Neruda Quotes
Quotes tagged as "neruda"
Showing 1-22 of 22

“Maybe someone will know I didn't weave crowns to draw blood; that I faught against mockery;
that I did fill the high tide of my soul with truth.
I repaid vileness with doves.”
―
that I did fill the high tide of my soul with truth.
I repaid vileness with doves.”
―
“...Neruda was right about all mysterious women - The moon lives in the lining of their skin...”
― A Familiar Rain
― A Familiar Rain

“I learned about life
from life itself,
love I learned in a single kiss
and could teach no one anything
except that I have lived
with something in common among men,
when fighting with them,
when saying all their say in my song.
Pablo Neruda- "Ode to the Book,”
― Selected Poems
from life itself,
love I learned in a single kiss
and could teach no one anything
except that I have lived
with something in common among men,
when fighting with them,
when saying all their say in my song.
Pablo Neruda- "Ode to the Book,”
― Selected Poems

“Neruda had his first dream,
First meeting with the Moon and the Sun
In sunny La Mancha, hiding in his heart,
Where he learned how to sing like a nightingale.”
―
First meeting with the Moon and the Sun
In sunny La Mancha, hiding in his heart,
Where he learned how to sing like a nightingale.”
―

“Do tears not yet spilled
wait in small lakes?
Or are they invisible rivers
that run toward sadness?”
― The Book of Questions
wait in small lakes?
Or are they invisible rivers
that run toward sadness?”
― The Book of Questions

“And so this letter ends
with no sadness:
my feet are firm upon the earth,
my hand writes this letter on the road,
and in the midst of life I shall be
always
beside the friend, facing the enemy,
with your name on my mouth
and a kiss that never
broke away from yours.”
― The Captain's Verses
with no sadness:
my feet are firm upon the earth,
my hand writes this letter on the road,
and in the midst of life I shall be
always
beside the friend, facing the enemy,
with your name on my mouth
and a kiss that never
broke away from yours.”
― The Captain's Verses

“Pay to go inside Neruda's home
A body lies there with no dome.
But right there in the front hall
Lean a fairy against the icy wall.
Oh Endless enigmas had the bard!
Nice and large and calm backyard
Ends In the middle of a rare room
Rare portrait of revelishing gloom.
Up climbing at the weird snail stair
Does make you grasp for some air.
And there's a room with bric-a-brac:
Old and precious books all in a pack.
Dare saying what I liked most of all?
Enjoyed seeing visitors having a ball!”
― ACross Tic
A body lies there with no dome.
But right there in the front hall
Lean a fairy against the icy wall.
Oh Endless enigmas had the bard!
Nice and large and calm backyard
Ends In the middle of a rare room
Rare portrait of revelishing gloom.
Up climbing at the weird snail stair
Does make you grasp for some air.
And there's a room with bric-a-brac:
Old and precious books all in a pack.
Dare saying what I liked most of all?
Enjoyed seeing visitors having a ball!”
― ACross Tic

“Lo siento Neruda, pero no me gusta cuando él calla, cuando está como ausente, y mi voz no lo toca, y mi voz no lo alcanza. Su silencio es tan frío como el par de lágrimas que desesperadas, por mis mejillas resbalan.
Puedo escribir los versos más tristes esta noche, pero sería "en vano" porque mi amor no le agrada, porque su voz no me canta y su piel no me llama”
―
Puedo escribir los versos más tristes esta noche, pero sería "en vano" porque mi amor no le agrada, porque su voz no me canta y su piel no me llama”
―

“La 辫辞别蝉í补 ha perdido su vínculo con el lejano lector... Tiene que recobrarlo... Tiene que caminar en la oscuridad y encontrarse con el corazón del hombre, con los ojos de la mujer, con los desconocidos de las calles, de los que a cierta hora crepuscular, o en plena noche estrellada, necesitan aunque sea no más que un solo verso.... Esa visita a lo imprevisto vale todo lo andado, todo lo leído, todo lo aprendido... Hay que perderse entre los que no conocemos para que de pronto recojan lo nuestro de la calle, de la arena, de las hojas caídas mil a?os en el mismo bosque... y tomen tiernamente ese objeto que hicimos nosotros.... Sólo entonces seremos verdaderamente poetas... En ese objeto vivirá la 辫辞别蝉í补...”
―
―

