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“I am in between. Trying to write to be understood by those who matter to me, yet also trying to push my mind with ideas beyond the everyday. It is another borderland I inhabit. Not quite here nor there. On good days I feel I am a bridge. On bad days I just feel alone.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“Rich people don’t have to have a life-and-death relationship with the truth and its questions; they can ignore the truth and still thrive materially. I am not surprised many of them understand literature only as an ornament. Life is an ornament to them, relationships are ornaments, their 'work' is but a flimsy, pretty ornament meant to momentarily thrill and capture attention.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“It’s a great honor, m’ijo. We know that. I’m sure everyone in Ysleta is proud of you. But this is who you are," she said, for a moment scanning the dark night air and the empty street. A cricket chirped in the darkness. "God help you when you go to this ‘Havid.â€� You will be so far away from us, from everything you know. You will be alone. What if something happens to you? Who’s going to help you? But you always wanted to be alone; you were always so independent, so stubborn."

"Like you.”
― Sergio Troncoso, From This Wicked Patch of Dust

“I held Angie Luna in that room for hours, and I remember the different times we made love like epochs in a civilization, each movement and every touch, apex upon abyss. In the luxury of our bed, we tried every position and every angle. I explored the curves on her body and delighted in seeing the freedom of her ecstasy. Her desperate whispers and pleas. I told her I loved her, and she said she loved me too. We lay in bed with our limbs entangled, in a pacific silence that reminded me of existing on a beach just for the sake of such an existence. I couldn't imagine the world ever becoming better, and for some strange reason the thought slipped into my head that I had suddenly grown to be an old man because I could only hope to repeat, but never improve on, a night like this. I finally took her home sometime when the interstate was empty, and the bridges seemed to lead to nowhere, for they were desolate too.”
― Sergio Troncoso, The Last Tortilla & Other Stories

“So the Juárez/El Paso area before the recent drug violence was not a bilingual, bi-national, bicultural Zion, but it was one world. One entity. One place. One city where you could live in between worlds, and have the hope of creating something new. A third way to be, not along the border, but on the border.

That is what the violence has destroyed, that unity, however tenuous it ever was. It has destroyed the idea of that unity and the reality of living so uniquely astride an international border. This ‘real ideaâ€� was always a work-in-progress, and for the moment it is lost. Yet that real idea of unity had great value.”
― Sergio Troncoso, Our Lost Border: Essays on Life Amid the Narco-Violence

“I exercised my mental muscles in the library, and lo and behold, I transformed myself from a casual reader into a focused one. So it was more than just free books, but also free space and a culture that reinforced settling down, deep reading, thinking, imagining, and exploring with my mind. I am no doubt a writer today because I had a place to go as a kid, where I knew stories were essential, and where everybody also reveled in the wonder within books.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn’t an INS officer.

I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn’t see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it’s so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“I hated seeing these spasmodic upside-down chicken heads stretching to puncture my flesh. I imagined once that they reached my groin and pecked out my penis and my huevos and kept pecking until they got to my gut and my eyes and my brain, until I was just a pecked-out piece of human meat surrounded by thousands of nervous, dirty white chickens. I think that was about the time I fucked up a pair of chicken heads against a warehouse wall when no one was looking. Well, almost no one. Rueben was right behind me, and that's when he grinned his stupid grin. Maybe he hated the chickens as much as I did. Maybe he just knew que ya me iba también a la chingada. Maybe I was going on my first joy ride to hell and back, and it was fun to watch.”
― Sergio Troncoso, The Last Tortilla & Other Stories

“At Harvard, the strong and savvy and confident thrived, while the nice or shy or quaintly moral were just bit players. In Ysleta, you believed in God because you were poor and needed something to hold on to. At Harvard, you believed in your good luck or bad luck, in all-nighters, in your political savvy.”
― Sergio Troncoso, From This Wicked Patch of Dust

