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“You hold no horrors for me”
― Maria Dahvana Headley, Magonia

“I can't imagine a universe in which I try to unlove her.”
― Maria Dahvana Headley, Magonia

“I know everyone has dreams of flying, but this isn’t a dream of flying. It’s a dream of floating, and the ocean is not water but wind.

I call it a dream, but it feels realer than my life.”
― Maria Dahvana Headley, Magonia

“Did he just say stormsharks? My inner nerd is elated. Can anything I will ever hear from now until the end of time sound cooler than stormsharks?”
― Maria Dahvana Headley, Magonia

“And there's the loudest sound I've ever heard and the brightest white I've ever seen, and I'm made of it, I'm-
I'm made of light
I'm made of heat
And I'm flying”
― Maria Dahvana Headley, Magonia

“The sound coming out of me is nothing like a cough, nothing even in the same category of a song, but some kind of bird of prey roar, shredding my throat, pulsating my fingers, and Milekt beneath it, singing inside my voice, amplifying me, and making me stronger.”
― Maria Dahvana Headley, Magonia

“Nothing like trouble to make a day pass faster.”
― Maria Dahvana Headley, Magonia

“I think of the note.

I want to say me too.

I want to say I know.

I want to say I can read the gaps in your sentences. I can read the space between your letters. I know your language. It’s my language too.

I want to say that.”
― Maria Dahvana Headley, Magonia

“Sa nu pierzi vremea cat esti in viata, sa-i saruti pe oamenii pe care trebuie sa-i saruti si sa-i iubesti pe oamenii pe care trebuie sa-i iubesti.”
― Maria Dahvana Headley, Magonia

“I have come to think of the UFO problem in terms of three distinct levels.

The first level is physical. We now know that the UFO behaves like a region of space, of small dimensions (about ten meters), within which a very large amount of energy is stored. This energy is manifested by pulsed light phenomena of intense colors and by other forms of electromagnetic radiation.

The second level is biological. Reports of UFOs show all kinds of psychophysiological effects on the witnesses. Exposure to the phenomenon causes visions, hallucinations, space and time disorientation, physiological reactions (including temporary blindness, paralysis, sleep cycle changes), and long-term personality changes.

The third level is social. Belief in the reality of UFOs is spreading rapidly at all levels of society throughout the world. Books on the subject continue to accumulate. Documentaries and major films are being made by men and women who grew up with flying-saucer stories. Expectations about life in the universe have been revolutionized. Many modern themes in our culture can be traced back to the "messages from space" coming from UFO contactees of the forties and fifties.

The experience of a close encounter with a UFO is a shattering physical and mental ordeal. The trauma has effects that go far beyond what the witnesses recall consciously. New types of behavior are conditioned, and new types of beliefs are promoted. Aside from any scientific consideration, the social, political, and religious consequences of the experience are enormous if they are considered over the timespan of a generation.

Faced with the new wave of experiences of UFO contact that are described in books like Communion and Intruders and in movies like Close Encounters of the Third Kind, our religions seem obsolete. Our idea of the church as a social entity working within rational structures is obviously challenged by the claim of a direct communication in modern times with visible beings who seem endowed with supernatural powers.

This idea can shake our society to the very roots of its culture. Witnesses are no longer afraid to come forward with personal stories of abductions, of spiritual exchanges with aliens, even of sexual interaction with them. Such reports are folklore in the making. I have discovered that they form a striking parallel to the tales of meetings with elves and jinn of medieval times, with the denizens of "Magonia," the land beyond the clouds of ancient chronicles. But they are something else, too: a portent of important things to come.”
― Jacques F. Vallée, Dimensions: A Casebook of Alien Contact

“Am iesit odata afara, sa ma uit la cer - care acum e intunecat, cu o aschie subtire de luna - si nu e nimic cat de cat nerezonabil la el. Este doar el, cerul , si iata, Steaua Nordului.
Imi place cerul . Este rational, asa cum viata mea nu e. Nu e naspa sa te uiti la el, cum ai putea sa crezi , [ ... ] . Nu ma gandesc la cer ca la o chestie care are legatura cu vreun rai. Ma gandesc la el ca la o gramada de gaze si ecouri indepartate ale unor chestii care au ars la un moment dat.”
― Maria Dahvana Headley, Magonia

“Stelele sunt asezate astfel incat sa formeze litere. Alfabete celeste. Scrieri care se schimba pe masura ce se mischa pamantul. Daca te uiti asa la cer, ai senzatia ca e un imens poem schimbator , sau poate o schrisoare , care initial a avut un autor, apoi, dupa ce pamantul s-a mischat, un alt autor a completat-o . Asa ca stau si ma uit la cer, pana cand , intr-o zi , voi putea s-o citesc.”
― Maria Dahvana Headley, Magonia

“Stiu ca oamenii mor. Stiu ca atunci cand oamenii mor, cei care raman in urma lor intotdeauna se gandesc ca s-a intamplat ceva nebunesc, fiindca moartea prin natura ei, pare o nebunie . Asta se datoreaza in parte modului in cae omaniii au privit mereu moartea, de parca e ceva oarecum special, de parca fiecare persoana care moare e un erou . Vream sa murim spectaculos, nu doar sa '' pierim '' .”
― Maria Dahvana Headley, Magonia