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“Wear your heart on your skin in this life.”
― Sylvia Plath, Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts

“Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.”
― Henry David Thoreau, Walden

“Sometimes you have to go a little crazy before you can find sanity. I think I'm close.”
― Tawny Lara

“There's something really the matter with most people who wear tattoos. There's at least some terrible story. I know from experience that there's always something terribly flawed about people who are tattooed, above some little something that Johnny had done in the Navy, even though that's a bad sign...It's terrible. Psychologically it's crazy. Most people who are tattooed, it's the sign of some feeling of inferiority, they're trying to establish some macho identification for themselves.”
― Truman Capote, Conversations with Capote

“Tattoos are a permanent commitment of passion”
― Tawny Lara

“The childish and savage taste of men and women for new patterns keeps how many shaking and squinting through kaleidoscopes that they may discover the particular figure which this generation requires to-day. The manufacturers have learned that this taste is merely whimsical. Of two patterns which differ only by a few threads more or less of a particular color, the one will be sold readily, the other lie on the shelf, though it frequently happens that after the lapse of a season the latter becomes the most fashionable. Comparatively, tattooing is not the hideous custom which it is called. It is not barbarous merely because the printing is skin-deep and unalterable.”
― Henry David Thoreau, Walden and Other Writings

“He had seen her painted sign by the road: Skin Illustration! Illustration instead of tattoo! Artistic!”
― Ray Bradbury, The October Country

“You don’t choose your tattoo design, your tattoo chooses you!”
― Shirin Naghashlou

“In tattooing, linework is arguably the most important element. Lines form the basis of our sketches and the stencils used to apply the artwork to the skin.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Grapefruits are inexpensive, readily available and have enough surface area to accomplish some nice designs. The skin of a grapefruit is easily punctured but tough enough to hold up to multiple needle passes. Tattooing grapefruits gives you valuable experience in the feel of the machine, strengthens your hand, aids in understanding needle depth and speed before you approach a real client. Bonus; you have a snack when you are done!”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Contrast between textured areas and smooth areas in a tattoo can help direct the viewer’s eye to the most important elements. Highly textured areas will draw the eye and feel ‘closerâ€� to the viewer than areas with smooth or solid elements. Same goes for highly detailed areas vs. more blurred and soft areas.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Emphasis is when we use art elements to accentuate a focal point or center of interest. This important principle helps us avoid things looking dull and muddled by giving the viewer a place to anchor their eyes temporarily.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“When composition is good, you don’t really notice it, but you definitely notice when compositional elements are ignored. An artwork will seem unsuccessful or ‘wrongâ€� to you, even if you don’t know why.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Tattoos “readâ€� better with one main idea while too many elements can tend to muddle up a piece.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Don’t forget that the borders of a tattoo can create an implied line, too. You can dispel this look by making tattoo edges fade into the skin.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Minimize, or tone down, other compositional elements in order to bring attention to the focal point. Backgrounds can be made lighter or darker in value, crisper or softer in focus, or textured or not textured, to lend support to where you want the eye to go.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Tattooers could decide to mix their own ink. However, I believe choosing tattoo ink from well-established companies who supply ink to the public, use safe handling practices, and regularly test their ink, is an excellent choice.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“Knowing when to turn your power up or down comes with cautious experimentation. Remember, that when you adjust the power supply setting you must compensate by adapting hand speed, pressure and hand movement to avoid damage to the client’s skin.”
― Shelly Dax, The Tattoo Textbook: Escape the Grind, Do What You Love, and Launch Your Kick-Ass Tattoo Career

“What are tattoos really, but scars of our own choosing?”
― Jeanette LeBlanc