Maternal Quotes
Quotes tagged as "maternal"
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“It's come at last," she thought, "the time when you can no longer stand between your children and heartache. When there wasn't enough food in the house you pretended that you weren't hungry so they could have more. In the cold of a winter's night you got up and put your blanket on their bed so they wouldn't be cold. You'd kill anyone who tried to harm them - I tried my best to kill that man in the hallway. Then one sunny day, they walk out in all innocence and they walk right into the grief that you'd give your life to spare them from.”
― A Tree Grows in Brooklyn
― A Tree Grows in Brooklyn

“I am of old and young, of the foolish as much as the wise,
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a man,
Stuffed with the stuff that is course, and stuffed with the stuff that is fine, one of the nation, of many nations, the smallest the same and the the largest”
― Song of Myself
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a man,
Stuffed with the stuff that is course, and stuffed with the stuff that is fine, one of the nation, of many nations, the smallest the same and the the largest”
― Song of Myself

“No one wants to mother more vigilantly than a woman who is childless and wishes she wasn鈥檛.”
― The Year of Pleasures
― The Year of Pleasures

“I cannot imagine how much I must鈥檝e suffered in my previous lives to be fortunate enough to have parents like you in this life.”
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―

“So boasting of her capacity to surround and protect, there was scarcely a shell of herself left for her to know herself by; all was so lavished and spent; and James, as he stood stiff between her knees, felt her rise in a rosy-flowered fruit tree laid with leaves and dancing boughs into which the beak of brass, the arid scimitar of his father, the egotistical man, plunged and smote, demanding sympathy.”
― To the Lighthouse
― To the Lighthouse

“Courage and strength moves like the steadfast waves of the ocean. Ebbs and flows, highs and lows, loud and soft, firm and vulnerable, passing encouragement from one generation to the next.”
― Freedom and Feminism: Breaking The Rules. Telling The Truth To Freedom.
― Freedom and Feminism: Breaking The Rules. Telling The Truth To Freedom.

“I did not go easy to motherhood. I faced it as soldiers face their enemies, girded and braced, sword up against the coming blows. Yet all my preparations were not enough.”
― Circe
― Circe

“As significant as our biological mother is in her presence or absence, it is fascinating that women can tap in to the flow of maternal love through forming strong attachments to other women.”
― Mother in the Mother: Looking Back, Looking Forward - Women's Reflections on Maternal Lineage
― Mother in the Mother: Looking Back, Looking Forward - Women's Reflections on Maternal Lineage