“There's still too much energy leftover at this tomb-desk, on Broadway, when I am semi-asleep at night in our bedroom, struggling to get a good night's rest. There's an overflow of loin energy. It spills out from my pores as if I were a cracked drum of reacting chemicals. I need to work to expend this excess energy in words, stories and books....My mind is a body that's a mind.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“We are not ‘censoredâ€� in the traditional way in the United States: writers are not beaten or killed because of their words, and no Ministry of Truth enforces an official version of what can be printed and thought. But in this culture of images, we are censoring ourselves. That may be more insidious and long-lasting. What I mean is that we disparage long-term complexity, and extol superficiality. We ignore reading, and lavish time on images. To read, in my mind, is to consider and to think. To see an image is to react. What happens when we start believing the world and what is important in it are only these reactions and prejudices? What have you become when the most expected of you is simply to press a ‘Likeâ€� button? What kind of gulag is it when its inhabitants are too stupid to understand they are its prisoners?”
― Sergio Troncoso

“Two weeks ago, Aaron and Isaac, I learned your mother Laura has breast cancer. My heart feels impaled. These words, so useless and feeble. Laura is only thirty-five years old. Her next birthday will be in only three days. I write this letter to you, my sons, with the hope that one day in the future you will read it and understand what happened to our family.

Together, your mother and I have created and nurtured an unbreakable bond that has transformed us into an unlikely team. A Chicano from El Paso, Texas. A Jew from Concord, Massachusetts. I want you to know your mother. She has given me hope when I have felt none; she has offered me kindness when I have been consumed by bitterness. I believe I have taught her how to be tough and savvy and how to achieve what you want around obstacles and naysayers.

Our hope is that the therapies we are discussing with her doctors will defeat her cancer. But a great and ominous void has suddenly engulfed us at the beginning of our life as a family. This void suffocates me.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“Julia, is everything all right?â€� her father said in a raspy voice. “It’s three in the morning, m’ija.â€�

“I’m sorry. I have to talk to you; it’s something very important. Papá, Mamá, I’ve made a decision, and I wanted to share it with you. I’ve decided to convert to the Muslim religion.�

“What?� Pilar screamed. “Are you out of your mind?�

“Julia, what are you saying?�

“I want to be a Muslim. I’ve even chosen a new Muslim name, Aliyah.�

“Julia, are you drunk?�

“No, Papá, I’m not drunk. I’ve thought about this for a very long time. I think it’s the right thing for me, a way to follow God.”
― Sergio Troncoso, From This Wicked Patch of Dust

“But Anja. I hear Anja's voice. Maybe I am insane. I hear her crying. I see her alone in the trees. I remember being alone and humiliated. I remember, too, the fat little boy hiding in the bathroom. And I see this man, Ariane. I see this evil man, Ariane. He laughs everyday still. He has had years of laughter. He has triumphed over the screams of others, he has triumphed with blood on his hands. And he laughs still. God has cursed us! He has either cursed us or He was never here to begin with. We've pretended God was here for our own sanity! That's the truth! We've pretended evil is punished and good is rewarded. A perfect scheme!”
― Sergio Troncoso, The Nature of Truth

“A group of ten prisoners from Dachau, I was with them, we hid in the forest to wait for the Americans. The Germans had already left everything behind. We had food but no weapons. For days we could hear bombs exploding around us. We just wanted to survive long enough for the Americans to control the territory. We didn’t want to die. At that point, our prison uniforms were the only things to keep us from being shot on the spot by the Americans. That was all we had. Who would the Americans believe? Real prisoners or guards dressed as prisoners? Those devils might even say we were the Germans. This was our nightmare.”
― Sergio Troncoso, The Nature of Truth

“Words are the residue that I was there, that I loved my wife, that I kissed my children goodnight, that I sacrificed my life for them. Words are a curse. Life is a curse. Words escape life. Life escapes words. What in God's name am I? How does someone name a God? What is it to name yourself?”
― Sergio Troncoso, Crossing Borders: Personal Essays

“There is a certain pride in work and in your body throbbing beyond any boundaries you imagined you could endure. You identify with those who come home with pieces of pork fat wedged into their boots, with gashes on their arms and legs from their tools and machines, and with black grime etched into the folds of their dark skin.

