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“River Song: Use the stabilisers!
The Doctor: It doesn't have stabilisers!
River Song: The blue switches!
The Doctor: The blue ones don't do anything, they're just... blue!
River Song: Yes they're blue: they're the blue stabilisers! [presses the button and the TARDIS indeed stabilises] See?
The Doctor: Yeah? Well, it's boring now, isn't it? They're boring-ers! They're blue... boring-ers!
Amy: Doctor, how come she can fly the TARDIS?
The Doctor: You call that flying the TARDIS? [scoffs] Ha!
River Song: Okay, I've mapped the probability vectors, done a foldback on the temporal isometry, charted the ship to its destination and... [presses a button, the cloister bell clangs] parked us right alongside.
The Doctor: Parked us? But we haven't landed!
River Song: Of course we've landed; I just landed her.
The Doctor: But it didn't make the noise.
River Song: What noise?
The Doctor: You know, the... [does an impression of the TARDIS materialisation sound]
River Song: It's not supposed to make that noise. You leave the brakes on.
The Doctor: Yes, well, it's a brilliant noise. I love that noise.”
― Steven Moffat

“Hitler: Thank you, whoever you are. I think you just saved my life.
The Doctor: Believe me... It was an accident.”
― Steven Moffat

“Idris: Are all people like this?
The Doctor: Like what?
Idris: So much bigger on the inside.”
― Neil Gaiman

“Yes,â€� said the Lord Digory, “Its inside is bigger than its outside.â€�
“Yes,â€� said Queen Lucy. “In our world too, a stable once had something inside it that was bigger than our whole world.”
― C.S. Lewis, The Chronicles of Narnia

“The Doctor: You betrayed me. You betrayed my trust, you betrayed our friendship, you betrayed everything I ever stood for. You let me down!
Clara: Then why are you helping me?
The Doctor: Why? Do you think I care for you so little that betraying me would make a difference?”
― Dark Water (Series 8)

“So now it's space and time," he said. "You ever watch Doctor Who on PBS?"
"All the time," she said dryly, "on the BBC. And don't think I wouldn't sell my soul for a TARDIS.”
― Diana Gabaldon, Written in My Own Heart's Blood

“He thought for a second, then spun to Clara. 'Did you say something cruel to the TARDIS while I was getting changed?'
'No! Of course not!'
'Did you call her fat?'
'What?'
'Because she's not fat. She's just bigger on the inside.”
― Tommy Donbavand, Doctor Who: Shroud of Sorrow

“Something pretty bad's happening nearby in the space-time continuum.' the Doctor shouted over the noise. 'The TARDIS is a terrible rubbernecker - like a little old lady, she can't resist slowing down for a gawp at a car crash in the next lane. Bless.'
'This is not slowing down,' bellowed Rory.
'Good point,' agreed the Doctor.”
― James Goss, Doctor Who: Dead of Winter

“Of course, the machinery was also operating on similar frequencies to the TARDIS, so there's a possibility that she had a hand in it somewhere...'

'The TARDIS...' Rose looked at him quizzically.

'Yeah, well, she does like to...interfere sometimes.'

'Right. I wonder where she gets that from.”
― Mike Tucker, Doctor Who: The Nightmare of Black Island

“In the Vortex that lies beyond time and space tumbled a police box that was not a police box.”
― Stephen Baxter, Doctor Who - The Wheel of Ice

“I do think there’s always a way to put things right. If I didn’t believe that I wouldn’t get out of bed in the morning, I wouldn’t eat breakfast; I wouldn’t leave the TARDIS ever. I would never have left home. There is always something we can do.”
― Paul Magrs, Doctor Who: The Stones of Venice

“The bemused Brigadier shook his head. "You and that TARDIS.”
― Peter Grimwade, Doctor Who: Mawdryn Undead

“DOCTOR: Oh. My, God! Oh, it's bigger!
RIVER: Well, yes.
DOCTOR: On the inside,
RIVER: We need to concentrate.
DOCTOR: Than it is
RIVER: I know where you're going with this, but I need you to calm down.
DOCTOR: On the outside!
RIVER: You've certainly grasped the essentials.
DOCTOR: My entire understanding of physical space has been transformed! Three-dimensional Euclidean geometry has been torn up, thrown in the air and snogged to death! My grasp of the universal constants of physical reality has been changed forever.”
― The Doctor

“Gonna have to give myself a mental enema when we get back to the TARDIS.”
― Mike Tucker, Doctor Who: The Nightmare of Black Island

“At least I could relate to Rose’s sense of adventure and Harriet Jonesâ€� wacky determination and ingrained sense of responsibility. I can stomach the Tardis when my heroines are in place.”
― Chila Woychik, On Being a Rat and Other Observations

“With how you were reacting to that glamour, I'll have to keep an eye on you. Otherwise the next time I see you, you'll probably have a Doctor Who tramp stamp.

For one awkward second, I realized that the only way Suzume could possibly look hotter to me was if she had a tattoo of the TARDIS on the middle of her lower back. I was profoundly grateful in that moment that the kitsune were unable to read minds.”
― M.L. Brennan, Iron Night

“So, this Doctor Who guy travels to different galaxies in the TARDIS thing?" There was only silence on the line, so as always, I felt the need to fill it. "Because it's not very aerodynamic, and it doesn't seem like it's built to withstand the pressure of zero gravity”
― N.R. Walker, Taxes and Tardis

“Truth in the heart of heresy”
― The Doctor

“Maxwell Arbus was the reason Saul lost an eye?"
"Yes," Millie answers stiffly. "But that was a long time ago. Saul has moved on. So have I."
Whatever checks I'd held on my emotions shatter.
"Moved on?!" Whirling around, I storm at Millie, waving my arms like a maniacal marionette. "I don't care if it was so long ago we could only get with a TARDIS! There is no moving on because it's happening right now!”
― Andrea Cremer, Invisibility

“As TARDIS comes to rest, the only sound, its insistent hum, seems to fill the space entirely, and then this too is lost as the viewer is thrown outside, no longer a
participant, but forced into the detached role of observer: the police box now sitting at a tilt in a dark and barren alien landscape accompanied by the chilling audionaturalism of wind noise [...] In the silence of electronic sound, the audience ejection is experienced as sudden sensory deprivation, making the impression of das unheimliche
the dominant one. Again the fourth wall is breached, this time a figure cuts between us and the ship, carrying a spear rather than a torch, his shadow lengthening impossibly across the landscape towards TARDIS. When the end titles and signature start up, the eerie recognition threatens to become full blown horror as if the music,
having transported us here, is now leaving us to face an awakening of our repressed pasts. Next week, the titles inform us, THE CAVE OF SKULLS.”
― Dene October, Mad Dogs and Englishness: Popular Music and English Identities