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“The reader is the space on which all the quotations that make up a writing are inscribed without any of them being lost; a text's unity lies not in its origin but in its destination. Yet this destination cannot any longer be personal: the reader is without history, biography, psychology; he is simply that someone who holds together in a single field all the traces by which the written text is constituted…Classic criticism has never paid any attention to the reader; for it, the writer is the only person in literature…we know that to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author. [Final passage in "The Death of the Author," in Image-Music-Text, by Roland Barthes, Trans. Stephen Heath (1977)]”
― Roland Barthes, The Death of the Author

“In 1925, the central committee of the Soviet Communist party declared that sport should be consciously used "as a means of rallying the broad masses of workers and peasants around the various Party Soviet and Trade Union organizations through which the masses of workers and peasants are to be drawn into social and political activity." Fortunately, people of all nations intuitively tend to resist such exhortations. They know that games remain gloriously pointless and that watching an exciting athletic contest, moreover, can be emotionally almost as exhausting as participation itself—hardly the "passive" experience it is made out to be by the guardians of public health and virtue.”
― Christopher Lasch, The Culture of Narcissism: American Life in An Age of Diminishing Expectations

“Reality TV... The curse of the twenty-first century. Why were people so fascinated by being spectators to other people's lives? Watching people bake cakes, build tree houses, or just invading rich families' living rooms. It was like watching a soap opera without the plot.”
― Adam Rabinowitz, Garage Band