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“In traditional histories, the rise of humanism is usually portrayed as “a good thing,�� but the truth is that the humanists almost managed to destroy 300 years of progress in natural philosophy. By discarding the advances made by medieval scholars together with so many of the manuscripts that contained them, they could have set back the advance of science by centuries. Einstein might have had to do the work of Newton. The reason that progress in science was not so held back (although it arguably didn’t move forward as quickly as it might have done) was that the invention of printing had guaranteed that, if nothing else, the old books were preserved. Most people forgot about them, but a few, like Galileo, used the knowledge found within.”
― James Hannam, God's Philosophers: How the Medieval World Laid the Foundations of Modern Science

“Bosch was not possessed by a deranged spirit but the possessor of a cool, calculating mind. His supreme mastery of the arts is proved by his ability to paint cerebrally constructed devils, of which the component parts each has its own meaning. This, in short, is genius, and modern art historians who see Bosch as a surrealist have been led astray by it. Bosch had a keen eye for the demonic element in what he observed (e.g. in colours and human faces) and he understood and knew exactly how to make use of it and achieve the desired effects.”
― Dirk Bax, Hieronymus Bosch: His picture-writing deciphered