“maternal love, the most successful object of the religious imagination of romantic art. For the most part real and human, it is yet entirely spiritual, without the interest and exigency of desire, not sensuous and yet present: absolutely satisfied and blissful spiritual depth. It is a love without craving, but it is not friendship; for be friendship never so rich in emotion, it yet demands a content, something essential, as a mutual end and aim. Whereas, without any reciprocity of aim and interests, maternal love has an immediate support in the natural bond of connection. But in this instance the mother鈥檚 love is not at all restricted to the natural side. In the child which she conceived and then bore in travail, Mary has the complete knowledge and feeling of herself; and the same child, blood of her blood, stands all the same high above her, and nevertheless this higher being belongs to her and is the object in which she forgets and maintains herself. The natural depth of feeling in the mother鈥檚 love is altogether spiritualized; it has the Divine as its proper content, but this spirituality remains lowly and unaware, marvellously penetrated by natural oneness and human feeling. It is the blissful maternal love, the love of the one mother alone who was the first recipient of this joy. Of course this love too is not without grief, but the grief is only the sorrow of loss, lamentation for her suffering, dying, and dead son, and does not, as we shall see at a later stage,[9] result from injustice and torment from without, or from the infinite battle against sins, or from the agony and pain brought about by the self. Such deep feeling is here spiritual beauty, the Ideal, human identification of man with God, with the spirit and with truth: a pure forgetfulness and complete self-surrender which still in this forgetfulness is from the beginning one with that into which it is merged and now with blissful satisfaction has a sense of this oneness.
In such a beautiful way maternal love, the picture as it were of the Spirit, enters romantic art in place of the Spirit itself because only in the form of feeling is the Spirit made prehensible by art, and the feeling of the unity between the individual and God is present in the most original, real, and living way only in the Madonna鈥檚 maternal love. This love must enter art necessarily if, in the portrayal of this sphere, the Ideal, the affirmative satisfied reconciliation is not to be lacking. There was therefore a time when the maternal love of the blessed Virgin belonged in general to the highest and holiest [part of religion] and was worshipped and represented as this supreme fact. But when the Spirit brings itself into consciousness of itself in its own element, separated from the whole natural grounding which feeling supplies, then too it is only the spiritual mediation, free from such a grounding, that can be regarded as the free route to the truth; and so, after all, in Protestantism, in contrast to mariolatry in art and in faith, the Holy Spirit and the inner mediation of the Spirit has become the higher truth.”
―
In such a beautiful way maternal love, the picture as it were of the Spirit, enters romantic art in place of the Spirit itself because only in the form of feeling is the Spirit made prehensible by art, and the feeling of the unity between the individual and God is present in the most original, real, and living way only in the Madonna鈥檚 maternal love. This love must enter art necessarily if, in the portrayal of this sphere, the Ideal, the affirmative satisfied reconciliation is not to be lacking. There was therefore a time when the maternal love of the blessed Virgin belonged in general to the highest and holiest [part of religion] and was worshipped and represented as this supreme fact. But when the Spirit brings itself into consciousness of itself in its own element, separated from the whole natural grounding which feeling supplies, then too it is only the spiritual mediation, free from such a grounding, that can be regarded as the free route to the truth; and so, after all, in Protestantism, in contrast to mariolatry in art and in faith, the Holy Spirit and the inner mediation of the Spirit has become the higher truth.”
―
“The abject impulse is inalienably connected with the feminine, specifically the maternal. As it forms out of the undefined morass of relations, surfaces and currents that existed before the Oedipal or mirror-stage coordinated them, the subject seems built around a primal sense of loss. The developing sense of the limits of the body is focussed on those holes in it's surface through which the outside becomes inside and vice versa: the mouth, anus, genitals, even the invisibly porous surface of the skin. It was the mother's body that was most connected with these crossing-points, as it fed and cleaned the undefined infant body. The sense that boundaries and limits are forming around this permable flesh is interpreted then as the withdrawal or even loss, of intimacy with the body of the mother, firstly in the increasing distance of the practical hygiene operations it performs and secondly, more remotely, beyond that in it's archaic ur-form as the body through which the child entered into the world.”
―
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“Suddenly, it occurred to me that my feelings towards the little man were distinctly maternal. Good God, I thought, how utterly revolting, and I turned my mind firmly to the problem at hand.”
― A Letter of Mary
― A Letter of Mary

“Wolf, as he watched her, felt weak, despicable, faltering. He felt like a finical attendant watching the splendid fury of some Sophoclean heroine. He became aware that her anger leaped up from some incalculable crevasse in the rock crust of the universe, such as he himself had never approached. The nature of her feelings, its directness, its primordial simplicity, reduced his own emotion to something ridiculous. She towered above him there with that grand convulsed face and those expanded breasts; while her fine hands, clutching at her belt, seemed to display a wild desire to strip naked before him, to overwhelm him with the wrath of her naked maternal body, bare to the outrage of his impiety.”
― Wolf Solent
― Wolf Solent
“A man strikes his maternal brother.”
― Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms
― Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms

“The moment the spoon clinked the bottom of the bowl, she grabbed the bowl and filled it back up to the brim. 鈥淓at, eat!鈥�
He was feeling full to the brim himself, but he thought it likely that if he dared to stop before the bowl was empty again, she would seize the spoon and feed him like an infant. He made his way manfully through.”
― What Heals the Heart
He was feeling full to the brim himself, but he thought it likely that if he dared to stop before the bowl was empty again, she would seize the spoon and feed him like an infant. He made his way manfully through.”
― What Heals the Heart

“Femininity has been raped, beaten, and left for dead.”
― Reclaiming Femininity: Saving Women's Traditions & Our Future
― Reclaiming Femininity: Saving Women's Traditions & Our Future

“The poor mother! This is the reward you get for your love. Is that what you expected? Well, the fact of the matter is that mothers don't expect rewards. There's no rhyme or reason 鈥� they just love. Do you achieve greatness and fame, are you proud, is your name on everyone's lips, do your deeds resound around the world? Then your mother trembles with joy, she weeps, laughs and prays long and ardently. But you, the son, rarely think of sharing your success with the woman who bore you. Are you lacking in wit or spirit, has nature denied you beauty, are your heart and body dogged by ill health, do people shun you, and is there no place for you among them? Then so much the bigger is your place in a mother's heart, and so much more tightly does she enfold you in her arms, ill-favored, failed creature though you are, and so much the longer and more fervently does she pray for you.”
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