Å·±¦ÓéÀÖ

“All Fergusson's verses, indeed all humanist verse, has within it an eligiac seam; always present beneath the surface is the assumption that the world is imperfect, that it has fallen from grace. As with the disintegrating Tory ideal in the country, there is in Fergusson's poetry an ideal, imagined city of the past, hopelessly toppling as the new Babylon lays down its foundations: city of chaos, dirt, noise, broken communication, luxury, disorder. In essence the poet follows in his representation the timeless humanist imperative, attempting 'to create order out of disorder, and to make sense of life'. Hallow-Fair and Leith Races to a degree make just such a clear demarcation between the two cities of past and present in their thesis - antithesis structures. The two cities embody two different Scottish cultures: Auld Reekie, the pastoral, civilised, humanist culture; and Edina, the Athens of the North, but more often, Babylon, the counter-pastoral, brutal, Whig culture. Hallow-Fair, Leith Races, The Election, The King's Birth-Day in Edinburgh, satirise the new Babylon; the poems of this group celebrate an older Scotland, and Auld Reekie, in the same eligiac vein as The Daft Days. Yet, as we have seen, the poet, at times, undermines too rigorous a humanist position: demarcations are not all that clear; ideals don't always elevate the human codition; the endless wheel of change and creativity, diversity and unrest, may be forging themselves into a new order.”
― F.W. Freeman, Robert Fergusson and the Scots Humanist Compromise