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“Being in love (l’amour fou) a pathological variant of loving. Being in love = addiction, obsession, exclusion of others, insatiable demand for presence, paralysis of other interests and activities. A disease of love, a fever (therefore exalting). One “falls�� in love. But this is one disease which, if one must have it, is better to have often rather than infrequently. It’s less mad to fall in love often (less inaccurate for there are many wonderful people in the world) than only two or three times in one’s life. Or maybe it’s better always to be in love with several people at any given time.”
― Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

“During the Bosnian war in the late 1990s, I spent several days traveling around the country with Susan Sontag and her son, my dear friend David Rieff. On one occasion, we made a special detour to the town of Zenica, where there was reported to be a serious infiltration of outside Muslim extremists: a charge that was often used to slander the Bosnian government of the time. We found very little evidence of that, but the community itself was much riven as between Muslim, Croat, and Serb. No faction was strong enough to predominate, each was strong enough to veto the other's candidate for the chairmanship of the city council. Eventually, and in a way that was characteristically Bosnian, all three parties called on one of the town's few Jews and asked him to assume the job. We called on him, and found that he was also the resident intellectual, with a natural gift for synthesizing matters. After we left him, Susan began to chortle in the car. 'What do you think?' she asked. 'Do you think that the only dentist and the only shrink in Zenica are Jewish also?' It would be dense to have pretended not to see her joke.”
― Christopher Hitchens, Hitch 22: A Memoir

“I was not looking for my dreams to interpret my life, but rather for my life to interpret my dreams”
― Susan Sontag, The Benefactor

“Beware of anything that you hear yourself saying often.”
― Susan Sontag

“Nothing can match the elation of the chronically melancholy when joy arrives. But before being allowed to arrive, it must lay siege to the weary heart. Let me in, it mews, it bellows. The heart must be forced.”
― Susan Sontag, The Volcano Lover

“Glory and Performance.
Seen from America and by American intellectuals (Susan Sontag), the denial of reality in European cultures, and particularly in French theory, is merely 'metaphysical' pique at no longer being master of that reality, and the - at once arrogant and ironic - manifestation of that powerlessness. And this is no doubt true. But the converse is also true: is not the bias towards reality among Americans, their 'affirmative thinking', the naive and ideological expression of the fact that they have, by their power, a monopoly of reality?
We do, admittedly, live with a ridiculous nostalgia for glory (the glory of history and culture), but they live with the ridiculous illusion of performance.”
― Jean Baudrillard, Cool Memories V: 2000 - 2004

“To take a picture is to have an interest in things as they are, in the status quo remaining unchanged, to be in complicity with whatever makes a subject interesting, worth photographing-including, when that is the interest, another person's pain or misfortune.”
― Susan Sontag

“Надо ведь двигаться, перемещаться в пространстве. Я не смогла бы год или даже десять месяцев в году жить только в Нью-Йорке. Эта жизнь ведь совершенно искусственная. Хотя - ну и что такого? Следует создать собственное пространство - такое, в котором господствует тишина и где много-много книг.”
― Jonathan Cott

“Let's take a positive view. The mountain is an emblem of all the forms of wholesale death: the deluge, the great conflagration (sterminator Vesevo, as the great poet was to say), but also of survival, of human persistence. In this instance, nature run amok also makes culture, makes artifacts, by murdering, petrifying history. In such disasters there is much to appreciate.”
― Susan Sontag, The Volcano Lover