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“Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it.”
― Patrick Süskind, Perfume: The Story of a Murderer

“…in that moment, as he saw and smelled how irresistible its effect was and how with lightning speed it spread and made captives of the people all around him—in that moment his whole disgust for humankind rose up again within him and completely soured his triumph, so that he felt not only no joy, but not even the least bit of satisfaction. What he had always longed for—that other people should love him—became at the moment of his achievement unbearable, because he did not love them himself, he hated them. And suddenly he knew that he had never found gratification in love, but always only in hatred—in hating and in being hated.”
― Patrick Süskind, Perfume: The Story of a Murderer

“Perfume is like cocktails without the hangover, like chocolate without the calories, like an affair without tears, like a vacation from which you never have to come back.”
― Marian Bendeth

“The Louis XIII style in perfumery, composed of the elements dear to that period - orris-powder, musk, civet and myrtle-water, already known by the name of angel-water - was scarcely adequate to express the cavalierish graces, the rather crude colours of the time which certain sonnets by Saint-Amand have preserved for us. Later on, with the aid of myrrh and frankincense, the potent and austere scents of religion, it became almost possible to render the stately pomp of the age of Louis XIV, the pleonastic artifices of classical oratory, the ample, sustained, wordy style of Bossuet and the other masters of the pulpit. Later still, the blase, sophisticated graces of French society under Louis XV found their interpreters more easily in frangipane and marechale, which offered in a way the very synthesis of the period. And then, after the indifference and incuriosity of the First Empire, which used eau-de-Cologne and rosemary to excess, perfumery followed Victor Hugo and Gautier and went for inspiration to the lands of the sun; it composed its own Oriental verses, its own highly spiced salaams, discovered intonations and audacious antitheses, sorted out and revived forgotten nuances which it complicated, subtilized and paired off, and in short resolutely repudiated the voluntary decrepitude to which it had been reduced by its Malesherbes, its Boileaus, its Andrieux, its Baour-Lormians, the vulgar distillers of its poems.”
― Joris-Karl Huysmans, Against Nature

“Fragrance should never be worn like a thick scented choker, where the scent emanates from the neck in strong blasts like a foghorn! Rather, it should sparkle like twinkling stars, where small bursts disperse here and there, they elude us, pique our curiosity and make us want more.”
― Marian Bendeth

“I prefer perfumery, it’s the language of love.”
― Jan Moran, Scent of Triumph

“French women choose a scent when they’re girls and use it until they’re grandmothers. It becomes their trademark.
'Ah,' he murmurs in the dark theater, 'Giselle is here tonight!'
But I think that a woman usually outgrows a fragrance every decade or so.”
― Joan Crawford, My Way of Life

“The cent you desire is hidden in the scent of a flower.”
― Michael Bassey Johnson, Song of a Nature Lover

“There is no reason for verbosity in the olfactory world. Less is more.”
― Adria J. Cimino, A Perfumer's Secret

“Labeled apothecary bottles filled with raw material oils lined the risers: flowers, resins, leaves, woods, mosses, spices, herbs, seeds, grains, roots, bark, and fruit. From the animal kingdom came fixatives: civet, musk, and ambergris. The absolutes, the resinoids, the essential oils.”
― Jan Moran, Scent of Triumph

“While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation.
Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed.
Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..."
"You mean amber perfume?" Daisy asked.
"No- their skin itself. Amber, and sometimes honey..."
"What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash."
The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..."
"Others have a scent like plum, or palm sap, or fresh hay," Nettle commented.
Lillian glanced at him with a satisfied smile. "Yes, exactly!"
Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.”
― Lisa Kleypas, It Happened One Autumn

“A great perfumer can take the visual perfection of living flowers and materials and elongate and morph it's lifespann into olfactory bliss.”
― Marian Bendeth Global Fragrance Expert, Sixth Scents

“A great perfumer can take the visual perfection of living flowers and materials and elongate and morph it's lifespan into olfactory bliss.”
― Marian Bendeth Global Fragrance Expert, Sixth Scents