 15k
- Writing Quotes 15k
- Relationships Quotes 15k
- Life Quotes Quotes 14.5k
- Love Quotes Quotes 14.5k
- Success Quotes 13.5k
- Time Quotes 12.5k
- Motivation Quotes 12.5k
- Science Quotes 12k
- Motivational Quotes Quotes 11.5k