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“The novel was born with the Modern Era, which made man, to quote Heidegger, the "only real subject," the ground for everything. It is largely through the novel that man as an individual was established on the European scene. Away from the novel, in our real lives, we know very little about our parents as they were before our birth; we have only fragmentary knowledge of the people close to us: we see them come and go and scarcely have they vanished than their place is taken over by others: they form a long line of replaceable beings. Only the novel separates out an individual, trains a light on his biography, his ideas, his feelings, makes him irreplaceable: makes him the center of everything.”
― Milan Kundera, Encounter

“Writing a novel is a bit like making a sword. First, you take all the raw material and melt it down in a crucible, then you take it to the anvil and hammer out as many of the impurities as possible before folding and turning the whole thing over on itself and hammering it out again. The more often you can fold it over and incorporate another layer the stronger it will be. Finally, put an edge on it, give it a handle to show to the world, and the job's done. The result should be something flexible and elegant; perfectly balanced, of suitable length and, above all with a point to it.”
― Robert Parry

“If a novel's salient aim is virtue, I want to throw it against the wall.”
― Cynthia Ozick

“Like the moon, the novel is a symbol and a necessary reality. Ideally it serves neither gods nor masters. Philosopher’s stone, it sublimates, precipitates, and quickens. House of Keys, it opens all our darkest doors. May the Pol Pot Persons of all genders and denominations take heed: to create a fictional world with rigor and passion, to imagine a character of any sex, place, time, or color and make it palpitate and quiver, to catapult it into the deepest forests of our most luminous reveries, is to commit an act of empathy. To write a novel of the imagination is a gesture of tenderness; to enter the body of a book is a fearless act and generous.”
― Rikki Ducornet, The Monstrous and the Marvelous

“Get thee to the novel! - the novel, that word-woven submarine, piloted by intimation and intuition, that will dive you to the deeps of the heart's maelstrom.”
― Cynthia Ozick, The Din In The Head

“An author's extraliterary utterance (blunt information), prenovel or postnovel, may infiltrate journalism; it cannot touch the novel itself. Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea. The art of the novel (worn yet opulent phrase) is in the mix of idiosyncratic language - language imprinted in the writer, like the whorl of a fingertip - and an unduplicable design inscribed on the mind by character and image. Invention has little capacity for the true-to-life snapshot. It is true to its own stirrings.”
― Cynthia Ozick

“To be fair to them, they were only after something that walled them off from the past and from people in general, not something that offered any connection that might prove painful or human. Thet wanted stories, I came to realise, in which they were already imprisoned, not stories in which they appeared along with the storyteller, accomplices in escaping.”
― Richard Flanagan, Gould's Book of Fish: A Novel in Twelve Fish

“There was no great novel of the nineties. The last major books came out in the eighties, and they were Blood Meridian and then I’d say White Noise by Don DeLillo, who very well might have seen where everything was heading and whose work then articulated it all very well.”
― A.D. Aliwat, In Limbo

“There was no great novel of the nineties. The last major books came out in the eighties, and they were Blood Meridian and then I’d say White Noise by Don DeLillo, who very well might have seen where everything was heading and whose work then articulated it all very well.”
― A.D. Aliwat, In Limbo

“It's both an alternative history of the novel and a history of the alternative novel.”
― Steven Moore, The Novel: An Alternative History: Beginnings to 1600