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“Besides the tablecloths, the decor is all old photographs and postcards that they scrounged up from wherever, because you know how white people love their history right up until it's true.”
― Danielle Evans, The Office of Historical Corrections

“In those years before mobile phones, email and Skype, travelers depended on the rudimentary communications system known as the postcard. Other methods--the long-distance phone call, the telegram--were marked "For Emergency Use Only." So my parents waved me off into the unknown, and their news bulletins about me would have been restricted to "Yes, he's arrived safely,"and "Last time we heard he was in Oregon," and "We expect him back in a few weeks." I'm not saying this was necessarily better, let alone more character-forming; just that in my case it probably helped not to have my parents a button's touch away, spilling out anxieties and long-range weather forecasts, warning me against floods, epidemics and psychos who preyed on backpackers.”
― Julian Barnes, The Sense of an Ending

“A postcard and I'm pining for New England. . .”
― Amy Ballard, Landlocked

“I've always found old bookstores exciting. Whenever I'm in a city that's new to me, I immedicately look through the telephone directory for BOOKS, USED AND RARE. Book dealers send me their catalogs, and I read them as carefully as I would a letter from an old friend, never knowing what treasure I might find. Sometimes the catalogs contain printed material other than books, such as old photographs, newspapers, pamphlets, postcards, and letters.”
― Walter Dean Myers, At Her Majesty's Request: An African Princess in Victorian England

“The only things in the room that she felt any connection to were half a dozen flower postcards pinned to the wall above her desk.
The red and white tulip by Judith Leyster. The vase of white lilac by Manet. The bowl of blowsy roses by Henri Fantin-Latour. The vase of tumbling blooms by Brueghel- lilies and tulips, fritillaries and daffodils, carnations and snowdrops, cornflowers and peonies and anemones. Those flowers had all died four hundred years ago, but that first week back at work, they planted a seed in Lara's heart.”
― Ella Griffin, The Flower Arrangement

“No one gets fridge magnets for the travel this summer,
because this season we have gone too far.
And for all the trips you make inwards,
there are no souvenirs and no postcards.”
― Jasleen Kaur Gumber, Ginger and Honey

“Going by Dr. Marriott's description, Zoe imagined it to be small and elegant as she peered into dozens of shelves, rummaging through the contents. There were globes and charts and atlases, pocket watches and hand-painted Indian silk, gold-plated cutlery, litter coffers of spice, inlaid combs, silver fasteners, trinket boxes, blown-glass figurines, turn-of-the-century postcards with foreign stamps, and portraits of Victorian authors in elaborate frames. But nowhere did she discover a stone of any kind, with or without runes.”
― Christine Brodien-Jones, The Glass Puzzle

“Ephraim found a stack of postcards tied together with a faded green ribbon. He shuffled through them and found they were from every World's Fair from 1915 in San Francisco to 1939 in New York. None of the postcards hed been written on or mailed.”
― Megan Frazer Blakemore, The Water Castle

“When I was a little girl, I used to sit in that two bedroom chattel house in Barbados and dream about America, the one I saw on the glittered postcards.”
― Charmaine J Forde

“Rummaging through these old, yellowing picture postcards, I find that everything has suddenly become confused, everything is in chaos. Ever since my father vanished from the story, from the novel, everything has come loose, fallen apart. His mighty figure, his authority, even his very name, were sufficient to hold the plot within fixed limits, the story that ferments like grapes in barrels, the story in which fruit slowly rots, trampled underfoot, crushed by the press of memories, weighted down by its own juices and by the sun. And now that the barrel has burst, the wine of the story has spilled out, the soul of the grape, and no divine skill can put it back inside the wineskin, compress it into a short tale, mold it into a glass of crystal. Oh, golden-pink liquid, oh, fairy tale, oh, alcoholic vapor, oh, fate! I don't want to curse God, I don't want to complain about life. So I'll gather together all those picture postcards in a heap, this era full of old-fashioned splendor and romanticism, I'll shuffle my cards, deal them as in a game of solitaire for readers who are fond of solitaire and intoxicating fragrances, of bright colors and vertigo.”
― Danilo KiÅ¡, Garden, Ashes

“The postcard came this morning. A postcard ... there's something touching about that, something from days gone by. The same days gone by to which you belong, where your roots lie, you might say.”
― Herman Koch, Dear Mr. M

“A picture can be taken so quickly, and reproductions of it can be so accurate, that it can be impossible not to see it again and again over the years. After a while, the effect is numbing. I have seen the original Ecstasy of St. Francis many times, and I've also seen it projected in classrooms, in books, and even on postcards. With more popular paintings, the situation is even worse. Paintings like Munch's The Scream and Leonardo's Mona Lisa have been effectively ruined for me. Not only have I forgotten my first encounters with them, which were sometimes intense, but I have almost forgotten that they mean anything”
― James Elkins, Pictures and Tears

“Along a shelf built into the wall over the head of the bed there were candles and vials. Without thinking, I picked one up and opened it. It smelled like honeysuckle, and a little bit like mint. When I set it down, I saw that my fingers were covered in dust. I looked up and saw, through a skylight, the dark barreling clouds. French and English knelt on the bed to look at the postcards, and I got in between them, my eyes traveling from hunting scenes (bare-breasted women on horseback) to Istanbul (dolphins in the Bosporus).”
― Jennifer Croft, The Extinction of Irena Rey