Too often this country has turned its back on the working class and the working poor, not to mention the undocumented workers who harvest the food for American tables and build our houses.”
― Sergio Troncoso

“A narcissist with power will attempt to prove in the world only what is already in his head. He can't 'see' otherwise. For him, the 'outside world' is not beyond him and does not question or challenge him and his ideas. He is the world. Others will assent to his distorted worldview, because he is powerful, not because he is believable. If he possesses any reflection, that will be exactly what will gnaw at the narcissist with power most of all: his 'truths' are inauthentic, and he is a human being without integrity. The very narcissism and power he possesses prevent him from an ongoing relationship with the truth, which begins with self-humility and the curiosity this can create in a person.”
― Sergio Troncoso

“What happens when we start believing the world and what is important in it are only these reactions and prejudices? What kind of gulag is it when its inhabitants are too stupid to understand they are its prisoners?”
― Sergio Troncoso

“I made many decisions, some awful and others brilliant, but I found ways to keep that openness in my soul that meant more to me than breathing. I told them over the years what I was doing, how I was trying what no one in my family had ever tried to do. When I was failing, I admitted that as well, and they listened politely. I also knew that’s all they could do. One lonely night in Connecticut, I pulled myself from a window’s ledge. No one else next to me. Another day I chose to do something someone like me should have never accomplished, and yet I did, and kept going. I learned to recognize when others, like Jean, were much better than me, because they had faith in my soul. I believed in very little, but I kept going until I would get tired or defeated, and then I would take time to discover another wall to throw myself at. I was, and I am, and I will be, a peculiar kind of immigrant’s son. I got old, and that made everything better, including me.”
― Sergio Troncoso, A Peculiar Kind of Immigrant's Son

“I believe we have reached a point where those of us who belong to this culture of la frontera in Ysleta and El Paso are not content to sit back and watch others tell us who we are. We know who we are, and we ourselves can tell others about what we love and what we fear and what we hate and what can save us. I believe our community has developed that confidence to step forward and start taking responsibility for the many images that are projected in the name of Ysleta and El Paso.”
― Sergio Troncoso, Crossing Borders: Personal Essays

“In this country, not enough of us are crossing borders: We are not a We anymore. This is the central problem our country will have for the next fifty years. If we overcome it and create a new America, we will have many more good chapters of history together as a community. If we don’t, we will begin and accelerate a decline in our country, with ramifications that could unfold over many nightmarish scenarios.”
― Sergio Troncoso, Nepantla Familias: An Anthology of Mexican American Literature on Families in between Worlds

“Turi remembers this strange feeling repeated throughout his life: who he thinks he is in his mind is sometimes not who others see or imagine he can be. This gap never seems to go away. Sometimes this secret self is comforting, for its privacy. Sometimes it is amusing, when he witnesses what crazy assumptions others have of him. Too often this gap is dispiriting, a prison inside of him without any means of escape.”
― Sergio Troncoso, Nobody’s Pilgrims

“I get up in the morning every day because I want to read and see our voices on the page. I want to see them in libraries. I want to be writing stories about our community as a proud Chicano but also as a writer who has expertly crafted stories so that everybody will appreciate a different perspective. I want to show others that we have the ability to tell complex, innovative, even shockingly revolutionary stories that open people’s eyes.”
― Sergio Troncoso, Nobody's Pilgrims

“I believe the root of this strength of will came from my mother and father, from the work they taught me to do in the borderlands, the work that had broken many backs, the work that was a scream against the desert dust, this work that taught me about the song of nothingness in my bones and why the only way to live was to die on my feet.”
― Sergio Troncoso, A Peculiar Kind of Immigrant's Son