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“Just as he did during the Slavery at Monticello tour, David did not mince words. "There’s a chapter in Notes on the State of Virginia,â€� he said to the five of us, standing in front of the east wing of Jefferson’s manor, “that has some of the most racist things you might ever read, written by anyone, anywhere, anytime, in it. So sometimes I stop and ask myself, 'If Gettysburg had gone the wrong way, would people be quoting the Declaration of Independence or Notes on the State of Virginia?' It’s the same guy writing.”
― Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America

“In the portrait of Jefferson that hangs
at Monticello, he is rendered two-toned:
his forehead white with illumination--

a lit bulb--the rest of his face in shadow,
darkened as if the artist meant to contrast
his bright knowledge, its dark subtext.”
― Natasha Trethewey, Monument: Poems New and Selected

“David sees it as essential that a guide be able to find the balance between telling the truth and not pushing people so much that they shut down. He told me that when you challenge people, specifically white people's conception of Jefferson, you're in fact challenging their conception of themselves.

...David knows that some visitors to Monticello arrive with an understanding of history that is not only misguided but also harmful. He has a difficult time disentangling this from the current political moment. "That's not the story of who we are," he said, referencing the language of Make America Great Again, "but some people really, for whatever reason, they want to believe that and they want to go back there, right? They want to go back to something that never existed.”
― Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America

“Following the 2017 attack in Charlottesville and the rise in white-nationalist terrorism over the past few years, Niya sees her work not just as an extension of her personal and intellectual commitments but also as a political commitment. She thinks Monticello has an important role in helping people reckon with who they are in relation to this country's history. "I think people come to us because they're grappling with their own identity," she said. "And Monticello in particular is a place that is so intimately connected to who we are, or who we believe we are, as Americans with freedom and democracy. Yet it's also a place of bondage, and now people are really, really grappling with that question. I think it makes our work here that much more important, that we are able, maybe, to navigate people through the conversation.”
― Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America

“Nya nodded. "So many people come here without an understanding of the primary cause of the Civil War. Some people think Jefferson wrote the Constitution. I mean there are just so many ways that our public education is failing people by just not giving them the context to understand that Monticello is a plantation, and that slavery was a system that created the economic prosperity that enabled our country to exist. That is not something most people understand. I don't really blame them, because they're not taught to engage that history, and most people are not out here reading all these books that are piled on my desk.”
― Clint Smith, How the Word Is Passed: A Reckoning with the History of Slavery Across America