“Someday Neruda and Octavio Paz will shake hands. Sooner or later Paz will make room on Olympus for Neruda. But we will always be on the outside.”
―
―

“Ma eccola qui, la tua forma familiare, quel che è mio,
il tuo, quel che è mio, quel che è tuo e mi inonda,
eccola qui, che mi riempie le membra di abbandono,
eccola qui, la tua tenerezza,
che si ormeggia alle stesse radici,
matura nella stessa carovana di frutti,
ed esce dalla tua anima rotta sotto le mie dita
come il succo del vino dal centro dell’uva.”
― Poesie erotiche
il tuo, quel che è mio, quel che è tuo e mi inonda,
eccola qui, che mi riempie le membra di abbandono,
eccola qui, la tua tenerezza,
che si ormeggia alle stesse radici,
matura nella stessa carovana di frutti,
ed esce dalla tua anima rotta sotto le mie dita
come il succo del vino dal centro dell’uva.”
― Poesie erotiche

“T’amo senza sapere come, né quando, né da dove,
t’amo direttamente senza problemi né orgoglio:
così ti amo perché non so amare altrimenti”
―
t’amo direttamente senza problemi né orgoglio:
così ti amo perché non so amare altrimenti”
―

“T’amo senza sapere come,
né quando, né da dove, t’amo direttamente senza problemi né orgoglio: così ti amo perché non so amare altrimenti”
― 100 Love Sonnets
né quando, né da dove, t’amo direttamente senza problemi né orgoglio: così ti amo perché non so amare altrimenti”
― 100 Love Sonnets

“Full woman, fleshly apple, hot moon,
thick smell of seaweed, crushed mud and light,
what obscure brilliance opens between your columns?
What ancient night does a man touch with his senses?
Loving is a journey with water and with stars,
with smothered air and abrupt storms of flour:
loving is a clash of lightening bolts
and two bodies defeated by a single drop of honey.
Kiss by kiss I move across your small infinity,
your borders, your rivers, your tiny villages,
and the genital fire transformed into delight
runs through the narrow pathways of the blood
until it plunges down, like a dark carnation,
until it is and is no more than a flash in the night.
( from “Love Sonnet XII”)”
― 100 Love Sonnets
thick smell of seaweed, crushed mud and light,
what obscure brilliance opens between your columns?
What ancient night does a man touch with his senses?
Loving is a journey with water and with stars,
with smothered air and abrupt storms of flour:
loving is a clash of lightening bolts
and two bodies defeated by a single drop of honey.
Kiss by kiss I move across your small infinity,
your borders, your rivers, your tiny villages,
and the genital fire transformed into delight
runs through the narrow pathways of the blood
until it plunges down, like a dark carnation,
until it is and is no more than a flash in the night.
( from “Love Sonnet XII”)”
― 100 Love Sonnets

“(..)no te vayas al cielo,
alcanza
las manzanas,
no las nubes,
é蝉补蝉
诲é箩补濒补蝉
ir por el cielo, irse
hacia el pasado.
罢ú
eres
tu presente,
tu manzana:
迟ó尘补濒补
de tu árbol,
濒别惫á苍迟补濒补
en tu
mano,
brilla
como una estrella,
迟ó肠补濒补,
híncale el diente y ándate
silbando en el camino.”
―
alcanza
las manzanas,
no las nubes,
é蝉补蝉
诲é箩补濒补蝉
ir por el cielo, irse
hacia el pasado.
罢ú
eres
tu presente,
tu manzana:
迟ó尘补濒补
de tu árbol,
濒别惫á苍迟补濒补
en tu
mano,
brilla
como una estrella,
迟ó肠补濒补,
híncale el diente y ándate
silbando en el camino.”
―

“Kafka, Tolstoy, Plath, Hemingway, Neruda, and Rilke are all masters of writing. They are history. Read the writings of the present generation poets & writers, before they become history!”
―
―

“Love is not about property, diamonds and gifts. It is about sharing your very self with the world around you.”
― 二〇の爱の诗と一つの絶望の歌
― 二〇の爱の诗と一つの絶望の歌
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