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“It is really a matter of ending this silence and solitude, of breathing and stretching one's arms again.”
― Mark Rothko

“A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer. It dies by the same token. It is therefore risky to send it out into the world. How often it must be impaired by the eyes of the unfeeling and the cruelty of the impotent.”
― Mark Rothko

“But nobody is visually naive any longer. We are cluttered with images, and only abstract art can bring us to the threshold of the divine.”
― Dominique De Menil, The Rothko Chapel: Writings on Art and the Threshold of the Divine

“The Sleeping

I have imagined all this:
In 1940 my parents were in love
And living in the loft on West 10th
Above Mark Rothko who painted cabbage roses
On their bedroom walls the night they got married.

I can guess why he did it.
My mother’s hair was the color of yellow apples
And she wore a velvet hat with her pajamas.

I was not born yet. I was remote as starlight.
It is hard for me to imagine that
My parents made love in a roomful of roses
And I wasn’t there.

But now I am. My mother is blushing.
This is the wonderful thing about art.
It can bring back the dead. It can wake the sleeping
As it might have late that night
When my father and mother made love above Rothko
Who lay in the dark thinking Roses, Roses, Roses.”
― Lynn Emanuel, Hotel Fiesta

“His room was a sickly dual-tone of crimson and charcoal, like an Untitled Rothko, the colours bleeding into each other horribly and then rather serenely. The overall effect was overwhelmingly unapologetic but it grew on you like a wart on your nose you didn't realise it was a part of your identity until one day it simply was. His room was his identity. Fiercely bold, avant-garde but never monotonous. He was red, he was black, he was bored, and he was fire. At least to me he seemed like fire. A tornado of fire that burned all in its wake leaving only the wretched brightness of annihilation. His room was where he charmed and disarmed us. We were his playthings. Nobody plays with fire and leaves unscarred. The fire soon seeps into chard and soot. The colours of his soul, his aura, and probably his heart if he didn't stop smoking.”
― Moonshine Noire

“Profs who go to Knossos to look for books on Phobos or Kronos go on to jot down monophthongs (kof or rho) from two monoglot scrolls on Thoth, old god of Copts - both scrolls torn from hornbooks, now grown brown from mold. Profs who gloss works of Woolf, Gogol, Frost or Corot look for books from Knopf: Oroonoko or Nostromo - not Hopscotch (nor Tlooth). Profs who do schoolwork on Pollock look for photobooks on Orozco or Rothko (two tomfools who throw bold colors, blotch on blotch, onto tondos of dropcloth).”
― Christian Bök, Eunoia

“Tanta istruzione, e non serve a nulla. Nulla può isolare dal più infimo livello del pensiero.”
― Philip Roth, The Human Stain

“The idea of making is the first and the most human of ideas. To 'explain' is always only to describe a manner of making; it is merely to remake by thought. The Why and the How which are simply expressions for what this idea requires, arise in every context, and insist on being satisfied at any price.”
― Ashton Dore